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Classroom Activities: Affect, Pleasure, Activation

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Affect, Pleasure, Activation. Susan Edmunds, Karen Hall, and Cristina Stasia ... Offer suggestions for stimulating different ways of learning in order to engage ... – PowerPoint PPT presentation

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Title: Classroom Activities: Affect, Pleasure, Activation


1
Classroom ActivitiesAffect, Pleasure, Activation
  • Susan Edmunds, Karen Hall, and Cristina Stasia

2
Purpose of Our Panel
  • Offer suggestions for stimulating different ways
    of learning in order to engage diverse learning
    styles

3
The First Day
  • Focus on the big picturemajor course themes,
    essential definitions, key methods
  • Be interactiveits difficult to move a class
    from silence to discussion, from stasis to
    movement, so set an active, participatory tone on
    the first day

4
First Day Opening Exercises
  • Find a course theme in a piece of contemporary
    media
  • Connecting course work to contemporary media
    culture and students everyday lives is an
    effective method for encouraging student
    involvement and investment in class discussions

5
First Day Opening Exercises (contd)Strike the
Pose (demo)

6
Opening Exercise For the First Day
Who listens to Interpol?
  • Make connections between what students know and
    do in their daily lives and what their readings
    are encouraging them to explore
  • As an opener to Stuart Halls Encoding/Decoding
    essay, ask students to write their favorite band,
    favorite store in the mall, last movie they saw
    in a theater and last book/magazine they read on
    an index card mix the cards and hand each
    student a card that is not their own ask
    students to find the student presented to them on
    the card--without speaking.
  • Have them introduce their partner and identify
    what they decoded to reach that conclusion

7
Opening Exercise cont.
  • Have their partner explain any disparity--how
    they encoded their look with a different
    intention
  • Briefly define encoding/decoding
  • Assign Encoding/Decoding

7
8
Opening Exercises Beyond the First Day
Vs.
9
Opening Exercises Cont.
  • Identify and apply key concepts in an article as
    a group before turning to a reading assignment
  • To introduce an essay on film violence, have
    students list violent films on the board
  • Ask them to identify what makes these films
    violent (hitting, explosions, victims, etc.)
  • Ask students if the impact of violence is the
    same in all the films and list how it differs
    (ex Die Hard vs. Irreversible)

10
Intro Exercise Cont.
  • Have students identify why the violence
    differs.
  • This will spark debate. Use the definitions
    of strong and weak violence from the article
    to ground the debate.

11
Activities
  • Turn board games into classroom games

12
Successful Group Work in Class
13
Working with Groups in Class
  • Without direction, classroom groups typically
    digress into socializing
  • Provide groups with clear objectives
  • Include some form of group reportsstudents can
    make reports orally to the class, email their
    results to the class, add them to blackboard, or
    hand in written work to you depending on time
    restraints
  • Feel free to return to results on subsequent days
    or move onevery loose end cant be tied up

14
In Class Group Activities
  • I dont understand
  • Divide the class into groups
  • Have each group identify a passage from the
    reading members had difficulty understanding
  • Have groups exchange passages with each other
  • Once groups discuss the passage they have been
    given, they report to the class
  • General discussion can then follow until the
    passage is adequately interpreted

15
In Class Group Activities, contd
  • Create a worksheet with questions
  • Distribute a worksheet to all students
  • Divide the class into groups
  • Have students work cooperatively to complete the
    worksheet

16
Group Work Outside the Classroom
  • Any worksheet that can be done in class can be
    assigned for outside class work
  • Any assignment can be made collaborative (see
    http//web.syr.edu/kjhall/ETS141/home.htm for a
    list of buddy assignments)
  • First year students are typically intimidated and
    frightened buddy or group work can help break
    through barriers
  • Keep in mind that it can be difficult for
    students to organize a meeting time, so its
    helpful to make blackboard available as an
    alternative
  • A practical choice for outside group work is a
    library scavenger hunt where students locate
    resources, personnel, and information pertinent
    to other coursework

17
Response Papers
  • Keep in mind that you must directly and
    explicitly define the goals and objectives for
    student response papers otherwise, you will get
    a wide variety of student writing that will be
    difficult to assess.
  • Even though you may think of them as short warm
    up exercises, be sure to keep in mind all of the
    learnings from the paper writing panel.
  • One excellent use of the response paper format is
    to allow students to voice their gut reactions
    on blackboard once initial responses have been
    aired, students are more able to move to a
    critical, intellectual response in class
    discussion.

18
From Emotion to Analysis
19
From Gut to Brain
  • Have students freewrite for ten minutes about
    their reaction to a text
  • When they are done, assign a response paper for
    next class
  • Instruct students to use their gut reaction to
    write a critical response
  • Guide them by providing them with a list of
    words/phrases

19
20
Transitions Cont.
  • Phrases
  • Use I feel to buttress an analytical statement
    I felt sick when the woman was killed because
    the director used a close-up of her face to
    illustrate her suffering. This is different than
    a mainstream violence scene because...
  • Use Im confused to support inquiry and
    possibly --I'm confused because--the authors
    choice to marry off the protagonist contradicts
    the feminist politics of...
  • Use I hated to argue with the text I hated
    this movie because the soundtrack was so
    overbearing and annoying. I know it was supposed
    to be artsy, but if you are trying to raise
    awareness about an issue, you should target a
    mainstream audience and use a popular soundtrack,
    like in the documentary we saw last week...

20
21
Note Taking Instruction
  • Assign 1-3 class note takers and have them post
    notes on blackboard after each class
  • Share your notes with the class as a model
  • Use the teaching station technology to model
    effective note takingeither handwritten notes
    using the document camera or type-written notes
    by projecting word onto the front screen

22
Innovative Assignments
  • A growing majority of students have produced
    multimedia work. Consider assigning a multimedia
    project
  • Consider publishing student work on the web or
    having them post their multimedia work on any of
    the number of sites available such as youtube.com

23
Developing your personal teaching style
  • your personality can be an important resource
    in the
  • classroom

24
KNOW YOURSELF
no intellectual or personal trait is a foolproof
asset (example humor) even intellectual
and personal drawbacks can be --with
care--rendered useful(example bad head for
facts)
25
It's really just like choking             
 ...aikido style

learn to redirect energy that closes learning
down.turn it around to open opportunities for
learning back up
26
"Being Yourself" in the classroomrequires a
constant renegotiation of the balance of forces
within you and between you and your students

27
Reading and enacting sociological positions in
the classroom
  • Students often read their teachers according to
    preconceived (and not necessarily identical)
    grids of sociological classification.

28
  • Teachers coming from abroad and/or from working
    and lower middle-class backgrounds, and teachers
    who are women, people of color, queer and/or
    living with disabilities face added challenges
    in the Syracuse classroom.

29
It is best to be prepared for this in advance
  • Talk with peers and experienced teachers about
    their experiences.
  • Think about how to relate your embodiment as a
    teacher to the larger lessons of the course.
  • Develop strategies for rerouting assumptions that
    may be directed at you personally back out to a
    more general--and collective- critical
    investigation of the world at large.
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