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Fauvism

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Title: Fauvism


1
Fauvism Cubism
2
All artists bear the imprint of their time, but
the great artists are those in which this stamp
is most deeply impressed.Henri Matisse (French
1869-1954) Notes of a Painter, 1908Self
Portrait (Fauve style), 1906 and photo portrait
at time of marriage, 1898
3
Matisse, Standing Nude Model, 1892 at École des
Beaux Arts as student of Adolphe-William
Bouguereau (1825-1905)
Bouguereau, Nymphs and Satyr, 1873
4
(left) Matisse, Nude in Studio, 1899 (
Impressionist and Pointillist style)(center)
Auguste Renoir, Nude in the Sunlight, 1876
(Impressionist)(right) Georges Seurat, Standing
Model (study for Les Poseuses),1886-87
(Pointillist)
Detail of Standing Model showing
Seurats Pointillist application of paint
5
Henri Matisse, Luxe, Calme et Volupté, 1904-5.
Title is a line from Charles Baudelaires poem,
Invitation to the Voyage(right) Paul Signac,
Sainte Tropez, c.1904, Neo-Impressionist/Pointilli
st style
6
Titian (or Giorgione), Concert Champêtre, 1510
(top left) Manet, Déjeuner sur LHerbe, 1863
(bottom left) Cézanne, Three Bathers, 1879-82,
purchased by Matisse in 1899Western tradition of
nudes in a landscape Eden pre-lapsarian
7
Henri Matisse, Woman with a Hat (Madame Matisse),
1904-5, San Francisco Museum of Modern Art.
Color was not given to us in order that we
should imitate Nature. It was given to us so
that we can express our own emotions. (Matisse)
arbitrary vs. local color
8
Henri Matisse, Joy of Life, 1905-6I was 35
then. Today I am 82. I have not changed because
all this time I have looked for the same
things.I have attained a form filtered to its
essentials, and of the object which I used to
present the complexity of space, I have preserved
a sign which is sufficient, and which is
necessary to make the object exist in its own
form and in the totality for which I conceived
it.
9
Agostino Carracci (Italian 1557-1602), Reciprocal
Love, 1600 a source for Matisse, Joy of Life,
1905
10
Les Fauves (clockwise from upper left) Matisse,
Portrait of Derain, 1905 André Derain, Portrait
of Vlaminck, 1905 Maurice de Vlaminck, Portrait
of Derain André Derain, Portrait of Matisse,
1905
11
HENRI MATISSE, Red Room (Harmony in Red),
19081909. Oil on canvas, approx. 5 11 x 8 1.
State Hermitage Museum, Saint Petersburg.
12
Pablo Picasso (Spanish Cubist Painter and
Sculptor, 1881-1973) Portrait of the Artists
Mother, 1896 Picasso is 15 years old.
  • What people regard as premature genius is the
    genius of childhood.
  • So far as I am concerned, I did not have that
    genius. My first drawings could never have been
    shown at an exhibition of childrens drawings. I
    lacked the clumsiness of a child, his naiveté. I
    made academic drawings at the age of seven, the
    minute precision of which frightened me.
  • Picasso

Self-Portrait, 1896
13
Picasso, Le Moulin de la Galette, 1900, oil, 35 x
46(right top) Henri de Toulouse-Lautrec, At the
Moulin Rouge, 1892/1895, oil, 49 x 56
14
Picasso, La Vie, 1903, 65 x 42 (Blue
Period Symbolism)Gauguin, Where Do We Come
From, What Are We? Where Are We Going? 1897-98
15
Picasso, Family of Saltimbanques, 1905, oil on
canvas, 84 x 90Masterpiece of the Harlequin
period - Post-Impressionist
16
http//www.english.upenn.edu/jenglish/Courses/Sp
ring02/104/steinpicasso.htmlPicasso, Portrait
of Gertrude Stein, oil on canvas,1906, 39 x 32
Bequest of Gertrude Stein, 1946, The
Metropolitan Museum of Art, New YorkAfter more
than 80 sittings I cant see you any longer
when I look.
Stein with portrait, 1922
17
Iberian stone relief showing facial structure of
1906 portraits
Picasso, Self-Portrait, 1906
Detail, Gertrude Stein, 1906
18
Picasso, Les Demoiselles d'Avignon, June-July
1907, oil on canvas, 8' x 7' 8"
Museum of Modern Art, New York
19
Matisses, Joy of Life, 1905-06 compared with
Picassos Demoiselles, 1907
Edenic versus post-Edenic
20
Picasso, Studies for Les Demoiselles D'Avignon,
spring, 1907 (left) oil on canvas, 7 1/2 x
8(right) watercolor
21
Transformative influence of African tribal
sculpture Picassos epiphany in June 1907 at the
ethnographic museum in ParisBraque It is as
if someone had drunk kerosene to spit fire."
  • My first exorcism painting.
  • For me the masks were not just sculptures. They
    were magical objects...intercessors...against
    everything - against unknown threatening
    spirits....They were weapons . . . to keep people
    from being ruled by spirits. To help them free
    themselves. . . . If we give a form to these
    spirits we become free."

22
Fathers of Cubism (right) Picasso in Paris
studio with Caledonian figures, 1908(left)
Braque in Paris studio with African masks, 1911
23
Braque, Houses at LEstaque, August 1908, oil on
canvas, 28 x 23painted after his Large
Nude(right) Paul Cézanne, The Bay from
LEstaque, oil on canvas, 31 x 38, 1886Braques
evolving Cézannism. Fauve palette has
disappeared.
Matisse disapproves of Braques little cubes,
and, as jurist for the Salon DAutomne, rejects
Braques paintings. Cubism is named. Picasso and
Braque begin to see each other daily. Studios
are minutes apart.
24
(left) Picasso, Ma Jolie (Woman with a Guitar),
winter 1911-12, 40 x 26(right) Braque, The
Portuguese (The Emigrant), autumn 1911- early
1912, 46 x 32Braques introduces stencil-type
letters
25
(left) Braques only documented paper sculpture,
photographed in 1914(right) Wall arrangement in
Picassos studio, November-December 1912.
Picassos cardboard guitar generated the concept
of the papiers collés around it
26
Picasso, Maquette for Guitar, October 1912,
cardboard, string and wire(right) Grebo mask
owned by Picasso
  • Youll see. Im going to hold on to the
    Guitar, but I shall sell its plan. Everyone will
    be able to make it himself.
  • Picasso to André Salmon

27
(left) Picasso, Guitar, Sheet Music and Glass,
charcoal and papier collé, November 1912 (right)
Braque, Fruit Dish and Glass, charcoal and papier
collé, September 1912
LA BATAILLE SEST ENGAGÉ I have to admit,
that after having made the papier collé I felt a
great shock, and it was an even greater shock for
Picasso When I showed it to him Braques
28
Picasso, Still life With Chair Caning, May 1912,
11 x 14collage of oil, oil cloth, pasted paper
on oval canvas surrounded by rope.First Cubist
collage
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