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Five Act Structure 1

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Title: Five Act Structure 1 Author: Teresa Grant Last modified by: IT Services Created Date: 10/17/2004 5:42:32 PM Document presentation format: On-screen Show (4:3) – PowerPoint PPT presentation

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Title: Five Act Structure 1


1
Shakespeares Ear, Part 2 Rhythm, Cadence and
Dramatic Contours 23rd October 2013
2
Five Act Structure 1
  • Horace, Ars Poetica where he insists upon a play
    having five acts (no more or less)
  • 1960s argument about whether this is traceable in
    Shakespeare people tend to see the plays
    scenically now.
  • Some plays can be fitted to this paradigm The
    Winters Tale is interesting in this regard.
  • Other Renaissance dramatists notably Ben Jonson
    followed classical paradigms much more closely.
    Jonson translated Horace.

3
Five Act Structure 2
  • Act 1 happy
  • Act 2 presentation of a problem/dilemma
  • Act 3 crisis
  • Act 4 failure to avert crisis
  • Act 5 consequences of this failure

4
Generic Distinctions in Form
  • Comedy
  • Prologos
  • Parados
  • Agon
  • Parabasis
  • Epeisodia
  • Exodos
  • Tragedy
  • Prologos
  • Parados
  • Epeisodia
  • Stasima
  • Exodos

intertwined
5
Tragedy
  • A pathetic situation was the original form of
    tragedy. Nothing actually happened.
  • Divine will and human agency introduced
    invented peripeteia and anagnorisis. This
    means something happened the plot was not all
    narrative.
  • Difference between reported and shown action
    liaison (the interplay between live and reported
    action by which the play runs itself).

6
Scene
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    mscenefooterWrapper
  • sense 5

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Scene Changes
  • Are they physical or mental breaks?
  • Are they always both?
  • Act 1, scenes 4 and 5 of Hamlet

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http//eebo.chadwyck.com/home http//eebo.chadwy
ck.com/search
How to find seventeenth-century original texts
on the Web
17
What is a Scene change?
  • French scene analysis
  • Neoclassical Drama
  • A new stage situation was created by the entrance
    or exit of any one character and the French
    marked the scene shift accordingly. (Servants
    dont count).
  • Modern analogue in the theatre game where you
    have to imagine the stage is a saucer.

18
Balance of Power Or Why Dont Servants Count?
  • Saucer theory relates to reaction
  • Messengers give the balance of power to one of
    the people listening to the message
  • But they dont change the people to whom the
    balance can be given, only who has it

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26
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