Title: Museums, Videowalls, Shopping Malls and other buildings: applications of Radiance in lighting design
1Museums, Videowalls, Shopping Malls and other
buildings applications of Radiance in lighting
design
INSEAD Smoothed human 3D models Radiance
simulation in video conference facility lighting
design.
Mandalay-Luxor Retail Complex, Las Vegas huge
models, daylighting simulation
Constellation Productions Cinema projection
screen design
Penn Station Redevelopment Videowall Design
Austin Museum of Art Daylighting design in Art
Galleries
2INSEAD
3INSEAD
4INSEAD
5INSEAD
6INSEAD
Vision
Vision Mirel
Mirel (wall wash)
7INSEAD
Wila (ring and center)
Wila Mirel
Mirel (wall wash)
8Mandalay-Luxor Retail Complex
Precedent Studies BCE Place Galleria, Toronto
9Mandalay-Luxor Retail Complex
Precedent Studies Bellagio, Las Vegas
10Mandalay-Luxor Retail Complex
11Mandalay-Luxor Retail Complex
12Mandalay-Luxor Retail Complex
50 Frit
13Mandalay-Luxor Retail Complex
75 Frit
14Mandalay-Luxor Retail Complex
50 Frit
15Mandalay-Luxor Retail Complex
75 Frit
16Mandalay-Luxor Retail Complex
0 Frit
50 Frit
25 Frit
75 Frit
17Mandalay-Luxor Retail Complex
Percentage open
18Mandalay-Luxor Retail Complex
Percentage open
19Mandalay-Luxor Retail Complex
Percentage open
20Mandalay-Luxor Retail Complex
Electric Lighting Only
21Mandalay-Luxor Retail Complex
December 12 noon
22Mandalay-Luxor Retail Complex
March 10 am
23Mandalay-Luxor Retail Complex
March 12 noon
24Mandalay-Luxor Retail Complex
June 10 am
25Mandalay-Luxor Retail Complex
June 12 noon
26Constellation Productions Cinema
3D Model
27Constellation Productions Cinema
3D Model
28Constellation Productions Cinema
3D Model
29Constellation Productions Cinema
Matt Screen
High Gain Screen
Typical Screen Reflectance Characteristics Harknes
s Hall (Perlux)
30Constellation Productions Cinema
Matt Screen, 1-D curved
31Constellation Productions Cinema
Pearl Screen, 1-D curved
32Constellation Productions Cinema
Matt Screen, 1-D curved
33Constellation Productions Cinema
Pearl Screen, 1-D curved
34Penn Station Videowall
35Penn Station Videowall
Views from east and west
Train Hall
36Penn Station Videowall
37Penn Station Videowall
Videowall technology Rear Projection
38Penn Station Videowall
DLP Cube projectors 400 ANSI lumen output 50
screen diagonal dimension for each projector
unit. Projection screen gain 4 Screen
transmittance 60 Screen reflectance 5
Screen luminance 110 FtL / 377 Cd/m²
DLP Digital Light Processing, Texas Instruments
proprietary device for image control. It is
commonly used for this type of application.
39Penn Station Videowall
1035am
40Penn Station Videowall
1135am
41Penn Station Videowall
1235pm
42Penn Station Videowall
135pm
43Penn Station Videowall
235pm
44Penn Station Videowall
335pm
45Penn Station Videowall
435pm
46Penn Station Videowall
Shading Configuration
View Orientation
47Penn Station Videowall
Shading Configuration
View Orientation
48Penn Station Videowall
Diagram of shading strategy required improved
and clearer version of that below.
Viewpoints
49Penn Station Videowall
Viewpoint 1
June 21, 900 a.m.
Video Image
50Penn Station Videowall
Viewpoint 1
100 Contrast Image Only
51Penn Station Videowall
Viewpoint 1
June 21, 900 a.m.
100 Contrast Image and Reflection
52Penn Station Videowall
Viewpoint 1
June 21, 900 a.m.
100 Contrast Image and Reflection
53Penn Station Videowall
Viewpoint 1
June 21, 900 a.m.
Reflection Only
54Penn Station Videowall
Viewpoint 1
June 21, 100 p.m.
Reflection Only
55Penn Station Videowall
Viewpoint 1
June 21, 230 p.m.
Reflection Only
56Penn Station Videowall
Viewpoint 1
June 21, 345 p.m.
Reflection Only
57Viewpoint 2
June 21, 100 p.m.
Video Image
58Viewpoint 2
June 21, 100 p.m.
100 Contrast Image and Reflection
59Viewpoint 2
June 21, 900 a.m.
Reflection Only
60Viewpoint 2
June 21, 100 p.m.
Reflection Only
61Austin Museum of Art
Main entrance
62Austin Museum of Art
Gluckman Mayner Architects Scale Model
63Austin Museum of Art
- Project Challenges
- Daylight in Texas
- Conservation of exhibits
- White box rooms
- Fast Design Phase
64Austin Museum of Art
Horizontal Louvers
Horizontal Louvers
Glass (Diffusing)
65Austin Museum of Art
- Daylighting Conservation Criteria
- Light Exposure lt 650 klx.hours per annum
- UV lt75µW/lm
External Daylight Exposure 150 Mlx.hours per
annum
Electric Lighting Criteria Illuminance 200 lx
(20 ft.candles) or 50 lx
Galleries without sensitive exhibits 750 lx
66Austin Museum of Art
67Austin Museum of Art
Analysis Point
68Austin Museum of Art
Cumulative Distribution of Illuminance Values
69Austin Museum of Art
CASE 2A
Transmission ??? Sunlight Hours 3 Hours Time
900a to 1200p C.D.T.
E-W Shading No Overlap N-S Shading 11.5
Spacing Finish 80 Reflectance
70Austin Museum of Art
Virtual louver, single cell, lighting
distribution.
71Austin Museum of Art
Shading System
40 reflectance
80 reflectance
Open Skylight
72Austin Museum of Art
Spherical Sampling Grid. mkillum data
73Austin Museum of Art
CASE 2A
Transmission 22.4 Sunlight Hours 3 Hours
Time 900a to 1200p C.D.T.
E-W Shading No Overlap N-S Shading 11.5
Spacing Finish 80 Reflectance
74Austin Museum of Art
Louver Model
Luminance Distribution From Louver - Direct
Sunlight Component
75Austin Museum of Art
Louver Transmittance - 30 degree opening, 0
degree azimuth
16.00
15.16
14.27
14.11
14.00
13.40
13.12
12.61
12.20
12.00
11.82
11.31
11.07
10.45
10.33
10.00
9.70
8.97
tranmittance
8.28
8.00
7.70
6.46
6.00
5.27
4.00
2.00
0.00
0
10
20
30
40
50
60
70
80
90
100
sun altitude (degrees)
76Austin Museum of Art
E3