Photoshop Lab colorspace - PowerPoint PPT Presentation

About This Presentation
Title:

Photoshop Lab colorspace

Description:

Why muck with Lab color space ... B = B channel controls the Blue and Yellow ... b - b channel Blue Yellow color info. Seclection of a channel to view ... – PowerPoint PPT presentation

Number of Views:47
Avg rating:3.0/5.0
Slides: 47
Provided by: DDB
Category:

less

Transcript and Presenter's Notes

Title: Photoshop Lab colorspace


1
Photoshop Lab colorspace
  • A quick and easy 26 step process for enhancing
    your photos

2
What is Lab color space
  • All digital photos exist in a digital colorspace
  • Photos by default exist in one of several RGB
    color spaces ( Adobe, sRGB, CMYK, Lab )
  • Most users work in Adobe or sRGB by default
  • These work well for most instances
  • Why muck with Lab color space
  • Lab has the power to make some powerful edits (
    color noise reduction, and sharpening )

3
How can Lab do this
  • Lab has 3 components
  • L Lightness
  • A A channel controls Red and Green color
  • B B channel controls the Blue and Yellow
  • By separating the color from the luminescence
    information some powerful manipulations difficult
    in other color spaces become possible if not easy

4
Slicing and Dicing in Lab
  • Easy powerful adjustments

5
Open An Image
  • Open image into photoshop
  • For JPEG or Raw usual method
  • For Photos with layers the image will be opened
    in the usual way but will need to be flattened
    prior to processing
  • Good advice Once opened save under new name to
    protect original

6
(No Transcript)
7
Convert to Lab colorspace
  • Once again Image has to be single layer and
    option to flatten image may be present
  • To convert click on the Image menu item at the
    top of the screen, point to Mode, a flyout menu
    appears Click on Lab color
  • Left click on Background blue area and choose
    duplicate This creates Background copy layer

8
(No Transcript)
9
Background Copy - Channels
  • With the Background copy layer active (Blue)
    click on the Channels Tab.
  • Lab Channels Lab Composite of all channels L
    - Lightness Channel (BW) a - a channel Red
    Green color info b - b channel Blue Yellow
    color info

10
(No Transcript)
11
Seclection of a channel to view
  • Click on the Lightness channel (blue area)
  • Only that channel is highlighted (blue)
  • The image is now BW showing the Lightness
    info.
  • Note The image of the a and b channels is not
    very interesting that is apparently normal

12
(No Transcript)
13
(No Transcript)
14
(No Transcript)
15
To Adjust Contrast Brightness
  • Click on Layers menu item (top of screen)
  • Place cursor on New Adjustment Layer
  • In flyout menu click on Curves
  • A dialog box appears click OK
  • A new curves window appears

16
(No Transcript)
17
Lightness Adjustments
  • Modifying the placement and or shape of the line
    makes the adjustments
  • There are control points at either end of the
    line. Open circles are inactive control points
    which become black when active.
  • To add control points click on line
  • Pointing to control point/ Click and hold and
    move changes point placement
  • To remove a control point click to make the
    point active (black) and hit the delete key

18
(No Transcript)
19
(No Transcript)
20
On To Color Adjustments
  • Remember these changes are made to the Curves
    layer. This layer adjust the layer just beneath
    the Curves layer. In this case the Background
    copy layer. The background layer remains
    unchanged
  • Within the curves window click on the Channel
    drop down. (just above the curve graph) and
    choose a channel

21
(No Transcript)
22
Color Adjustment Good stuff
  • With the a channel selected
  • Modify the curve shape as desiredFor this
    example a simple slope changeTop control point
    moved to the leftBottom control point moved to
    the right
  • Center stays dead center offsetting the center
    introduces color shift which is good or bad
    depending on the image

23
(No Transcript)
24
(No Transcript)
25
Color Adjust b curve
  • The b curve is selected from the channels drop
    down just above the graph
  • Adjustments are made just like the a channel.
  • Note b channel often needs to be steeper than
    the a channel but not always. Also in some
    occasions where you have color saturation maxed
    out you can flatten the curve

26
(No Transcript)
27
(No Transcript)
28
Image Sharpening in Lab
  • Since Lab has the Lightness isolated from the
    color info color sharpening in Lab can be
    performed without increasing color noise
  • To start click OK to close the curves dialog
    window
  • Click on the Layers tab to exit the channels
    display.
  • Click on the Background copy Layer to make it
    active (Blue)

29
(No Transcript)
30
Sharpening using Unsharp Mask
  • With the Background copy layer active
  • Click on the Channels Tab
  • Click on the Lightness channel to make this
    single channel active (blue) image BW
  • Click on the Filter menu at top of screen
  • Point to Sharpen a flyout menu appears and
    select Unsharp Mask
  • The Unsharp Mask dialog window appears

31
(No Transcript)
32
(No Transcript)
33
Unsharp Mask Setting
  • Threshold 0 to 6 are generally appropriate
  • Radius 1 to 3 good starting value
  • Amount 50 to 200 good starting value
  • For this exampleThreshold 6Radius
    1Amount 150

34
(No Transcript)
35
Reducing Color Noise
  • Click on the Lab channel to review image
  • To eliminate color noise click on the a channel
    to make it active (blue).
  • Click on the Filter menu item at top of screen,
    point at Blur which opens flyout menu and click
    on Gaussian Blur

36
(No Transcript)
37
Color Noise Removal
  • The Gaussian Blur dialog window will open.
  • Pick a radius ranging from 1to 3 for starters
  • For this example radius 2.5
  • Note visually inspect for noise but usually you
    will have to wing it and see what the results are
    and possibly revisit the setting

38
(No Transcript)
39
Color noise removal from b channel
  • Repeat the process same as achannel
  • Note The b channel usually has the most noise
    (blue camera pixels) and typically will require a
    higher blur setting. In some cases the scratch
    filter may be useful
  • When complete click on the Lab channel to see
    the final product

40
(No Transcript)
41
Getting Back to RGB
  • Lab color space is not in common use and to
    communicate this with printers, websites, and
    other software it should be converted back to RGB
    color space.
  • This conversion requires a single layer.
    Multiple layers must be flattened retaining the
    changes.
  • It is a good idea to save prior to conversion
    incase something goes wrong.

42
Conversion to RGB
  • Click on the Layers tab at the top of the
    layers window
  • 3 Layers will be visible Curves Layer has
    color and contrast Background Copy has
    sharpening and color noise removal
    changes Background this is the backup and can
    be deleted
  • Right click on the Background Layer and delete

43
(No Transcript)
44
Conversion to RGB (2)
  • Click on the Layer menu item at the top of the
    screen
  • Click on the Flatten Image at the bottom of the
    drop down menu
  • Click on the Image menu item at the top of the
    screen
  • Point at the Mode in the drop down menu
  • Click on the RGB color in the flyout menu
  • Progress bar indicates conversion
  • Save final version
  • Collect admiration, royalties, and awards

45
(No Transcript)
46
(No Transcript)
Write a Comment
User Comments (0)
About PowerShow.com