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Title: Music: An Appreciation 8th Edition by Roger Kamien


1
Music An Appreciation8th Editionby Roger
Kamien
  • ????
  • The Classical Period
  • 1750-1820

Presentation Development Robert
Elliott University of Arkansas at Pine Bluff
2
????Classical Period
  • Time-line
  • Seven Years War-1756-1763
  • Louis XVI in France-1774-1792
  • Am. Declaration of Independence-1776
  • French Revolution-1789
  • Napoleon first French consul-1799
  • Napoleonic Wars-1803-1815
  • Goethe Faust-1808
  • Austin Pride and Prejudice-1813

3
The Classical Era
  • Scientific advances changed world view
  • Faith in the power of reason
  • Undermining of traditional authority
  • Social organization
  • Religious establishment
  • Age of Enlightenment
  • Rise of the middle class worker
  • Visual Art
  • Moved away from ornate Baroque style
  • Note picture p. 147

4
Chpt. 1 ????
  • ??? ?1730?????1770??
  • ?????????????????????(1717-1788,??C.P.E.??)
    ?Johann Christian(1735-1782,??J.C.??)
  • ????????????????????
  • Joseph Haydn??
  • Wolfgang Amadeus Mozart???
  • Ludwig van Beethoven???

5
Chpt. 1-The Classical Style
???????
  • ?????
  • ??????????
  • ??
  • ??????????
  • ??
  • ???????????
  • ??
  • ??????????,?????????
  • ?????
  • ??????????
  • ????????????
  • ???????????,?????????
  • ???????

6
Chpt. 1- The Classical Style
?????????
  • ??????
  • ??????????
  • Still smaller than that of today
  • ????????????????
  • ???????????????????????
  • ????

7
Chpt. 1- The Classical Style
????
  • ??????????????????????
  • ?????????
  • 1st????
  • 2nd????
  • 3rd???????
  • 4th????
  • Multi-movement works for instrumental groups
  • ?????????
  • ?????(String quartet)????????????,??????
  • ???(Sonata)???????????

8
Chpt. 2???????????????
  • ????
  • ??(Haydn)??????????????
  • ???(Mozart) at court, broke away, died broke
  • ???(Beethoven)????????????
  • ??????,?????????????????????(???????? )
  • ???,??????????
  • ????????,?????????
  • Rise of instrument manufacture industry
  • Composers wrote playable music that would sell
  • ??????????????????

9
???
Chpt. 2- Composer, Patron, and Public
  • ????????????????
  • ???????????????
  • ?????????,????????????
  • Musicians, including Mozart and Beethoven,
    frequently played gigs in wealthy homes
  • ?????????????

10
Chpt. 3????
  • ???????
  • ?????????????
  • ??????????
  • ???(Exposition)
  • ??????
  • ????????
  • ???(Development)
  • ????????
  • ??????????????
  • ???(Recapitulation)
  • ?????????
  • ?????????
  • ??(Coda)

11
Listening
Chpt. 3-Sonata Form
  • ????G?????,??? , K. 550(1788)
  • First movement
  • Listening Guide
  • Note Sonata Form
  • Exposition
  • Development
  • Recapitulation
  • Coda

12
Chpt. 4???????
  • Single part formno large contrasting B section
  • (A A A A)
  • ?????,?????
  • ??????????????
  • ????????????
  • ?????????????????????????

13
Listening
Chpt. 4-Theme and Variations
  • ?????G???????,??
  • (Surprise Symphony 1791)
  • Second Movement
  • Listening Guide p. 210
  • Brief Set, CD 210
  • Note Theme and Variations form

14
?????????
  • Ternary form based upon stately court dance of
    the Baroque
  • Each ternary part is itself ternary

Minuet Trio Minuet
A B A
a b a
c d c
a b a
  • Return of the Minuet is usually marked on the
    music as da capo

15
Listening
Chpt. 5-Minuet and Trio
  • Eine Kleine Nachtmusik (A Little Night Music
    1787), K. 525
  • by Wolfgang Amadeus Mozart
  • Third Movement
  • Listening Guide p. 212 Brief Set, CD 232
  • Note Minuet and Trio form
  • Minuet Trio Minuet
  • A B A
  • a b a c d c a b a

16
Chpt. 6????(Rondo)
  • ????????
  • ???????,????????????
  • ???????
  • A B A C A (small rondo)
  • A B A C A B A (large rondo)
  • Note the similarity to modern pop-music form

17
Listening
Chpt. 6-Rondo
  • String Quartet in C Minor, Op. 18, No. 4
    (1798-1800)
  • by Ludwig van Beethoven
  • Fourth movement
  • Listening Guide p. 214
  • Brief Set, CD 235
  • Note Rondo form
  • A B A C A B A

18
Chpt. 7?????
  • ?????????,????????????????
  • ????????????
  • 1st Fast1st???????????
  • 2nd Slow????????????ABA???,????????
  • 3rd Dance????,??????????
  • 4th Fast????,???????????
  • ????????????,??????

19
Chpt. 8?????
  • ???????????????
  • ??????
  • FastSlowFast (no Minuet )
  • ??????????????????????????
  • ????????,??????????
  • Solo break where orchestra stops waits
  • ???????????????

20
Chpt. 9?????
  • ??????????,?????????
  • ?????????????
  • ??????????
  • ???????
  • ???????????????
  • ????????????,??????
  • ??????
  • Usually FastSlowDanceFast
  • ????????????
  • ??????(???????)
  • ?????(??????????)
  • ?????(?????????, ???)

21
?????? (Joseph Haydn)
  • 1732-1809early and mid-Classical Period Austrian
    composer (long life)
  • Talent recognized early
  • Age 8sent to Vienna to be a choir boy
  • Dismissed from schoolvoice changed
  • Worked in Vienna and continued studies
  • ??????????Esterhazy???
  • ???????????
  • Became famous in Europe at this time
  • Moved to Vienna at Princes death
  • Made concert trip to London
  • Prolific composer

22
(No Transcript)
23
Listening
Chpt. 10-Joseph Haydn
  • Trumpet Concerto in E Flat Major (1796) by
    Haydn
  • Third movement
  • Listening Guide p. 226
  • Basic Set, CD 344
  • Note Virtuoso trumpet part for soloist
  • Combination of sonata-allegro and
  • rondo forms called sonata-rondo

24
??? ??? Wolfgang Mozart
  • 1756-1791 (mid-Classical composer)
  • Austrian
  • Son of a professional musician
  • Leopold Mozart, violin, worked for Archbishop of
    Salzburg
  • Child prodigy
  • At 25freelance musician in Vienna
  • Partly due to winning the Emperors favor
  • Initially successful, then novelty wore off
  • Final piece was a Requiem that was finished by
    one of his students
  • Very prolific, note short life span
  • Wrote in all Classical genres

25
(No Transcript)
26
Listening
Chpt. 11-Wolfgang Amadeus Mozart
  • Don Giovanni (1787) by Mozart
  • Act I Introduction
  • Listening Guide p. 231
  • Brief Set, CD 31
  • Don Giovanni has slipped into the room of Donna
    Anna. Leporello worriedly waits outside.
  • Donna Anna is not happy to see Don Giovanni.
  • Her father, the Commandant, catches him. They
    fight a duel and the Commandant is killed.

27
Listening
Chpt. 11-Wolfgang Amadeus Mozart
  • Don Giovanni (1787) by Mozart
  • Leporellos catalog aria (Madamina)
  • Listening Guide p. 236
  • Basic Set, CD 355
  • Donna Elvira, an earlier conquest of Don
    Giovannis, tries to see him again.
  • Leporello intercepts her and attempts to
    discourage her by reading a list, or catalog, of
    the women Don Giovanni has been with.

28
Listening
Chpt. 11-Wolfgang Amadeus Mozart
  • Symphony No. 40 in G Minor (1788)
  • by Mozart (K. 550)
  • Mvt. 1Molto allegro
  • Listening Guide p. 240 Brief Set, CD 217
  • Mvt. 2Andante
  • Listening Guide p. 242 Basic Set, CD 31
  • Mvt. 3Menuetto (Allegretto)
  • Listening Guide p. 243 Basic Set, CD 313
  • Mvt. 4Allegro assai (very fast)
  • Listening Guide p. 244 Basic Set, CD 316

29
Listening
Chpt. 11-Wolfgang Amadeus Mozart
  • Piano Concerto No. 23 in A Major (1786)
  • by Mozart (K. 488)
  • First movement
  • Listening Guide p. 244
  • Brief Set, CD 35
  • Note Sonata form
  • Cadenza near end of movement (one of
  • few notated by Mozart)

30
??????? Beethoven
  • 1770-1827late Classical, German
  • Son of a professional musician
  • Father, Johann, was a singer abusive alcoholic
  • Forced the boy to study music (wanted )
  • Financially successful as freelance musician
  • Believed in periods societal changes
  • Wrote final pieces while totally deaf
  • Died in Vienna
  • 20,000 people attended funeral
  • Wrote in all Classical genres
  • 9 symphonies
  • 16 string quartets
  • 5 concertos
  • 1 opera
  • Many other sonatas and other works

31
(No Transcript)
32
Listening
Chpt. 12-Ludwig van Beethoven
  • Piano Sonata in C Minor, Op. 13
  • (Pathetique, 1798)
  • by Beethoven
  • First movement (Grave-solemn, slow intro.)
  • Listening Guide p. 261
  • Basic Set, CD 48
  • Note Extreme dynamic contrasts accents
  • Unexpected pauses
  • More use of dissonance than previous
  • composers

33
Listening
Chpt. 12-Ludwig van Beethoven
  • Symphony No. 5 in C Minor, Op. 67
  • by Beethoven (1808)
  • Mvt. 1Allegro con brio
  • Listening Guide p. 261 Brief Set, CD 239
  • Mvt. 2Andante con moto
  • Listening Guide p. 263 Brief Set, CD 247
  • Mvt. 3Allegro (scherzo)
  • Listening Guide p. 265 Brief Set, CD 253
  • Mvt. 4Allegro
  • Listening Guide p. 266 Brief Set, CD 257
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