Choose a category

1










(No Transcript)
2
Choose a category
Shampooing
Perming
Advise and consult
Reception
Cutting
Style and dress hair
Health and safety
Colouring
3
Sorry this is the Wrong answer
4
SHAMPOOING
4
5
6
1
2
3
12
11
10
9
8
7
17
18
16
14
13
15
23
24
22
19
21
20
25
26
27
28
29
30
5
10
HOW IS CONTACT DERMATITIS CAUSED
B
THROUGH SHOWERING DAILY
THROUGH ILL FITTING SHOES
A
D
C
THROUGH NOT RINSING AND DRYING YOUR HANDS
THOROUGHLY AFTER SHAMPOOING
THROUGH NOT CLEANING YOUR TEETH
6
20
WHAT DOES A SURFACE CONDITONER DO?
B
PENETRATES INTO THE CORTEX
COATS THE SURFACE OF THE HAIR
A
D
C
GETS RID OF SPLIT ENDS
RESTORES ELASTICITY
7
10
WHY IS IT IMPORTANT TO IDENTIFY THE CLIENTS
HAIR TYPE?
B
TO KNOW WHAT STYLE THEY WANT
SO YOU CAN DISENTANGLE IT
A
D
C
TO USE THE CORRECT SHAMPOO AND CONDITIONER
SO THEY CAN HAVE THEIR HAIR CUT
8
50
THE MASSAGE MOVEMENT EFFLEURAGE IS A
B
SLOW STROKING MOVEMENT
A CIRCULAR MOVEMENT
A
D
C
A FAST RUBBING MOVEMENT
A KNEADING MOVEMENT
9
5
WHEN SHOULD FRICTION NOT BE USED
B
ON SHORT HAIR
ON LONG OR ABUNDANT HAIR
A
D
ON CURLY HAIR
ON THICK HAIR
C
10
100
AN ALKALINE PRODUCT WILL
B
CAUSE SPLIT ENDS
CLOSE THE CUTICLE
A
D
C
OPEN THE CUTICLE
DISCOLOUR THE HAIR
11
10
WHY IS IT IMPORTANT TO THOROUGHLY RINSE THE HAIR
AFTER SHAMPOOING AND CONDITIONING
B
TO STOP SKIN IRRITATION
TO STOP THE HAIR FROM LOOKING DULL AND LANK
A
D
TO KEEP THE SINK CLEAN
TO ENABLE YOU TO CARRY OUT THE NEXT SERVICE
CORRECTLY
C
12
15
WHICH IS THE CORRECT PHRASE
B
A
SHAMPOO IS A DETERGENT THAT ALLOWS THE
OIL FROM THE HAIR AND SCALP AND WATER TO MIX
SHAMPOO TAKES THE WATER AWAY FROM THE HAIR
D
C
SHAMPOO AND WATER CANNOT MIX TOGETHER
SHAMPOO DOES NOT REMOVE WAX AND HAIRSPRAY
13
25
IF WATER IS TOO HOT WHILE SHAMPOOING IT WILL
B
GIVE THE HAIR A SHINE
RINSE PRODUCTS OUT THOROUGHLY
A
D
IT WILL BURN THE SCALP AND DAMAGE THE HAIR
C
CLOSE THE CUTICLE
14
70
SHAMPOO FOR GREASY HAIR CONTAIN
B
ROSEMARY
CITRIC ACIDS
A
D
C
ALMOND OIL
SELENIUM SULPHIDE
15
55
SHAMPOO FOR DRY HAIR CONTAINS
B
ALMOND OIL
ROSEMARY
A
D
SELENIUM SULPHIDE
C
CITRIC ACIDS
16
10
SELENIUM SULPHIDE IS FOUND IN
B
SHAMPOO FOR NORMAL HAIR
PERM LOTION
A
D
C
DANDRUFF SHAMPOO
PEROXIDE
17
60
CONDITIONERS FOR GREASY HAIR CONTAIN
B
ASTRINGENT LOTIONS
COAL TAR
A
D
C
ROSEMARY
VEGETABLE OILS
18
100
WHAT IS THE NATURAL PH OF THE HAIR AND SKIN
4.5 - 5.5
B
5.0 6.0
A
D
C
4.0 5.0
5.5 6.5
19
50
RESTRUCTURANT CONDITIONERS
B
REMOVE GREASE
STRENGTHEN THE CUTICLE
A
D
C
REBUILD THE CORTEX
REDUCE SPLIT ENDS
20
40
WHY SHOULD YOU DETANGLE HAIR FROM POINTS TO
ROOTS
B
TO CLOSE THE CUTICLE
A
CREATES LESS DAMAGE TO THE HAIR
D
C
TO MAKE SURE THERE ARE NO PRODUCTS LEFT IN
THE HAIR
MAKES THE HAIR SHINY
21
10
WHEN SHOULD THE SHAMPOOING PROCESS BE REPEATED
B
IF THERE IS STILL SHAMPOO LEFT IN THE HAIR
IF THE HAIR FEELS SQUEEKY
A
D
C
IF THE HAIR IS VERY GREASY/DIRTY OR TO REMOVE A
BUILD UP OF PRODUCTS
IF THE CLIENT HAS HAD A TEMPORARY COLOUR APPLIED
22
40
AN INGREDIENT IN CONDITIONER FOR DRY HAIR IS
B
VEGETABLE OILS
A
COAL TAR
D
C
CITRIC ACID
ASTRINGENT LOTION
23
65
AN ACID PRODUCT WILL
B
OPEN THE CUTICLE
DISCOLOUR THE HAIR
A
D
C
CLOSE THE CUTICLE
CAUSE SPLIT ENDS
24
35
WHY IS IT IMPORTANT TO REMOVE EXCESS MOISTURE
FROM THE HAIR AT THE END OF THE SERVICE
B
TO AVOID OVERDRYING THE HAIR
TO STOP THE HAIR FROM LOOKING LANK WHEN
FINISHED
A
D
C
TO ALLOW THE HAIR TO MOVE MORE FREELY
TO PREPARE THE HAIR FOR THE NEXT SERVICE
25
10
IF WATER IS TOO COLD WHEN SHAMPOOING IT WILL
B
GIVE THE HAIR A SHINE
CAUSE DISCOMFORT AND WILL OPEN THE CUTICLE
A
D
C
REMOVE ALL THE HAIRS NATURAL OILS
CAUSE DISCOMFORT AND WILL CLOSE THE CUTICLE
26
15
WHAT KIND OF EQUIPMENT IS AVAILABLE FOR
CONDITIONING TREATMENTS
B

• VIBRO MASSAGER
• STEAMER
• CLIMAZONE

• TAIL COMB
• SECTIONING CLIPS
• GLOVES

A
D
C

• TOWELS
• HAIR BRUSH
• CUTTING COMB

• CLIMAZONE
• PLASTIC CAP
• SCISSORS

27
30
WHICH DIRECTION DO THE CUTICLE SCALES LIE
B
FLAT FROM POINTS TO ROOTS
LIE RAISED FROM ROOTS TO POINTS
A
D
C
FLAT FROM ROOTS TO POINTS
LIE RAISED FROM POINTS TO ROOTS
28
45
IF THE INCORRECT SHAMPOOING PRODUCT IS APPLIED
HAIR WILL FALL OUT
B
HAIR WILL BECOME UNCONTROLLABLE
A
D

• A BARRIER MAY BE CREATED
• MAY CAUSE THE HAIR
• TO BECOME LANK
• COULD CAUSE SCALP IRRITATION

C
THE HAIR WILL BE EASIER TO CONTROL
29
10
WHAT IS A CONTRA-INDICATION TO SHAMPOOING
B
INFECTIONS AND INFESTATIONS
SEBACEOUS CYSTS
A
D
C
FRAGILITIS CRINIUM
MONETHLERIX
30
5
WHY IS SHAMPOO A HAZARD BECAUSE
B
IT CAN MAKE THE HAIR GREASY
IT CLEANSES THE HAIR
A
D
C
IT CAN DISCOLOUR THE SKIN
IT CAN CAUSE DAMAGE TO THE SKIN (DERMATITIS)
31
70
WHY IS IT DIFFICULT TO CLEAN DIRTY HAIR USING
ONLY WATER
B
WATER CREATES A LATHER
WATER CREATES A BARRIER
A
D
C
OIL AND WATER DO NOT MIX
WATER AND OIL MIX WELL TOGETHER
32
100
WHAT ARE THE SYMPTOMS OF CONTACT DERMATITIS
B
PUSS FILLED SPOTS
ITCHY SILVERY PATCHES
A
D
C
WEEPING,SORE YELLOW PATCHES
DRY,SORE,CRACKED, RED,ITCHY SKIN
33
100
WHAT IS TREATED USING ZINC PYRITHIONE
B
DANDRUFF AFFECTED HAIR AND SCALP
SPLIT ENDS
A
D
C
HAIR BREAKAGE
GREASY HAIR AND SCALP
34
10
WHAT IS ROTARY MASSAGE USED FOR
B
AS A RELAXING MASSAGE DURING SHAMPOOING
TO CLEANSE THE SCALP AND LONG HAIR
A
D
C
TO CLEANSE THE SCALP AND SHORT HAIR
FOR APPLYING SHAMPOO
35
ADVISE AND CONSULT
4
5
6
1
2
3
12
11
10
9
8
7
17
18
16
14
13
15
23
24
22
19
21
20
25
26
27
28
29
30
36
95
THE SYMPTOMS OF IMPETIGO ARE
B
RED INFLMMED SKIN
YELLOW CRUSTY SPOTS
A
D
C
THICKENED SILVERY SKI N
SMOOTH SHINY BALD PATCHES
37
50
WHAT IS A STRAND TEST FOR
B
TO CHECK DEVELOPMENT OF COLOUR OR BLEACH
APPLICATIONS
TO CHECK THE DEVELOPMENT OF THE PERMING PROCESS
A
D
C
TO CHECK THE CONDITION OF THE CUTICLE
TO CHECK THE CONDITION OF THE CORTEX
38
5
WHAT IS ANOTHER NAME FOR THE SWEAT GLAND
B
DERMAL PAPILLA GLAND
SEBACEOUS GLAND
A
D
C
SUDORIFEROUS GLAND
ARRECTOR PILI GLAND
39
35
WHAT DOES THE SEBACEOUS GLAND DO?
B
STIMULATES THE BLOOD SUPPLY
EXCRETES WASTE
A
D
C
PRODUCES MELANIN
SECRETES SEBUM
40
15
WHAT IS THE EPIDERMIS
B
THE NATURAL PIGMENT OF THE SKIN
THE TOP LAYER OF THE SKIN
A
D
C
THE UNDERNEATH LAYER OF THE SKIN
WHERE ALL CELL DIVISION OF HAIR OCCURS
41
10
WHAT IS THE PURPOSE OF A POROSITY TEST
A
B
TO DETERMINE THE CONDITION OF THE CUTICLE
TO DETERMINE THE CONDITION OF THE CORTEX
D
C
TO DETERMINE THE HAIRS NATURAL COLOUR
TO DETERMINE THE CONDITION OF THE MEDULLA
42
45
WHAT IS A CONTRA INDICATION
B
SOMETHING YOU GET FROM THE DOCTORS
A TEST THAT NEEDS TO BE CARRIED OUT
A
D
C
THE PRESENCE OF A CONDITION THAT MAKES THE
CLIENT UNSUITABLE FOR TREATMENT
A NON INFECTIOUS DISEASE
43
70
THICK,RAISED,DRY,SILVERY SCALES ARE THE SYMPTOMS
OF
B
EZCEMA
PSORIASIS
A
D
C
IMPETIGO
FOLLICULITIS
44
100
AN OVERPRODUCTIVE SEBACEOUS GLAND CAN CAUSE
B
WEIGHT PROBLEMS
EXCESSIVE OIL ON THE SKIN
A
D
C
EXCESSIVE GREASY HAIR
TINEA CAPITIS
45
25
IN WHICH ORDER IS THE HAIR GROWTH CYCLE
B
TELOGEN,CATAGEN, ANAGEN, NEW ANAGEN
CATAGEN,ANAGEN, TELOGEN,NEW ANAGEN
A
D
C
NEW ANAGEN,TELOGEN, ANAGEN,CATAGEN
ANAGEN,CATAGEN, TELOGEN,NEW ANAGEN
46
75
UNDER A MICROSCOPE WHAT SHAPE IS THE CROSS
SECTION OF CAUCASIAN HAIR
B
OVAL
ROUND
A
D
C
KIDNEY SHAPE
SQUARE
47
40
WHAT DOES THE ARRECTOR PILI MUSCLE DO
B
EXCRETES WASTE IN THE FORM OF SWEAT
MAKES OUR HAIRS STAND ON END
A
D
C
PRODUCES SEBUM
PUMPS BLOOD AROUND THE BODY
48
20
UNDER A MICROSCOPE WHAT SHAPE IS THE CROSS
SECTION OF ASIAN HAIR
B
OVAL
SQUARE
A
D
C
ROUND
KIDNEY SHAPED
49
10
THHE NATURAL PIGMENT OF THE SKIN IS CALLEED
B
MELANOCYTES
MELAN
A
D
C
MELNON
MELANIN
50
5
A PROFESSIONAL CONSULTATION SHOULD INCLUDE
B
EFFECTIVE COMMUNICATION LISTENING SKILLS
ASKING WHAT COLOUR LIPSTICK THE CLIENT IS
WEARING
A
D
C
SEEING IF THE CLIENT WANTS TO GO CLUBBING AT THE
WEEKEND
OFFERING THE CLIENT A CIGARETTE
51
5
POSITIVE METHODS OF COMMUNICATION INCLUDE
B
CHATTING TO YOUR FRIEND WHILST WORKING ON A
CLIENT
ARGUING WITH A COLLEAUGE
A
D
C
VISUAL AIDS, LISTENING, BODY LANGUAGE, EYE
CONTACT
FOLDING YOUR ARMS
52
65
WHAT IS THE PURPOSE OF AN ELASTICITY TEST
A
B
TO DETERMINE THE CONDITION OF THE MEDULLA
TO DETERMINE THE CONDITION OF THE CORTEX
D
C
TO DETERMINE THE CONDITION OF THE CUTICLE
TO DETERMINE HOW MUCH THE HAIR WILL GROW
53
100
PEDICULOSIS CAPITIS IS THE LATIN NAME FOR WHAT?
B
ALOPECIA
SCABIES
A
D
C
ACNE
HEAD LICE
54
100
FRAGILITIS CRINIUM IS LATIN FOR
B
BEADED HAIR
DANDRUFF
A
D
C
SPLIT ENDS
PSORIASIS
55
25
THE OUTER LAYER OF THE HAIR IS CALLED THE
B
CUTICLE
CORTEX
A
D
C
CORTICAL CELL
MEDULLA
56
75
RINGWORM IS CAUSED BY?
B
A BACTERIA
A VIRUS
A
D
C
A PARASITE
A FUNGUS
57
150
TRICHORRHEXIS NODOSA IS
B
MOLES
SWOLLEN, BROKEN HAIR SHAFT
A
D
C
SEBACEOUS CYST
BEADED HAIR
58
125
OVER A PERIOD OF 7 YEARS HAIR WILL HAVE GROWN
HOW MUCH?
B
75CM
22.5CM
A
D
C
105CM
200CM
59
200
CANITIES IS WHAT?
B
BAD TEETH
WHITE HAIR
A
D
C
AN INFECTIOUS DISEASE
IRREGULAR DEVELOPMENT OF THE HAIR
60
15
WHICH TOPICS SHOULD YOU NEVER DISCUSS WITH A
CLIENT
B
GOING OUT, HOLIDAYS PARTNERS
FOOTBALL, LOTTERY TELEVISION
A
D
C
RELIGION, POLITICS, SEX OR RACE
FOOD, CHILDREN CHRISTMAS
61
80
WHAT DOES HYGROSCOPIC MEAN?
B
ABILITY TO STRETCH
ABILITY TO SHRINK
A
D
C
ABILITY TO ABSORB LIGHT
ABILITY TO ABSORB MOISTURE
62
65
PHEOMELANIN GIVE WHAT COLOURS TO THE HAIR
B
RED AND YELLOW
BLACK AND BROWN
A
D
C
RED AND BLACK
YELLOW AND BROWN
63
10
GERMS BREED IN WHAT KIND OF ENVIRONMENT?
B
FREEZING
CLEAN, STERILE
A
D
C
WARM, HUMID
COLD
64
45
HAIR IN GOOD CONDITION WILL
B
ABSORB MORE COLOURING PRODUCTS
ABSORB MORE MOISTURE
A
D
C
ABSORB MORE LIGHT
REFLECT MORE LIGHT
65
15
WHY WOULD A CLIENTS LIFESTYLE BE TAKEN INTO
ACCOUNT WHEN DOING A CONSULTATION
B
TO SEE IF THEY ARE FIT AND WELL
A
TO SEE HOW MUCH TIME THEY HAVE TO DO THEIR HAIR
D
C
TO BE ABLE TO DISCUSS THEIR PERSONAL LIFE
TO SEE IF THEY CAN HAVE THEIR HAIR COLOURED
66
CUTTING
4
5
6
1
2
3
12
11
10
9
8
7
17
18
16
14
13
15
23
24
22
19
21
20
25
26
27
28
29
30
67
15
AT WHAT ANGLE IS A UNIFORM LAYERED CUT HELD?
B
VARIOUS DEGREES
45 DEGREES
A
D
C
90 DEGREES
180 DEGREES
68
15
AT WHAT ANGLE IS A SHORT GRADUATION CUT HELD?
B
VARIOUS DEGREES
45 DEGREES
A
D
C
90 DEGREES
180 DEGREES
69
15
AT WHAT ANGLE IS AN ASYMMETRIC CUT HELD?
B
VARIOUS DEGREES
45 DEGREES
A
D
C
90 DEGREES
180 DEGREES
70
50
WHAT IS REVERSE GRADUATION?
B
GIVES A STYLE IN WHICH THE INNER LAYERS ARE
LONGER THAN THE OUTLINE SHAPE
WHEN A SUBSEQUENT SECTION IN A STYLE IS CUT
SLIGHTLY LONGER (BOB)
A
D
C
USED FOR PUTTING SHORTER LAYERS INTO LONG HAIR
WITHOUT LOSING THE HEAVINESS AT THE BOTTOM
PRODUCES SHORTER LAYERS THROUGH THE TOP AND
CROWN AREA BECOMING LONGER AT THROUGH THE SIDES
AND BACK
71
20
HOW WOULD YOU STERILISE A CUTTING COMB?
B
BLEACH IN HOT WATER
UV CABINET/ BARBICIDE
A
D
C
AUTO CLAVE/ SOAPY WATER
UV CABINET/ AUTOCLAVE
72
5
A WIDOWS PEAK IS
B
A FACE SHAPE
WHEN A WIDOW DRAWS HER PENSION
A
D
C
MOUNTAIN
A HAIR GROWTH PATTERN
73
15
IF A CLIENT HAD A LONGER NECKLINE WHAT SORT OF
STYLE WOULD YOU GIVE THEM?
B
A SHORT CROPPED STYLE
A SHORT BOB
A
D
C
A LONGER STYLE AT THE FRONT
A LONGER STYLE AT THE NAPE
74
5
WHAT IS THE BEST WAY TO HOLD YOUR SCISSORS?
B
THUMB AND 2ND FINGER
THUMB AND 1ST FINGER
A
D
C
THUMB AND 4TH FINGER
THUMB AND 3RD FINGER
75
20
WHEN SECTIONING A CLIENTS HAIR IN READINESS FOR
THE NEXT CUT WHAT SHOULD YOU DO WITH YOUR SCISSORS
B
PALM THEM
PUT THEM DOWN
A
D
C
ASK YOUR CLIENT TO HOLD THEM
CLOSE THEM AND PUT THEM IN YOUR POCKET
76
75
THINNING SCISSORS ARE ALSO CALLED
B
RAZORS
DISCONNECTERS
A
D
C
AESCULAPS
CHIPPINGS
77
150
THE DEFINITION OF TRICHOLOGY IS
A
B
THE SCIENCE OF THE SCALP AND HAIR IN HEALTH AND
DISEASE
THE SCALP AND HAIR IN HEALTH AND DISEASE STUDIES
D
C
THE STUDY OF THE SCALP AND HAIR IN HEALTH AND
DISEASE
THE SCALP AND HAIR IN HEALTH AND DISEASE SCIENCE
78
40
CLUB CUTTING
B
TAKES AWAY LENGTH AND BULK
TEXTURISES
A
D
C
TAKES AWAY LENGTH
TAKES AWAY BULK
79
15
SCISSOR OVER COMB TECHNIQUE WOULD BE USED ON
WHICH HAIR CUT
B
ONE LENGTH BOB
SHORT GRADUATION
A
D
C
UNIFORM LATERED CUT
LONG LAYERS
80
10
WHEN TAKING A NAPE GUIDELINE FOR A ONE LENGTH CUT
YOUR SECTION WOULD BE
B
VERTICAL
DIAGONAL
A
D
C
HORIZONTAL
CONVEX
81
10
IF A CLIENT IS SAT WITH HER LEGS CROSSED WHEN
HAVING HER HAIR CUT YOU MIGHT
B
CUT A UNIFORM LAYER
CUT HER EAR
A
D
C
CUT HER COLLAR
CUT THE STYLE UNEVENLY
82
10
WHERE SHOULD YOU DISPOSE OF USED RAZOR BLADES
B
IN RECEPTIONS BIN
IN THE SALON BIN
A
D
C
IN THE DISPENSARY BIN
IN A SHARPS BOX
83
10
WHAT COLOUR SHOULD A SHARPS BOX BE?
B
RED
BLUE
A
D
C
YELLOW
GREEN
84
20
THE FACE SHAPE WHICH IS CONSIDERED TO SUIT THE
MOST HAIRSTYLES IS
B
HEART
ROUND
A
D
C
SQUARE
OVAL
85
35
WHEN CUTTING A FRINGE WHICH HAIR GROWTH PATTERN
IS MOST LIKELY TO AFFECT THE CUT
B
CALF FLICK
LOW HAIRLINE
A
D
C
DOUBLE CROWN
WIDOWS PEAK
86
45
WET HAIR CAN BE
A
B
EASIER TO SEE THE BULK TO BE REMOVED
EASIER TO IDENTIFY SPLIT ENDS
D
C
CAN BE HARDER TO MANAGE AND CONTROL
CUT WITH MORE PRECISE LINES
87
45
DRY HAIR CAN BE
B
EASIER TO MANIPULATE DURING CUTTING
EASIER TO MANAGE AND CONTROL
A
D
C
CUT WITH MORE PRECISE LINES
EASIER TO SEE THE BULK TO BE REMOVED
88
65
THINNING SCISSORS ARE NOT RECOMMENDED FOR USE ON
B
CURLY HAIR
STRAIGHT HAIR
A
D
C
FINE HAIR
VERY SHORT HAIR
89
45
CROSS CHECKING IS DONE BY
B
HOLDING THE HAIR AT A 90 DEGREE ANGLE
A
HOLDING THE HAIR AT AN OBTRUSE ANGLE TO WHICH IT
HAS BEEN CUT
D
C
HOLDING THE HAIR IN THE OPPOSITE DIRECTION
THAN WHICH IT HAS BEEN CUT
HOLDING THE HAIR AT AN ACUTE ANGLE TO WHICH IT
HAS BEEN CUT
90
65
A SYMMETRIC HAIRSTYLE WOULD HAVE
B
AN UNEVEN BALANCED SHAPE
VOLUME ON ONE SIDE
A
D
C
A BALANCED EVEN SHAPE
A SIDE PARTING
91
65
AN ASYMMETRIC HAIRSTYLE WOULD HAVE
B
EQUALLY DIVIDED SIDES
MIDDLE PARTING
A
D
C
A BALANCED EVEN SHAPE
A SIDE PARTING
92
35
CONVEX MEANS
B
STRAIGHT ACROSS
CURVING INWARDS
A
D
C
CURVING DOWNWARDS
FEATHERED
93
35
CONCAVE MEANS
B
STRAIGHT ACROSS
CURVING INWARDS
A
D
C
CURVING DOWNWARDS
FEATHERED
94
85
WHEN CUTTING WHICH TECHNIQUE WOULD YOU USE TO
ENHANCE MOVEMENT
B
CLUB CUTTING
FREEHAND
A
D
C
TAPERING
LAYERING
95
55
WHAT ADVANTAGE DOES SCISSOR OVER COMB GRADUATION
HAVE OVER OTHER METHODS OF GRADUATING
A
B
THE HAIR MAY BE CUT CLOSER TO THE HEAD
IT IS QUICKER
D
C
THE HAIR FALLS IN A NICER SHAPE
IT LOOKS MORE EVEN
96

B
A
D
C

97
COLOURING
4
5
6
1
2
3
12
11
10
9
8
7
17
18
16
14
13
15
23
24
22
19
21
20
25
26
27
28
29
30
98
50
WHICH COLOUR NEUTRALISES GREEN
B
ORANGE
YELLOW
A
D
C
RED
VIOLET
99
40
WHICH OF THESE COLOURS COATS THE CUTCLE
B
QUASI
SEMI PERMANENT
A
D
C
PERMANENT
TEMPORARY
100
40
WHICH OF THESE COLOURS ENTERS DEEP INTO THE COTEX
B
QUASI
SEMI PERMANENT
A
D
C
PERMANENT
TEMPORARY
101
40
WHICH OF THESE COLOURS OXIDISES THE NATURAL
PIGMENT
B
QUASI
SEMI PERMANENT
A
D
C
PERMANENT
BLEACH
102
50
WHICH COLOUR NEUTRALISESYELLOW
B
ORANGE
GREEN
A
D
C
RED
VIOLET
103
25
TO DILUTE 12 TO 6 THE DILUTING RATIO WOULD BE
B
11
12
A
D
C
21
13
104
50
WHICH COLOUR NEUTRALISES BLUE
B
ORANGE
YELLOW
A
D
C
RED
VIOLET
105
60
6 IS USED FOR
B
2 LEVELS OF LIFT
3 LEVELS OF LIFT
A
D
C
HIGH LIFT BLONDES
1 LEVEL OF LIFT AND DARKENING
106
60
9 IS USED FOR
B
2 LEVELS OF LIFT
3 LEVELS OF LIFT
A
D
C
HIGH LIFT BLONDES
1 LEVEL OF LIFT AND DARKENING
107
60
12 IS USED FOR
B
2 LEVELS OF LIFT
3 LEVELS OF LIFT
A
D
C
HIGH LIFT BLONDES
1 LEVEL OF LIFT AND DARKENING
108
55
WHICH COLOUR LASTS 12 24 SHAMPOOS
B
SEMI PERMANENT
QUASI
A
D
C
PERMANENT
TEMPORARY
109
55
WHICH COLOUR LASTS ONE SHAMPOO
B
SEMI PERMANENT
QUASI
A
D
C
PERMANENT
TEMPORARY
110
55
WHICH COLOUR LASTS 6 12 SHAMPOOS
B
SEMI PERMANENT
QUASI
A
D
C
PERMANENT
TEMPORARY
111
70
WHAT IS THE PH OF BLEACH?
B
8.0 9.7
7.0
A
D
C
2.1 3.0
4.5 5.5
112
60
IF A CLIENT HAS AN UNEVEN RESULT AFTER A COLOUR
THE CAUSE WOULD BE
B
COLOURING PRODUCT TOO STRONG
UNEVEN POROSITY
A
D
C
TOO MUCH PRODUCT APPLIED
POOR ELASTICITY
113
30
A PRE COLOURING TREATMENT MAY BE
B
A TEMPORARY COLOUR
A PH BALANCER
A
D
C
A POROSITY LEVELLER
A CUT
114
30
A POST COLOURING TREATMENT MAY BE
B
A TEMPORARY COLOUR
A PH BALANCER
A
D
C
A POROSITY LEVELLER
A CUT
115
35
IN THE HAIR COLOUR 7/4 WHAT IS THE TONE
B
ASH
GOLD
A
D
C
RED
COPPER
116
35
IN THE HAIR COLOUR 12/1 WHAT IS THE TONE
B
ASH
GOLD
A
D
C
RED
COPPER
117
35
IN THE HAIR COLOUR 10/3 WHAT IS THE TONE
B
ASH
GOLD
A
D
C
RED
BRUNETTE
118
35
IN THE HAIR COLOUR 9/7 WHAT IS THE TONE
B
ASH
GOLD
A
D
C
RED
BRUNETTE
119
100
INORGANIC DYES CONTAIN
B
METALLIC SALTS
CONDITIONERS
A
D
C
BLEACH
PARA DYES
120
90
METALLIC SALTS ARE NOT COMPATIBLE WITH
B
CONDITIONER
SHAMPOO
A
D
C
HYDROGEN PEROXIDE
HAIRSPRAY
121
40
IN THE HAIR COLOUR 7/43 WHAT IS THE PRIMARY TONE
B
GOLD
BRUNETTE
A
D
C
RED
VIOLET
122
25
A SKIN TEST SHOULD BE CARRIED OUT FOR
B
A SEMI PERMANENT REFRESHER
A REGROWTH PERMANENT COLOUR
A
D
C
PERMANENT COLOUR CAP HIGHLIGHTS
BLEACHED CAP HIGHLIGHTS
123
55
IF A CLIENT HAS 50 WHITE HAIR HOW MUCH OF THE
BASE SHADE SHOULD BE ADDED TO THE FASHION COLOUR
B
½ OF A TUBE
¼ OF A TUBE
A
D
C
A FULL TUBE
¾ OF A TUBE
124
55
IF A CLIENT HAS 75 WHITE HAIR HOW MUCH OF THE
BASE SHADE SHOULD BE ADDED TO THE FASHION COLOUR
B
½ OF A TUBE
¼ OF A TUBE
A
D
C
A FULL TUBE
¾ OF A TUBE
125
55
IF A CLIENT HAS 25 WHITE HAIR HOW MUCH OF THE
BASE SHADE SHOULD BE ADDED TO THE FASHION COLOUR
B
½ OF A TUBE
¼ OF A TUBE
A
D
C
A FULL TUBE
¾ OF A TUBE
126
70
IF A CLIENT HAS AROUND 25 OR OVER OF WHITE HAIR
WHAT SHOULD YOU ADD MORE OF
B
HYDROGEN PEROXIDE
WATER
A
D
C
THE BASE COLOUR
THE FASHION SHADE
127
60
WHEN A CLIENTS HAIR IS BLEACHED THE HAIR COLOUR
IS CALLED
B
EUMELANIN
OXYMELANIN
A
D
C
MELANIN
PHEOMELANIN
128
PERMING
4
5
6
1
2
3
12
11
10
9
8
7
17
18
16
14
13
15
23
24
22
19
21
20
25
26
27
28
29
30
129
30
WHEN WOULD YOU USE DIRECTIONAL WINDING WHEN
PERMING?
B
TO MAKE THE HAIR VERY CURLY
A METHODICAL WIND
A
D
C
TO AVOID PARTINGS
TO ACHIEVE A SPECIFIC LOOK
130
30
WHEN WOULD YOU USE BRICK WINDING WHEN PERMING?
B
TO MAKE THE HAIR VERY CURLY
A METHODICAL WIND
A
D
C
TO AVOID PARTINGS
TO ACHIEVE A SPECIFIC LOOK
131
30
WHEN WOULD YOU USE 9 SECTION WINDING WHEN PERMING?
B
TO MAKE THE HAIR VERY CURLY
A METHODICAL WIND
A
D
C
TO AVOID PARTINGS
TO ACHIEVE A SPECIFIC LOOK
132
55
PERMING SOLUTION BREAKS DOWN WHICH WHAT IN THE
HAIR
B
POLYPEPTIDE CHAINS
SULPHUR BONDS
A
D
C
HYDROGEN BONDS
MACROFIBRILS
133
70
THE PERMING PROCESS IS ALSO KNOWN AS
B
BALANCING
OXIDATION
A
D
C
REDUCTION
KERITINATION
134
70
THE NEUTRALISING PROCESS IS ALSO KNOWN AS
B
BALANCING
OXIDATION
A
D
C
REDUCTION
KERITINATION
135
20
ALKALINE PERMS
B
ARE USED ON DELICATE HAIR
ARE MILDER ON THE HAIR
A
D
C
GIVE A SOFT CURL
GIVE A STRONGER CURL
136
20
ACID PERMS
B
ARE USED ON DELICATE HAIR
ARE USED ON RESISTANT HAIR
A
D
C
DO NOT NEED HEAT
GIVE A STRONGER CURL
137
45
WHAT WOULD BE THE CAUSE IF A CLIENTS SCALP WAS
TENDER SORE OR BROKEN
B
THE CURLER SECTIONS WERE TOO LARGE
THE HAIR POINTS WERE NOT CLEANLY WOUND
A
D
C
THE CURLERS WERE TOO TIGHT
TOO FEW CURLERS WERE USED
138
45
WHAT WOULD BE THE CAUSE IF THERE WERE FISH HOOKS
B
THE CURLER SECTIONS WERE TOO LARGE
THE HAIR POINTS WERE NOT CLEANLY WOUND
A
D
C
THE CURLERS WERE TOO TIGHT
TOO FEW CURLERS WERE USED
139
45
WHAT WOULD BE THE CAUSE IF THE PERM IS SLOW TO
PROCESS
B
THE CURLER SECTIONS WERE TOO LARGE
THE HAIR POINTS WERE NOT CLEANLY WOUND
A
D
C
THE CURLERS WERE TOO TIGHT
TOO FEW CURLERS WERE USED
140

B
A
D
C

141

B
A
D
C

142

B
A
D
C

143

B
A
D
C

144

B
A
D
C

145

B
A
D
C

146

B
A
D
C

147

B
A
D
C

148

B
A
D
C

149

B
A
D
C

150

B
A
D
C

151

B
A
D
C

152

B
A
D
C

153

B
A
D
C

154

B
A
D
C

155

B
A
D
C

156

B
A
D
C

157

B
A
D
C

158

B
A
D
C

159

B
A
D
C

160

B
A
D
C

161
RECEPTION
4
5
6
1
2
3
12
11
10
9
8
7
17
18
16
14
13
15
23
24
22
19
21
20
25
26
27
28
29
30
162

WHAT WILL HAPPEN IF APPOINTMENTS ARE NOT MADE
CORRECTLY
B
THE TILL WILL BE WRONG
A CLIENT WILL BE CHARGED THE WRONG AMOUNT
A
D
C
THE SALON WILL NOT RUN EFFICIENTLY
163

B
A
D
C

164

B
A
D
C

165

B
A
D
C

166

B
A
D
C

167

B
A
D
C

168

B
A
D
C

169

B
A
D
C

170

B
A
D
C

171

B
A
D
C

172

B
A
D
C

173

B
A
D
C

174

B
A
D
C

175

B
A
D
C

176

B
A
D
C

177

B
A
D
C

178

B
A
D
C

179

B
A
D
C

180

B
A
D
C

181

B
A
D
C

182

B
A
D
C

183

B
A
D
C

184

B
A
D
C

185

B
A
D
C

186

B
A
D
C

187

B
A
D
C

188

B
A
D
C

189

B
A
D
C

190

B
A
D
C

191

B
A
D
C

192
STYLE AND DRESS HAIR
4
5
6
1
2
3
12
11
10
9
8
7
17
18
16
14
13
15
23
24
22
19
21
20
25
26
27
28
29
30
193
45
ANOTHER NAME FOR THE SWEAT GLAND IS
B
SUDACEOUS GLAND
SUGARIFEROUS GLAND
A
D
C
SUDORIFEROUS GLAND
SEBACEOUS GLAND
194
45
WHEN AND WHY WOULD YOU USE A CLOCKSPRING PINCURL?
B
TO AVOID PARTINGS IN THE HAIR
SO THE HAIR LIES IN A PARTICULAR DIRECTION
A
D
C
WHEN HAIR IS SHORT , TO PREVENT VOLUME AT THE
ROOTS
WHEN HAIR IS SHORT TO CREATE VOLUME AT THE
ROOTS
195
35
WHY DOES SET HAIR NEED TO BE BRUSHED OUT
THOROUGHLY
B
SO YOU WILL NOT HAVE TO DRESS THE HAIR AS
MUCH
A
TO BLEND THE HAIR AND REMOVE PARTINGS AND
STIFFNESS FROM THE HAIR
D
C
SO THE CLIENT CAN MANAGE TO DRESS HER HAIR AT
HOME
SO YOU WILL NOT HAVE TO DRESS THE HAIR AS MUCH
196
15
WHEN WOULD YOU USE BRICKWORK SETTING?
B
IF THE CLIENT WANTED BACKCOMBING
IF THE CLIENT HAD THICK HAIR
A
D
C
IF THE CLIENT HAD FINE HAIR
IF THE CLIENT HAD LONG HAIR
197
50
WHAT IS MEANT BY ALPHA KERATIN?
B
HAIR IN ITS STRETCHED STATE
HAIR AFTER SHAMPOOING
A
D
C
HAIR IN ITS NATURAL STATE
HAIR WITH PRODUCTS APPLIED
198
50
WHAT IS MEANT BY BETA KERATIN?
B
HAIR IN ITS STRETCHED STATE
HAIR AFTER SHAMPOOING
A
D
C
HAIR IN ITS NATURAL STATE
HAIR WITH PRODUCTS APPLIED
199
55
WHY SHOULD HAIR BE ALLOWED TO COOL PRIOR TO
DRESSING OUT
B
TO ALLOW THE CUTICLE TO CLOSE
A
TO ALLOW THE HYDROGEN BONDS TO SOFTEN INTO A
NEW SHAPE
D
C
TO ALLOW THE HYDROGEN BONDS TO HARDEN IN THEIR
NEW POSITION
TO ALLOW THE SETTING LOTION TO HARDEN
200
100
WHAT EFFECT DOES WET SETTING HAVE ON HYDROGEN
BONDS?
B
A
THE BONDS ARE SOFTENED ALLOWING THE HAIR TO
TAKE ONTHE SHAPE WHEN DRIED
THE BONDS BECOME TIGHT IN BETWEEN THE
POLYPEPTIDE CHAINSSO THE HAIR CAN STRETCH
D
C
THE BONDS JOIN TOGETHER TO MAKE THEM STRETCH
FURTHER
THE BONDS STRETCH AND HARDEN BEFORE THE HAIR IS
DRIED
201
40
What is the expected service time for NVQ
assessment for shampooing, blow drying and
finishing short hair
B
35 MINS
45 MINS
A
D
C
30 MINS
40 MINS
202
25
WHEN WAS FINGER WAVING INTRODUCED
B
1940S
1930S
A
D
C
1920S
1960S
203
65
WHAT KIND OF SETTING TECHNIQUE IS THIS?
B
PINCURLING
DIRECTIONAL
A
D
C
BRICKWIND
9 SECTION WIND
204
75
IF THE HAIR IS WOUND AT THIS OBTUSE ANGLE WHAT
EFFECT WOULD YOU GET
B
STRAIGHT ENDS
CURLY ROOTS
A
D
C
VOLUME AT THE ROOTS
FLAT ROOTS
205

B
A
D
C

206

B
A
D
C

207

B
A
D
C

208

B
A
D
C

209

B
A
D
C

210

B
A
D
C

211

B
A
D
C

212

B
A
D
C

213

B
A
D
C

214

B
A
D
C

215

B
A
D
C

216

B
A
D
C

217

B
A
D
C

218

B
A
D
C

219

B
A
D
C

220

B
A
D
C

221

B
A
D
C

222

B
A
D
C

223
HEALTH AND SAFETY
4
5
6
1
2
3
12
11
10
9
8
7
17
18
16
14
13
15
23
24
22
19
21
20
25
26
27
28
29
30
224

B
A
D
C

225

B
A
D
C

226

B
A
D
C

227

B
A
D
C

228

B
A
D
C

229

B
A
D
C

230

B
A
D
C

231

B
A
D
C

232

B
A
D
C

233

B
A
D
C

234

B
A
D
C

235

B
A
D
C

236

B
A
D
C

237

B
A
D
C

238

B
A
D
C

239

B
A
D
C

240

B
A
D
C

241

B
A
D
C

242

B
A
D
C

243

B
A
D
C

244

B
A
D
C

245

B
A
D
C

246

B
A
D
C

247

B
A
D
C

248

B
A
D
C

249

B
A
D
C

250

B
A
D
C

251

B
A
D
C

252

B
A
D
C

253

B
A
D
C