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The Birth of Tragedy

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Title: The Birth of Tragedy


1
The Birth of Tragedy
  • Friedrich Nietzsche

2
Context
  • Nietzsche was born on October 15, 1844 in Germany
  • He was named after the Prussian King, Friedrich
    Wilhelm IV, whose birthday he shared
  • Nietzsches father and brother died when he was
    young
  • Nietzsche attended the University of Bonn in 1864
    as a theology and philology student
  • One year later he followed one of his professors
    to the University of Leipzig where he wrote
    essays on Aristotle and other philosophers
  • Nietzsche read Schopenhauer's The World as Will
    and Representation and F. A. Lange's History of
    Materialism and Critique of its Present
    Significance which both impacted his future
    writings greatly
  • Nietzsche loved music and became very close with
    the composer Richard Wagner

3
The Birth of Tragedy
  • Originally called Greek Cheerfulness
  • After Wagner recommended that Nietzsche connect
    his music with Nietzsches writing, the title of
    the book was changed to The Birth of Tragedy Out
    of the Spirit of Music
  • The book contained examples of the role of music
    in tragedy and references to Wagner
  • It was published in 1872 and highly criticized
  • People did not understand the books confusion of
    philology (the interpretation of classical and
    biblical texts) with philosophy
  • Some say this book destroyed Nietzsches career
  • Fifteen years after the book came out, Nietzsche
    wrote a supplementary preface for it
  • In it, he said, "Today I find it an impossible
    book I consider it badly written, ponderous,
    embarrassing, image-mad and image-confused,
    sentimental, in places saccharine to the point of
    effeminacy, uneven in tempo, without the will to
    logical cleanliness, very convinced and therefore
    disdainful of proof, mistrustful even of the
    propriety of proof, a book for initiates?"

4
About the Text Gods
  • Nietzsche focuses his first 15 chapters on the
    nature of Greek Tragedies
  • He discusses the tension between the Greek gods
    Dionysus and Apollo
  • Dionysus is the patron god of the Greek stage, or
    more specifically Attic Tragedy. He was the god
    that granted Midas the power to turn whatever he
    touched into gold and was known as the Liberator.
    He played the flute and was also the god of wine
    and ecstasy.
  • Apollo is god of the sun. He was associated with
    law, philosophy, and the arts. He is also the
    god of poetry and music and was a mortal medical
    healer.
  • Nietzsche believes that these gods have different
    beliefs about the arts and thinks of them as as
    the god of light (Apollo) and the god of ecstasy
    (Dionysus). He creates a strong opposition
    between them.

5
About the Text Music
  • Music has a big influence on Nietzsches writing
  • He believes it is the chief level of a universal
    language and it is the greatest form of art
  • Music has the power to access the will directly
    and connect with the Dionysian essence
  • Music, or more specifically the chorus, is the
    soul of Greek tragedy
  • The Chorus was a group of men that looked on at
    the tragedy as it progressed. Nietzsche did not
    believe that the Chorus was a body of spectators,
    rather he believed that they exists in an
    idealized natural state and it observes
    natural beings
  • They spoke about the actions of the tragedy in
    highly poetic and difficult to understand
    language
  • Nietzsche believes that the tragedy would be
    nothing without the Chorus

6
About the Text Suffering
  • In Greek tragedy, there is also suffering
  • According to Nietzsche, the Greeks used tragedies
    to solve their suffering
  • They knew that underneath all of the light and
    beautiful things around them was darkness. This
    darkness is what controlled their destiny
  • Nietzsche introduces his idea of Primal Unity
    which is what saves men from suffering
  • It is when everyone can live in the ecstasy of
    Dionysus and transcend their suffering

7
Hope
  • Nietzsche ends this book with hope
  • He believes that German music, like that of
    Wagner, can move people on their way towards the
    rebirth of tragedy
  • As opposed to Christianity, Nietzsche believes
    that men must focus on their life on earth,
    rather than reaching heaven. In doing this, man
    will be able to find the Dionysian path
  • Dionysus is the way to overcome suffering

8
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