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Training for Trainers

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Identify and define the rhythm patterns of well-known songs and chants ... crochet. Clap/play. Clap/play. Rhythm : suggested sequence of learning. ta-aa-aa-aa ... – PowerPoint PPT presentation

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Title: Training for Trainers


1
  • Training for Trainers
  • Music
  • Ann Kitterick
  • 2007-2008

2
Song Singing
Playing instruments
Performing
Literacy
3
Literacy making a start!

Question? Does a musician need to be able to
read music? Do you need to be able to read
music?
4
Reading Music
  • A vast range of experiences in Listening and
    responding, Performing and Composing throughout
    the curriculum can be enjoyed by children without
    reference to music reading and writing. (TG,
    p89)
  • Why read music? see page 89, TG.

5
Why music literacy?
  • Because it enables the child to
  • Explore new music independently
  • Record his/her own music
  • Share his/her own music with others
  • Understand how another composer created music
  • Think in sound
  • Develop an appetite for future learning in music

6
Music Literacy
  • Sound before symbol
  • Linked to singing and playing instruments
  • Start at where the class is at!

7
Approach?
  • Staff notation
  • Tonic Solfa
  • Combination
  • Whole school decision
  • Recorded in the Music Plan
  • Consistency and continuity

8
Music Literacy
  • Rhythm
  • Pitch
  • Rhythm and Pitch

9
Rhythm suggested sequence of learning
Rhythm Level 1
Pictorial symbols (Stick Notation)
(Say) Cat Kittens Pig Piglets Swan Cygnets Dog puppies
(Standard Notation)

10
Level 1, page 23
  • Rhythm
  • the child should be enabled to
  • recognise and perform simple rhythm patterns from
    pictorial symbols

11
Music Literacy Level 1

12
Music Literacy Level 1

13
Music Literacy Level 1

14
Music Literacy Level 1

15
Rhythm suggested sequence of learning
Rhythm Level 1 Level 2
Pictorial symbols (Stick Notation) l ? Z
(Say) Cat Kittens Pig Piglets Swan Cygnets Dog puppies ta ti-ti gesture
(Standard Notation)

16
Level 2, page 36
  • Rhythm
  • the child should be enabled to
  • Identify and perform familiar rhythm patterns
    from memory and from notation
  • Progressing to notation show that the cat
    becomes ta in stick notation, while the pair of
    kittens become ti-ti. A rest is shown as Z

17
Music Literacy Level 2
?
I I ? I
18
Music Literacy Level 2
?
I Z ? I
19
Rhythm (Level 2)
1. I I ? I 2. I I Z I
3. I ? Z I 4. ? I ? I
20
Rhythm suggested sequence of learning
Rhythm Level 1 Level 2 Level 3
Pictorial symbols (Stick Notation) l ? Z
(Say) Cat Kittens Pig Piglets Swan Cygnets Dog puppies ta ti-ti gesture ta-aa ta-aa-aa
(Standard Notation)

21
Level 3 standard symbols, p.54
  • Rhythm
  • The child should be enabled to
  • Identify and define the rhythm patterns of
    well-known songs and chants
  • Recognise and use some standard symbols to notate
    metre (time) and rhythm

22
Identify and define a familiar tune/chant
23
Level 3 standard notes

crochet one beat Ta
quaver half beat Ti
crochet rest one beat rest (gesture) Z
Minim two beats ta-aa
dotted minim Three beats Ta-aa-aa
24
Clap/play
? ?
?
25
Clap/play
? ?
26
Rhythm suggested sequence of learning
Rhythm Level 1 Level 2 Level 3 Level 4
Pictorial symbols (Stick Notation) l ? Z
(Say) Cat Kittens Pig Piglets Swan Cygnets Dog puppies ta ti-ti gesture ta-aa ta-aa-aa ta-aa-aa-aa
(Standard Notation)

27
Level 4, page 73
  • Rhythm
  • the child should be enabled to
  • Recognise longer and more complex rhythm patterns
    of familiar songs and chants
  • Recognise, name and use some standard symbols to
    notate metre (time) and rhythm
  • Crochet, quaver, crochet rest, minim, dotted
    minim, semibreve, dotted crochet new values are
    the semibreve and dotted crochet

28
Level 4 notation
crochet 1 beat I ta
crochet rest 1 beat Z (gesture)
quaver ½ beat ti
minim 2 beats ta-a
dotted minim 3 beats ta-a-a
semibreve 4 beats ta-a-a-a
dotted crochet 1½ beats I. ta-i

29
Rhythm (Level 4)


30
Rhythm (Level 3 4)
1. ? I 2. I I
3. . Z 4.
31
Pitch !
  • There are four ways in which we can teach
    children to notate pitch
  • Tonic solfa
  • Hand signs
  • Absolute pitch names
  • Finger stave
  • (Teacher Guidelines p. 96)

32
Pitch a possible sequence of learning Staff
notation approach
Level 1
Sound before symbol Learn variety of 2 note (G E) and 3 note (A G E) songs Match pictures with songs Trace contour of melody high and low to develop a sense of pitch, e.g Suas síos
33
Pitch a possible sequence of learning Staff
notation approach
Level 1 Level 2
Learn variety of 2 note (G E) and 3 note (A G E) songs Match pictures with songs Trace contour of melody high and low to develop a sense of pitch, e.g. Suas sios.. Revisit the 2 note and 3 note songs Read and play 2 note songs / tunes from abbreviated stave Read and play 3 note songs /tunes from abbreviated stave
34
Pitch a possible sequence of learning Staff
notation approach
Level 1 Level 2 Level 3
Learn variety of 2 note (G E) and 3 note (A G E) songs Match pictures with songs Trace contour of melody high and low to develop a sense of pitch Revisit the 2 note and 3 note songs Read and play 2 note songs / tunes from abbreviated stave Read and play 3 note songs /tunes from abbreviated stave Read and play 2 note and 3 note songs /tunes from standard 5 line stave Learn 3 note songs with E D C Read and play these from standard stave Commence reading and playing songs/tunes with 5 notes C D E G A
35
Pitch a possible sequence of learning Staff
notation approach
Level 1 Level 2 Level 3 Level 4
Learn variety of 2 note (G E) and 3 note (A G E) songs Match pictures with songs Trace contour of melody high and low to develop a sense of pitch Revisit the 2 note and 3 note songs Read and play 2 note songs / tunes from abbreviated stave Read and play 3 note songs /tunes from abbreviated stave Read and play 2 note and 3 note songs /tunes from standard 5 line stave Learn 3 note songs with E D C Read and play these from standard stave Commence reading and playing songs/tunes with 5 notes C D E G A Revise playing 5 note tunes from standard stave Learn F, and read and play some tunes including F Learn B. Read/play some tunes in the compass of an octave, Key of C C D E F G A B C
36
Pitch Level 1
  • The child should be enabled to
  • Match selected sound with their pictured source
  • As the literacy programme is based on song
    singing/playing instruments refer to these
    objectives also linkage
  • Song singing The child should be enabled to
  • Recognise and imitate short melodies in echoes,
    developing a sense of pulse (simple two-note and
    three-note songs )
  • Show, while singing, whether sounds move from
    high to low or from low to high
  • Ideally, the 2-note (soh-mi) and 3- notes
    songs/tunes (la, soh, mi) which will later be
    used for literacy should be taught at this level

37
Pitch Level 1
  • Learn a variety of two note songs e.g. Suas
    Síos, Starlight
  • Learn a variety of three note songs, e.g. Apple
    tree, Rain rain,
  • These will be learned in addition to other songs,
    e.g. songs from religion programme, amhráin
    Ghaeilge etc
  • These songs within a narrow range help to develop
    good pitch
  • Match picture to song hummed or played by teacher
    realising that sound can be symbolised by
    picture
  • Trace contour of melody to develop a sense of
    pitch

38
Pitch Level 2
  • The child should be enabled to
  • Recognise the shape (contour) of a simple melody
  • Recognise and sing familiar tunes and singing
    games within a range of two or three notes
  • Teach and/or revisit two note and three note
    songs lah, soh, mi.
  • Hand signs are a useful tool
  • Abbreviated two line stave may be introduced

39
Rhythm Pitch Level 2
  • One of the objectives for literacy in 1st /2nd
    class is as follows
  • The child should be enabled to
  • Recognise and sing simple tunes, from simplified
    notation, combining rhythm and pitch

40
Suas síos (s,m or G,E)


41
Apple Tree
l
l
s
s
s
s
s
s
s
s
m
m
m
Apple tree apple tree will your
apple fall on me
42
Notating pitch
  • We can name the notes of the tune in two
    different ways
  • - Tonic solfa
  • - Absolute pitch

43
Pitch Level 3, p.55
  • The child should be enabled to
  • Recognise and sing familiar, simple tunes in a
    variety of ways hummed, sung on one syllable,
    hand signs, tonic solfa
  • Recognise the shape (contour) of melodies on a
    graphic score or in standard notation
  • Take a well known song and draw pitches where
    does it move higher/lower. Look at standard
    notation, and notice how the notes are placed
  • Use standard symbols to identify and sing a
    limited range of notes and melodic patterns
  • Tonic solfa, hand signs, rhythm-solfa
  • Pentatonic tunes ideal ( 5 notes doh, re, mi,
    soh and lah)

44
Apple Tree
l
l
s
s
s
s
s
s
s
s
m
m
m
Apple tree apple tree will your
apple fall on me
45
Apple TreePitch and rhythm combined(Clap the
rhythm, play the notes)
m
m
m
Apple tree apple tree will your
apple fall on me
46
Suas sios
47
Old Missus Woodpecker
48
On a Log
49
Cobbler
50
Rhythm and pitch Level 3, p.56
  • The child should be enabled to
  • Use standard symbols to notate simple rhythm and
    pitch
  • stick notation with solfa names written
    underneath
  • Pentatonic tunes ideal ( 5 notes doh, re, mi,
    soh and lah)

51
Rhythm Pitch Level 3, p.56
  • The child should be enabled to
  • Use standard symbols to notate simple rhythm and
    pitch this can be simplified stave, staff
    notation, or stick notation with solfa names
    written underneath. This should be whole school
    decision, and recorded in school plan. Simple
    pentatonic tunes ideal
  • Discover how pentatonic tunes (based on five
    notes, d, r, m, s, l) can be read, sung and
    played in G doh, C doh or F doh
  • Guided discovery useful here. Teacher shows a
    well known piece of music in one of the above
    keys, and demonstrates to class how each note
    moves when the key is changed

52
Alice the Camel
53
Bells in the Steeple
54
Fais dodo
55
Jack in the box
56
Rhythm Pitch Level 4, p.75
  • The child should be enabled to
  • Use standard symbols with increasing fluency and
    accuracy to notate simple rhythm and pitch
  • Recognise that melodies can be read, sung or
    played in different keys
  • Read, sing and play simple tunes from sight with
    C doh, G doh or F doh
  • Understand the function of major key signatures
    as indicating the position of doh

57
Hot Cross Buns
58
Seinn an tambóirín
59
Mary had a little lamb
60
Twinkle TwinkleTune using fah
61
Jingle Bells Tune using fah
62
A tune using all notes
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