Michelangelo Buonarroti, Raphael Sanzio and Leonardo da Vinci - PowerPoint PPT Presentation

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Michelangelo Buonarroti, Raphael Sanzio and Leonardo da Vinci

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Title: Michelangelo Buonarroti, Raphael Sanzio and Leonardo da Vinci Author: user Last modified by: NTU Created Date: 12/26/2005 11:17:05 AM Document presentation format – PowerPoint PPT presentation

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Title: Michelangelo Buonarroti, Raphael Sanzio and Leonardo da Vinci


1
Sean, Ian and Johny
2
Michelangelo Buonarroti,
Leonardo da Vinci
Raphael Sanzio
And
Titian
  • Sean, Ian and Johny

3
Titian
  • Venice
  • Colorful
  • Subtle colors comparing to that of Raphael
  • Paintings are mostly related to mythology and
    religion

4
Titian
  • masterful blends colors

5
Michelangelo Buonarroti
  • Representative of the heroic phase of Renaissance
    art, whos an architect, poet, painter, engineer,
    and sculptor
  • An Age of generalist education

6
Pieta
  • Lifeless Jesus held by young Virgin
  • Protective pyramidal shape
  • Monumental statement on the meaning of Christian
    Sacrifice

7
David
  • Biblical David
  • Freestanding larger-than-life statue
  • Defiant presence
  • Powerful rather than graceful

8
Sistine Chapel ceiling
9
Sistine Chapel ceiling
  • Ambitions of Pope and heroic aspirations of
    Michelangelo are reflected.
  • Creation and Fall of Humankind in Genesis
    illustrated
  • High-keyed, clear, bright colors used
  • Michelangelo minimized setting, symbolic details
    but maximized grandeur of figures.

10
Creation of Adam
  • God and Man
  • Equal in size and muscular grace
  • The moment of fulfillment sought by Adam
  • Potential divinity of humankind

11
Dome of Saint Peters
  • Colossal order
  • Enormous double shell of brick and stone
    demonstrate that plans impractical.
  • ? Inspired and affected many copies

12
Raphael
  • Fashionable Portraits
  • Accuracy
  • Incisiveness
  • -gt it means clear and precise
  • or direct and sharp

13
Portrait
  • Baldassare Castiglione
  • At the page 383
  • Figure16.8
  • It shows self-confidence
  • and thoughtful
  • intelligence

14
Raphael
  • Raphael composition
  • Clarity
  • Harmony
  • Unity of design
  • The Alba Madonna (at page 417)
  • 1. clear, bright colors, precise
    draftsmanship
  • 2. composed by simple geometric shapes

15
Circle
triangle
Trapezoid
16
Female saints( idealized)
  • Sweetness and light
  • sentimental facial expressions
  • theatrical poses
  • e.g. St. Catherine.

17
Raphael
  • The School of Athens
  • 1. Illustrate the philosophy
  • 2. Ultimate tribute to the rebirth of classical
    humanism in the age of the Renaissance
  • 3. Shows the Culmination of a style
  • a.Spatial clarity
  • b.Decorem,
  • C.Balance and Grace

18
The school of Athens
Appolo
Plato or Leonardo
Socrates
Aristotle
Raphael
Michelangelo or Heraclitus
Pythagoras
19
Leonardo da Vinci
Scientific point of view General rules of
nature Special techniques
20
Leonardo da Vinci Techniques
  • Aerial perspective
  • Though other artists had already begun to create
    some of these
  • effects in their work, Leonardo was the first to
    make careful
  • measurements and suggest rules for applying them
    realistically in
  • painting. He called the subject aerial
    perspective.
  • Linear perspective
  • Linear perspective is a mathematical system for
    creating the
  • illusion of space and distance on a flat
    surface.
  • Other techniques Clarity Symmetry Order

21
A feeling of distance
22
A sense of spatial depth
23
(No Transcript)
24
  • Mysterious smile
  • smile with sadness
  • No
  • No eyebrows
  • Confidence shyness

25
Who was the Model?
26
The End
  • Sean, Ian and Johny
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