Title: Proprioceptive roll and pitch interact in contributing to visual tiltinduced effects.
1Proprioceptive roll and pitch interact in
contributing to visual tilt-induced effects.
Jennifer E. Corbett James T. Enns The
University of British Columbia
2Visual and proprioceptive information calibrate
our sense of upright.
3Visual and proprioceptive information calibrate
our sense of upright.
- We rely on
- The tilt of the surrounding visual
environment(visual - orientation cues)
-
4Visual and proprioceptive information calibrate
our sense of upright.
- We rely on
- The tilt of the surrounding visual
environment(visual - orientation cues)
-
5Visual and proprioceptive information calibrate
our sense of upright.
- We rely on
- The tilt of the surrounding visual
environment(visual - orientation cues)
-
- Our sense of the bodys position in space
(proprioception)
6Visual and proprioceptive information calibrate
our sense of upright.
- We rely on
- The tilt of the surrounding visual
environment(visual - orientation cues)
-
- Our sense of the bodys position in space
(proprioception)
7Visual and proprioceptive information calibrate
our sense of upright.
- We rely on
- The tilt of the surrounding visual
environment(visual - orientation cues)
-
- Our sense of the bodys position in space
(proprioception)
To determine our
perceptions of upright.
8Mystery Spots and funhouses are everyday
illustrations of how our perception of
orientation may arise from an interaction between
visual information and our proprioceptive sense.
9Mystery Spots and funhouses are everyday
illustrations of how our perception of
orientation may arise from an interaction between
visual information and our proprioceptive sense.
The visual tilt of the cabin
10Mystery Spots and funhouses are everyday
illustrations of how our perception of
orientation may arise from an interaction between
visual information and our proprioceptive sense.
The visual tilt of the cabin and the observers
tilt inside the cabin
11Mystery Spots and funhouses are everyday
illustrations of how our perception of
orientation may arise from an interaction between
visual information and our proprioceptive sense.
The visual tilt of the cabin and the observers
tilt inside the cabin affect
perceptions of upright.
12In the present study
13In the present study
We examined how the roll (clockwise or
counterclockwise rotation along the image plane)
Roll
14In the present study
We examined how the roll (clockwise or
counterclockwise rotation along the image plane)
Roll
15In the present study
We examined how the roll (clockwise or
counterclockwise rotation along the image plane)
Roll
16In the present study
We examined how the roll (clockwise or
counterclockwise rotation along the image plane)
and pitch (rotation up or down in the frontal
plane) of the observer
Pitch
17In the present study
We examined how the roll (clockwise or
counterclockwise rotation along the image plane)
and pitch (rotation up or down in the frontal
plane) of the observer
Pitch
18In the present study
We examined how the roll (clockwise or
counterclockwise rotation along the image plane)
and pitch (rotation up or down in the frontal
plane) of the observer
Pitch
19In the present study
We examined how the roll (clockwise or
counterclockwise rotation along the image plane)
and pitch (rotation up or down in the frontal
plane) of the observer interact with tilted
visual cues
20In the present study
We examined how the roll (clockwise or
counterclockwise rotation along the image plane)
and pitch (rotation up or down in the frontal
plane) of the observer interact with tilted
visual cues to produce observers perceptions of
orientation.
Pitch
Roll
21Introduction
22Introduction
23Introduction
- (Asch Witkin, 1948) - If true vertical (with
respect to gravity)
True vertical
24Introduction
- (Asch Witkin, 1948) - If true vertical (with
respect to gravity) and the - visual tilt of the environment are
different,
Visual tilt
True vertical
25Introduction
- (Asch Witkin, 1948) - If true vertical (with
respect to gravity) and the - visual tilt of the environment are
different, visual tilt will influence observers - perceived vertical The tilt induced effect.
Perceived vertical
Visual tilt
True vertical
26Introduction
- (Asch Witkin, 1948) - If true vertical (with
respect to gravity) and the - visual tilt of the environment are
different, visual tilt will influence observers - perceived vertical The tilt induced effect.
- (Nelson Prinzmetal, 2003) - Pitch and roll
of the visual environment - contribute independently to visual
tilt-induced effects.
27Introduction
- (Asch Witkin, 1948) - If true vertical (with
respect to gravity) and the - visual tilt of the environment are
different, visual tilt will influence observers - perceived vertical The tilt induced effect.
- (Nelson Prinzmetal, 2003) - Pitch and roll
of the visual environment - contribute independently to visual
tilt-induced effects.
Manipulating one dimension does not affect the
influence of the other dimension
28Introduction
- (Asch Witkin, 1948) - If true vertical (with
respect to gravity) and the - visual tilt of the environment are
different, visual tilt will influence observers - perceived vertical The tilt induced effect.
- (Nelson Prinzmetal, 2003) - Pitch and roll
of the visual environment - contribute independently to visual
tilt-induced effects.
- Manipulating one dimension does not affect the
influence of the other dimension -
Q1. Do pitch and roll of the observer
independently/interactively influence
visual-tilt induced effects?
29Introduction
- (Asch Witkin, 1948) - If true vertical (with
respect to gravity) and the - visual tilt of the environment are
different, visual tilt will influence observers - perceived vertical The tilt induced effect.
- (Nelson Prinzmetal, 2003) - Pitch and roll
of the visual environment - contribute independently to visual
tilt-induced effects.
- (Witkin Asch, 1948) - Tilt-induced effects
are increased when observers are - also tilted.
-
-
30Introduction
- (Asch Witkin, 1948) - If true vertical (with
respect to gravity) and the - visual tilt of the environment are
different, visual tilt will influence observers - perceived vertical The tilt induced effect.
- (Nelson Prinzmetal, 2003) - Pitch and roll
of the visual environment - contribute independently to visual
tilt-induced effects.
- (Witkin Asch, 1948) - Tilt-induced effects
are increased when observers are - also tilted.
-
-
Observers tilted congruently
31Introduction
- (Asch Witkin, 1948) - If true vertical (with
respect to gravity) and the - visual tilt of the environment are
different, visual tilt will influence observers - perceived vertical The tilt induced effect.
- (Nelson Prinzmetal, 2003) - Pitch and roll
of the visual environment - contribute independently to visual
tilt-induced effects.
- (Witkin Asch, 1948) - Tilt-induced effects
are increased when observers are - also tilted.
-
-
Observers tilted congruently experience larger
tilt-induced effects
gt
32Introduction
- (Asch Witkin, 1948) - If true vertical (with
respect to gravity) and the - visual tilt of the environment are
different, visual tilt will influence observers - perceived vertical The tilt induced effect.
- (Nelson Prinzmetal, 2003) - Pitch and roll
of the visual environment - contribute independently to visual
tilt-induced effects.
- (Witkin Asch, 1948) - Tilt-induced effects
are increased when observers are - also tilted.
-
-
Observers tilted congruently experience larger
tilt-induced effects than incongruently tilted
observers.
gt
33Introduction
- (Asch Witkin, 1948) - If true vertical (with
respect to gravity) and the - visual tilt of the environment are
different, visual tilt will influence observers - perceived vertical The tilt induced effect.
- (Nelson Prinzmetal, 2003) - Pitch and roll
of the visual environment - contribute independently to visual
tilt-induced effects.
- (Witkin Asch, 1948) - Tilt-induced effects
are increased when observers are - also tilted.
-
-
Observers tilted congruently experience larger
tilt-induced effects than incongruently tilted
observers.
gt
(0.8o)
34Introduction
- (Asch Witkin, 1948) - If true vertical (with
respect to gravity) and the - visual tilt of the environment are
different, visual tilt will influence observers - perceived vertical The tilt induced effect.
- (Nelson Prinzmetal, 2003) - Pitch and roll
of the visual environment - contribute independently to visual
tilt-induced effects.
- (Witkin Asch, 1948) - Tilt-induced effects
are increased when observers are - also tilted.
-
-
Q2. Are visual tilt-induced effects really
greater when the observer is tilted
incongruently vs. congruently with the visual
environment? (0.8o is pretty weak)
35Introduction
- (Asch Witkin, 1948) - If true vertical (with
respect to gravity) and the - visual tilt of the environment are
different, visual tilt will influence observers - perceived vertical The tilt induced effect.
- (Nelson Prinzmetal, 2003) - Pitch and roll
of the visual environment - contribute independently to visual
tilt-induced effects.
- (Witkin Asch, 1948) - Tilt-induced effects
are increased when observers are - also tilted.
Q3. Do observers actively maintaining an
upright posture on a tilted surface
experience the same degree of visual tilt-induced
effects as passively- tilted observers?
36Summary of research questions
37Summary of research questions
Q1. Do pitch and roll of the observer
independently/interactively influence
visual-tilt induced effects?
38Summary of research questions
Q1. Do pitch and roll of the observer
independently/interactively influence
visual-tilt induced effects?
Q2. Are visual tilt-induced effects really
greater when the observer is tilted
incongruently vs. congruently with the visual
environment?
39Summary of research questions
Q1. Do pitch and roll of the observer
independently/interactively influence
visual-tilt induced effects?
Q2. Are visual tilt-induced effects really
greater when the observer is tilted
incongruently vs. congruently with the visual
environment?
Q3. Do observers actively maintaining an
upright posture on a tilted surface
experience the same degree of visual tilt-induced
effects as passively- tilted observers?
40Apparatus for visual tilt-induced effects
41Apparatus for visual tilt-induced effects
A Rod-Frame box
42Apparatus for visual tilt-induced effects
A Rod-Frame box
rolled 20o along the roll axis
43Apparatus for visual tilt-induced effects
A Rod-Frame box
rolled 20o along the roll axis
produced standard visual-tilt induced effects.
44Perceptual measure
The experimenter rolled the rod independently of
the tilted box until the subject indicated that
the rod was vertical with respect to gravity.
45Perceptual measure
The experimenter rolled the rod independently of
the tilted box until the subject indicated that
the rod was vertical with respect to gravity.
The deviation from vertical of the observers rod
adjustment (angle of illusion) was measured by a
ruler on the backside of the rod with 0o
corresponding to true vertical position of the
rod.
46Perceptual measure
A 10o illusion in rod adjustment
47Perceptual measure
A 10o illusion in rod adjustment
48Perceptual measure
A 10o illusion in rod adjustment
49Active observers
- Observers standing on a tilted platform
actively maintained an upright - posture
50Active observers
- Observers standing on a tilted platform
actively maintained an upright - posture while determining the vertical
position of the rod.
51Active observers
- Observers standing on a tilted platform
actively maintained an upright - posture while determining the vertical
position of the rod.
- The platform could be rotated about an axis on
the floor to - pitch and roll the observer.
52Active observers
- Observers standing on a tilted platform
actively maintained an upright - posture while determining the vertical
position of the rod.
- The platform could be rotated about an axis on
the floor to - pitch and roll the observer.
- To control for head tilt,
53Active observers
- Observers standing on a tilted platform
actively maintained an upright - posture while determining the vertical
position of the rod.
- The platform could be rotated about an axis on
the floor to - pitch and roll the observer.
- To control for head tilt, observers were
instructed to keep the - head
54Active observers
- Observers standing on a tilted platform
actively maintained an upright - posture while determining the vertical
position of the rod.
- The platform could be rotated about an axis on
the floor to - pitch and roll the observer.
- To control for head tilt, observers were
instructed to keep the - head aligned with the upper body.
55Passive observers
- Passively tilted observers made adjustments
56Passive observers
- Passively tilted observers made adjustments
while sitting in a - chair attached to the tilted platform.
57Passive observers
- Passively tilted observers made adjustments
while sitting in a - chair attached to the tilted platform.
- The chair and platform could be rotated to
pitch and roll the observer.
58Passive observers
- Passively tilted observers made adjustments
while sitting in a - chair attached to the tilted platform.
- The chair and platform could be rotated to
pitch and roll the observer. - Head tilt was controlled using a head rest
attached to the chair to keep - the head in line with the upper body.
59Results n14
Observer Pitch
60Results n14
Observer Pitch
- There was a standard tilt-induced effect of
5o in the direction of the - tilted box.
61Results n14
Observer Pitch
- Rolling the observer congruently with the box
slightly increased tilt- - induced effects.
62Results n14
Observer Pitch
- Rolling the observer incongruently with the
box decreased tilt- - induced effects.
63Results
gt
Observers tilted congruently experience larger
tilt-induced effects than incongruently tilted
observers.
(0.8o)
64Results
gt
Observers tilted congruently experience larger
tilt-induced effects than incongruently tilted
observers.
(0.8o)
Q2. Are visual tilt-induced effects really
greater when the observer is tilted
incongruently vs. congruently with the visual
environment? (0.8o is pretty weak)
65Results
gt
Observers tilted congruently experience larger
tilt-induced effects than incongruently tilted
observers.
(0.8o)
Q2. Are visual tilt-induced effects really
greater when the observer is tilted
incongruently vs. congruently with the visual
environment? (0.8o is pretty weak)
A2. NO!
66Results
gt
Observers tilted congruently experience larger
tilt-induced effects than incongruently tilted
observers.
(0.8o)
Q2. Are visual tilt-induced effects really
greater when the observer is tilted
incongruently vs. congruently with the visual
environment? (0.8o is pretty weak)
A2. NO! Visual tilt-induced effects are
slightly increased when the observer is tilted
congruently with the environment and effects are
decreased when the observer is tilted
incongruently with the environment.
lt
67Results
gt
Observers tilted congruently experience larger
tilt-induced effects than incongruently tilted
observers.
(0.8o)
Q2. Are visual tilt-induced effects really
greater when the observer is tilted
incongruently vs. congruently with the visual
environment? (0.8o is pretty weak)
A2. NO! Visual tilt-induced effects are
slightly increased when the observer is tilted
congruently with the environment and effects are
decreased when the observer is tilted
incongruently with the environment.
lt
(4o)
68Results n14
Observer Pitch
- There was no difference between adjustments
when observers were - pitched forward or backward. It only
mattered that they were pitched.
69Results n14
Observer Pitch
- There was no difference between adjustments
when observers were - pitched forward or backward. It only
mattered that they were pitched. - The data were collapsed to No Pitch and
Pitch.
70Results n14
Observer Pitch
- Pitching observers decreased the standard
tilt-induced effect.
71Results n14
Observer Pitch
- Pitching observers exaggerated the
tilt-induced effects of - rolling observers.
72Results
- (Nelson Prinzmetal, 2003) - Pitch and roll
of the visual environment - contribute independently to visual
tilt-induced effects.
73Results
- (Nelson Prinzmetal, 2003) - Pitch and roll
of the visual environment - contribute independently to visual
tilt-induced effects. - Manipulating one dimension does not affect the
influence of the other dimension.
74Results
- (Nelson Prinzmetal, 2003) - Pitch and roll
of the visual environment - contribute independently to visual
tilt-induced effects. - Manipulating one dimension does not affect the
influence of the other dimension.
Q1. Do pitch and roll of the observer
independently/interactively influence
visual-tilt induced effects?
75Results
- (Nelson Prinzmetal, 2003) - Pitch and roll
of the visual environment - contribute independently to visual
tilt-induced effects. - Manipulating one dimension does not affect the
influence of the other dimension.
Q1. Do pitch and roll of the observer
independently/interactively influence
visual-tilt induced effects?
A1. Pitch and roll of the observer interact to
influence the magnitude of visual
tilt-induced effects.
76Results
- (Nelson Prinzmetal, 2003) - Pitch and roll
of the visual environment - contribute independently to visual
tilt-induced effects. - Manipulating one dimension does not affect the
influence of the other dimension.
Q1. Do pitch and roll of the observer
independently/interactively influence
visual-tilt induced effects?
A1. Pitch and roll of the observer interact to
influence the magnitude of visual
tilt-induced effects. Manipulating one dimension
affects the influence of the other dimension.
77Results n14
Observer Pitch
- Comparing the adjustments of active and
passive observers.
78Results n7
Observer Pitch
- Tilt-induced effects were exaggerated for
passive observers.
79Results n7
Observer Pitch
- Tilt-induced effects were greatly attenuated
for active observers.
80Results
Q3. Do observers actively maintaining an upright
posture on a tilted surface experience the
same degree of visual tilt-induced effects as
passively- tilted observers?
81Results
Q3. Do observers actively maintaining an upright
posture on a tilted surface experience the
same degree of visual tilt-induced effects as
passively- tilted observers?
A3. No!
82Results
Q3. Do observers actively maintaining an upright
posture on a tilted surface experience the
same degree of visual tilt-induced effects as
passively- tilted observers?
A3. No! Observers actively maintaining an
upright posture experience enhanced
tilt-induced effects and passively tilted
observers experience weakened tilt-induced
effects.
83Summary
84Summary
Q1. Do pitch and roll of the observer
independently/interactively influence
visual-tilt induced effects?
85Summary
Q1. Do pitch and roll of the observer
independently/interactively influence
visual-tilt induced effects?
A1. Pitch and roll of the observer interact to
influence the magnitude of visual
tilt-induced effects.
86Summary
Q1. Do pitch and roll of the observer
independently/interactively influence
visual-tilt induced effects?
A1. Pitch and roll of the observer interact to
influence the magnitude of visual
tilt-induced effects.
Q2. Are visual tilt-induced effects really
greater when the observer is tilted
incongruently vs. congruently with the visual
environment?
87Summary
Q1. Do pitch and roll of the observer
independently/interactively influence
visual-tilt induced effects?
A1. Pitch and roll of the observer interact to
influence the magnitude of visual
tilt-induced effects.
Q2. Are visual tilt-induced effects really
greater when the observer is tilted
incongruently vs. congruently with the visual
environment?
A2. NO! Visual tilt-induced effects are
slightly increased when the observer is
tilted congruently with the environment and
effects are decreased when the observer
is tilted incongruently with the environment.
88Summary
Q1. Do pitch and roll of the observer
independently/interactively influence
visual-tilt induced effects?
A1. Pitch and roll of the observer interact to
influence the magnitude of visual
tilt-induced effects.
Q2. Are visual tilt-induced effects really
greater when the observer is tilted
incongruently vs. congruently with the visual
environment?
A2. NO! Visual tilt-induced effects are
slightly increased when the observer is
tilted congruently with the environment and
effects are decreased when the observer
is tilted incongruently with the environment.
Q3. Do observers actively maintaining an upright
posture on a tilted surface experience the
same degree of visual tilt-induced effects as
passively- tilted observers?
89Summary
Q1. Do pitch and roll of the observer
independently/interactively influence
visual-tilt induced effects?
A1. Pitch and roll of the observer interact to
influence the magnitude of visual
tilt-induced effects.
Q2. Are visual tilt-induced effects really
greater when the observer is tilted
incongruently vs. congruently with the visual
environment?
A2. NO! Visual tilt-induced effects are
slightly increased when the observer is
tilted congruently with the environment and
effects are decreased when the observer
is tilted incongruently with the environment.
Q3. Do observers actively maintaining an upright
posture on a tilted surface experience the
same degree of visual tilt-induced effects as
passively- tilted observers?
A3. No! Observers actively maintaining an
upright posture experience enhanced
tilt-induced effects and passively tilted
observers experience weakened tilt-induced
effects.
90Implications
91Implications 1
Pitch and roll of the visual environment
independently contribute to visual tilt-induced
effects. (Nelson Prinzmetal, 2003).
92Implications 1
Pitch and roll of the visual environment
independently contribute to visual tilt-induced
effects. (Nelson Prinzmetal, 2003). Pitching
and rolling the observer and not the visual
environment does nothing (Witkin Asch,
1948).
93Implications 1
Pitch and roll of the visual environment
independently contribute to visual tilt-induced
effects. (Nelson Prinzmetal, 2003). Pitching
and rolling the observer and not the visual
environment does nothing (Witkin Asch,
1948). Proprioceptive pitch and roll interact
in contributing to visual tilt-induced
effects (current study).
94Implications 1
Pitch and roll of the visual environment
independently contribute to visual tilt-induced
effects. (Nelson Prinzmetal, 2003). Pitching
and rolling the observer and not the visual
environment does nothing (Witkin Asch,
1948). Proprioceptive pitch and roll interact
in contributing to visual tilt-induced
effects (current study). People weight multiple
sources of information differently depending upon
what you do to them.
95Implications 1
Pitch and roll of the visual environment
independently contribute to visual tilt-induced
effects. (Nelson Prinzmetal, 2003). Pitching
and rolling the observer and not the visual
environment does nothing (Witkin Asch,
1948). Proprioceptive pitch and roll interact
in contributing to visual tilt-induced
effects (current study). People weight multiple
sources of information differently depending upon
what you do to them. Visual information about
upright modulates the contributions of
proprioceptive cues to gravity.
96Implications 2
Tipping people the opposite way as the frame
produces the largest tilt-induced effects (Asch
Witkin, 1948).
97Implications 2
Tipping people the opposite way as the frame
produces the largest tilt-induced effects (Asch
Witkin, 1948). Too small! Not significant!
98Implications 2
Tipping people the opposite way as the frame
produces the largest tilt-induced effects (Asch
Witkin, 1948). Too small! Not
significant! Tipping people the same way as the
frame produces the largest tilt-induced
effects (current study).
99Implications 2
Tipping people the opposite way as the frame
produces the largest tilt-induced effects (Asch
Witkin, 1948). Too small! Not
significant! Tipping people the same way as the
frame produces the largest tilt-induced
effects (current study). When visual and
proprioceptive input coincide, observers rely
heaviest on vision to determine upright.
100Implications 2
Tipping people the opposite way as the frame
produces the largest tilt-induced effects (Asch
Witkin, 1948). Too small! Not
significant! Tipping people the same way as the
frame produces the largest tilt-induced
effects (current study). When visual and
proprioceptive input coincide, observers rely
heaviest on vision to determine upright. When
visual and proprioceptive information are
mismatched, observers try to compensate for
being tilted and rely less on vision to
determine upright.
101Implications 2
Tipping people the opposite way as the frame
produces the largest tilt-induced effects (Asch
Witkin, 1948). Too small! Not
significant! Tipping people the same way as the
frame produces the largest tilt-induced
effects (current study). When visual and
proprioceptive input coincide, observers rely
heaviest on vision to determine upright. When
visual and proprioceptive information are
mismatched, observers try to compensate for
being tilted and rely less on vision to
determine upright. The more similar the
proprioceptive and visual input,the greater the
illusion.
102Implications 3
The literature is all over the place regarding
the tilt-induced effects for passive and active
observers.
103Implications 3
The literature is all over the place regarding
the tilt-induced effects for passive and active
observers. Tilt-induced effects are
attenuated for active observers (current study).
104Implications 3
The literature is all over the place regarding
the tilt-induced effects for passive and active
observers. Tilt-induced effects are
attenuated for active observers (current
study). Tilt-induced effects are exaggerated for
passive observers (current study).
105Implications 3
The literature is all over the place regarding
the tilt-induced effects for passive and active
observers. Tilt-induced effects are
attenuated for active observers (current
study). Tilt-induced effects are exaggerated for
passive observers (current study). The less
informative the proprioceptive input, (passive
observers and incongruently tilted observers),
the greater the dependence on visual input, the
greater the tilt-induced effects.
106Take home message
107Take home message
If you go inside one of the Mystery Cabins,
108Take home message
If you go inside one of the Mystery Cabins,
Gold Hill, OR
109Take home message
If you go inside one of the Mystery Cabins,
Gold Hill, OR
Santa Cruz, CA
110Take home message
If you go inside one of the Mystery Cabins,
111Take home message
If you go inside one of the Mystery Cabins,
sit in a chair!!
112Thanks to
Jim Enns The Oregon Vortex (www.oregonvortex.com)
Bill Prinzmetal Bruce Bridgeman Lovely
assistant Jess Everyone who participated Everyon
e who put up with a huge contraption in their
space Master carpenter, Ken Keltner
113Questions
Observer Pitch
n14
114Questions
n7
115Questions
n7