M100: Music Appreciation Discussion Group Ben Tibbetts, T.A. benjamintibbetts@yahoo.com Welcome! Please sign the attendance at the front of the room. - PowerPoint PPT Presentation

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Title: M100: Music Appreciation Discussion Group Ben Tibbetts, T.A. benjamintibbetts@yahoo.com Welcome! Please sign the attendance at the front of the room.


1
M100 Music Appreciation Discussion GroupBen
Tibbetts, T.A.benjamintibbetts_at_yahoo.com
Welcome! Please sign the attendance at
the front of the room.
  • Tuesday March 12, 2013

2
Todays Agenda
  • Mostly logistical stuff
  • Collect Concert Reports
  • Baroque Tests
  • Classical Test prep.
  • Final project proposals guidelines
  • And
  • Other composers/music
  • ASAPScience Video

3
  • Collect concert reports

4
  • pass back
  • Tests
  • Take-home assignments

5
  • Listening that might appear on the Classical
    Test
  • The first movement of Mozarts Symphony no. 40 in
    G Minor
  • Cosa sento from Mozarts Marriage of Figaro
  • The second movement from Haydns Symphony no. 94
    (Surprise)
  • Review the material in the book
  • And slides on Moodle

6
  • Pass out / go over final project proposals
    guidelines

7
Baroque Test
  • SECTION A
  • Bachs Fugue in G Minor (polyphonic)
  • Bachs Brandenburg Concerto No. 5 (soloists
    harpsichord, violin, flute)
  • Didos Lament (aria) from Purcells Dido and
    Aeneas (opera) (homophonic)

8
Baroque Test
  • SECTION B
  • False
  • True
  • False

9
Baroque Test
  • SECTION C
  • Basso continuo plays throughout a work,
    provides bass line harmonies, etc.
  • Cello, Bassoon, Harpsichord, Organ, Lute, Guitar,
    Bass viol, Harp

10
Baroque Test
  • SECTION C
  • 2. Ritornello principle alternating
    ritornello/solo sections in concerto

11
Baroque Test
  • SECTION C
  • 3. Subject in a fugue main theme, layered over
    itself, imitative counterpoint

12
Baroque Test
  • SECTION C
  • 4. Oratorio - opera for church, not staged, etc.

13
Baroque Test
  • SECTION C
  • 5. Recitative dialogue/monologue between
    singing speaking, etc.
  • Aria - song

14
Baroque Test
  • SECTION C
  • 6. Program music instrumental music associated
    with story/event/idea/text
  • i.e. Vivaldis Four Seasons

15
Baroque Test
  • SECTION C
  • 7. Castrati man with high singing voice,
    castrated
  • Coveted for soprano/mezzo-soprano/contralto
    parts, flexible voice, etc.

16
Baroque Test
  • SECTION C
  • 8. Word painting how sung music
    imitates/describes imagery in text, etc.

17
Baroque Test
  • SECTION C
  • 9. Middle entry music in middle of fugue where
    subject appears
  • Episode music in middle of fugue without subject

18
Baroque Test
  • SECTION C
  • 10. Timbre character/quality of sound
  • In Baroque music, often separates highly
    contrasting sections, etc.

19
Baroque Test
  • SECTION C
  • 11. Solo concerto one soloist
  • Concerto grosso multiple soloist

20
Baroque Test
  • SECTION C
  • 12. Homophony in operas, allows one character
    to take precedence
  • In concertos, allows one soloist to take
    precedence

21
  • SECTION D
  • Essay or other questions? See me after class

22
  • Todays material not on Thursdays test

23
Guillaume de Machaut
1300-1377 French composer/poet (The Medieval Era)
24
Guillaume de Machaut
  • Ars nova a style of music of the 14th century,
    characterized by great freedom and variety of
    rhythm and melody contrasted with the strictness
    of the music of the 13th century -Collins
    English Dictionary

25
  • Machauts Rose, liz, printemps, verdure

Rose, liz, printemps, verdure. Fleur, baume et
tres douce odour. Belle, passes en doucour. Et
tous les biens de Nature Avez, dont je vous
aour. Rose, liz, printemps, verdure. Fleur,
baume et tres douce odour Et quant toute
creature Seurmonte vostre valour. Bien puis
dire et par honnour Rose, liz, printemps,
verdure. Fleur, baume et tres douce odour.
Belle, passes en doucour.
Rose, lily, spring, greenery. Flower, balm and
sweetest perfume Beauty, you surpass them in
sweetness. And all the gifts of nature You have,
for which I adore you. Rose, lily, spring,
greenery. Flower, balm and sweetest perfume And
since all creatures You surpass in worth I must
say in all honor Rose, lily, spring,
greenery. Flower, balm and sweetest
perfume Beauty, you surpass them in sweetness.
26
Giovanni Pierluigi de Palestrina
1525-1594 Italian composer (The Renaissance)
27
Giovanni Pierluigi de Palestrina
  • Composed sacred music
  • Renaissance polyphony

28
  • The Agnus Dei I
  • from Palestrinas Pope Marcellus Mass

Agnus Dei, qui tollis peccata mundi, miserere
nobis. Agnus Dei, qui tollis peccata mundi, dona
nobis pacem.
Lamb of God, who takes away the sins of the
world, have mercy upon us. Lamb of God, who
takes away the sins of the world, grant us peace.
29
  • Master Musicians of the Ikuta-ryu
  • Pages 181-186

30
  • Master Musicians of the Ikuta-ryu
  • Pages 181-186
  • Pentatonic scale A scale consisting of five
    tones. p. 517
  • Koto a Japanese musical instrument having
    numerous strings, usually seven or thirteen, that
    are stretched over a convex wooden sounding board
    and are plucked with three plectra, worn on the
    thumb, index finger, and middle finger of one
    hand. -Dictionary.com Unabridged

31
  • Cherry Blossom, Japanese folk tune
  • (recorded ca. 1965)

32
  • ASAPScience--music

33
Final Reminders / Homework
  • Classical Test next class covering pages 166-180,
    187-206, and 215-223
  • Questions? Email benjamintibbetts_at_yahoo.com
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