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n ie s a n d M a g n if ic e n t O b s e s s io n
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e e b o o k T h e F ilm s o f D o u g la s S ir k
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3The Films of Douglas Sirk Exquisite Ironies and
Magnificent Obsessions
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5The Films of Douglas Sirk Exquisite Ironies and
Magnificent Obsessions
6Description
Best known for powerful 1950s melodramas like All
That Heaven Allows, Written on the Wind, The
Tarnished Angels, and Imitation of Life, Douglas
Sirk (18978211197) brought to all his work a
distinctive style that led to his reputation as
one of twentieth-century film8217sgreat
directors. Sirk worked in Europe during the
1930s, mainly for Germany8217sUFA studios, and
then in America in the 1940s and 821750. The
Films of Douglas Sirk Exquisite Ironies and
Magnificent Obsessions provides an overview of
his entire career, including Sirk8217swork on
musicals, comedies, thrillers, war movies,
and westerns. One of the great ironists of the
cinema, Sirk believed rules were there to
be broken. Whether defying the decrees of Nazi
authorities trying to turn film into propaganda
or arguing with studios that insisted
characters8217problems should always be solved
and that endings should always restore order,
what Sirk called 8220emrgency
exits8221for audiences, Sirk always fought for
his vision. Offering fresh insights into all of
the director8217sfilms and situating them in
the culture of their times, critic Tom Ryan
also incorporates extensive interview material
drawn from a variety of sources, including his
own conversations with the director. Furthermore,
his enlightening study undertakes a
detailed reconsideration of the generally
overlooked novels and plays that served as
sources for Sirk8217sfilms, as well as
providing a critical survey of previous Sirk
commentary, from the time of the
director8217s8220reiscovery8221in the late
1960s up to the present day.