Understanding the Relationship Between Critical and Creative Thinking - PowerPoint PPT Presentation

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Understanding the Relationship Between Critical and Creative Thinking

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Title: Understanding the Relationship Between Critical and Creative Thinking


1
Understanding the Relationship Between Critical
and Creative Thinking
  • an integrated relationship

2
The critical creative functions of the mind
are so interwoven
  • That neither can be separated from the other
    without an essential loss to both.


  • anonymous

3
In Websters Dictionary of Synonyms
  • The word critical when applied to persons who
    judge and to their judgments, not only may, but
    in very precise use does, imply an effort to see
    a thing clearly and truly so that not only the
    good in it may be distinguished from the bad and
    the perfect from the imperfect, but also that it
    as a whole may be fairly judged and valued.

4
In Websters New World Dictionary, the word
creative has three interrelated meanings
  • Creating or able to create,
  • Having or showing imagination or artistic or
    intellectual inventiveness
  • Stimulating the imagination and inventive powers

5
Criticality assesses creativity originates
  • Critical and creative thought are both
    achievements of thought.

6
Creativity masters a process of making or
producing
  • Criticality masters a process of assessing or
    judging

7
Intellectual discipline and rigor are at home
with originality and productivity
  • In critical thinking we assess thinking to make
    improvements.
  • In creative thinking we generate thinking based
    on our sense of how to make things better.

8
Thus critical thinking has a creative component
to produce a better product of thought
  • And creative thinking has a critical component
    to reshape thinking in keeping with criteria of
    excellence.

9
Critical thinking without a creative output is
merely negative thinking.
  • Creative thinking without a critical component is
    merely novel thinking.
  • It is easy to be merely negative or novel in
    ones thought.

10
Achieving quality requires standards of
quality---and hence criticality
  • Achieving useful produces of ones thinking
    requires a sense of how to make, or recast, ones
    thinking at a higher level.

11
To achieve any challenging end, we must have
  • criteria, gauges, measures, models, principles,
    standards, or tests to use in judging whether we
    are approaching that end.

12
We dont achieve excellence in thinking with no
end in view. We design for a reason
  • With standards that enable us to generate a
    product that meets crucial criteria. Our
    creative thinking must be tested against critical
    standards.

13
The generative power of our thought represents
its creativity
  • The judiciousness of our thought represents its
    criticality.
  • Generativeness must be married to judiciousness
    to achieve excellence.

14
Every genuine act of figuring out anything is a
new making, a new series of creative acts,
however mundane.
  • To come to understand anything requires that the
    mind construct new connections in the mind.

15
No one can be given knowledge or understanding
they must all create or construct it for
themselves.
  • Didactic teaching does not work because it
    violates the essential conditions under which the
    mind learns---by acts of construction in the
    mind.

16
At even the most fundamental level of learning,
at the earliest age of learning, the learner must
actively construct (create) to learn.
  • We must abandon the notion that knowledge can be
    transmitted without active creative
    construction on the part of the learner.

17
At even the most fundamental level of learning,
at the earliest age of learning, the learner must
actively assess its construction to take genuine
ownership.
  • Am I being clear?
  • Am I being accurate?
  • These are minimal criteria for the construction
    of knowledge.

18
The essential need for criticality and creativity
applies to the work of the most humble student as
well as that of the greatest genius
  • If we study the development of the greatest
    minds---Aristotle, Beethoven, Curie, Da Vinci,
    Galileo, Michelangelo, Newton, Darwin,
    Einstein---we will discover that each went
    through a period of growth in which they
    internalized high standards of criticality that
    played a significant role in the manner in which
    they went about their later creative production.

19
A Necessary Condition to the Development of
Critical and Creative Thinking is
  • A Questioning Mind

20
Understanding the Mind of Isaac Newton
  • At the age of 19 Newton drew up a list of
    questions under 45 headings. His title,
    Quaestiones, signaled his goal to constantly
    question the nature of matter, place, time, and
    motion. He worked hard to understand the thinking
    of others working on his list of problems. For
    example, he bought Dascartess Geometry and read
    it by himself. After two or three pages, when he
    could understand no further, he began again and
    advanced farther and continued doing so till he
    made himself master of the whole.

21
Understanding the Mind of Charles Darwin
  • Like Newton (and Einstein) Darwin had a careful
    mind rather than a quick one I have as much
    difficulty as ever in expressing myself clearly
    and concisely and this difficulty has caused me
    a very great loss of time, but it had had the
    compensating advantage of forcing me to think
    long and intently about every sentence, and thus
    I have been lead to see errors in reasoning and
    in my own observations or those of others.

22
Understanding the Mind of Albert Einstein
  • Einstein failed his entrance exam to Zurich
    Polytechnic. When he finally passed (by
    attending a cram school) he did not want to think
    about scientific problems for a year. His final
    exam was so non-distinguished that afterward he
    was refused a post as an assistant.

23
Understanding the Mundane Nature of Critical and
Creative Thinking Creativity should not be
mystified.
  • Much of what appears to be inexplicable can be
    explained by mundane accounts. The great
    creative thinkers were great critical thinkers,
    and vice versa. The interrelation and
    interdependence holds for all learners and
    thinkers at all levels.

24
  • Stimulating intellectual work develops the
    intellect as both creator and evaluator as a
    creator that evaluates and as an evaluator that
    creates. The result is fitness of mind,
    comprehensive intellectual excellence.

25
  • The Foundation for Critical Thinking
  • www.criticalthinking.org

26
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