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Common Archetypes

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Title: Common Archetypes


1
Common Archetypes
  • Carl Jung

2
Common Archetypes
  • The Mentor
  • The Hero
  • The Warrior
  • The Child
  • The Mother
  • The Trickster
  • The Herald
  • The Shapeshifter
  • The Anima/Animus
  • The Self
  • The Shadow
  • The Maiden
  • The Creator
  • The Twins (Gemini)
  • The Original Man

3
The Hero
  • In its Greek origin, the hero/heroine
    represented any character that was half god and
    half human.
  • Later hero and heroine came to refer to
    characters that, in the face of danger and
    adversity or from a position of weakness, display
    courage and the will for self-sacrifice.
  • Began as exemplifying courage/prowess later
    shifted to demonstrate good morality.

4
The Hero
  • Mythological examples of the hero include
    Hercules, Achilles, Vainomonen, Gilgamesh, Noah
  • Present fictional examples include Harry Potter,
    Luke Skywalker

5
The Mentor
  • Also called the Old Man or Wise Old man or Woman.
  • This type of character is typically represented
    as a kind and wise, older father-type figure who
    uses personal knowledge of people and the world
    to help tell stories and offer guidance.
  • He may occasionally appear as an absent-minded
    professor, losing track of his surroundings
    because of his thoughts.
  • The wise old man is often seen to be in some way
    "foreign", that is, from a different culture,
    nation, or occasionally, even a different time,
    than those he advises.

6
The Mentor
  • In mythology, this characteristic is generally
    given when one of the gods comes to speak to a
    mortal.
  • Zeus, Odin, Hera, Dagda, are all examples of
    mentor gods/goddesses in different contexts.
  • In modern fiction, we see the mentor in
    characters like Yoda, Obi-Wan, Dumbledore, and
    Gandalf, and of course, Mr. Miagi.

7
The Warrior
  • The Warrior is that part of ourselves that
    protects emotional boundaries and asserts our
    needs in the world.
  • Stands where the King tells it to stand.
  • The King initiates it, gives it a cause, a
    mission -- as a general gives the soldier his
    mission.
  • The Warrior serves the King and follows the
    King's instructions to the letter.
  • Key words to describe the Warrior are duty,
    honor, loyalty, discipline, boundaries.
  • The Warrior's tool is the sword (or any
    equivalent weapon of protection and assertion,
    including, in martial arts, the human body).

8
The Warrior
  • Mythological examples include Mars, Athena, Thor,
    Launcelot.
  • Modern fictional examples include too many to
    mention. Anyone who functions as a protector to
    the Hero. Han Solo?

9
The Child/The Innocent
  • The Child or the Innocent is a common archetype
    seen across all cultures and countries.
  • This archetype is usually represented by a human
    or a god who is considered an innocent without
    corruption. These characters generally represent
    hope, and provide wisdom which stems from their
    innocence.

10
The Child/The Innocent
  • Examples in mythology include Eros, Pandora, Baby
    New Year, etc.
  • Examples in fiction include Forest Gump, Frodo,
    Harry Potter, Rain Man, among others.

11
The Mother
  • The Goddess/ Great Mother archetype is one seen
    in many different mythologies.
  • The mother archetype is typically seen as both
    nurturing and caring, as well as volatile and
    tempermental.
  • The mother archetype is a celebration of the
    uniquely female act of creation, and is one of
    the oldest celebrated symbols in human existence.

12
The Mother
  • Hera or Terra, the Goddess, Isis, Tiamat, and
    many other images are seen in as mother or Great
    Mother figures.
  • In modern fiction any distinctly maternal figure
    is seen this way.
  • Galadriel from the Lord of the Rings.
  • Queen Elizabeth is regarded historically as a
    maternal figure, despite never having given birth
    herself.

13
The Trickster
  • The Trickster embodies the energy of mischief and
    the desire for change.
  • Tricksters cut big egos down to size and, most
    importantly, provide comic relief that eases
    tension and brings the Hero (and the audience)
    down to earth.
  • They also work to make fun of/highlight
    hypocrisy.
  • Still, the Trickster's loyalty and motives can be
    in doubt. Is the Trickster an ally? An agent of
    the Shadow? Or an independent agent working to
    some private agenda?
  • This character is so dedicated to laughing at the
    "status quo" and mocking everything around him
    that his true motives can remain in doubt.

14
The Trickster
  • Loki, Hermes, Raven, Anansi, and Coyote are all
    excellent examples of the trickster archetype.
  • In modern fiction we see the trickster as the
    force of chaos in the universe, not necessarily
    evil or good, just representative of
    change/chaos.
  • Can anyone say the Joker?

15
The Herald
  • The role of the herald is to announce the
    challenge which begins the hero on his story
    journey.
  • The herald is the person or piece of information
    which upsets the sleepy equilibrium in which the
    hero has lived and starts the adventure.
  • The herald need not be a person. It can be an
    event or force the start of a war, a drought or
    famine, or even an ad in a newspaper.

16
The Herald
  • Gandalf functioned this way
  • Hermes, Mercury, Archangel Gabriel are all good
    examples of this type of category.

17
The Shapeshifter
  • The shapeshifter changes role or personality,
    often in significant ways, and is hard to
    understand. That very changeability is the
    essence of this archetype.
  • The shapeshifter's alliances and loyalty are
    uncertain, and thesincerity of his claims is
    often questionable.
  • The shapeshifter is often a person of the
    opposite sex, often the hero's romantic interest.

18
The Shapeshifter
  • In other stories the shapeshifter may be a friend
    or ally of the same sex, often a buddy figure, or
    in fantasies, a magical figure such as a shaman
    or wizard.
  • Any character can take on attributes of the
    shapeshifter at different times in the story.
  • Han Solo would fit well into this category.

19
Anima/Animus
  • Characters who we associate with our inner,
    subconscious images of male and female gender
    roles.

20
The Shadow
  • The Shadow archetype is a negative figure,
    representing things we don't like and would like
    to eliminate.
  • The shadow often takes the form of the antagonist
    in a story. But not all antagonists are villains
    sometimes the antagonist is a good guy whose
    goals disagree with the protagonist's. If the
    antagonist is a villain, though, he's a shadow.

21
The Shadow
  • The shadow is the worthy opponent with whom the
    hero must struggle. In a conflict between hero
    and villain, the fight is to the end one or the
    other must be destroyed or rendered impotent.
  • While the shadow is a negative force in the
    story, it's important to remember that no man is
    a villain in his own eyes. In fact, the shadow
    frequently sees himself as a hero, and the
    story's hero as his villain.
  • Many modern novels, comics, movies, etc have
    taken to using this idea to entertain a new slant
    on an old story.

22
The Maiden
  • The maiden archetype represents purity,
    innocence, and, in all likelihood, naivete.
  • Think Disney princess (the early ones, not the
    more recent empowered ones.)

23
The Creator
  • The Creator archetype is often the all-powerful
    omniscient figure responsible for the condition
    of the world.
  • In many works his/her/its motivations are
    unclear, and the answers given (when given) are
    cryptic riddles at best.

24
The Twins
  • The twins imagery occurs in multiple branches of
    mythology.
  • They are typically physical representations of
    the duality of nature.
  • Quite often they are in either direct opposition
    or total accord with each other, little middle
    ground.
  • They can be literal twins or figurative.

25
The Original man
  • The first man to walk the earth.
  • His is a journey of discovery and often naming.
  • His journeys typically explain the most basic
    foundations and functions in day to day living
    for a culture.
  • The base standard for morality is determined here.
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