Title: Rationale
1Advocating for the arts of the future
An Arts Advocacy Partnership between Teachers
College/Columbia Universitys Program in Arts
Administration Harlem Arts AllianceThe
Alliance of New York State Arts Organizations
2MENTORS
Advocating for the arts of the future
Program in Arts Administration Teachers
College/Columbia University Joan Jeffri, Director
Alliance of New York State Arts
Organizations Judith Weiner, Executive
Director Sherre Wesley, Ed.D. Harlem Arts
Alliance Voza Rivers Linda Walton, Executive
Director
3PARTICIPANTS
Advocating for the arts of the future
Group 1 Harlem ArtistsMatt FreemanKatherine
GresselLaura SoldatiGroup 2 Program
directors and Education Specialists in arts and
cultural institutions in Harlem Lisa
Ellerbee Shino FukuiKristina ToddGroup 3 -
Candidates in Harlem and their platforms/opinions
on the arts and culture in HarlemMarisa
CaseyAmy FittererVirginia GrahamChristina
HuangHeidi NogoyEbonie Pittman
4Rationale
- The lack of cohesive support structures in the
arts on the national and local levels has
inspired students, artists, activists, and
organizations to advocate on behalf of the arts.
Advocating for the arts of the future
5ABOUT HARLEM
Advocating for the arts of the future
- Boundaries
- Demographics
- Perceptions
6Boundaries
Advocating for the arts of the future
165th Street
N
?
96th Street -110th Street, East side 110th
Street - 165th Street, River to River.
110th Street
96th Street
7Demographics
- Experiencing rapid growth from 1990 onward
- Growth of Upper Manhattan exceeds the rest of
Manhattan - 5 times more growth of housing units
- 3 times more population growth
- Source Upper Manhattan Empowerment Zone, 2005
Annual Report
Advocating for the arts of the future
8Perceptions
- Diversity
- Lack of safety
- Lack of accessibility or transportation
Advocating for the arts of the future
9METHODOLOGYPersonal InterviewsFocus
GroupsSurveys
Advocating for the arts of the future
10Personal Interviews
- Arts Organizations
- Small start-up (0-3 years)
- Adolescent (3-15 years)
- Mature (15)
- Legislators
- City Council
- Assemblymen
- State Senators
- Lieutenant Governor Elect
Advocating for the arts of the future
11Focus Groups
- Harlem Artists
- Concerns
- Wants
- Needs
Advocating for the arts of the future
12Surveys
- Legislators
- Survey sent to 50 New York City elected officials
- Artists
- Demographic analysis of focus group participants
- Recent Harlem Arts Alliance Survey of 70 Artists
Advocating for the arts of the future
13Advocating for the arts of the future
THEMES Gentrification Collaboration Funding
Education
14Advocating for the arts of the future
GENTRIFICATION Impact Elements Possible Solutions
Lt. Governor-Elect Paterson The only way to
preserve the heart of Harlem during heavy
gentrification is to support the arts and culture
of the neighborhood.
15- The Impact of Gentrification
- Rents are increasing because of developers
- Artists appreciate new resources in the
neighborhood, but recognize that this pushes the
small business person out - People come to Harlem, make money and leave.
- Dichotomy between gentrification and persistent
signs of poverty - Current residents feel that if they are going to
have to pay a certain amount for rent, the area
should be up to a certain standard, which is not
the case everywhere in Harlem - Contrast between new luxury housing and
persistent quality of life issues drug dealing,
panhandling, poor conditions in older housing
Advocating for the arts of the future
16- Racism within Harlem- Is there a problem with
identifying Harlem as Black? - Harlem has internal battles for its identity
- The Black audience does not understand the
symbols that I use in my work, but the white
folks do!
Present Harlemites do not know the history of
where they stand.
Advocating for the arts of the future
17- What Can Be Done?
- Vacant storefronts still exist, which could be
used as studio spaces for artists - PS 109 Project (Supported by Adam Clayton Powell)
- Aims to transform a former school on 99th between
2nd and 3rd Avenue into a residence for Harlem
Artists - Partnership with ArtSpace to make an appeal to
the City of New York - Building on 122nd
- Is this low-income housing or specifically for
artists?
Advocating for the arts of the future
18Advocating for the arts of the future
- COLLABORATION
- Between
- Legislators
- Artists
- Art Organizations
- Businesses Developers
19- Collaboration Between Legislators
- Working together to have a stronger voice
- Bringing together members of groups like aging
artists to help legislators advocate for them
Lt. Governor Elect Paterson It is very hard to
advocate for individuals that are not in alliance
with others. If someone would start a non-profit
for aging artists, we could help them far more
than we are able to now.
Advocating for the arts of the future
20- Collaboration Between Artists
- Networking among artists to share information re
Grants, Support, Information, Promotion - Assistance from centralized body in health
insurance/health care - Expansion of networking opportunities provided by
arts service organizations, such as the Harlem
Arts Alliances (HAA) monthly meetings - A Harlem Arts Alliance survey of 70 Harlem
artists conducted in Fall 2005 reported that over
90 of artists found the HAA meetings and
web/email updates helpful
Advocating for the arts of the future
21- Collaboration Between Arts Organizations
- Increasing benefits created by organizational
partnerships - Additional Grants
- Increased Visibility
- Larger Market Reach
- An organization in Harlem is hoping to form a
collaboration with other Upper Manhattan
organizations for increased outreach, funding and
marketing - Joining forces of local Community Boards
CB 10 Member I dream of arts without borders
in Harlem a collective arts district.
Advocating for the arts of the future
22- Collaboration Between Businesses Developers
- Need for increased incentives for developers to
include art spaces - Need for zoning laws for artists live/work
spaces - Harlem Childrens Zone and Upper Manhattan
Empowerment Zone (UMEZ) Benefits Limits - Need for synergy between arts services,
organizations and small businesses, and volunteer
consulting services to help organizations and
artists secure space and navigate real estate
market - East 125th Street Development includes plan for
30,000 sq. ft of arts space - Local shops and businesses could provide artists
with opportunities to sell their work artists
report that such opportunities are limited,
especially since vending permit laws are
perceived as harsh
Advocating for the arts of the future
23Advocating for the arts of the future
FUNDING The Funding Picture Funding Issues
Assemblywoman Rosenthal, on her Art policy
platform As much funding as possible for arts
and not just the big organizations.
24The Funding Picture
- Legislative priority of the arts
- Department of Cultural Affairs (DCA)
- FY2002 Budget 139 million
- FY2006 Budget 133 million
- FY2007 Budget 151.9 million
- .28 of NYC budget of 52.9 billion
- New York State Council of the Arts (NYSCA)
- 1975 Budget 34 million
- 1990 Budget 50 million
- 2005 Budget 42.3 million
- 2006 Budget 42.7 million
Advocating for the arts of the future
25The Funding Picture
- Tourism initiatives
- Upper Manhattan Empowerment Zone (UMEZ)
- Arts Business Council
- Harlem One Stop (www.harlemonestop.com)
Advocating for the arts of the future
26Funding Issues
- WWhere to find information
- HHow to apply
- MMaking a case for the arts
- FFunding for Harlem-specific artists,
organizations and initiatives - FFunding to support increased collaboration
Advocating for the arts of the future
27Education
- Artists, Organizations, Legislators, Educators,
and General Public. - Who is responsible for education in each context?
- Each stakeholder has much to teach and much to
learn.
Advocating for the arts of the future
28Advocating for the arts of the future
ARTISTS ORGANIZATIONS
educational needs include
- Professional Development
- Technology
- Management Marketing Skills
- Funding Sources/Grant-writing
- Resources Available
- Space
- Health care
- Housing
- Politics Advocacy
- Community Outreach
29Advocating for the arts of the future
LEGISLATORS
educational needs include
- Constituents' Needs
- Key Stakeholders
- Arguments for the Arts
- District Arts Participation
- District Arts-related Projects
- Arts-related Legislation
- Outreach
- Arts Advocacy Days
State Senator Schneiderman There should
be a program to educate the government
about the importance of the arts.
30Who is Responsible?
- Artists
- Organizations
- Legislators
- All arts supporters
We all have the potential to be
educators advocates!
Advocating for the arts of the future
31Advocating for the arts of the future
CONCLUSION
- Arguments in support of the arts
- Looking into the future
32Arguments in Support of the Arts
Arana Hankin, Arts and Culture spokesperson for
Lt. Gov. Paterson What officials SAY about
their support for the arts is very different from
the actions they actually take on the floor when
voting for a bill.
Advocating for the arts of the future
33What is next? Looking into the Future
- Political Environment/Changes
- Organizational Management/Technical Skills
- Collaboration Upstate and Downstate
- Networking Opportunities for Artists
Advocating for the arts of the future
34Advocating for the arts of the future
CONTACT INFORMATION
Program in Arts Administration, Teachers
College/Columbia University Joan Jeffri, Director
arad_at_columbia.edu
Alliance of New York State Arts
Organizations Judith Weiner, Executive
Director jkweiner_at_thealliancenys.org
Sherre Wesley, Ed.D. swesley_at_optonline.net
Harlem Arts Alliance Voza Rivers
vorivers_at_aol.com Lin
da Walton, Executive Director
advocacy_at_harlemaa.org