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Porcelain Inlay and Onlay

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Title: Conservative Porcelain Restorations Author: Dr. Ignatius Lee Last modified by: Ignatius Lee Created Date: 2/4/1997 11:35:32 AM Document presentation format – PowerPoint PPT presentation

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Title: Porcelain Inlay and Onlay


1
Porcelain Inlay and Onlay
Preparation and Restoration
  • Dr. Ignatius Lee

2
Restorative Options - Direct
  • 1970s
  • Posteriors amalgam
  • Anteriors composite
  • 2000s
  • Posteriors amalgam (material specific),
    composite (lesion specific)
  • Anteriors composite

3
Evolution of Cavity Preparation Design for
Posterior Composite
  • Taking into consideration the differences in the
    physical properties between the two materials
    (amalgam vs composite) and based on the
    rationale of the cavity preparation design for
    amalgam
  • Questions were asked Do we need convergent
    walls? retention grooves? Worry about unsupported
    enamel? Extension for prevention? Do we need
    bulk?
  • New cavity preparation design for posterior
    composite was created it was based on specific
    characteristic of the material.

4
Why are we talking about amalgam/composite
  • Example of utilizing the skill/knowledge we
    acquired in using a specific material/procedure
    (amalgam restoration) and applying it on a new
    material/procedure (composite restoration)
  • Preparation skills should be easily transferable.
  • Knowledge on the rationale of cavity preparation
    will allow us to adapt to the new material based
    on the materials specific characteristic.
  • Answer to your question on why are we still
    teaching cast gold inlay/onlay? - when only a
    few dentists are doing these kinds of procedures
    in their offices.

5
Restorative Options - Indirect
  • 1970s
  • Cast gold inlay/onlay, 3/4 crown, full cast
    crown, PFM
  • 2000s
  • Cast gold inlay/onlay, 3/4 crown, full cast
    crown, PFM
  • Porcelain/composite inlay/onlay

6
Differences between gold and porcelain
restorations
  • Physical properties - porcelain more brittle
  • Mode of retention - bonding vs mechanical
    retention
  • Concept of margin
  • Based on these differences, can we design a
    cavity preparation for using porcelain
    intra-coronally??
  • Starting with cavity preparation design for cast
    gold inlay/onlay, what features do we have to
    modify for porcelain????

7
Physical Properties
  • What cavity preparation features do we need to
    modify?
  • Bulk - more occlusal clearance
  • Reinforcement - bonding
  • Bevels contraindicated

8
Mode of Retention
  • Cast gold preparation rely on 6 to 7 degree of
    divergent walls and sharp internal line angles.
  • Porcelain rely on the bonding process, no need
    for 6 to 7 degree divergent wall and sharp
    internal line anlges.

9
Marginal Adaptation
  • Cast gold - rely on close adaptation (20u) lack
    of adhesion between tooth structure/cement/gold
    interface
  • Porcelain - rely on the adhesion between tooth
    structure/resin cement/procelain to create a gap
    free continuous margin.
  • No gingival bevels needed to minimize the gap.

10
Empress Procelain System
  • All procelain restoration used for inlay, onlay,
    full crown
  • Castable
  • Adequate marginal fit
  • Better wear characteristic than conventional
    procelain
  • Similar to cast gold inlay/onlay in terms of
    cavity preparation design

11
Porcelain Fused to Metal Crown vs Empress
Similarities
  • Highly esthetic
  • Wear
  • Brittle - reinforced through the bonding process

12
Composite vs Empress Similarities
  • Mode of retention - dentinal bonding agent
  • Apply skills you learn for composite on the
    bonding process.

13

Mechanism of Adhesion
  • Porcelain etched with hydrofluoric acid
    (micromechanical)
  • Bond between etched tooth and DBA - identical to
    composite/tooth
  • Silane coupling agent - chemical bond

14
Summary of Characteristics
  • Highly esthetic
  • Acceptable marginal fit
  • Conservation of tooth structure
  • Less occlusal wear
  • Highly technique sensitive

15
Indications
  • High esthetic demand
  • Replace moderate to large existing restoration
  • Fractured tooth/restoration
  • Moderate to large primary caries
  • Contraindiations
  • Unable to adequately isolate the field
  • Parafunctional habits - bruxing, clenching,
    excessive wear

16
Empress vs Gold Inlay/OnlayEmpress
  • Advantages
  • ESTHETIC
  • Conservation of tooth structure (gold onlay vs
    porcelain inlay)
  • Less complicated cavity design??
  • Disadvantages
  • Expensive
  • Technique sensitive - bonding process
  • Abrasive to occluding dentition

17
Empress vs PFMEmpress
  • Advantages
  • Conservative cavity preparation
  • Foundation restoration may not be necessary
  • Less abrasive to occluding dentition
  • No metal collar
  • Disadvantages
  • Expensive
  • Technique sensitive

18
Cavity Preparation Design
  • 1. Occlusal Depth/Cusp Reduction
  • Occlusal Depth 1.5 to 2.0 mm
  • Cusp ReductionFunctional cusp 1.5-2.0mm
  • Nonfunction cusp 1.5 mm
  • 2. Internal/External Line Angles
  • Rounded

19
Cavity Preparation Design
  • 3. Draw
  • Degree of draw approximately 12 to 15 degree
  • 4. Bevel
  • No bevel

20
Mn first premolar- DO amalgam with fractured
lingual cusp, deep pulpal floor
Existing amalgam removed, making all walls
divergent, smoothed all cavosurface margins
21
Mx first molar - MOD amalgam with deep pulpal
floor (4mm)
Existing amalgam removed
22
Proximal walls and gingival seats extended,
occlusal wall divergent, clinical judgement was
made to cover DL cusp (with shoulder)
No cavosurface bevel on shoulder
23
MOB amalgam on Mx first molar with deep pulpal
floor
Existing amalgam removed, make all walls
divergent and smoothed all cavosurface margins
24
Occl amalgam on Mn first molar, normal pulpal
depth patient complaining about pain on
function- Dx DB cusp fractured
Patients occlusion
25
Existing amalgam removed, DB cusp reduced by 2mm,
all walls divergent
No shoulder on DB cusp - WHY???
26
MOD amalgam on Mn second molar with fractured Li
cusp. Normal pulpal depth all amaglam removed
Proximal box divergent, Li cusp - smoothed
cavosurface margin
27
MOD amalgam on Mn first molar - occlusal fractured
Shade selection BEFORE rubber dam need dentin
shade (match shade at gingival third) and overall
shade
28
Finished preparation rubber dam removed ready
for impressioning proximal box divergent, cusp
reduction, buccal cusp with heavy bevel (no
shoulder)
Buccal view
29
Wax up on working cast
Special die for shade matching/staining - reason
for taking the dentin shade
30
Restoration on die/working cast
31
Trying in under rubber dam adjust proximal
contact do not adjust occlusal contact
32
Cementation under rubber dam using resin cement
excess cement removed using cotton tip
Excess resin cement removed from
proximal/gingival margins using an explorer
33
Rubber dam removed following cementation
Adjust occlusion using fine diamond in high speed
hand piece
34
Laboratory Exercise - Mn first molar, MOD onlay
preparation for porcelain
35
Finished Preparation - MOD porcelain onlay
preparation
36
Restoration on die, back from laboratory
37
Restoration seated under rubber dam
Bu view after cementation
38
Restoration on die, back from laboratory
Restoration seated under rubber dam
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