Australian Studies PowerPoint PPT Presentation

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Title: Australian Studies


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Australian Studies
  • Culture TV Cinema

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Cinema
  • The cinema of Australia has a long history and
    has produced many internationally-recognised
    films, actors and filmmakers.

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Cinema
  • Australia's film history has been characterised
    as one of 'boom and bust' due to the unstable and
    cyclical nature of its industry there have been
    deep troughs when few films were made for decades
    and high peaks when a glut of films reached the
    market.

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Cinema
  • Australian film has a long history. Indeed, the
    earliest known feature length narrative film in
    the world was the Australian production The Story
    of the Kelly Gang (1906).

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Cinema
  • Arguably one of the world's first film studios,
    The Limelight Department was operated by The
    Salvation Army in Melbourne, Australia, between
    1897 and 1910.
  • The Limelight Department produced evangelical
    material for use by the Salvation Army, as well
    as private and government contracts. In its 19
    years of operation, the Limelight Department
    produced about 300 films of various lengths,
    making it the largest film producer of its time.
  • The major innovation of the Limelight Department
    would come in 1899 when Herbert Booth and Joseph
    Perry began work on Soldiers of the Cross,
    arguably the first feature length film ever
    produced.
  • Soldiers of the Cross fortified the Limelight
    Department as a major player in the early film
    industry.
  • However, Soldier of the Cross would be dwarfed
    when the Limelight Department was commissioned to
    film the Federation of Australia.

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Cinema
  • The first "boom" in Australian film occurred in
    the 1910s. After beginning slowly in the years
    from 1900, 1910 saw 4 narrative films released,
    then 51 in 1911, 30 in 1912, and 17 in 1913, and
    back to 4 in 1914, the beginning of World War I.
  • While these numbers may seem small, Australia was
    one of the most prolific film-producing countries
    at the time.
  • That is, between 1910 and 1912, almost 90
    narrative films were made between 1906 and 1928,
    150 narrative feature films were made.

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Cinema
  • There are various explanations for the subsequent
    demise of the industry some historians have
    pointed to falling audience numbers, a lack of
    interest in Australian product and narratives,
    and the decision to participate in World War I.
  • However, a major reason lay in the official
    banning of bushranger films in 1912.
  • Looking for alternative products, Australian
    cinema chains realised that Australian films were
    much more expensive than imported films from the
    United States, which could be purchased cheaply
    as production expenses had already been recouped.
  • To redress this decline, the federal government
    imposed a tax on imported film in 1914, but this
    was removed by 1918.
  • By 1923, U.S. films dominated the Australian
    exhibition sector, with 94 of all films coming
    from that country.

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Cinema
  • Another explanation is concerned with
    anti-competitive behaviour between film
    distributors and cinemas.
  • Between 1906 and 1912 Australia's burgeoning film
    industry produced more feature-length films than
    Britain or the USA, but in 1912 Australasian
    Films and Union Theatres established a monopoly
    over production, distribution and exhibition and
    shut out smaller producers.
  • That opened the way for US distributors in the
    1920s to sign exclusive deals with Australian
    cinemas to exhibit only their products, thereby
    crippling the local film industry.

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Cinema
  • During the 1970s, government funding for
    Australian filmmakers was increased.
  • The South Australian Film Corporation was
    established in 1972 to promote and produce films,
    while the Australian Film Commission was created
    in 1975 to fund and produce internationally
    competitive films.
  • A generation of directors and actors emerged who
    told distinctively Australian stories.
  • Films such as Picnic at Hanging Rock and Sunday
    Too Far Away made an impact on the international
    arena.
  • The 1970s and 80s are regarded by many as a
    'golden age' of Australian cinema, with many
    successful films, from the dark science fiction
    of Mad Max to the romantic comedy of Crocodile
    Dundee, a film that defined Australia in the eyes
    of many foreigners despite having little to do
    with the lifestyle of most Australians.

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Cinema
  • The Australian film industry continues to produce
    a reasonable number of films each year, but in
    common with other English-speaking countries,
    Australia has often found it difficult to compete
    in a marketplace dominated by American product.
  • The most successful actors and film-makers are
    easily lured by Hollywood and rarely return to
    the domestic film industry.

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Cinema
  • After Rupert Murdoch, the head of Fox Studios and
    an Australian, saw that the new Fox studios were
    moved to Sydney, some US producers have chosen to
    film at Fox's state of the art facilities as
    production costs in Sydney are well below US
    costs.
  • Studios established in Australia, like Fox
    Studios Australia and Warner Roadshow Studios,
    host large international productions like The
    Matrix and Star Wars II and III.

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Cinema
  • The Federal Australian government had supported
    the Australian film industry through the funding
    and development agencies of Film Finance
    Corporation Australia, the Australian Film
    Commission and Film Australia.
  • In 2008 the three agencies were consolidated into
    Screen Australia.

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Cinema
  • A recurring debate in the Australian film
    industry revolves around the necessity or
    otherwise of government support for the industry.
  • In brief, the argument for government support
    maintains that a viable film industry is only
    possible if it is supported in some way by the
    government and proponents of this view hold that
    the industry cannot compete against the hegemony
    of Hollywood.
  • The argument against government support is that
    the industry is viable without support and will
    become stronger if increasingly globalised market
    forces are allowed full and untrammelled play.
  • Others argue that a film industry in itself has
    little value.
  • The history of the industry in Australia is to
    some extent a result of the ascendancy of one
    position over the other.

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Cinema
  • The Australian film industry has produced a
    number of successful actors and directors, some
    of whom have moved on to Hollywood.

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Cinema
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Cinema
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Cinema
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Cinema
  • These include actors and actresses
  • Errol Flynn, Mel Gibson, Russell Crowe, Nicole
    Kidman, Cate Blanchett, Naomi Watts, Geoffrey
    Rush, Hugh Jackman, Heath Ledger, Hugo Weaving,
    Paul Hogan, Guy Pearce, Toni Collette, Emilie de
    Ravin, Judy Davis, David Wenham, Rachel
    Griffiths, Rose Byrne, Abbie Cornish, Sam Neill,
    Olivia Newton-John, Emily Browning and Eric Bana.
  • Directors
  • George Miller, Peter Weir, Bruce Beresford, James
    McTeigue, Alex Proyas, Mario Andreacchio and Baz
    Luhrmann, Phillip Noyce, Gillian Armstrong and
    associated production experts.

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