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Title: AP Language


1
AP Language Composition
  • Unlocking the Rhetorical Devices

2
Balance
Parallelism Chiasmus Antithesis
3
Parallelism-- is the repetition of a grammatical
structure. The effect of parallelism is usually
one of balance arrangement achieved through
repetition of the same syntactic form.
Ex To think carefully and to write precisely are
interrelated goals.
Vs. To think carefully and precise
writing are interrelated goals.
By matching the cadence, the form, or the
subjects, youll be able to make your essay
easier to read and digest and your speeches
easier to listen to.
4
Chiasmus
  • Figure of speecha pattern in which the second
    part is balanced against the first but with the
    parts reversed. This may involve a repetition of
    the same words.
  • Ex Pleasures a sin, and sometimes sins a
    pleasure. Bryon

5
Parallelism vs. Chiasmus
verb
adverb
verb
adverb
  • Parallelism The code breakers worked constantly
    but succeeded rarely.

verb
verb
adverb
adverb
Chiasmus The code breakers worked constantly but
rarely succeeded.
Parallelism What is learned unwillingly is
forgotten gladly. Chiasmus What is learned
unwillingly is gladly forgotten.
6
Antithesiscontrasting two ideas by placing them
next to each other
By contrasting legality and morality, wisdom and
learning, or success and happiness, you make your
reader think about the subtle shades of
difference between concepts.
  • Ex Thats one small step for man, one giant
    leap for mankind. Neil Armstrong
  • We live within our limits, for we are men, not
    gods.

7
Emphasis 1
Climax Asyndeton Polysyndeton Expletive
8
Climaxis the presentation of ideas of increasing
importance.
  • Random Order When the bucket fell off the
    ladder, the paint splashed onto the small rug,
    the drop cloth, the Rembrandt painting, and the
    sofa.

Climactic Order When the bucket fell off the
ladder, the paint splashed onto the drop cloth,
the small rug, the sofa, and the Rembrandt
painting.
9
Asyndeton (uh SIN duh tahn) consists of omitting
conjunctions between words, phrases, or clauses
in a list.
  • Ex When he returned, he received medals, honors,
    riches, titles, fame.
  • Conj He was a winner and a hero.
  • Asyndeton He was a winner, a hero.

10
Polysyndeton (pol e SIN duh than) is the use of
a conjunction between each word, phrase, or
clause and is thus structurally the opposite of
asyndeton. The general feel of polysyndeton
is one of an increasing urgency and power, with
an almost hypnotic rhythm forming quite quickly.
Ex I slithered under the sheets, and under the
blankets, and under the top quilt to evade the
monsters. The commas draw out the action and
make escaping more suspenseful.
11
Expletivea word or short phrase, often
interrupting a sentence, used to lend emphasis to
the words
Without expletive The lake was not drained
before April. With expletive The lake was not,
in fact, drained before April.
12
Emphasis II The most emphatic part of a
sentence is at the end, while the second most
emphatic part is at the beginning. How do you
want to leave your readers?
  • Irony
  • Understatement
  • Litotes
  • Hyperbole

13
Ironyinvolves a statement whose hidden meaning
is different from its surface or apparent
meaning.
  • Ex When the tow truck driver pulled up, he saw
    the girl sitting in the rain on the spare tire,
    her prom dress ripped, grease on her face, mud on
    her shoes. As he stepped out of the truck, she
    asked him, Does this mean my fun is over?

14
Understatement
  • The opposite of exaggeration. It deliberately
    expresses an idea as less important than it
    actually is.

I know my actions were a little inappropriate,
stated Tiger Woods.
15
Litotes
  • A form of understatement, created by denying the
    opposite of the idea in mind.

Without litotes Those who examine themselves
will gain knowledge of their failings. With
litotes Those who examine themselves will not
remain ignorant of their failings.
Many writers have created litotes by using a non
un- construction Instead of saying, We were
willing, they would write, We were not
unwilling.
16
Hyperbole
  • A figure of speech, emphasized by exaggeration.
  • Ex. There were millions of people at school.

17
Figurative Language I
  • Clarifying the unfamiliar by comparing it with
    the familiar is one of the key methods of
    teaching and learning.

Simile Analogy Metaphor
18
Simile
It compares two very different things that have
at least one quality in common.
Ex After long exposure to the direct sun, the
leaves of the houseplant looked like pieces of
overcooked bacon.
The difference between subject and image should
be substantial!
19
Analogy
  • A word, thing, or idea chosen for the purpose of
    comparison.

Ex In order to solve a problem, you first have
to know what the problem really is, in the same
way that you cant untie a knot until youve
found the knot. -Aristotle
20
Metaphor
  • It identifies the subject with the image That
    is, instead of saying the subject is like the
    image, a metaphor asserts that the subject is the
    image in some sense.

Simile A good book is like a friend. Metaphor A
good book is a friend.
21
Figurative Language II
Metonymy Synecdoche Personification
22
Metonymy (muh THAN uh me)
  • One entity is used to stand for another
    associated entity
  • (The substitution of the name of a thing by the
    name of an attribute of it.)
  • Ex the crown monarchy
  • John Hancocksignature
  • The big appleNYC
  • A Mercedes rear-ended me
  • (Ex The word me stands for the car that the
    speaker was driving.)

23
Synecdoche (sin EK duh Ke) (a kind of metonymy)
  • A part is used to describe the whole

Ex If I had some wheels, Id put on my threads
and ask for Janes hand. Wheelsautomobile/motor
cycle Threadsclothes Handpart-for-whole
substitution for Jane
24
Personification
  • Human attributes to animals, objects, or ideas.

Ex This coffee is strong enough to get up and
walk away. The ship began to creak and protest
as it struggled against the rising sea.
25
Figurative Language III
Allusion Eponym Apostrophe
26
Allusion
A short, informal reference to a famous person or
event. The allusion often functions as a brief
analogy or example to highlight a point being
made.
Ex Plan ahead It wasnt raining when Noah built
the Ark. --Richard Cushing It was like Romeo
and Juliet, only it ended in tragedy. (Milhouse
from the Simpsons implying the effects from his
first love)
27
Eponym (EP uh nim)
  • Is a specific type of allusion, substituting the
    name of a person famous for some attribute in
    place of the attribute itself. The person can be
    a historical, mythological, literary, or Biblical
    figure.

Ex This lid is stuck so tight I need a Hercules
to open it. Is he smart? Why, the man is an
Einstein. Is he creative?
28
Apostrophe (uh POS truh fe)
  • A direct address to someone, whether present or
    absent, and whether real, imaginary, or
    personified.
  • Its most common purpose is to permit the writer
    to turn away from the subject under discussion
    for a moment and give expression to built-up
    emotion.

Ex O books who alone are liberal and free, who
give to all who ask of you and enfranchise all
who serve you faithfully! Richard de Bury
After this last piece of unexpected news, the
stock collapsed completely, ending its fall from
84 a share a year earlier to less than a dollar
now. You poor shareholders! If only you had
known about those secret partnerships! How much
wiser you could have been!
29
Syntax I
  • The term syntax refers to the way words and
    phrases are put together to form sentences.

30
Zeugma (ZOOG muh)
  • Linking together two or more words, phrases, or
    clauses by another word that is stated in one
    place and only implied in the rest of the
    sentence.

Ex Jane and Tom jogged along the trail together.
(One verb links two subjects.) She grabbed
her purse from the alcove, her gloves from the
table near the door, and her car keys from the
punchbowl. (The verb grabbed is implied in front
of her gloves and her car keys.)
31
Diazeugma (di uh ZOOG muh)
  • Consists of a single subject linking multiple
    verbs or verb phrases.
  • Ex The book reveals the extent of
    counterintelligence operations, discusses the
    options for improving security, and argues for an
    increase in human intelligence measures.
  • (The word book links the verb phrases beginning
    with reveals, discusses, and argues.)

32
Restatement I
  • Anaphora
  • Epistrophe
  • Symploce

33
Anaphora
  • Rhetorical figure of repetition in which the same
    word or phrase is repeated (found often in prose
    and verse).

Ex Youre beautiful, youre beautiful, youre
beautiful, its true. --J. Blunt Your body is
a wonderland. John Mayer
34
Epistrophe
  • The same word or phrase is repeated at the end of
    successive clauses, sentences, or lines.
  • Whitmans Song of Myself
  • The moth and the fish-eggs are in their place.
  • The bright suns I see and the dark suns I cannot
    see are in their place,
  • The palpable is in its place and the impalpable
  • is in its place.

35
Symploce (SIM plo ke)
  • Combines anaphora and epistrophe by repeating
    words at both the beginning and the ending of
    phrases, clauses, or sentences.

Ex Whenever Chef Robaire cooked, his soup du
jour began with chicken broth and garlic, his
soup a la Chef included vegetables and garlic,
and his soup Forentine was made with onions,
cheese, and garlic. Soup (repeated)
Garlic (repeated)
36
Restatement II
  • Anadiplosis
  • Conduplicatio

37
Anadiplosis (an uh di PLO sis)
  • Formed by the repetition of the last word or
    words of a sentence or clause at or very near the
    beginning of the next clause.

Ex The treatment plant has a record of uncommon
reliability, a reliability envied by every other
water treatment facility on the coast.
38
Conduplicatio (con doo plih KAHT e o)
  • Takes an important word from anywhere in one
    sentence and repeats it at the beginning of the
    next sentence.
  • Ex Working adults form the largest single group
    of customers for on-line courses in the United
    States. On-line courses allow them to schedule
    academic assignments around full-time jobs and
    family responsibilities.

39
Sound
  • Alliteration
  • Onomatopoeia
  • Assonance
  • Consonance

40
Alliteration
  • A sequence of repeated consonantal sounds in a
    stretch of language
  • Without Alliteration Jonathan was the child of
    mature parents, who were calm and relaxed.
  • With Alliteration Jonathan was the product of a
    mature marriage, whose partners were calm and
    relaxed.

41
Onomatopoeia
  • Words which sound like the noise they describe.
  • Ex Swish, cuckoo, smack, plonk, etc.

42
Assonance (As uh nuns)
  • Repeating vowel sounds in the stressed syllables
    of successive words or words relatively close to
    each other.
  • Ex A city that is set on a hill cannot be
    hid.Matthew 514b
  • To get within sight of the lava, the geologists
    took a high-temperature hike.

43
Consonance (KON suh nuns)
  • Repeating the same consonant sound at the end of
    stressed syllables (or short words) with
    different vowels before the consonants.
  • Ex Without consonance He was so thirsty that
    he tried to tear the lid from the top.
  • With consonance He was so thirsty that he tried
    to rip the cap from the top.

44
Drama
  • Rhetorical Question
  • Aporia

45
Rhetorical Question
  • The expected answer is implied by the question
    itself, and is often just a yes or no.
  • Ex So, then, do we want to continue a business
    model that guarantees we will lose more money
    next year than this year and more money than ever
    each coming year?

46
Aporia (uh POR e uh)
  • Expresses doubt about a fact, idea, or
    conclusion. The doubt may be real or pretended.
  • Ex I cannot decide whether I approve of dress
    codes for middle-school children Dress codes
    prevent gang clothing and conspicuous
    consumption, but they also produce a gray
    uniformity that suppresses personality and
    individual taste.

47
Apophasis (uh POF uh sis)
  • Brings up a subject by pretending not to bring it
    up. Its legitimate use is to call attention to
    something briefly, mentioning the existence of an
    idea without going into it.
  • Ex I will not mention Houdinis books on magic,
    nor the tricks he invented, nor his well-known
    escapes, because I want to focus on the work he
    did exposing swindlers and cheats.

48
Anacoluthon (an uh kuh LOO thun)
  • A sentence whose two pieces do not fit together
    grammatically.
  • Ex Suddenly we heard an explosion from the
    direction of the hut. I turned to see the
    windows blowing out and the roof coming off. I
    began towe were all knocked down.

49
Word Play
  • Oxymoron
  • Pun
  • Anthimeria

50
Oxymoron
  • A condensed paradox, usually reduced to two
    words. (Paradox an apparent contradiction)
  • Ex Your dog whimpers and scratches to be picked
    up, but when I pick him up, he turns his head
    away as if he doesnt care that hes being held.
    Its clearly a case of clinging aloofness.

51
Pun
  • It plays with multiple meanings of a word or
    words. It is considered the lowest form of
    humor, but historically puns were considered
    witty and elegant because they were often well
    done.
  • Ex Tell me, whats the scoop on cat litter?
  • I cant believe you ducked up like that!

52
Anthimeria (an thi MER e uh)
  • Uses one part of speech as if it were another.
  • Ex I can keyboard that article this afternoon.
  • Friends who Internet together, stay together!

53
Connotation/Denotation
  • Connotation-emotional response evoked by a word
  • Ex. Kittensoft, warm, cuddly
  • Denotation-literal meaning

54
Epithet (EP uh thet)
  • An adjective, or adjectival phrase, that
    describes a key characteristic of the noun.
  • (The characteristic poetic diction of the 18th
    century was replete with epithets.)
  • Ex Brightening dawn, smirking billboards, joyous
    firefly, sleeping night

55
Prozeugma (pro ZOOG muh)
  • The linking word is presented once and then
    omitted from the subsequent sets of words or
    phrases linked together.
  • Ex The freshman excelled in calculus the
    sophomore, in music the senior, in drama.

56
Mesozeugma (mez uh ZOOG muh)
  • The linking word (often a verb) comes in the
    middle of the sentence.
  • Ex A center speaker is included, and a subwoofer.

57
Hypozeugma (hi po ZOOG muh)
  • The linking word follows the words it links
    together.
  • (Commonly done with Periodic Sentences)
  • Ex Monkeys, giraffes, elephants, and even lions
    had escaped from the zoo after the earthquake.

58
Syllepsis (si LEP sis)
  • The terms are linked in different senses or
    meanings of the linking word.
  • Ex She was unwilling to drive to that party
    because she was afraid to damage her car or her
    reputation.

59
Cumulative Sentences
  • Presents the main idea first and then adds
    modification, detail, and qualification
    afterwards.
  • Ex The joint leaked after the third pressure
    test at low temperature and high vibration.

60
Periodic Sentence
  • It presents modification first or in some other
    way holds off the completion of the main idea
    until the very end.

Ex When the students knew they were being
observed, they scored less well on the test.
61
Transition
  • One of the keys to good writing is the ability to
    take your reader with you as you move along in
    your discussion. Transitions allow you to signal
    clearly when you are changing directions.

Metabasis Procatalepsis Hypophora
62
Metabasis (muh TAB uh sis)
It is a device used to sum up a body of work that
has come before, so that you can move on to a new
point.
  • Ex I have discussed various reasons that show
    why we need to vote for a new president of this
    company our present leader has run the
    organization for twelve years, she has not had
    any profitable ideas in years, her salary has
    doubl3ed since 2005, the companys stocks has not
    moved, and her daughter has recently been hired
    as a consultant. But last week, the final
    incident occurred that has led me to recommend
    that she be replaced.

63
Procatalepsis (pro kat uh LEP sis)
  • Anticipates an objection that might be raised by
    a reader and responds to it, thus permitting an
    argument to continue moving forward while taking
    into account opposing points.

Ex It is usually argued at this point that if
the government gets out of the mail delivery
business, small towns like One Tree will not have
any mail service. The answer to this can be found
in the history of the Pony Express
64
Hypophora (hi POF or uh)
  • It involves asking one or more questions and then
    proceeding to answer them, usually at some
    length.

Ex Why should you vote in the next election?
Your future may depend on who is elected.
65
Clarity
  • Writing so that your reader has an accurate
    understanding of your ideasat the heart of good
    writing.
  • Distinctio
  • Exemplum
  • Amplification
  • Metanoia

66
Amplification
  • Consists of restating a word or idea and adding
    more detail. This device allows a writer to call
    attention to an expression that may otherwise be
    passed over.

Ex The subway car came to a halt with a jolt a
wrenching, neck-snapping jolt.
67
Distinctio (dis TINK te o)
  • The presentation of a specific meaning for a word
    in order to prevent ambiguity or confusion.

Ex Ambiguous It is impossible to make methanol
for twenty-five cents a gallon. Clarified with
distinctio To make methanol for twenty-five
cents a gallon is impossible by impossible I
mean currently beyond our technological
capabilities.
The clarification assures that your readers know
what you mean when you use the word.
68
Exemplum (eg ZEM plum)
  • Provides a specific example.

Ex Snow cones flavors, such as bubble gum and
mango, are often named after candy or fruit.
The conifers (evergreens like pine and cypress
trees) produce seeds in hard, cone-shaped
structures.
69
Metanoia (met uh NOI uh)
  • Qualifies a statement or part of a statement by
    rejecting it or calling it back and expressing it
    in a better, milder, or stronger way.

Ex Most bottled water companies try to capture
the mountain spring water taste or rather, they
do not so much capture it as manufacture it by
adding minerals and ozone.
70
Syntax II
71
Hyperbaton (hi PUR buh tahn)
  • Refers to any departure from normal word order.

Ex Disturb me not! (Do not disturb me!) Books
they have demanded and books they will get. (They
have demanded books.)
72
Anastrophe (uh NAS tro fe)
  • Involves the reversal or transposition of words.

Ex Normal Word Order His was a sad
countenance. Anastrophe His was a countenance
sad.
Welcome to our home comfortable. She displayed
an air of confidence unusual.
73
Appositive
  • A noun that redescribes another noun standing
    next to it.

Ex Mrs. Wilkins, the manager, told me about the
plans for expansion.
74
Parenthesis
  • A word, phrase, or entire sentence inserted as an
    aside into the middle of another sentence.
  • Ex But the new calculationsand here we see the
    value of relying on up-to-date informationshowed
    that man-powered flight was possible with this
    design.

75
Epanelepsis (ep an uh LEP sis)
  • Repeats the beginning word or words of a clause
    or sentence at the end.
  • Ex Water alone dug this giant canyon yes, just
    ordinary water.
  • Our eyes saw it, but we could not believe our
    eyes.

76
Restatement III
  • Diacope
  • Epizeuxis
  • Antimetabole
  • Scesis Onomaton

77
Diacope (di AK uh pe)
  • The repetition of a word or phrase after an
    intervening word or phrase.
  • Ex They dynamited the statue, those villains
    they dynamited the statue.
  • The stock market didnt fallwill you believe it?
    --the stock market didnt fall.

78
Epizeuxis (ep i ZOOK sis)
  • The repetition of one word or short phrase. The
    most common and most natural effect is produced
    by three occurrences of the word or phrase, while
    two can be effective as well.
  • Ex The best way to describe this AP Language
    students is cool, cool, cool!

79
Antimetabole (an te muh TAB uh le)
  • Reverses the order of repeated words or phrases
    to call attention to the final formulation,
    present alternatives, or show contrast.
  • Ex All play and no work can be as stressful as
    all work and no play.
  • Sarahs job is to find a location suitable for
    the wedding, while Alisons job is to design a
    wedding suitable for the location.

80
Scesis Onomaton (SKE sis uh NO muh tahn)
  • Emphasizes an idea by expressing it in a string
    of generally synonymous phrases or statements.
  • Ex Wendy lay there, motionless in a peaceful
    slumber, very still in the arms of sleep.
  • The fog rolled in so thick that we had no
    visibility we were completely blinded we just
    could not see anything.

81
Apophasis (uh POF uh sis)
  • Brings up a subject by pretending not to bring it
    up. Its legitimate use is to call attention to
    something briefly, mentioning the existence of an
    idea without going into it.
  • Ex I will not mention Houdinis books on magic,
    nor the tricks he invented, nor his well-known
    escapes, because I want to focus on the work he
    did exposing swindlers and cheats.

82
Anacoluthon (an uh kuh LOO thun)
  • A sentence whose two pieces do not fit together
    grammatically.
  • Ex Suddenly we heard an explosion from the
    direction of the hut. I turned to see the
    windows blowing out and the roof coming off. I
    began towe were all knocked down.

83
Word Play
  • Oxymoron
  • Pun
  • Anthimeria

84
Oxymoron
  • A condensed paradox, usually reduced to two
    words. (Paradox an apparent contradiction)
  • Ex Your dog whimpers and scratches to be picked
    up, but when I pick him up, he turns his head
    away as if he doesnt care that hes being held.
    Its clearly a case of clinging aloofness.

85
Pun
  • It plays with multiple meanings of a word or
    words. It is considered the lowest form of
    humor, but historically puns were considered
    witty and elegant because they were often well
    done.
  • Ex Tell me, whats the scoop on cat litter?
  • I cant believe you ducked up like that!

86
Anthimeria (an thi MER e uh)
  • Uses one part of speech as if it were another.
  • Ex I can keyboard that article this afternoon.
  • Friends who Internet together, stay together!

87
Connotation/Denotation
  • Connotation-emotional response evoked by a word
  • Ex. Kittensoft, warm, cuddly
  • Denotation-literal meaning

88
Concrete Language
  • Concrete- nouns, verbs, and adjectives that help
    you imagine specific sensations or form mental
    pictures.
  • Ex yellow mustard

89
Abstract Language
  • Language that appeals more to the mind than to
    the senses.
  • Ex
  • Color is abstract, a category name that covers
    every specific color there is. However, yellow
    mustard is concrete.
  • Ex courage, worthlessness, etc.

90
Allegory
  • A work that functions on a symbolic level.
    Example The Lord of the Flies is an allegory of
    society.

91
Anecdote
  • A story or brief episode told by the writer or a
    character to illustrate a point.

92
Cacophony
  • Harsh and discordant sounds in a line or passage
    in a literary work.

93
Didactic
  • Writing whose purpose is to instruct or to teach.
    A didactic work is usually formal and focuses on
    moral and ethical concerns.

94
Epigraph
  • The use of a quotation at the beginning of a work
    that hints at its theme. Hemingway begins The
    Sun Also Rises with two epigraphs. Example You
    are all a lost generation by Gertrude Stein

95
Euphemism
  • A more acceptable and usually more pleasant way
    of saying something that might be inappropriate
    or uncomfortable. Example He went to his final
    reward.

96
Euphony
  • The pleasant, mellifluous presentation of sounds
    in a literary work.

97
Aphorism
  • A terse (short, abrupt) statement of known
    authorship, which expresses a general truth or a
    moral principle.

98
Parody
  • A comic imitation of a work that ridicules the
    original (mocking or humorous). The Simpsons
    Show is a parody of _____________.

99
Pedantic
100
Stream of Consciousness
  • Narrative that presents the private thoughts of a
    character without commentary or interpretation by
    the author.

101
Sarcasm
  • A comic technique that ridicules through caustic
    language.

102
Satire
  • A mode of writing based on ridicule, that
    criticizes the foibles and follies of society
    without necessarily offering a solution.

103
Synaesthesia
  • A blending or confusion of different kinds of
    sense-impression, in which one type of sensation
    is referred to in terms more appropriate to
    another.
  • Ex
  • Sounds in terms of coloryellow cocktail music
  • Sounds in terms of taste how sweet the sound
  • Color in terms of sound loud shirt
  • Color in terms of temp. cool green
  • Sound as smooth
  • Color as warm loud

104
Motif
  • A simple element that serves as a basis for
    expanded narrative in literature, recurrent
    images, words, objects, phrases, or actions that
    unify a work.

105
Denouement
  • The clearing up or untying of the complications
    of the plot in a play or story usually a final
    scene or chapter in which mysteries, confusions,
    and doubtful destinies are clarified.
  • Ex the final scene in the Beauty The Beast

106
Anticlimax
  • A sudden drop from the dignified or important
    thought of expression to the commonplace or
    trivial, often for humorous effect.

107
Inverted Syntax
  • Reversing the normal word order of a sentence
  • Ex Star Wars, Yoda speaks in inverted syntax.
  • Robert Frost, Whose woods these are I think I
    know.

108
Argument Terms
  • Ad Hominem-an attack on the person rather than on
    the opponents ideas

109
Inductive Reasoning
  • Flowing from the specific to the general in an
    argument

110
Deductive Reasoning
  • Flowing from the general to the particular in an
    argument

111
Logical Fallacy
  • A mistake in reasoning

112
Pathos
  • An appeal to the emotions that can be used to
    persuade.

113
Logos
  • An appeal to the facts in order to persuade.

114
Ethos
  • An appeal to the ethical senses in order to
    persuade.

115
Syllogism
  • The format of a formal argument that consists of
    a major premise, minor premise, and a conclusion.

116
Non sequitur
  • Stating a conclusion that doesnt follow from the
    first premise.

117
Post hoc, ergo propter hoc
  • Assuming that because B follows A, B was caused
    by A.
  • Example Because I wore my red polo shirt, I won
    the U.S. Open.
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