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PHIL 151 History of Modern Philosophy

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Title: PHIL 151 History of Modern Philosophy


1
PHIL 151 History of Modern Philosophy
  • Dr. Martin Godwyn
  • Fall 2008
  • WEEK 5 Lockes Empiricist Epistemology

2
Simple and Complex ideas
  • Locke notes that ideas come in varying degrees of
    complexity. He therefore draws a distinction
    between simple and complex ideas
  • Simple idea nothing but one uniform conception
    in the mind, and is not distinguishable into
    different ideas.(2.2.1) For example, the idea of
    blueness.
  • Complex idea An idea compounded or constructed
    (ultimately) out of more than one simple idea.
    For example, the idea of a unicorn.

3
Simple and complex ideas
  • Lockes epistemology, as well as seeing knowledge
    as something constructed from ideas, also adopts
    an atomistic approach to ideas
  • All ideas (or concepts) are either simple or
    complex. And all complex ideas are (ultimately)
    reducible by analysis to combinations of simple
    ideas, much as today we might say that molecules
    are reducible to combinations of basic elements.

4
Ideas and qualities
  • One of the most important distinctions that Locke
    introduces is that between the qualities of an
    objects and our ideas of an object.
  • Whatsoever the mind perceives in itself, or is
    the immediate object of perception, thought, or
    understanding, that I call idea and the power to
    produce any idea in our mind, I call quality of
    the subject wherein the power is. Thus a
    snow-ball having the power to produce in us the
    ideas of white, cold, and round, the powers to
    produce those ideas in us, as they are in the
    snow-ball, I call qualities and as they are
    sensation or perceptions in our understandings, I
    call them ideas (2.8.8)

5
Ideas and qualities
  • Its important to keep firmly in mind that
    qualities are in the objects, but ideas are
    entirely in us.
  • Thus, when Locke speaks about, for example, the
    quality of redness in a ripe tomato, he is not
    talking about the colour sensation that you have
    when you look at a ripe tomato in normal lighting
    conditions. The sensation what you see is
    always something occurring in your mind.

6
Primary and Secondary Qualities
  • Locke then distinguishes qualities of material
    objects into two kinds primary and secondary.
  • Primary Qualities Properties that are real and
    an intrinsic part of an object, whatever we do to
    it.
  • Secondary Qualities Dispositional powers of an
    object to produce in us sensations via their
    primary qualities, but which are dependent on us
    and hence are not intrinsic to it.

7
Primary Qualities
  • Where Descartes argued that material bodies must
    have extension, Locke agrees, but identifies a
    number of further essential properties
  • The primary qualities of bodies are bulk,
    extension, figure, number, and motion. (He
    sometimes adds texture or solidity.)
  • These varying properties causally produce in us
    their corresponding ideas.

8
Primary Qualities
  • Locke says that primary qualities
  • are utterly inseparable from the body of an
    object in what state soever it be such as in
    all the alterations and changes it suffers, ...
    it constantly keeps and such as sense constantly
    finds in every particle of matter which has bulk
    enough to be perceived and the mind finds
    inseparable from every particle of matter.
    (2.8.9)

9
Primary Qualities
  • Locke is not saying that we cannot change the
    primary qualities of a body clearly, we can
    change such things as the shape or motion of a
    body.
  • Lockes point is that having some shape or some
    motion (including being at rest as a limiting
    case), etc., is a necessary and essential feature
    of all bodies. They are intrinsic to any body no
    matter what else we might do it.

10
Secondary Qualities
  • Locke identifies secondary qualities as nothing
    more than powers or as we might say today
    dispositions that bodies have to produce
    sensations in us. Such powers are caused by a
    bodys primary qualities, but are not intrinsic
    to the object itself.
  • Thus ripe tomatoes, for example, have a power,
    under appropriate conditions, to produce in us an
    idea (sensation) of redness. That power is the
    (secondary) quality of redness.

11
Contrasting Primary/Secondary
  • Thus, the secondary quality of redness in a ripe
    tomato is a property of the ripe tomato, but it
    is not intrinsic to the ripe tomato. Why not?
  • The reason is that secondary properties are
    relational properties as dependent on us as they
    are on the object. If humans had very different
    visual systems ripe tomatoes might lack the
    ability to bring about ideas of redness in us,
    and without any change to anything intrinsic to
    the tomato itself.

12
Contrasting Primary/Secondary
  • But Locke argues this is not so with primary
    qualities. For any primary quality, the object
    retains those qualities no matter what might
    happen to us.
  • Thus, the primary quality of the shape of the
    tomato is intrinsic to the object. Yes, we can
    change that shape, but it still has its shape
    (whatever that shape happens to be) whatever
    happens to us.

13
Tertiary qualities
  • Although, like Locke, we shall focus on primary
    and secondary qualities, Locke does occasionally
    mention tertiary qualities.
  • Tertiary qualities are, in essence, much like
    secondary qualities powers that a body has to
    produce a change in something else. The
    difference is that in the case of tertiary
    qualities, the change is not the production of an
    idea in us but some other effect.
  • Fire, for example, has the tertiary quality of
    melting wax.

14
Primary and secondary properties
  • Both primary and secondary qualities produce
    ideas (more specifically, sensations) in us.
  • Primary qualities are intrinsic to the object
    they have those qualities objectively and
    independently of us.
  • Secondary qualities are not intrinsic to the
    object they are capacities (powers) of an
    object to produce ideas in us that depends as
    much on us (the perceiver) as on the object.

15
Intrinsic vs. essential
  • In describing primary qualities as intrinsic this
    is to say that they are qualities that are
    possessed independently of other things. IN other
    words, they are not relational qualities.
  • This is distinct from saying that some quality is
    essential this means that the object cannot
    cease to have that quality and still be that
    thing.

16
Intrinsic vs. essential
  • However, note that Locke argues that primary
    qualities are essential to being a material body.
    Thus, having a figure (shape) is essential to
    being a body, but having some particular shape
    might not.
  • For instance, a lump of material stuff can still
    be the same stuff even though its shape changes.
    The particular shape that stuff has is a primary
    quality (and, hence, is instrinsic to it), but it
    is not generally essential to it that has that
    shape.

17
Some Epistemological Issues
  • There are a number of issues (interpretive and
    philosophical) surrounding Lockes discussion of
    primary and (especially) secondary qualities.
  • With secondary qualities Locke (2.8.13) seems
    ready to concede that there is no reason to
    suppose that our ideas of secondary qualities in
    any way resemble those powers. Indeed, it is hard
    to see how a sensation can resemble a power or
    disposition as such.

18
Some Epistemological Issues
  • For example, melting of wax (an effect) is caused
    by the a power in fire. But the melting of the
    wax does not (in any obvious way) resemble this
    power in the fire.
  • But why does this not apply also to primary
    qualities? Locke seems to think that our ideas of
    primary qualities resemble those qualities.
    (2.8.15). The best explanation for why an apple
    looks round is that it is round, Locke seems to
    think.

19
Some Epistemological Issues
  • But argument for this view is not easy to find
    he seems to think it is clear from the fact that
    all corporeal objects must have in them primary
    qualities (yet neednt have secondary qualities).
    But is that reason enough to think that our ideas
    of those qualities resemble the qualities
    themselves?
  • As well see Berkeley thinks what goes for
    secondary qualities goes for primary qualities.

20
Some Metaphysical Issues
  • Clearly, background conditions affect whether an
    idea is produced. In complete darkness, tomatoes
    do not produce ideas of redness in us. But do
    background conditions affect the powers something
    has?
  • Does a ripe tomato still have the secondary
    quality of redness in a completely dark cupboard?
    What if all light disappeared from the universe?

21
Some Metaphysical Issues
  • Compare is a fine crystal wine-glass still
    fragile when it is carefully wrapped? Is a
    crystal of salt still soluble when and where
    there is no water? Etc.
  • Why is this a problem for Locke? He speaks of
    secondary qualities as being in the object, but
    is it anymore in the object than in the
    totality of conditions that determine whether
    there exists the power to produce ideas in us?

22
Lockes theory of perception
  • To summarise Lockes account of perception is
    causal representative realism.
  • 1. Causal the only way an external world can
    effect our senses is by causal impulse
    Particles hitting our sensory organs.
  • 2. Representative Our ideas represent the world.
    Hence, any knowledge of the world is indirect,
    coming via our ideas. (This sets the stage for
    skeptical challenges.)
  • 3. Realism there is an external world of
    objective primary qualities.

23
Knowledge of the external world
  • Like Descartes, Locke thinks we can know that
    there is an external world, but since he rejects
    any knowledge prior to experience, his reasons
    are very different and are based on sensations.
  • Roughly speaking, he holds that whilst knowledge
    of the external world is not absolutely certain,
    it doesnt need to be and there is plenty of
    evidence that it is true.

24
Lowering the standard
  • Locke concedes that it is logically possible that
    we are mistaken in thinking that there is an
    external world, but insists that the evidence of
    the senses is an assurance that deserves the
    name of knowledge. (4.11.3)
  • Thus, Locke lowers the standard of justification
    for what counts as knowledge below the standard
    that Descartes thinks is necessary to avoid
    skepticism.

25
Knowledge of the external world
  • He goes on...
  • If we persuade ourselves that our faculties act
    and inform us right, concerning the existence of
    those objects that affect them, it cannot pass
    for an ill-grounded confidence for I think
    nobody can, in earnest, be so sceptical as to be
    uncertain of the existence of those things that
    he sees and feels. At least, he that can doubt so
    far will never have any controversy with me
    since he can never be sure I say anything that is
    contrary to his opinion. (4.11.3)

26
Lockes strategy
  • Aside from pointing out the psychological
    difficulty in being skeptical, Locke offers some
    direct grounds to think that there is an external
    world. Each of his grounds appeals to certain
    aspects of the world or of our experience and,
    Locke suggests, each is best explained by appeal
    to the existence of a world external to us.
  • In other words, Lockes strategy is to posit an
    external world as what is usually called an
    inference to the best explanation (or abductive
    inference) for aspects of common experience.

27
The blind and colours
  • 1. Those without the relevant organs, such as
    eyes, cannot produce the ideas or colour, etc.
  • Those that want the organs of any sense never
    can have the ideas belonging to that sense
    produced in the mind. ... Therefore we cannot but
    be assured that they come in by the organs of
    that sense, and no other way. (4.11.4)

28
Sensation is not in our control
  • 2. In contrast with the ideas of imagination, we
    cannot, at least in general, avoid having
    sensation it is beyond our control.
  • If I turn my eyes at noon towards the sun, I
    cannot avoid the ideas which the light or sun
    then produces in me. (4.11.5)

29
Pain vs. remembered pain
  • 3. Some sensations are painful when we experience
    them, but are not when merely remembered in our
    imagination.
  • The pain of heat or cold, when the idea of it is
    revived in us, gives us no disturbance which,
    when felt, was very troublesome, and is again,
    when actually repeated (4.11.6)

30
Coincident sensory modalities
  • 4. Our senses are independent of each other, yet
    they give a consistent picture of the world the
    fire we hear, feel, see and smell all at the same
    time.
  • He that sees a fire may, if he doubt that it be
    anything more than a bare fancy, feel it too and
    be convinced by putting his hand in it. (4.11.7)

31
Coincident sensory modalities
  • To see the idea behind that last of these
    arguments, consider the fact that on any given
    occasion one might see any one of an innumerable
    number of possible sights. The same goes for
    hearing, smell, etc. Why then, do they so often
    indicate the same thing, e.g., that there is a
    fire, if not that there is a fire?
  • It is as though we throw between two and five
    dice each with thousands of sides, and yet they
    almost always come up with the same face as each
    other surely this is not a coincidence.

32
What is the best explanation?
  • Lockes strategy seems to be to imply that the
    above facts about our sensations are best
    explained by the existence of an external world.
  • Even if it is logically possible that I am
    dreaming or that a demon is deceiving me, which
    Locke concedes, such skeptical hypotheses are
    clearly far inferior as explanations for our
    experiences than the common-sense explanation
    that there really is an external world causing
    our sensations.

33
Conclusion
  • In conclusion
  • when our senses do actually convey into our
    understandings any idea, we cannot but be
    satisfied that there doth something at that time
    really exist without us, which doth affect our
    senses, and by them give notice of itself to our
    apprehensive faculties, and actually produce that
    idea which we then perceive And we cannot so far
    distrust their testimony as to doubt that such
    collections of simple ideas as we have observed
    by our senses to be united together do really
    exist together. (4.11.9)

34
Dodging the issue?
  • Is Locke right? Has he answered the skeptic or is
    he merely dodging the skeptical question? Must we
    satisfy Descartes standard for knowledge or does
    Lockes slightly lower standard suffice?
  • how vain, I say, it is to expect demonstration
    and certainty in things not capable of it and
    refuse assent to very rational propositions, and
    act contrary to very plain and clear truths,
    because they cannot be made out so evident as to
    surmount every the least (I will not say reason,
    but) pretence of doubting. (4.11.10)

35
What is the best explanation?
  • What, if anything, might make the common-sense
    explanation a better explanation than the
    dreaming or evil demon hypothesis?
  • Is it that the common-sense hypothesis simpler?

36
The Veil of Perception
  • Perhaps the most significant epistemological
    issue for Locke is that his view that all
    knowledge is constructed out of ideas that
    themselves originate in sensory experiences
    creates what is often called a veil of
    perception.
  • It might seem that we cannot come to know
    anything about the external world because we are
    forever cut off from that world by our
    perceptions all we ever encounter (ultimately)
    are sensations, not the world itself.
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