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The Renaissance 1450-1527

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Title: The Renaissance 1450-1527


1
The Renaissance 1450-1527
  • Unit EQ
  • Why does the Renaissance mark the beginning of
    the modern era?

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What are the indexes of modernity?
  • Pressures for increased democracy
  • Loosening of old customs
  • Questioning of ancestral religions increased
    secularization
  • Demands for individual liberation
  • Expectation of a higher standard of living
  • Drive for more equality (gender, race, class,
    religious, nationalities)
  • Elaborate means of transportation and
    communication
  • Advanced science, medicine, hygiene, agriculture
  • Sophisticated means for fighting or negotiating
    peace
  • Complex networks of finance and trade

4
Open the door and a few flies come in - Deng
Xiaoping on Chinas modernization
5
Renaissance the 5 Ws
  • WHAT?
  • WHEN?
  • WHERE?
  • WHO?
  • WHY?

6
WHAT was the Renaissance?
7
The Late Middle Ages Cathedrals
8
After 1450 Humanism revived
9
Renaissance Ideals
  • Humanism
  • - Individualism
  • - Secularism
  • -Materialism
  • virtu Civic Humanism applying humanist
    values to the improvement of public virtue
  • Expectation of a
  • better life in this world
  • for future generations
  • Humans have power to improve and achieve
  • progress

10
Civic humanism
11
Essential UnderstandingTime, Continuity Change
  • Medieval legacies
  • Renaissance departures

12
WHEN? A Movable Feast
13
The Late Middle Ages Prelude to the Modern
World 1100-1350
  • Magna Charta, 1215 limits the arbitrary rule of
    monarchs
  • Cities emerge around cathedrals and universities
  • Scholasticism revives the study of logic and
    reason
  • Trade picks up between Italy and the non-western
    world
  • prelude beginning that transitions to a main
    event

14
Medieval legacies Renaissance
departures(5th 14th C)
(15th 18th C)
  • Although the elements of continuity are
    clear, the characteristic outlook of the Middle
    Ages was as different from that of the modern age
    as it was from that of the ancient world
  • Human intellect/reason CAN interpret the natural
    world through science
  • Nature is a unified field, not a hierarchical one
  • Nationalism replaced personal feudal
    allegiances
  • Science and possibility of human progress replace
    faith and a sinful individual
  • In innumerable ways todays world is linked to
    the Middle Ages
  • Technological lead of the West
  • Higher law of God
  • Sacred worth of individual
  • The ideal of the noble warrior
  • Government by consent and rule by law (Magna
    Charta, 1215)

15
Medieval legacies Renaissance
departures(5th 14th C)
(15th 18th C)
  • Although the elements of continuity are
    clear, the characteristic outlook of the Middle
    Ages was as different from that of the modern age
    as it was from that of the ancient world
  • In innumerable ways todays world is linked to
    the Middle Ages

16
WHERE city states and principalities of
the Italian peninsula
  • Continuous trade with the Mediterranean world
  • during the Middle Ages
  • Urban centers emerge
  • Commercial classes in city states emerge as a
    vibrant force, patronize art
  • Greek scholars flee there
  • after 1453
  • Legacy of Romes glory
  • and civic pride

17
WHO?
  • Humanist scholars
  • Wealthy patrons
  • Philosophers
  • Historians
  • Artists and poets
  • Government officials civil servants

18
WHOPetrarch, Bruni, Valla, Mirandola
Humanists create A New Set of Values
  • Transition from Scholasticism to philology and
    liberal arts
  • Revival of classical texts, Latin language, Greek
    philosophy from Byzantine Empire after 1453
  • Use of objective historical analysis
  • Intellectual curiosity glorified

19
WHY IMPORTANT?Renaissance ideals live on in the
indexes of modernity
  • Respect for dignity of the individual and
    liberty
  • Science replaces faith as source of material
    knowledge
  • Expectation of a decent standard of living and
    growth of middle class
  • Diplomacy and balance of power deployed
  • Centralized state authority serves as a buffer
    against feudalism and disorder

20
What needs to be explained is not the existence
of a Leonardo or a Michelangelo but their
co-existence - KGO
21
What are the indexes of modernity?
  • Pressures for increased democracy
  • Loosening of old customs
  • Questioning of ancestral religions increased
    secularization
  • Demands for individual liberation
  • Expectation of a higher standard of living
  • Drive for more equality (gender, race, class,
    religious, nationalities)
  • Elaborate means of transportation and
    communication
  • Advanced science, medicine, hygiene, agriculture
  • Sophisticated means for fighting or negotiating
    peace
  • Complex networks of finance and trade

22
Medieval Renaissance painting compared
  • Subject matter
  • Purpose
  • Techniques

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The RenaissanceA New Age by Self-Assertion
25
Gothic Cathedrals
  • Long naves to the alter
  • Flying buttresses for support
  • Stained glass windows
  • Statues of saints
  • Towns grow up around the cathedrals

26
Brunelleschi -revived classical elements -
synthesizes classical architecture with gothic
cathedral structure
27
Prague, Czech Republic
Florence, Italy
28
Alberti
  • A building, like a body, needs an even number of
    supports and like a head, an odd number of
    openings

29
Painting Medieval versus Renaissance
30
Massacio The Expulsion of Adam And Eve (ca.
1425) -used shading to create light and
shadow -used linear persepctive
31
Classical themes admired architecture, heroes,
education.
32
Massacio linear persepctive
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Leonardo da Vinci
  • Sfumato
  • Chiarrascurro

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The creation of naturalism.
  • Proportionality
  • Humanistic subject matter
  • Meticulous observation of what occurs in nature
  • Mathematical perspective to create the illusion
    of 3 dimensionality

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Raphaels The Three Graces
  • Emphasis
  • on beauty

39
Botticellis Birth of Venus
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Individualism
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Materialism and luxury The beginning Of the
Bourgeoisie Urban upper Middle class
44
Two different visions of sculpture
45
Two different visions of scultpture
  • Gargoyle on cathedral, Michelangelos Pieta,
  • Medieval Renaissance
  • Abstract Naturalistic
  • Spiritual only Humanistic
  • Embedded in cathedral Free-standing

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Donatello
  • Revived free-standing sculpture
  • Studied human anatomy

48
Renaissance sculpture
  • Contraposto
  • Free-standing
  • Proportional
  • anatomy studies and mathematics
  • Bold attitude
  • PURPOSE naturalism as a metaphor for humanism

49
The Middle Ages A Dark Age ?
50
The RenaissanceA New Age by Self-Assertion
51
15th century society
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The Gate to The Market, Krakow, Poland
60
Continuity.and..Changein Renaissance Society
  • Agriculture and rural society predominate
  • Family relationships most important
  • Importance of the church in daily life
  • Patriarchy
  • Disparity rich/ poor/small middle class
  • Short life expectancy
  • The Great Chain of Being dominates religious
    values beleifs
  • Revival of cities
  • More consumer goods available to all
  • More luxury goods available to some
  • Expectation of a better SOL for future
    generations emerges
  • Beginning of the bourgeoisie (middle class)

61
Medieval v. Renaissance ideals
  • MEDIEVAL LIFE
  • Christianity central to society, culture, and
    education
  • Strict feudal hierarchy
  • Decentralized authorities
  • Local, agrarian economies
  • and customs (the lords manor)

62
Classical Mythology
63
Medieval v. Renaissance ideals
  • MEDIEVAL LIFE
  • Christianity central to society, culture, and
    education
  • Strict feudal hierarchy
  • Decentralized authorities
  • Local, agrarian economies
  • and customs (the lords manor)

64
SUBJECT MATTERSACRED, SECULAR, AND CLASSICAL
65
Classical humanism in art
  • Revered both secular and sacred subjects
  • Used Greek and Roman art as models
  • Heightened awareness of individualism, beauty,
    the dignity of man
  • Used the human form as a metaphor for the
    potentiality and power of the human mind
  • Required the support of wealthy patrons

66
Renaissance HumanismEmphasized
  • Reverence for Classical civilization
  • Beauty of human mind and body
  • Civic humanism Power of individual to improve,
    excel and create progress
  • A liberal arts education was the means to
    individual fulfillment and social progress

67
Materialism and luxury
68
DOC. 1
DOC. 2
69
Objective Studies of Nature and Objects The
Hare by Albrecht Durer
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74
What was Italy in the 15-16C?
  • Many city states and kingdoms
  • No centralized authority
  • to create a unified Italy
  • While still mostly rural, the Italian peninsula
    was the most urbanized place in Europe
  • Condotierri and diplomats were the regulators of
    the balance of power
  • Trade continued throughout the Middle ages

75
What were the characteristics ofItalian city
states?Florence
76
The Medicis
  • Began as merchants then took capital went into
    banking
  • Became powerful politicians and married into
    royal and papal families
  • Lorenzo builds a library of classical works,
    patronizes artists
  • Cosimo attempts (but does not succeed) in
    bringing order to Florentine politics

77
Venice La Serenissima
  • First global mercantile empire
  • Served as conduit between west and the orient
    throughout late Middle Ages
  • Aspired to republican glory through the Doge and
    the Great Council

78
Balance of power and diplomacy used to prevent
hegemony among the Italian city statesorigins
of modern international relations.
79
The Ambassadors by Hans Holbein
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81
Baldassare Castiglione
  • Let the man we are seeking be exceedingly
  • fierce, harsh, and always among the first,
    wherever the enemy is and in every other place,
    humane, modest and reserved

82
The Prince as the Agent of Change
  • Every prince must desire to be considered
    merciful and not cruel. He must, however, take
    care not to misuse this mercifulnessA prince,
    therefore, must not mind incurring the charge of
    cruelty for the purpose of keeping his subjects
    united and faithful

83
Machiavelli v. Castiglione
  • What are ethics? Do ethics have a place in
    political leadership?
  • Is it better to be feared than loved?
  • What is the most effective type of leadership?

84
Machiavellis Legacy
  • Do the ends justify the means?
  • Conflict of western values
  • -is the state more important than the
    individual?
  • -is order and stability more important than
    individual rights?
  • Is politics divorced from ethics?
  • Politics as a science
  • -leaders can study what worked in the past as
    a guide to policy
  • -leaders must pursue pragmatic policies, not
    ethical ideals

85
Two visions of Civil SocietyMachiavelli Castigl
ione
  • The ends justify the means
  • Politics is separate from Christian ethics
  • The prince should prefer fear to love as a tool
    of government
  • Centralized authority is preferable to feudalism
  • Leaders should do what is effective, not ideal
  • Leaders are role models and should act
    accordingly to inspire their people
  • Ideals DO matter in government
  • The Prince should cultivate his character to
    improve his rule
  • Rulers should be intellectually curious

86
Two visions of Effective LeadershipMachiavelli
Castiglione
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1453, Seige of Constantinople
  • Greek scholars come to Italy
  • Mediterranean monarchs sponsor new trade routes
    to avoid trade with Muslim Constantinople
  • Atlantic becomes new market
  • in global trade

90
Fall of Rome 1527 Second turning point
  • End of Italian Renaissance
  • Diffusion of Renaissance
  • ideals to Northern Europe
  • End of Italian political
  • power until unification in 1870

Connections to Machiavelli political
philosophy????
91
Northern Renaissance
  • Emphasis on Christian
  • Humanism and piety
  • Photographic-like naturalism
  • Nature and bible themes

92
The Northern Renaissance and Christian Humanism
lay the foundations for Martin Luthers 95 Theses
and the Reformation
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Understand the Question
  • Describe the various values and purposes of
  • Renaissance education.
  • Analyze the extent to which these values and
  • purposes were transformed and challenged over
  • times

95
Document 7
  • At least twice a year...not only for learning
  • the liberal arts, but also the fear of God,
  • virtue and discipline
  • From the School of Ordinances of
  • Wurttemberg, Germany,
  • 1559

96
Northern RenaissanceHumanistic Art,
Christian Subject Matter
97
Document 12
  • Percentage of Justices of the Peace
  • Who attended University (by county)
  • Date Kent Northamptonshire Somerset

98
The value of the individual as represented
through portraiture
99
Intellectual Curiosity Encouraged, Scholars
revered, Latin, Universal Language of
Scholars Erasmus of Rotterdam, Christian
Humanist (by Hans Holbein)
100
Sir Thomas More, Christian Humanist
of England Painted by Hans Holbein
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