Vehicle Strand Advertising and Branding

1 / 68
About This Presentation
Title:

Vehicle Strand Advertising and Branding

Description:

Vehicle Strand Advertising and Branding – PowerPoint PPT presentation

Number of Views:7
Avg rating:3.0/5.0
Slides: 69
Provided by: t65

less

Transcript and Presenter's Notes

Title: Vehicle Strand Advertising and Branding


1
Vehicle StrandAdvertising and Branding
2
  • Advertising and Branding
  • ? Branston Stafford history of
    advertising and marketing, movie tie-ins,
    influence and objections, regulation
  • advertising and branding key part of todays
    mediated environment
  • ? Key term brand

3
Example The Greatest Movie Ever Sold
(2011)
4
  • What is a Brand?
  • ? A mark made by a red hot iron
  • ? Used on cattle (ownership)
  • Used on convicted criminals (disgrace)
  • Holocaust tattoos to categorise (dehumanising)
  • In some languages fire (e.g. Swedish, German)

5
Exercise Branded ? Make a list of all the
items you have with you right now. ? Note
those which are branded name, logo, mark, etc
? Do you have more branded or more unbranded
items?
6
Advertising ? Traditional view? advertising
persuade people to buy goods ? successful
advertising more sales e.g. washing powder,
car, shampoo
7
Naomi Klein, No Logo? Klein this is no
longer the case? Canadian journalist? No Logo
(2000)? Advertising is not about goods at all?
Specific products are largely irrelevant? You
dont buy products, but brands? What does Klein
mean by this?
8
History of Branding ? Mass marketing
campaigns began second half 19th century ?
Advertised new products radios, phonographs,
cars, light bulbs ? Advertisements
information and persuasion
9
History of Branding? Traditional staples
scooped from bins soap, flour, oats, etc ?
Uniform, factory-produced staples needed
distinguishing ? Proper names used Quaker
Oats, Campbells Soup, Coca Cola, Heinz pickles,
Uncle Bens rice, etc ? Beginnings of corporate
personalities
10
Twentieth Century? Early 20th century growing
awareness of the importance of brand image ?
1920s Bruce Barton (General Motors) role of
advertising for corporations to find their
souls ? 1940s talk of corporate
consciousness, brand essence, brand
identities ? 1960s increased commercialisation
and consumerism affordability life style
11
  • 1980s ?1988 Philip Morris (tobacco) purchase
    Kraft (food) for 12.6 billion
  • ? Six times the companys actual worth
  • ? Brand name Kraft was the most important part
    of company
  • ? A new recognition of the importance of
    brand names

12
  • Exercise Shampoo Planet
  • ? Consider the 7 brands of shampoo
  • What qualities and connotations do you associate
    with each?
  • What is the soul or personality of each of
    these brands? How do you know?

13
  • Exercise Shampoo Planet? TRESemmè
  • Head Shoulders
  • Pantene Pro-V
  • Palmolive
  • LOreal
  • Asda
  • Johnsons

14
Advertising? We have an impression of the
product without having tried it ? Advertising
informs brand ? Throughout growth of the brand
advertising has increased hugely E.g. Madmen
15
(No Transcript)
16
  • New LocationsAdvertisers desperate to get ads
    into new places
  • Gordons Gin juniper berries
  • Calvin Klein perfume strips
  • Scandinavian phone calls
  • NASAs space stations
  • Pepsi and the moon

17
  • Diminishing Returns? The more you advertise,
    the less people take notice
  • Adverts become environmental
  • David Lubars (ad exec) Consumers are like
    roaches you spray them and spray them and
    they get immune after a while.

18
Advertising Brands? Klein advertising isnt
simply about selling products? Brand core
meaning (message) of the corporation? Adverts
a means (vehicle) for conveying that message
19
New Corporations? Successful corporations of
1980s Nike, Microsoft, Tommy Hilfiger,
Intel ? Producing goods unimportant ? Passed
to oversees contractors ? Cheaper lower wages,
laxer safety and welfare laws
20
Tommy Hilfiger? Corporations buy goods and
brand them ? Tommy Hilfiger doesnt produce
anything ? Commission underwear from Jockey,
jeans from Pepe, etc. ? Then add their brand
name (or get someone to do that too)
21
Nike? Nike CEO Phil Knight For years we
thought of ourselves as a production-oriented
company, meaning we put all our emphasis on
designing and manufacturing the product. But now
we understand that the most important thing we do
is market the product. Weve come around to
saying that Nike is a marketing-oriented company,
and the product is our most important marketing
tool. ? product a marketing tool? a complete
reversal
22
Producing Images? Objective employ and
produce as little as possible ? Big
corporations dont make products ? They produce
images, representations and ideologies
23
  • Buying into a Brand? You dont buy a branded
    product? You buy into a way of life, an
    attitude, a set of values, look, idea, an
    ideology
  • Nike dont sell sports products but enhance
    peoples lives through sports and fitness ?
    IBM dont sell computers but rather business
    solutions? Microsoft dont sell software but
    ask where do you want to go today?? Diesel
    doesnt sell clothes but rather a style of
    life
  • Apple dont sell smart phones but rather they
    iphone your life

24
Summary Age of the Brand? Products are
relatively unimportant? Advertising is not of
products? Advertising and products are part of
branding? Brands images, ideologies,
lifestyles? Advertising of brands is set to
increase?? Even into dreams and classroom? Any
Questions?
25
  • Shock Advertising? Arena The Fine Art of
    Separating People from their Money (BBC 2000)
  • Dennis Hopper hosts
  • ? Shock advertising and brands
  • ? Warning shocking images!

26
Exercise Shock Advertising(1) Which imagery
did you find most shocking? Why? (2) Does the
fact that an advert is shocking make it good
advertising? (3) Does advertising have a social
responsibility? (4) Can advertising fulfil a
useful social function as well as promoting a
brand?
27
Environment StrandEnvironments
andAnti-Environments
28
  • Environments andAnti-Environments? Key term
    anti-environments
  • first environments
  • media extensions environments

29
  • Extensions? All media are extensions of some
    human faculty psychic or physical (McLuhan and
    Fiore 1967, p. 26)
  • wheel extension of the foot
  • book extension of the eye
  • clothing extension of the skin
  • electric circuitry (computer) extension of
    the central nervous system
  • all enhance some human faculty (i.e. extend us)

30
Environments? Any technology or extension of
man creates a new environment (McLuhan
1969, p. 31) ? extensions lead to a change in
our relationship with our surroundings ? we
understand world differently ? we act and behave
differently
31
Example Environments? Clothing extends our
skin we experience the physical environment
very differently, e.g. thermals, wet suit ?
Alphabet extends our visual sense shifts us
from acoustic to visual space? TV extends sight
and hearing the new global environment, i.e.
village
32
Invisible Environments? environments are
imperceptible (invisible) ? we dont notice that
people are wearing clothes? nice jacket
not clothes today? ? we dont notice our
acoustic, cool, global village? we notice
particular TV shows (content) not TV itself
(medium) Any questions?
33
McLuhans Fish? One thing about which fish
know exactly nothing is water, since they have no
anti-environment which would enable them to
perceive the element they live in. (McLuhan and
Fiore,1968, p. 175) ? what is an
anti-environment?
34
Anti-Environments? we are shaped by our
environment ? but the environment is
imperceptible? we dont notice the far reaching
effects that environments have on us ? how can
people be made aware?? we need new strategies of
attention and perception? we need to
create anti-environments
35
Anti-Environment Definition? an
anti-environment is anything that draws our
attention to the environment in which we live,
which would otherwise remain invisible,
affecting us without our knowing it ? 3
examples (linked to vehicle strand)? McLuhan
starts with art
36
  • 1. Art as Anti-Environment? art can train our
    perception onto the environment
  • e.g. Pop Art 1960s (c. McLuhan) incorporates
    elements from popular or mass culture
  • Pop Art uses everyday objects
    anti-environmentally
  • an example

37
  • Andy Warhol? started out as a designer and
    migrated to advertising
  • famous as an artist in early 1960s
  • started painting household products
  • Campbells Soup Can, 1964 (same year as
    Understanding Media The Extensions of Man)

38
(No Transcript)
39
(No Transcript)
40
Why Soup?? 1964 80 soup Campbells?
ubiquitous in American shops, supermarkets and
homes? stacked on shop shelves ? McLuhan The
world of modern advertising is a magical
environment constructed to produce effects for
the total economy but not designed to
increase human awareness. (1966, p. 111)
41
  • Why Soup?? Pop Art reminds us that ordinarily
    our artefacts and images dont train our
    perception or awareness
  • soup cans in a gallery draw attention to
    our environment
  • we are surrounded by soup cans i.e. by
    commercial branding
  • good or bad? just there

42
(No Transcript)
43
  • Anti gt Environments? McLuhan
    anti-environments must constantly be renewed
  • ? we get used to anti-environments, and they
    become merely environments
  • Warhol postcards, key-rings, teapots
  • all now part of the Warhol brand
  • Warhol-inspired range of soups

44
(No Transcript)
45
  • 2. Graffiti as Anti-Environment? McLuhan
    artists tend to be considered enemies or
    criminals of society
  • Banksy is a criminal
  • An Exterior Paint Specialist (i.e. graffiti
    artist)
  • creates anti-environments around London
    Bristol
  • ? designed to make you pause and notice your
    environment

46
(No Transcript)
47
(No Transcript)
48
(No Transcript)
49
(No Transcript)
50
(No Transcript)
51
  • Banksy
  • ? More http//www.banksy.co.uk/
  • Created an anti-environment at the Museum of
    Modern Art in New York
  • Installed an image of his own

52
(No Transcript)
53
(No Transcript)
54
  • Discount Soup Can? Warhols soup can become
    environmental
  • What does Banksys Discount Soup Can show us?
  • Art has become merely environmental?
  • Art galleries ? anti-environments for
    self-satisfied elites?
  • Limits of what you can do in a gallery?
  • Removed soon after

55
  • 3. Adbusters
  • Anti-Environments? Adbusters global
    network of
  • activists (based in Canada)
  • Concerned with the erosion of
  • our physical and mental
  • environments by commercial
  • forces
  • Opposed to physical pollution
  • by corporations, but also the
  • pollution of the mental
  • environment by branding

56
Culture Jamming? What do they do? ? Engage
in culture jamming ? Free up the mental
environment by creating anti-environments
(1) magazine (2) campaigns ? Magazine
57
  • Adbusters Magazine? Slick, glossy,
    well-designed magazine
  • Where The Face and ID are environmental,
    Adbusters seeks to be anti-environmental
  • Articles, probes, and spoof ads

58
(No Transcript)
59
(No Transcript)
60
(No Transcript)
61
(No Transcript)
62
  • Campaign TV Turnoff Week? Runs most years, end
    of April
  • Goal to shake up routines and get people
    questioning the role of TV in their lives
  • It's about cleaning up the mental
    environment. Like our oceans and air, our
    shared mindscape is littered with pollutants
    -- distorted news, manipulative ads, violence
    and top-down culture.

63
TV Turnoff Week? Buy a TV-B-Gone? Turns
off every TV within a few metres ? Not anti-TV
per se? Show own adverts (subverts) ? Want
people to think about the TV environment we
dont even notice ? Passive spectator gt active
participant
64
No Future?? McLuhan anti-environments
provide early warning systems ? If we dont
notice what media do to us, we will be
controlled by them ? We become what we behold.
We shape our tools and thereafter our tools
shape us (McLuhan, 1964) ? cf. The Matrix
controlled by technology
65
No Inevitability? There is absolutely no
inevitability as long as there is a
willingness to contemplate what is
happening. (McLuhan and Fiore, 1967, p. 25)
? Creating anti-environments contemplate
what is happening, refuse to let our tools
take control
66
  • Case Study guidelines
  • Module handbook (on Moodle)
  • ? Section 8.3 Description
  • ? Section 8.4 Assessment criteria
  • Submission deadline Monday 8th December, 1pm
    (week 12)
  • Paper submission via a post-box (outside the
    refectory, Harcourt Hill Campus)
  • Electronic submission via Turnitin (Understanding
    Media Moodle site)


67
  • Case Study guidelines
  • Proportion 50 of overall grade
  • Length 1500 words
  • Cover page information (see Section 8.3) -module
    name/number student name/number essay title
    word count.


68
Before Next Week? Review this weeks reading
(Ch.11) of Branston Stafford ? Read David
Starkey, Chasing Shadows (collect
photocopy now)
Write a Comment
User Comments (0)