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Kouroi and Korai

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... NY KOUROS NY MMA 32.11.1 1.84 m in height From Attica 600 BCE Egyptian grid-design Attention to patterning No real anatomy Sounion Kouros ... National Museum ... – PowerPoint PPT presentation

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Title: Kouroi and Korai


1
Kouroi and Korai
  • An Evolution of Sculptural Style

2
Kouros (Kouroi)
  • New York Kouros (600 BCE)
  • Sounion Kouros (580 BCE)
  • Kleobis and Biton (580 BCE)
  • Tanagra Boys (580 BCE)
  • Anavysos Kouros (530 BCE)
  • Aristodikos Kouros (510 - 500 BCE)
  • Kritios Boy (490 - 480 BCE)

3
NY KOUROS
  • NY MMA 32.11.1
  • 1.84 m in height
  • From Attica
  • 600 BCE
  • Egyptian grid-design
  • Attention to patterning
  • No real anatomy

4
Sounion Kouros
  • Athens, National Museum
  • Restored height 3.05 m
  • Found in a pit at the sanctuary of Poseidon at
    Sounion
  • Like NY Kouros but more achieved
  • Seashell like curls, washboard stomach, rounder
    musculature

5
Design
  • Ionic volute ear
  • Careful attention to texture of hair
  • Love of geometric form and symmetrical patterning

6
Kleobis and Biton
  • Delphi Museum
  • Restored height of 1.97 m
  • 580 BCE
  • Story of their sacrifice in Herodotus i.31
  • Artists inscription Polymedes the Argive made
    this.

7
Boys from Tanagra
  • Athens, National Mus.
  • From Tanagra
  • 1.47 m in height
  • Limestone
  • 580 BCE
  • Amphialkes put this up for Dermys and Kittylos

8
Some Awkwardness
  • Awkwardness of the embrace is seen in Egyptian
    couple statues.

9
Anavysos Kouros
  • National Mus. 3851
  • 1.94 m in height
  • 530 BCE
  • Stay and mourn at the monument for dead Kroisos
    whom violent Ares destroyed, fighting in the
    front rank.

10
Problems with Hips
  • More robustly modeled
  • Struggle with the weight of the marble
  • Unsuccessful solution

11
Aristodikos
  • National Museum, Athens
  • 510 - 500 BCE
  • 1.95 m in height
  • Base inscribed with name Aristodikos
  • More skillfully handled body masses

12
Kritios Boy
  • Acropolis Museum, Athens
  • 0.86 m in height
  • 490 - 480 BCE
  • Precursor to the Classical period
  • Shift of weight - confidence in body masses

13
Sculptor in Bronze?
  • Engrave lines of the hair
  • Hollow eyes characteristic of bronze work
  • Broken limbs and head

14
Archaic Horsemen
  • Rampin Rider
  • 550 BCE
  • Head from the Louvre
  • Fragments from the Acropolis circuit wall

15
Remarkable join
  • Payne saw that this head from the Louvre joined
    the body on the acropolis
  • Lace-like carving of the hair and beard
  • Celery crown - Nemean or Isthmian games.
  • Delicacy of features
  • Same sculptor as Peplos Kore?

16
Persian Rider
  • Newly restored
  • 520 BCE

17
Paint on Archaic Statues
  • Encaustic Paint
  • Depth to Flat Surfaces
  • Lost in late Classical Period

18
Kore (Korai)
  • Auxerre Kore (640 - 630 BCE)
  • Nikandre Kore (640 - 630 BCE)
  • Berlin Kore (570-560 BCE)
  • Peplos Kore (530 BCE)
  • Cheramyes Kore (570 - 560 BCE)
  • Ionic Korai, Acropolis (520 - 500 BCE)
  • Phrasikleia (540 BCE)

19
Auxerre Kore
  • Louvre 3098
  • From Crete.
  • 0.65 m in height
  • 640 - 630 BCE
  • Incision and traces of painted lines
  • Daedalic style
  • Large hands and position suggest adoration.

20
Nikandre
  • Athens, National Museum
  • From Delos
  • 640 - 625 BCE
  • 1.75 m in height
  • Earliest life-sized statue
  • Nowhere thicker than 20 cm .

21
Nikandre Inscription
  • Boustrophedon.
  • Nikandre dedicated me to the Far Darter, the
    Arrow Shooter, outstanding of women, daughter of
    Deinodikes of Naxos, sister of Deinomenes, wife
    of Phraxos.

22
Berlin Kore
  • Berlin Antikensammulungen.
  • 1.93 m in height
  • 570 - 560 BCE
  • Found wrapped in lead in Keratea, suburb of
    Athens.
  • Crown (polos) of meander pattern and lotus and
    bud motif.
  • Funerary?

23
Peplos Kore
  • Acropolis Museum, Athens.
  • 1.17 m in height
  • 530 BCE
  • Peplos over the chiton
  • Same sculptor as Rampin head?

24
Traces of Paint
  • Embroidered dress.
  • Colored belt.
  • Strands of hair, irises, lips all colored.
  • Added jewelry pegged in.

25
Cheramyes Kore
  • Louvre 686
  • 1.92 m in height
  • 560 BCE
  • From Samos
  • Epiblema, mantle, and chiton
  • DedicationCheramyes dedicated this statue to
    Hera.

26
Ionic Korai on the Acropolis
  • Acropolis 681 Antenor Kore
  • Acropolis 682
  • Acropolis 670
  • Acropolis 674
  • Acropolis 686 Euthydikos Kore

27
Antenor Kore
  • Acropolis Museum
  • 2.155 m in height
  • 530 - 520 BCE
  • Nearchos the potter dedicated this to Athens.
    Antenor the son of Eumares made this statue.
  • Nearchos signed pots 757 - 540 BCE.
  • Eyes rock crystal set in lead.

28
Early Chian
  • Acropolis 682
  • 530 - 520 BCE
  • 1.82 m high
  • most peculiar
  • the less one sees of the whole, the more of the
    detail, the better

29
Unusual Chiton Style
  • Acropolis 670
  • 1.15 m high
  • 520 - 510 BCE
  • Sculptor same hand as the Aristodikos
  • No himation. Unusual chiton use.

30
Advanced Chian Style
  • Acropolis 674
  • H (preserved) 0.92 m
  • 500 BCE
  • Preliminaries to the Severe Style.

31
Euthydikos Kore
  • Acropolis 686
  • 490 BCE
  • Euthydikos, son of Thaliarchos, dedicated me.
  • Same sculptor as the Kritios Boy.

32
Phrasikleia
  • Excavated from Merenda (ancient deme site of
    Myrrhinous) in 1972.
  • Found almost intact with a male kouros.
  • Cemetery context, on the road to Athens.
  • 1.72 m in height
  • 540 BCE

33
Bridal Garb
  • Stephane or crown of lotus buds and flowers.
  • Earrings, necklace, bracelets.
  • Embroidered gown.
  • Fancy belt.
  • Special shoes.
  • Iconography of bride.

34
Inscription
  • Fit into previously discovered base (1729).
  • Artists signature Aristion of Paros.
  • Metrical epitaph
  • Sema of Phrasikleia.
  • I shall be called kore
  • always, instead of marriage
  • by the gods that
  • having been alloted name.
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