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Cultural Strategies and Urban Regeneration

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Title: Cultural Strategies and Urban Regeneration


1
CULTURAL STRATEGIES AND URBAN-REGIONAL
REGENERATION
John Lovering School of City and Regional
Planning Cardiff University
2
The prehistory of cultural regeneration
  • C20th Urbanism- the tradition of exploring the
    connections
  • Benjamin
  • Gramsci
  • Munford
  • Peter Hall
  • The C21st notion of urban culture as something
    that policy makers can and should - induce
  • Richard Florida The Creative Class

3
The academic background the rediscovery of
culture
  • The cultural turn in the social sciences
  • Culture/civil society as the medium of economic
    interdependencies (Granovetter, etc.
    A.J.Scott/UCLA school..)
  • Cultural specificity and the varieties of
    capitalism (Albrecht, David Coates)
  • The idea of a late C20th new phase of
    capitalist development centred on the
    commodification of space (H.Lefebvre) and of
    signs (F.Jameson)

4
The new policy orthodoxy favouring the cultural
industries
  • The early 1990s
  • the notion that advanced (western) economies are
    driven by symbolic analysts (Robert Reich),
    i.e. the cultural industries broadly
    interpreted
  • The idea of global cities as post-industrial
    (Sassen, Castells, Tony Travers London)
  • The mid 1990s
  • the fashion for the weightless economy (Geoff
    Mulgan, Tony Giddens)
  • The early 2000s
  • the idea that cultural industries in particular
    are particularly important and should receive
    special favours from policy makers (taken up by
    Blair government, CEC, and theorised by R.Florida)

5
The Consultants move in on the act..
  • The new policy formula
  • Culture Cultural Industries the new Creative
    Class Innovation, dynamics, pluralism
  • So urban regeneration should mean measures
    that include promoting Cultural Industries

6
The new cultural instrumentalism
  • the use of culture as an instrument for
    achieving wider social and economic goals is
    nowhere more apparent than in cities
  • R.Griffiths (2006) Evidence from the competition
    to select the European Capital of Culture 2008
    European Planning Studies 14

7
The new global urban policy discursive orthodoxy
  • The rhetoric of urban renaissance cities are
    back (Michael Parkinson)
  • Cool, relaxed, creative, prosperous, competitive
    (Richard Florida)

8
The British Government agrees
9
The new culturalist sophistry (the world
according to Richard Florida.
10
The governance dimension proliferation of urban
policy makers
  • The New Regionalism blurs into the new
    City-regionalism
  • Scott, Storper, Soja, etc there are 300 city
    regions
  • And the related rise of the Urban-Regional
    Service Class
  • Together give rise to a a fashion for global
    benchmarking comparison of simple statistics
    for urban policy

11
Consultants, and their clients, love making up
lists
12
(No Transcript)
13
Culture-led regeneration and symbolic policy
14
The economic effects
  • Experience has been ambivalent e.g.
  • Promotion of arts festivals short term tourist
    boom
  • Promotion of arts districts main effect a
    real estate boom (Barcelona, London, Dublin..)
  • Many displacement effects (from indigenous to
    imported/commodified culture, and from local to
    imported artists/performers) (the Galata project?

15
The labour market effects
  • Culture-led development is not automatically
    beneficial
  • cultural industries tend to be even more
    elitist in employment terms than industries in
    general
  • e.g. London ethnic minority pop 40,
  • E.Ms in cultural industries 11

16
The social effects
  • Encouraging cultural industries can often
    merely accelerate Gentrification
  • Globalisation of modes of consumption
  • The Starbucks phenomenon
  • Exacerbating social divisions?
  • (A paticularly hideous example April 2006 The
    Rolling Stones play China rock n roll for the
    rich

17
The paradoxical cultural effects
  • The ambivalence of instrumentalist policies for
    culture
  • Who chooses them?
  • What groups are involved in networks?
  • Where does the investment come from?
  • Common hazards
  • Creation of identikit portable indicators of
    culture (festivals, modern art galleries,
    promotional advertising etc what the other
    cities have got we must have too

18
Some other aspects of the emphasis on urban
cultural strategy
  • A fetish for the Visual
  • Neoliberalism and The Spectacle (Debord inverted)
  • Remaking Cities for the Gaze
  • (Daniel Bahrenbohms 2006 Reith Lectures)
  • A magnet for municipal politicians, marketers,
    the articulate arts/culture community,
    convergence with tourism and real estate
    interests
  • boosterism

19
Nevertheless, its' global
20
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21
Famous (UK) successes.. Manchester
22
Cultural icons of urban regeneration - London
23
Much exaggerated - Bilbao
24
Dubious - Cardiff
25
Where becoming European Capital of Culture
encourages property-development driven
regeneration Liverpool
26
The central dilemma
  • City planners have few real economic powers
  • Yet they increasingly have to act as if they do
    urban-regional policy autonomy (a central
    component of the global neo-liberal policy
    orthodoxy)
  • So they are under pressure to focus efforts of
    high-visibility activities
  • Policy is influenced by the Urban Service Class
    including many cultural layers
  • Nothing is more high visibility than culture
  • hence the slippage towards boosterism

27
Common consequences
  • Diversion of public resources , esp. via
    planning, to activities which in reality have
  • Minor economic significance
  • Limited and uneven employment effects
  • Unclear sustainability
  • Ambivalent impact in terms of social inclusion
  • (equality of respect - Richard Sennett)
  • BUT
  • Have high visibility
  • Are supported by and satisfy the most articulate
    and media-savvy elites (the Begolu
    Bourgeoisie?)
  • And converge with real estate interests the key
    drivers of C21st urban regeneration

28
An alternative conceptualisation of the Cultural
Industries
  • Layer 1 everyday commodified popular culture
    (the play economy)
  • Determinants Private corporations, market
    regulation
  • Layer 2 Formal arts and culture
  • Determinants Publicly subsidised facilities and
    organisation
  • Layer 3 Related to Boosterism/Property
    development (typical examples new sports stadia,
    casinos, galleries, conference centres)
  • Determinants Speculators assessments, boosterist
    coalitions
  • (J.Lovering (2006) Capital City University of
    Wales Press)

29
So, cultural strategies and urban regeneration,
rethinking the theory
  • Much hype causal directions ambiguous
  • E.g. Florida do tolerant cities attract
    creative people and cultural industries or is
    it the other way round? Floridas theory begs
    the real questions
  • The economics of urban cultural strategies in
    reality is mostly about enabling real estate
    development
  • (e.g. London-Olympics 2012)
  • The politics of urban cultural strategies in
    reality tend to be mainly symbolic
  • to demonstrate visibly that the authorities are
    performing regeneration

30
The cultural ironies of culture-led regeneration
  • Much (most?) culture-led urban regeneration is
    neither cultural nor about regeneration
  • But it is a globally convenient title for the
    (partisan) commodification of space and place
  • The Starbuckisation of the planet?
  • E.g. Londons Canary Wharf a US-style office
    paradise but very suburban at street level..

31
(No Transcript)
32
The new culturalist economic analysis an
American bias?
  • . ..few have doubted that the fundamentals of
    the US model its enterprise culture, lightly
    regulated labour market competition between
    states and regions, world class science
    openness to migrants .. provide the best
    strongest position for competitiveness over the
    next generation
  • Florida and Tingali (2004) Europe in the
    Creative Age
  • actually, many doubt it
  • The analysis also often exaggerates the
    importance of private Service Sector industries
    in cities

33
What the consultants never tell you most of the
new jobs in UK cities have come from the public
sector
34
In reality its not so simple even London still
has nearly 300,000 in manufacturing
35
Concluding thoughts The European Capital of
Culture
  • 1 How to win it
  • Emphasise social inclusion, and the expression
    of local identity
  • E.g. Liverpool magnet for transatlantic
    migration
  • Bristol the world in one city
  • ( same as Londons Olympic bid discourse)
  • Promise to build bridges between communities
  • Produce much publicity displaying happy diversity
    (ethnic, gender, age etc)

36
2 but dont expect too much from it
  • I Culture here is narrowly defined (by whom?)
  • There is little sign.. of culture being viewed
    as a medium for collective emanciptaion, of
    culture s a file oppositional of struggle and
    resistance, of culture as a source of identities
    (Griffiths 2006)
  • II little recognition that the main economic
    impact of culture-led regeneration is usually
    from
  • (1) commodifying place (e.g. image and tourism)
  • (2) real estate - gentrification

37
Worrying signs in Istanbul
  • Becoming European Capital of Culture 2010 will
    (according to www.istanbul2010.org)
  • Boost urban renewal and create jobs (2/14)
  • Boost tourist visitors and the brand (6/14)
  • Make Istanbullis more art conscious and proud
    of their city (2/14)
  • Demonstrate Istanbul's European significance
    (2/14)
  • Implications? Dont hope for too much (unless
    you are a hotelier or real estate agent)

38
Summary not culture-led regeneration but an
explicit cultural strategy
  • Panglossian claims (a la Richard Florida) are
    usually based on
  • Little evidence
  • Muddled causalities
  • US-centric visions of urbanism
  • Neo-liberal assumptions about urban development
  • 2 A cultural strategy should be just that have
    explicit cultural goals, not be a disguised real
    estate/tourism strategy
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