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Beyond Arts Integration A New Approach to Learning Through the Arts Dr' Catherine RichmondCullen Eli

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Title: Beyond Arts Integration A New Approach to Learning Through the Arts Dr' Catherine RichmondCullen Eli


1
Beyond Arts IntegrationA New Approach to
Learning Through the Arts Dr. Catherine
Richmond-Cullen Elizabeth
Parry-Faist_at_ Dr. Catherine Cullen, 2006
2
Limbic System
  • All learning must first pass through the
    attentional / emotional part of our brainno
    engagement, no attention, no learning.
  • When you engage your limbic system (attention and
    emotion) through laughter or some sort of novelty
    it frees up the working memory and enables one to
    learn

3
Redundancy
  • The brain organizes itself in many different
    ways. It requires redundancy to store
    information in long term memory.
  • The arts provide opportunities for multiple ways
    of learning in different pathways of the brain.
    More paths more redundancy more learning
    stored for retrieval.

4
Statement of Learning
  • Today you will learn how to apply your knowledge
    and skills as a teaching artist to instructional
    and assessment practices based on brain based
    research.

5
The PAR Lesson Framework
6
Elements and Principles of Art
  • Students require criteria upon which to complete
    any assignment if it is to be evaluated by the
    instructor.
  • Texture
  • Contrast
  • Repetition

7
Arts and Humanities Standards
  • Production, performance and exhibtion
  • Historical and cultural references
  • Aesthetics
  • Critique

8
Statement of Learning
  • Today you will learn how to apply your knowledge
    and skills as a teaching artist to instructional
    and assessment practices based on brain based
    research.

9
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10
Statement of Learning
  • Today you will learn how to apply your knowledge
    and skills as a teaching artist to instructional
    and assessment practices based on brain based
    research.

11
Functions of the Brain
  • Linguistic
  • Visual / Spatial
  • Memory
  • Executive Functions / Attentional
  • Perceptual / Motor

12
Core Process
  • Connect search in long term memory
  • Organize attend to the information received
  • Reflect retell, summarize and link events
  • Extend Use new learning authentically

13
Redundancy
  • The brain organizes itself in many different
    ways. It requires redundancy to store
    information in long term memory.
  • The arts provide opportunities for multiple ways
    of learning in different pathways of the brain.
    More paths more redundancy more learning
    stored for retrieval.

14
Brain Based Educators/Artists
  • Acknowledge, tolerate and celebrate normal
    variation in students
  • Recognize that learning is the result of
    nature/nurture interactions
  • Understand that learning is a long developmental
    process from novice to expert
  • Understand that there are alternative learning
    pathways and levels of different outcomes in
    specific parts of the brain.
  • Draw on the multiple codes and modes of
    representation in designing instructional hints
    and clues and alternative instructional
    approaches
  • Use multiples modes of assessment
  • Have patience and compassion

15
Instructional Methodologies
  • Daily review PMET and Metacognition,
    journaling, student demonstrations, discussions,
    daily practice on literacy skills for PSSA tests
    (all content is arts unit related)
  • Presentation of new information Shared between
    artist and teacher. Strong use of visuals and
    differentiated instructional aides. Statement of
    learning involves learning in the arts and
    literacy. Both skill sets are fully articulated.
  • Guided and independent practice
    activities/regrouping Teacher and artist guide
    student practice, cooperative activities,
    reteaching, practice and enrichment offered
    through student self-selected placement in
    appropriate group
  • Formative review and assignments differentiated
    for all students
  • Assessment Rubrics designed by teachers and
    artists, PA rubrics for writing and reading

16
The Five Big Ideas for Reading Instruction
  • Phonemic Awareness
  • Alphabet Recognition
  • The Alphabetic Principle (Phonics)
  • Vocabulary
  • Receptive and Expressive
  • Fluency
  • Comprehension

17
Phonemic Awareness
  • Segmentation (first sound isolation) What is the
    first sound you hear in mop?
  • Segmentation (last sound isolation) What is the
    last sound you hear in mop?
  • Segmentation (complete) What are all the sounds
    you hear in mop?
  • Blending What word am I trying to say?
  • Mmmmmm/ooooo/p

18
Alphabetic Principle
  • The ability to associate sounds with letters and
    use these sounds to form words.
  • Alphabetic Understanding words are composed of
    letters that represent sound.
  • Phonological Recoding Using systematic
    relationships between letters and phonemes to
    retrieve the pronunciation of an unknown printed
    string or to spell words
  • Regular word reading
  • Irregular word reading
  • Advanced word analysis

19
Fluency
  • The ability to translate letters to sounds to
    words fluently and effortlessly.
  • Automaticity effortless and fluent
  • Fluency Accuracy and fluency, intonation and
    expression
  • Passage Reading reading stories to provide
    practice and application of decoding and
    comprehension skills.

20
Vocabulary
  • Expressive Vocabulary requires a speaker or
    writer to produce a specific label for a
    particular meaning.
  • Receptive Vocabulary requires a reader to
    associate a specific meaning with a given label
    as in reading or listening.
  • Economic advantage matters
  • Welfare 616 words 5 affirmations 11
    prohibitions
  • Working class 1,251 words 12 affirmations 7
    prohibitions
  • Professional 2,153 words 32 affirmations 5
    prohibitions

21
Comprehension
  • The complex cognitive process involving the
    intentional interaction between reader and text
    to convey meaning.
  • Question answering
  • Comprehension monitoring
  • Cooperative learning
  • Graphic and semantic organizers
  • Story maps
  • Question generation
  • Summarization (retellings)

22
Before/During and After
  • Before Reading
  • Chunk Text into manageable segments
  • Preview text and prime background knowledge
  • Set comprehension objectives
  • During Reading
  • Identify text structural elements
  • Answer literal, inferential and evaluative
    questions
  • Retell stories or main ideas of informational
    tests
  • After Reading
  • Strategic integration
  • Judicious review
  • Formal and informal assessments

23
Story Map Organizer
  • Setting Composition or Literal Meaning
  • Characters Focal Point
  • Theme Artists Intention / Title / Metaphors
  • Events/Plot Conceptual Elements and Sequence
    (Implied Meaning and Symbolism)
  • Conclusion Viewers Interpretation or Formal
    Analysis

24
PSSA Testing
  • Current testing involves enabling students to
    know and be able to do all of the anchor
    assessments.
  • Residency program will feature learning through
    the arts.
  • Residency program will enable students to learn
    and be able to do all of the skills listed in the
    anchor assessments for Reading and Writing.
  • Residency program will use state based
    evaluations such as the Reading and Writing
    Rubric to assess student growth and progress.
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