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Video Recording

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Principle - Video and audio signals magnetically recorded in analog or ... DVCPRO: Panasonic 1/4 inch RGB component. DVCAM 1/4 inch RGB component. Tape Formats ... – PowerPoint PPT presentation

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Title: Video Recording


1
Video Recording
VSCC COM 112 - TV PRODUCTION
2
OVERVIEW
  • VIDEOTAPE RECORDING SYSTEMS
  • VIDEOTAPE RECORDING PROCESS
  • NONLINEAR STORATE SYSTEMS
  • USE OF VIDEO RECORDING

3
Videotape Recording Systems
  • Principle - Video and audio signals magnetically
    recorded in analog or digital form, and converted
    again into pictures and sound at playback
  • VTR - video tape recorder

4
Videotape Recording Systems
  • Basic video tracks - audio and video are separate
  • Most VTRs have minimum of 4 tracks
  • video track- two audio tracks- control track

5
Key Concept 1
  • Videotape recorders record video and audio
    signals and a variety of other information
    necessary for proper operation of the tape and
    identification of each individual frame.

6
Videotape Recording Systems
  • Two simultaneous movements
  • Video tape moves across video and audio recording
    heads
  • Video tape recording head moves at the same time
    to maximize amount of information stored on the
    video track. Movement of tape across video head
    is slanted (helical scanning process).

7
Videotape Recording Systems
  • Audio tracks recorded by stationary head on edge
    of tape
  • Can be up to four tracks
  • Typically normal tracks are along edge and can
    provide stereo if necessary
  • Hi-Fidelity tracks are imbedded within video
    track. (A video edit affects hi fi audio.)

8
Videotape Recording Systems
  • Control track allows 30 sync pulses per second
    for timing
  • Maintains TV standard of 30 frames per second
  • Address code (SMPTE) time code on another track

9
Analog and Digital VTR Systems
  • Analog - fluctuating signal identical to original
    audio or video
  • Digital - original signal converted to binary
    data and translated back to analog at playback
  • Digital Advantage - no deterioration with age or
    generation copying

10
Video Recording Systems
  • NTSC - National Television Systems Committee
  • Composite
  • Y/C Component
  • RGB Component
  • Other Systems (Europe)
  • PAL and SECAM

11
Composite Systems
  • Composite system - video signal combines color
    (or C signal) with the luminance (Y-signal.
  • One wire carries the C (RGB) signal and the Y
    (black and white)
  • The combined signal is the NTSC signal (National
    Television System Committee)

12
Y/C Component System
  • Y signal (luminance or black and white) and C
    signal (RGB or color) are kept separate until
    recorded on tape.
  • Separated again at playback.
  • Advantage is higher picture quality

13
RGB Component System
  • Red, Green, and Blue video signals preserved
    throughout recording process.
  • Sent as 3 separate signals to tape
  • The 3 signals are the three components

14
Key Concept 2
  • Videotapes recorded on Y/C component or RGB
    component VTRs CANNOT be played back on similar
    composite (NTSC) equipment.

15
Types of Videotape Recorders
  • Analog and Digital
  • Standalone or Docking (to a camera)
  • Component and Composite

16
Primary Analog Videotape Formats
  • BetacamSP - 1/2 inch cassette - Y/C component
  • S-VHS - 1/2 inch cassette Y/C system signal
    transport but composite recording
  • VHS - 1/2 inch cassette NTSC composite. Just
    under pro quality
  • Hi8 - 8 mm cassette Y/C component or composite
    output

17
Analog Formats Still Around
  • 1 inch VTR - Reel to reel 1 inch tape NTSC
    Composite
  • U-matic - 3/4 inch cassette, NTSC Composite
  • MII (m2) - 1/2 inch cassette. Y/C component

18
Digital Videotape Formats
  • D-1 1 inch reel to reel RGB
  • D-2 19 mm cassette NTSC
  • D-3 1/2 inch cassette NTSC
  • D-5 1/2 inch cassette RGB component
  • D-6 19 mm cassette RGB component
  • D-7 SMPTE classification of DVCPRO

19
Digital Videotape Formats
  • Digital Betacam 1/2 inch cassette RGB Component
  • Digital S 1/2 inch cassette Y/C component
  • DVCPRO Panasonic 1/4 inch RGB component
  • DVCAM 1/4 inch RGB component

20
Tape Formats
  • Width of tape and recording method
  • No correlation between width and quality
  • Quality has improved with new generations of
    narrow tape widths

21
Time Base Corrector
  • Picture stabilizing equipment
  • Prevents jittery picture
  • Synchronizes scanning cycles

22
Videotape Recording Process
  • Before Checklist
  • Schedule - Assure taping equipment is available
  • VTR Status - Do a tape check.
  • Power Supply - Enough Batteries? Is AC power
    acceptable
  • Tape - Make sure its the right format for your
    recorder

23
Videotape Recording Process
  • Before Checklist
  • Audio Level - Check levels before recording
  • Monitor - Check scenes as recorded. Make sure
    your monitor is compatible with recording format.
    Do you have power (or battery) for monitor.

24
Key Concept 3
  • Make sure the cassette format matches the VTR and
    the cassette tab is in place for recording

25
Videotape Recording Process
  • During Checklist
  • Video Leader - 30 to 6 seconds of tone and color
    bars, ID slate and countdown 10 to 3 with 2
    seconds of black
  • Tape Counter - reset before starting tape
  • PreRoll - make sure machine is up to speed before
    any leader recording

26
Videotape Recording Process
  • Recording levels - monitor video and audio levels
    carefully
  • Recording for Post Production - Overlap action
    for editing ease
  • Retakes - Let director know immediately if one is
    required
  • Record Keeping - Keep accurate records

27
Key Concept 4
  • The video leader must be generated by the
    equipment actually used in the videotape
    recording.

28
Key Concept 5
  • Keep an accurate field log during the recording
    session and carefully label all videotapes

29
Videotape Recording Process
  • After Checklist
  • Recording check - do you have it on tape
  • Labeling - label with tape number, title, and
    number of scenes
  • Protection Copies - dub all source tapes for
    backup

30
Key Concept 6
  • Always make protection copies of all source tapes.

31
NonLinear Storage Systems
  • Analog and Video tape is searched from start to
    finish
  • Nonlinear storage allows direct access to any
    chronological part

32
Key Concept 7
  • Nonlinear digital storage devices allow random
    and almost instantaneous access to each video
    frame.

33
Nonlinear storage devices
  • Computer disks
  • still shots on floppies
  • motions shots on hard drives (fixed or removable)
  • ESS - Electronic Still Store systems (super fast
    slide projectors)
  • Read/Write optical discs
  • CD-Roms and DVDs

34
Use of Video Recording
  • Now an important personal communication medium.
  • Desktop video is prevalent.
  • Marriage of Video and Computers makes multimedia
    popular and effective.

35
Interactive Video
  • Viewer has some control over what is seen and
    heard
  • Viewer exercises options or impacts order of what
    is viewed
  • Video games are all around us

36
Key Concept 8
  • Interactive video allows the viewer to exercise
    choice with immediate feedback.

37
Multimedia
  • Simultaneous display of text, still and moving
    images and sound.
  • Generally distributed on CD Rom.
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