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Classical Period

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Classical Period 1750-1825 Sonata Cycle Four movement plan common in symphonies, sonatas, and other works of the Classical period - FSDF Sammartini Symphony First ... – PowerPoint PPT presentation

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Title: Classical Period


1
Classical Period
  • 1750-1825

2
Sonata Cycle
  • Four movement plan common in symphonies, sonatas,
    and other works of the Classical period - FSDF

3
Sammartini Symphony
  • First Movement
  • An immature version of Sonata Allegro Form
  • Exposition is repeated, and has two themes, but
    they are very short
  • Development and Recapitulation are repeated (not
    typical later on)

4
Sammartini Symphony
  • First Movement
  • Classical characteristics?
  • Frequent pauses
  • Changes of themes
  • Crescendo/decrescendo
  • Binary form brings back the original theme in
    original key

5
Sonata Cycle
  • Fast - most sophisticated movement - more
    sections - twists and turns.
  • Slow - usually a Theme and Variations, or ABA
    form. Easier to listen to and follow.
  • Dance-like - triple meter Minuet and Trio form.
    Even easier to listen to.
  • Fast - often Rondo - easiest of all to listen to.

6
Sonata Cycle
  • Four movement plan common in symphonies, sonatas,
    and other works of the Classical period - FSDF
  • Philosophy - Hit the listener with the hardest
    material first while their brain is still
    fresh!!!

7
Sonata-Allegro Form
  • Also acceptable to call it just Sonata form - See
    the book on pp 125-131 for a description and
    diagram

8
Sonata Allegro Form
  • - The form (formula) that you will find for the
    first movement of EVERY work from the Classical
    Period. Consists of three main parts Exposition,
    Development, Recapitulation, and smaller Coda
    ('tail').

9
Exposition
  • First section, where the keys and themes are
    exposed for the listener. Theme 1 in home key,
    transition modulates, Theme 2 in new key, closing
    section. The exposition is played twice.

10
Development
  • The second section. Themes 1 and 2 are fragmented
    and made into motives. Constant modulation with
    NO occurrence of the home key. Lots of tension,
    and even polyphonic texture. At the end of nearly
    every development, you can sense that it?s
    "running out of steam".

11
Recapitulation
  • The third section. You hear the home key coincide
    with Theme 1 again. Your ear remembers this sound
    from the very beginning. Structurally, the
    recapitulation is like the exposition, except
    that there is NOMODULATION IN THE RECAPITULATION.
    Theme 2 is in the home key.

12
Coda
  • "tail" the very end of a movement. Nothing new,
    just a nice big cadence to signify that THIS IS
    THE END.

13
Symphony
  • A Multi-movement work for orchestra. Usually,
    the work is in 4 movements and follows the
    standard Sonata cycle Fast-Slow-Dancelike-Fast
    plan.

14
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15
W.A. Mozart
  • 1756-1791
  • Composed first pieces at age 5
  • First symphony at age 8.
  • First opera at age 12.
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