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SHAKESPEARE

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Title: SHAKESPEARE


1
SHAKESPEARES LANGUAGE
2
Shakespeares English
  • Shakespeare did not write in Old English or
    Middle English.
  • Shakespeare wrote in Early Modern English.
  • Early Modern English is only one generation of
    language from the English you speak today!

3
Shakespeares English
  • In the England of Shakespeare's time, English was
    a lot more flexible as a language.
  • The most common simple sentence in modern English
    follows a familiar pattern Subject (S), Verb
    (V), Object (O). (Will caught the ball).
  • However, Shakespeare was much more at liberty to
    switch these three basic components
  • Shakespeare used a great deal of SOV inversion
    (Will the ball caught).

4
Shakespeares English
  • Switching the S-V-O order to S-O-V made it easier
    for Shakespeare to rhyme and to manipulate his
    words to flow easily in poems and plays.
  • Shakespeare could effectively place the metrical
    stress wherever he needed it most by switching
    word order
  • Shakespeare also used an O-S-V construction (The
    ball Will caught) for the same reasons.

5
Inverted Word Order
  • Lady Montague
  • O where is Romeo, saw you him today?
  • Right glad I am he was not at this fray.
  • Translation
  • O where is Romeo did you see him today?
  • I am very glad he was not in this fight.

6
Inverted Word Order
  • Thou hast by moonlight at her window sung.
  • Translation
  • You have sung at her window in the moonlight.
  • From A Midsummer Nights Dream

7
Review
  • Form Physical structure of the poem the length
    of the lines, their rhythms, their system of
    rhymes and repetition
  • Meter Basic rhythmic structure of a verse or
    lines in verse
  • Rhyme Similarity of sounds between words

8
Shakespeares Language in Plays
  • The language used by Shakespeare in his plays is
    in one of three forms
  • Prose
  • Rhymed Verse
  • Blank Verse

9
Prose
  • Prose is writing which resembles everyday speech
  • Prose is often used by Shakespeare for
    lower-class characters in his plays
  • Prose lacks meter and rhyme and is informal
  • Shakespeare blends prose with poetry in his plays

10
Rhymed Verse
  • The majority of Shakespeares plays contain
    rhymed verse which looks like poetry
  • Characters especially of the higher
    classes--speak in poetic form
  • Rhymed verse has form, meter, and rhyme
  • Rhymed verse in Shakespeare's plays is usually in
    rhymed couplets, i.e. two successive lines of
    verse of which the final words rhyme with
    another.
  • A Heroic couplet is a couplet in iambic
    pentameter.

11
Iambic Pentameter
  • Iambic pentameter is meter that Shakespeare
    nearly always uses when writing in verse. Most of
    his plays were written in iambic pentameter.
  • Iambic Pentameter has
  • Ten syllables in each line
  • Five pairs of alternating unstressed and stressed
    syllables
  • The rhythm in each line sounds like ba-BUM /
    ba-BUM / ba-BUM / ba-BUM / ba-BUM

12
Iambic Pentameter Example
  • Examples of Iambic Pentameter
  • If mu- / -sic be / the food / of love, / play on
  • Is this / a dag- / -ger I / see be- / fore me?
  • Each pair of syllables is called an iamb. Each
    iamb has one unstressed and one stressed beat
    (ba-BUM).

13
Rhymed Verse in Iambic Pentameter
  • Love looks not with the eyes, but with the mind
  • And therefore is winged Cupid painted blind.
  • Nor hath Love's mind of any judgment taste
  • Wings, and no eyes, figure unheedy haste
  • And therefore is Love said to be a child,
  • Because in choice he is so oft beguiled.
  • - from A Midsummer Nights Dream

14
Blank Verse
  • Blank verse refers to unrhymed iambic pentameter.
  • resembles prose in that the final words of the
    lines do not rhyme in any regular pattern
  • There is meter a recognizable rhythm in a line
    of verse consisting of a pattern of regularly
    recurring stressed and unstressed syllables. 
  • Most lines are in iambic pentameter.

15
Blank Verse
  • BLANK VERSE is employed in a wide range of
    situations because it comes close to the natural
    speaking rhythms of English but raises it above
    the ordinary without sounding artificial
  • Rather than prose, blank verse may suggest a
    refinement of character.
  • Many of Shakespeare's most famous speeches are
    written in blank verse.

16
Blank Verse Example
  • ROMEO But, soft! what light through yonder
    window breaks?
  • It is the east, and Juliet is the sun.
  •  Arise, fair sun, and kill the envious moon,
  • Who is already sick and pale with grief,
  •  That thou, her maid, art far more fair than she.
  •  Be not her maid, since she is envious
  • Her vestal livery is but sick and green
  • And none but fools do wear it cast it off.
    from Romeo and Juliet

17
Figuring it Out The Steps
  • 1. How many syllables does the line have?
  • If ten, it is iambic pentameter. This eliminates
    prose.
  • If ten, but no rhyme Blank verse
  • 2. Does it rhyme?
  • If it rhymes, it is rhymed verse.
  • Is rhyme in successive lines? Either couplet or
    heroic couplet.
  • Successive rhymes but does not contain 10
    syllables Couplet
  • Successive rhymes and ten syllables Heroic
    Couplet
  • 3. Contains no rhyme and unique number of
    syllables?
  • Prose

18
Prose, Rhymed Verse or Blank Verse?
  • Juliet Wilt thou be gone? It is not yet near
    day.
  • It was the nightingale, and not the lark,
  • That pierced the fearful hollow of thine ear
  • Nightly she sings on yond pomegranate tree
  • Believe me, love, it was the nightingale.

19
  • Blank Verse

20
Prose, Rhymed Verse or Blank Verse?
  • Abraham Do you bite your thumb at us, sir?
  • Sampson No, sir, I do not bite my thumb at you,
    sir, but I bite my thumb, sir.
  • Gregory Do you quarrel, sir?
  • Abraham Quarrel, sir? No, sir.

21
  • Prose

22
Prose, Rhymed Verse or Blank Verse?
  • Full fathom five thy father lies
  • Of his bones are coral made
  • Those are pearls that were his eyes
  • Nothing of him that doth fade
  • But doth suffer a sea change
  • Into something rich and strange.

23
  • Rhymed Verse

24
Prose, Rhymed Verse or Blank Verse?
  • NURSE He was a merry mantook up the child.
  • Yea, quoth he, Dost thou fall upon thy face?
  • Thou wilt fall backward when thou hast more wit,
  • Wilt thou not, Jule? and, by my holy dame,
  • The pretty wretch left crying and said ay.

25
  • Blank Verse

26
Prose, Rhymed Verse or Blank Verse?
  • ROMEO
  • Oh, she doth teach the torches to burn bright!
  • It seems she hangs upon the cheek of night
  • Like a rich jewel in an Ethiope's ear,
  • Beauty too rich for use, for earth too dear.

27
  • Rhymed Verse

28
Prose, Rhymed Verse or Blank Verse?
  • ROMEO
  • Have not saints lips, and holy palmers too?
  • JULIET
  • Ay, pilgrim, lips that they must use in prayer.
  • ROMEO
  • O, then, dear saint, let lips do what hands do.
  • They pray grant thou, lest faith turn to
    despair.

29
  • Rhymed Verse

30
Prose, Rhymed Verse or Blank Verse?
  • ROMEO
  • Here's goodly gear.
  • BENVOLIO
  • A sail, a sail!
  • MERCUTIO
  • Two, twoa shirt and a smock.

31
  • Prose
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