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AFRICANS AND THEIR MUSIC

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... are made of natural materials like dried skins and wood ... Alex Haley traced his ancestors and wrote Roots based on conversations with a Gambian griot ... – PowerPoint PPT presentation

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Title: AFRICANS AND THEIR MUSIC


1
AFRICANS AND THEIR MUSIC
2
AFRICANS AND THEIR MUSIC
  • Introduction
  • Nature Of African Music
  • Characteristics Of African Music
  • African Musical Instruments
  • The Griot And External Musical Influence
  • Your Music Selections

3
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4
INTRODUCTION
  • African music was misunderstood by the Western
    world until 1900s
  • African music has made great contributions to
    world music
  • Jazz and blues has deep roots in African music
  • In its purist sense, it imitates natures and the
    realities of life
  • Follows the circle of life
  • Some songs recant the cruel invasion and
    occupation of foreigners
  • Songs also document history, depict moral values
    or inspire one to war

5
NATURE OF AFRICAN MUSIC
  • Music defined
  • The art of combining vocal or instrumental sounds
    resulting in a structurally complete and
    emotional expressive unit
  • Music is used to represent every aspect of life
    like working, weddings, funerals, festivals,
    religion, birth, love, initiation and royal
    ceremonies
  • In some societies, instruments could only be
    played by certain people
  • The musicians of the Hausa in Nigeria were like a
    caste

Musicians at an Ethiopian wedding
6
NATURE OF AFRICAN MUSIC
  • Music is also used to reflect social concerns
  • Songs of insult or to correct behavior
  • Songs used in rituals, to teach a lesson, to tell
    a story
  • Songs are also historic, patriotic, and used for
    healing and mourning
  • Drums are important in everyday life
  • Royal drums have political meaning
  • Used to communicate

7
CHARACTERISTICS OF AFRICAN MUSIC
  • Performance is very important
  • Sometimes more important than the words
  • Music is important part of everyday life
  • Musical games used for social training which
    prepares them to participate in adult activity
    like hunting farming, attending weddings and
    funerals and even fleeing from wild animals
  • Rhythm and beat are an important part of music
  • Audience contributes by singing, clapping,
    stamping
  • Percussion dominates many forms of music

8
AFRICAN MUSICAL INSTRUMENTS
  • Chordophones
  • Most instruments are made of natural materials
    like dried skins and wood
  • Bowed instruments are best known through West
    Africa
  • Three types
  • Bowed (goje (Ghana))
  • Plucked (kora (Senegal)
  • Strummed (ngoni (Mali))
  • Instruments reflect both the lifestyle and the
    environment

9
AFRICAN MUSICAL INSTRUMENTS
  • Idiophones
  • Made of wood or metal and makes sound without
    using a string
  • Balophone, rattles and bells are examples
  • Thumb piano (lamellaphone (South Africa))

10
AFRICAN MUSICAL INSTRUMENTS
  • Aerophones
  • Instruments that produce sound through air
    vibration
  • Horns (shawm (Sudan) kakaki (Nigeria)
  • Panpipes (Swaziland)
  • whistles are examples

shawm
11
AFRICAN MUSICAL INSTRUMENTS
  • Membranophones
  • Occupy a paramount place in African culture
  • Drums or drum like instruments made from hollow
    or empty vessels
  • Heads may be cloth, rubber, or animal skins
  • Can be used to send messages from village to
    village and for ceremonies and festivals

djembe
12
THE GRIOT AND EXTERNAL MUSICAL INFLUENCE
  • The Griot
  • Much of Africa had an oral rather than written
    tradition
  • Historical information was passed down from
    generation to generation by people who remember
    the facts and tell them to others
  • West African cultures called this oral historian
    the griot
  • Information from the griot has been remarkably
    accurate and covers a long period of time

13
THE GRIOT AND EXTERNAL MUSICAL INFLUENCE
  • The Griot
  • Alex Haley traced his ancestors and wrote Roots
    based on conversations with a Gambian griot
  • Repetition is a big part in griot training
  • Many were also accomplished musicians
  • Stories done in song and dance
  • Not all saw the griot positively
  • Some thought they knew too many secrets and were
    witchdoctors
  • Many were not afforded a proper burial

14
THE GRIOT AND EXTERNAL MUSICAL INFLUENCE
  • Non-African Music Influences
  • In schools, children still may sing European
    songs in European languages
  • Large cities are not immune to Western influences
  • American and European jazz, rock and blues are
    performed
  • Different parts of Africa have different types of
    music
  • North African has more middle-eastern influence
  • South Africa has Portuguese influence
  • External musical influence
  • Blues and jazz is a result of African and
    European fusion
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