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Arundhati Roy--Biography

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Title: Arundhati Roy--Biography


1
Arundhati Roy--Biography
  • My mother says that some of the incidents in the
    book are based on things that happened when I was
    two years old. I have no recollection of them.
    But obviously, they were trapped in some part of
    my brain.

2
Arundhati RoyThe God of Small Things
  • Pinchia Feng
  • NCTU

3
Arundhati Roy-- childhood
  • born as Suzanna Arundhati Roy on 11/24/1961
  • mother--Mary Roy (Christian)--a well-known social
    activist, ran an informal school (Corpus Chrisiti
    )
  • father (a Bengali Hindu tea planter)
  • uncle--George Issac (owned the Palat Pickles--the
    slogan Emperor in the realm of taste)

4
Arundhati Roy--childhood
  • feeling of insecurity because of the broken
    marriage--on the edge of the community (GSM
    p.60)
  • When I think back on all the things I have done
    I think from a very early age, I was determined
    to negotiate with the world on my own. There
    were no parents, no uncles, no aunts I was
    completely responsible for myself."

5
Adult Life and Career
  • left home at 16 and lived in a squatters colony
    in Delhi
  • The Delhi School of Architecture
  • marriage (Gerard Da Cunha)--divorced after 4
    years
  • a role in Massey Saab
  • The Banyan Tree--TV series
  • screenplay--In Which Annie Gives It Those Ones
    /Electric Moon
  • a critique of Bandit Queen

6
Kerala and the Meenachil river
7
Influence of Kerala
  • A lot of the atmosphere of A God of Small Things
    is based on my experience of what it was like to
    grow up in Kerala. Most interestingly, it was
    the only place in the world where religions
    coincide, there is Christianity, Hinduism,
    Marxism and Islam and they all live together and
    rub each other down. When I grew up it was the
    Marxism that was very strong, it was like the
    revolution was coming the next week. To me, I
    couldnt think of a better location for a book
    about human beings.

8
The Rural Environment
  • I think the kind of landscape that you grew up
    in, it lives in you. I dont think its true of
    people whove grown up in cities so much, you may
    love building but I dont think you can love it
    in the way that you love a tree or a river or the
    colour of the earth, its a different kind of
    love. Im not a very well read person but I
    dont imagine that that kind of gut love for the
    earth can be replaced by the open landscape.

9
The God of Small Things
  • Completed in May 1996
  • published in 4/4/1997 by Random House
  • the Booker Price--Oct. 1997 (Indias 50th
    anniversary of independence)--the first
    non-expatriate Indian author and the first Indian
    woman to win the price

10
Arundhati on Writing the Novel
  • inspiration--the image of this sky blue Plymouth
    stuck at the railroad crossing with the twins
    inside and this Marxist procession raging around
    it
  • so much of fiction is a way of seeing, of making
    sense of the worldand you need a key of how to
    begin to do that. This was just a key. For me
    (the novel) was five years of almost unchanging
    and mutating, and growing a new skin. Its
    almost like a part of me.

11
Biology and Transgression
  • I have to say that my book is not about history
    but biology and transgression. And, in fact is
    that YOU CAN NEVER UNDERSTAND THE NATURE OF
    BRUTALITY UNTIL YOU SEE WHAT HAS BEEN LOVED BEING
    SMASHED. And the book deals with both things--it
    deals with our ability to be brutal as well as
    our ability to be so deeply intimate and so
    deeply loving.

12
The Title
  • To me the god of small things is the inversion
    of God. Gods a big thing and Gods in control.
    The god of small thingswhether its the way the
    children see things or whether its the insect
    life in the book, or the fish or the stars--there
    is a not accepting of what we think of as adult
    boundaries. This small activity that goes on is
    the under life of the book, All sorts of
    boundaries are transgressed upon.

13
  • Its a story that examines things very closely
    but also from a very, very distant point, almost
    from geological time and you look at it and see a
    pattern there. A patternof how in these small
    events and in these small lives the world
    intrudes. And because of this, because of people
    being unprotectedthe world and the social
    machine intrudes into the smallest, deepest core
    of their being and changes their life.--a last
    minute title

14
Characters
  • The Ipe family
    Papachi (Benaan John)--Mammachi
    (Shoshamma) Margaret--Checko Ammu
    (1942-73)--Baba Sophie Mol Esthappen
    Yako (Estha) Rachel Baby Kochamma (Navomi Ipe)
  • the Untouchables Vellya Paapen Velutha Paapen
  • Comrade K. N. M. Pillai

15
Language and Structure
  • Repetition I love, and used because it made me
    feel safe. Repeated words and phrases have
    rocking feeling, like a lullaby. They help take
    away the shock of the plot.
  • ...for me the book is not about what happened
    but about how what happened affected people.
  • in some way the structure of the book ambushes
    the story. In the first chapter I more or less
    tell you the story, but the novel ends in the
    middle of the story.--p.32 Suddenly they
    become the bleached bones of a story.

16
Syrian Christian Community
  • less than 5 of Indians population
  • more than 20-1/3 in Kerala are Christians
  • the Syrian Church is one of the oldest branches
    of Christianity--came to India with St. Thomas in
    52 CE.

17
Controversy
  • England--derivative--about India
  • India--communist critique from E M S
    Namboodiripad--Anybody who attacks Communists
    anywhere in the world will be welcomed by the
    captains of the industry of bourgeois literature
    in the world. sexual anarchy
  • obscenity case--Sabu Thomas-- affront Indian
    tradition, culture, and morality excites sexual
    desires and lascivious thoughts hurts the
    Syrian Christian community

18
Women in Kerala
  • Relative freedom for women in Kerala
  • assertive, energetic, courageous women
  • instances of patriarchal oppression
  • How are the women being characterized in the
    novel? (Mammachi, Baby Kochamma, Ammu, Rahel)

19
Timeline
  • 1969--communist march (p.62-69) Sophie Mols
    visit, death, and funeral Ammu and Velutha
    Veluthas death
  • 1973--Ammus death (31), p.5 a viable die-able
    age
  • 1992--the narrative present--Estha (the
    quietness, re-Returned) Rahel (divorced, back
    for the States) Baby Kochamma (satellite TV and
    diary)

20
Children--Two-Egg Twins
  • P.4-5 In those early amorphous years when memory
    had only just begun, when life was full of
    Beginnings and no Ends, and everything was
    Forever, Esthappen and Rahel thought of
    themselves together as Me, and separately, as We
    or Us. As though they were a rare breed of
    Siamese twins, physically separate, but with
    joint identities.--now she thinks of Estha and
    Rahel as Them, because, separately, the two of
    them are no longer what They were or thought
    Theyd be.--p.81-82

21
The Love Laws/ Caste System
  • p.33 That it really began in the days when the
    Love Laws were made. The laws that lay down who
    should be loved, and how. And How much.
  • caste is the defining consideration in all
    Indian politics, (and) in all Indian marriages,
    (but) the lines are blurring. India exists in
    several centuries simultaneously. (GMS p.71 on
    the Untouchables)

22
Chapter 2 (1)
  • time 12/1969 (the day before Sophie Mols
    arrival)
  • place Ayemenem-----Cochin
  • pop culture The Sound of Music (1965) Elvis
    puff, Love-in-Tokyo p.37
  • language p.37 Malayalam vs English (Pre NUN sea
    ayshun--example of small transgression)/
    cuff-link p.50
  • p.38 the Terror--p.74

23
Chapter 2 (2)
  • Ammu--life had been lived p.38-44 Unsafe Edge
    (p.44)
  • The fate of the wretched man-less woman. (p.
    44-5)
  • Paradise Pickles Preserves
  • Mammachis pickles (and violin) vs Pappachis
    moth (p.48)--colonized/ power and knowledge
  • other (post)colonial issues CCP and Anglophile
    p.50-51

24
History
  • The History House (p.51-54)
    Chackos--an old house at night.
    (p.51) childrens--Kari-Saipus house
    --in 1990s Toy Histories
    for rich tourists to play in. Like the sheaves
    of rice in Josephs dream, like a press of eager
    natives petitioning an English magistrate, the
    old houses had been arranged around the History
    House in attitudes of deference. Heritage, the
    hotel was called. (p.120)
  • geological time the Earth woman (p.52)
  • Kurtz and the Heart of Darkness

25
Symbolic Language--questions
  • Rahels watch (p.37)
  • frogs (p.42)
  • Chacko--airplanes and pickle baron (p.55-56)
  • reading backwards--Satan in their eyes (p.58)
  • ambulance (Sacred Heart Hospital) and wedding
    party (p.58)
  • Murlidharans keys and cupboards, cluttered with
    secret pleasure (p.61)

26
Marxism in Kerala
  • The first Communist government in the world was
    elected in Kerala in 1957, and from then on it
    became a big power to contend with. I think in
    '67 the government returned to power after having
    been dismissed by Nehru, and so in '69 it was at
    its peak. And it was as if revolution was really
    just around the corner. (GMS p.64-65)
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