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The Concept of Flow and Its Educational Applications

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Title: The Concept of Flow and Its Educational Applications


1
The Concept of Flow and Its Educational
Applications
  • Lorin W. Anderson
  • The Anderson Research Group

2
The Problem
3
http//vids.myspace.com/index.cfm?fuseactionvids.
fullscreenvideoid1149692423
4
  • BLOOMINGTON, Ind. -- Today's high school students
    say they are bored in class because they dislike
    the material and experience inadequate teacher
    interaction, according to a special report from
    Indiana University's High School Survey of
    Student Engagement (HSSSE). The findings,
    released today (Feb. 28, 2007), show that 2 out
    of 3 students are bored in class every day, while
    17 percent say they are bored in every class.

5
  • Some of the key findings were
  • Fewer than 2 percent of students say they are
    never bored in high school.
  • Seventy-five percent of students surveyed say
    they are bored in class because the "material
    wasn't interesting."
  • Nearly 40 percent felt bored because the material
    "wasn't relevant to me."

6
And the predictable results are
7
Surrender (often with humor)
8
Hopelessness
9
"The implicit hope has been that if we discover
more and more rational ways of selecting,
organizing, and distributing knowledge, children
will learn more effectively. Yet it seems
increasingly clear that the chief impediments to
learning are not cognitive in nature. It is not
that students cannot learn, it is that they do
not wish to."
10
Activity 1
  • Divide into groups of 3.
  • On a 3 x 5 file card, each member of the group
    briefly describes in writing an experience he or
    she had in which he or she simply lost track of
    time. It may be a recent experience or an
    experience some time ago.
  • Each member shares his or her experience with the
    group.
  • The group develops a list of things that your
    experiences had in common.
  • Select a spokesperson to share your list with the
    whole group.

11
Results of Activity 1
  • X
  • X
  • X
  • X
  • X
  • X
  • X
  • X

12
What is Flow?
13
The question is not Who is Flo? The question is
What is Flow?
Hi, Im Flo!
14
  • Flow is the state in which people are so involved
    in an activity that nothing else seems to matter
    the experience itself is so enjoyable that people
    will do it even at great cost, for the sheer sake
    of doing it.
  • The concept of flow was developed by Mihaly
    Csikszentmihalyi.

15
http//www.youtube.com/watch?vTjXqdAYUG48eurlht
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16
Its pronounced "chick-sent-me-high-ee."
17
  • Csikszentmihalyi used the word flow because
    people tend to describe the experience using the
    metaphor of a current carrying them along.

18
Flow
19
Components of Flow
  • Clear goal
  • Complete involvement (concentration, focus)
  • Sense of personal control and self-reward
  • Direct and immediate feedback
  • Distorted sense of time
  • Balance between ability level and challenge

20
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21
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22
Activity 2
  • The Riddle The game is in the name of the game
    polar bears around an ice hole invented in
    the days of Genghis Khan. A clue for you to keep
    you true like petals around a rose, you can
    count each bears nose.
  • Question How many polar bears do you see?

23
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24
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25
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26
A Story from Camp Caraway
27
Lets Analyze the Polar Bear Activity in Terms of
Flow
  • Clear goal
  • Complete involvement
  • Personal control and self-reward
  • Direct and immediate feedback
  • Distorted sense of time
  • Balance between ability and challenge
  • Yes or No
  • Yes or No
  • Yes or No
  • Yes or No
  • Yes or No
  • Yes or No

28
What Do We Have to Change to Increase Flow
  • Changes in the Curriculum
  • Changes in the Classroom
  • Changes in Teaching
  • Changes in Lessons

29
Changing the Curriculum
  • Inquiry-Based
  • Rigorous
  • Relevant
  • Vertically Articulated

30
Inquiry-Based
  • http//homeschooling.gomilpitas.com/explore/crimes
    cene.htm
  • http//www.keystonecurriculum.org/
  • http//bestwebquests.com/bwq/wqdetail.asp?siteid1
    75
  • http//bestwebquests.com/bwq/wqdetail.asp?siteid1
    77

31
What Rigor Isnt
  • Rigor DOES NOT mean more difficult.

32
Which of this items is more difficult? Why?
  • When was the first college-level gemology course
    taught in the United States?
  • 1888
  • 1909
  • 1921
  • 1933
  • When did William Jefferson Clinton serve as
    President of the United States?
  • During the 1960s
  • During the 1970s
  • During the 1980s
  • During the 1990s

33
What Rigor Is?
  • Rigor means challenging.
  • From a flow perspective, rigor must mean an
    achievable challenge.
  • The proper amount of academic rigor for any given
    student depends on the gap between the academic
    demands placed on the student and the ability of
    the student to meet those demands.

34
Visually ---
  • STUDENTS
  • Lowest Achievement
    Highest Achievement
  • __________________________________________________
  • !
    !
  • Phil
    Jill
  • gap
    gap
  • Demands on Phil
    Demands on Jill
  • ___________________!______________________!_______
    _
  • Least Rigorous
    Most Rigorous
  • CURRICULUM

35
Relevant
  • Simply defining relevance is problematic.
    First, who gets to define what is relevant? The
    notion of relevance puts too much power into
    the hands of too few. Second, definitions of
    relevance are irrevocably tied to the social
    and technological present in which we find
    ourselves. Surely the purpose of education is to
    help prepare individuals for their future, not
    our present.
  • If there is a consensus it revolves around
    learning that has real-life applications. This
    begs the question Whose life?

36
Relevant (continued)
  • From a flow perspective, relevance, like beauty,
    is in the eye of the beholder. Students must see
    the relevancy.
  • This is not to suggest that relevancy must be
    present-oriented. However, we must acknowledge
    that we as educators cannot prepare students for
    the future. We dont know what the future holds.
    But we can prepare them to meet the demands of
    the future.

37
Vertically Articulated
  • In designing the sequencing of the courses, the
    connectedness of the curriculum as a whole is
    to be taken into account. Courses that focus on
    tools, such as mathematics, computer, and
    statistics, should be taken before the other
    courses so that the later courses can rely on and
    use the earlier courses. Conversely, tools and
    skills that are developed in an earlier course
    should either be used in a following course or
    identified as a desired student outcome (Bilkent
    University, Turkey)

38
The Job of the Classroom Teacher in a Nutshell
  • Promote high levels of student engagement in
    learning
  • Promote low levels of misbehavior and disruptive
    behavior

39
Engagement and Misbehavior are Related
  • The more students are engaged in learning, the
    less likely they will misbehave.
  • Stated somewhat differently, if students arent
    engaged in learning, they will be engaged in
    something else usually something that, as
    teachers, we dont like.

40
Changing Teaching
  • The power to impose your will by threat or shame
    is, in the end, not useful for educating
    responsible citizens. We are obliged to find and
    act out new ways of teaching students that will
    lead to self-control and not simply obedience.
    Instead of using the influence of power, we need
    to use the power of influence.
  • Maite Galan and Tom Maguire, 2002

41
Changing Teaching (continued)
  • With-it-ness (having eyes the back of your
    head letting students know that you know)
  • Overlapping (doing more than one thing at once)
  • Smoothness and Momentum (keeping things moving,
    with appropriate pace and smooth transitions)
  • Group alerting (keeping all student attentive in
    a whole-group focus)
  • These tools help teachers to maintain the flow of
    instruction

42
Changing the Classroom
In many classrooms and schools, a regimented day
of short periods and a constant clamor of bells
and buzzers shuffles kids through the building
and across their day. But working in a studio is
different. Studio work involves lengthy periods
of time where the kids are concentrated on one
project or one issue. As the kids can be busy and
absorbed in something for several hours at a
time, this gives them time to involve themselves
deeply into the work they are doing.
43
Changing the Classroom (continued)
We may start off together in a group discussing
hot issues from the previous day or with me
teaching a new skill or concept, but we move as
quickly as possible towards the kids being active
as creators, designers, and researchers, this
being our focus. Most of my time is spent helping
small groups of kids solve problems, asking
questions about what they are doing, directing
them to others who can help them solve a problem,
or others who may have work I want them to see.
As we slowly descend into involvement, I can hear
the hum of the classroom change and even out as
students find themselves immersed in what they
are doing.
44
Changing the Structure of Lessons
  • Structure A
  • Teacher instructs students in a concept or skill.
  • Teacher solves sample problems with whole class.
  • Students practice on their own while teacher
    monitor and assists individual students.
  • Structure B
  • Teacher poses complex thought-provoking problem.
  • Students struggle with the problem.
  • Various students present ideas or solutions to
    the class.
  • Class discusses the various ideas or solutions.
  • Teacher summarizes
  • Students practice similar problems.

45
Activity 3 Stringing Me Along
  • 1. Use a pen, pencil, or magic marker to prepare
    your string for use as a measuring device.
  • 2. Walk around the building (inside and outside,
    if you want) and locate two circular objects of
    different sizes.
  • 3. Perform two measurements on each object - the
    distance around the object and the distance from
    "side" to "side" through the center of the
    object.
  • 4. Record your measurements in the chart on the
    next slide and perform the requested calculations.

46
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47
The Importance of Planning
  • Create interesting and engaging lessons that
    capture students interest.
  • Have all materials readily available to avoid
    delays.
  • Accommodate individual learning rhythms by having
    additional activities available for students who
    finish assignments early.
  • Carefully plan for transition times within
    lessons as well as between them. A significant
    stumbling block to the flow of instruction is in
    attention to transitions between activities,
    lessons, subjects, or class periods. It is here
    that teachers are likely to feel that they are
    less effective in maintaining the flow of
    instruction.

48
The Importance of Variety
49
Do examples of incorporating flow into students
educational experiences really exist?
  • Yes. But they are most likely to be found in
    computer software and gaming.

50
  • From a software design perspective, flow is the
    principle of fitting software around the users
    total experience, integrating separate features
    into an application so that the application
    closely models real-word usage patterns. Flow
    takes into consideration the users relationship
    with their environment as a whole and not just
    the single application in isolation.
  • Pathfinder Associates

51
Our goal should be to produce great teachers.
52
Great teachers give us a sense not only of who
they are, but more important, of who we are, and
who we might become. They unlock our energies,
our imaginations, and our minds. Effective
teachers pose compelling questions, explain
options, teach us to reason, suggest possible
directions, and urge us on. The best teachers,
like the best leaders, have an uncanny ability to
step outside themselves and become liberating
forces in our lives.
53
Successful teachers are vital and full of
passion. They love to teach as a painter loves to
paint, as a writer loves to write, as a singer
loves to sing. They have a serious purpose and
yet enjoy enormously what they do. They teach
their subject -- politics, physics, psychology,
or whatever -- as if it really mattered. They can
get excited about their subject no matter how
many times they have held forth on it. They
vivify their subject and rise well above the
mechanical, dry, or routine. They push themselves
just as they push their students, and their
courses become memorable learning
experiences. Thomas E. Cronin
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