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Digital Video

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Digital Video Understanding Analogue and Digital Video Lesson 1 – PowerPoint PPT presentation

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Title: Digital Video


1
Digital Video
  • Understanding Analogue and Digital Video
  • Lesson 1

2
Abstract
  • Starting from analogue video, the problems are
    described. Digital video is defined. The major
    factors affecting digital video are described. It
    is shown that compression is a vital requirement.
    The factors to be considered when choosing a
    compression method are discussed. It is shown
    that the discussion presented had to lead to a
    standard.

3
Introduction
  • This lesson presents an introduction to the
    fundamentals of digital video.
  • The Moving Pictures Experts Group (MPEG) standard
    came about due to the problems and ideas
    presented here.

4
Introduction
  • To understand digital video, we must first
    understand that there is a difference between
    video for broadcast television and video for
    personal computers. Broadcast professionals have,
    and will continue to, demand high quality video.
    Their efforts and requirements are responsible
    for many advancements in the technology of
    digital video. The definition of digital video
    for this group varies from the one that is
    meaningful to computer professionals.

5
Analogue Video
  • Several methods exist for the transmission of
    video signals. The earliest of these was
    analogue. In an analogue video signal, each frame
    is represented by a fluctuating voltage signal.
    This is known as an analogue waveform. One of the
    earliest formats for this was composite video.
  • Composite analogue video has all its components
    (brightness, color, synchronization information,
    etc.) combined into one signal. Due to the
    compositing (or combining) of the video
    components, the quality of composite video is
    marginal at best. The results are color bleeding,
    low clarity and high generational loss.

6
Analogue Video
  • Composite video quickly gave way to component
    video, which takes the different components of
    the video and breaks them into separate signals.
    Improvements to component video have led to many
    video formats, including S-Video, RGB etc.
  • All of these are still analogue formats and are
    susceptible to loss due to transmission noise
    effects. Quality loss is also possible from one
    generation to another. This type of loss is like
    photocopying, in which a copy of a copy is never
    as good as the original.

7
Defining Digital Video
  • These limitations led to the birth of digital
    video. Digital video is just a digital
    representation of the analogue video signal.
    Unlike analogue video that degrades in quality
    from one generation to the next, digital video
    does not. Each generation of digital video is
    identical to the parent.

8
Defining Digital Video
  • Even though the data is digital, virtually all
    digital formats are still stored on sequential
    tapes. Although tape holds considerably more data
    then a computer hard drive, there are two
    significant advantages for using computers for
    digital video the ability to random access the
    storage of video and to also compress the video
    stored. There is also the problem of transferring
    video from tape to computer.

9
Defining Digital Video
  • Considering these issues, digital video for
    computers requires a different definition than
    for traditional digital formats. Computer-based
    digital video is defined as a series of
    individual images and associated audio. These
    elements are stored in a format in which both
    elements (pixel and sound sample) are represented
    as a series of binary digits, or bits.

10
Defining Digital Video
  • Previous attempts were made to find the best
    procedure for capturing, storing, transmitting
    and playing back video from the computer desktop.
    Unfortunately these attempts were of a
    proprietary nature and resulted in various
    formats and incompatibilities.

11
Defining Digital Video
  • As a result, the International Standards
    Organization (ISO) worked to define the
    internationally accepted formats for digital
    video capture, storage, and playback.

12
Four Factors of Digital Video
  • With digital video, four factors have to be kept
    in mind. These are
  • Frame rate
  • Spatial Resolution
  • Color Resolution
  • Image Quality

13
Frame Rate
  • The standard for displaying any type of non-film
    video is 30 frames per second (film is 24 frames
    per second). This means that the video is made up
    of 30 (or 24) pictures or frames for every second
    of video. Additionally these frames are split in
    half (odd lines and even lines), to form what are
    called fields.

14
Color Resolution
  • This second factor is a bit more complex. Color
    resolution refers to the number of colors
    displayed on the screen at one time. Computers
    deal with color in an RGB (red-green-blue)
    format, while video uses a variety of formats.
    One of the most common video formats is called
    YUV. Although there is no direct correlation
    between RGB and YUV, they are similar in that
    they both have varying levels of color depth
    (maximum number of colors).

15
Spatial Resolution
  • The third factor is spatial resolution - or in
    other words, "How big is the picture?". Since PC
    and Macintosh computers generally have
    resolutions in excess of 640 by 480, most people
    assume that this resolution (VGA) is the video
    standard. It is not. As with RGB and YUV, there
    is no direct correlation between analogue video
    resolutions and computer display resolutions.

16
  • A standard analogue video signal displays a full,
    over scanned image without the borders common to
    computer screens. The National Television
    Standards Committee ( NTSC) standard used in
    North America and Japanese Television uses a 768
    by 484 display. The Phase Alternative system
    (PAL) standard for European television is
    slightly larger at 768 by 576. Most countries
    endorse one or the other, but never both.

17
Image Quality
  • The last, and most important factor is video
    quality. The final objective is video that looks
    acceptable for your application. For some this
    may be 1/4 screen, 15 frames per second (fps), at
    8 bits per pixel. Other require a full screen
    (768 by 484), full frame rate video, at 24 bits
    per pixel (16.7 million colors).
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