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Getting Control of your Digital Photo Library

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no line items for personal computers. Few orgs had in-house photography ... Pressure and possibility of handling media. in-house: writing, photo, video, design ... – PowerPoint PPT presentation

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Title: Getting Control of your Digital Photo Library


1
Getting Control of your Digital Photo Library
  • By Renee Rosensteel

2
Say Thanks upfront
  • Pittsburgh Filmmakers
  • Greater Pittsburgh Arts Council

3
Its all about Darwin
  • 20 years ago
  • no line items for personal computers.
  • Few orgs had in-house photography
  • Library management 3 ring binders
  • Expectations lower, timelines longer

4
Those who adapt survive
  • High Expectations
  • media delivery on demand
  • Pressure and possibility of handling media
    in-house writing, photo, video, design
  • high quality
  • New costs
  • Equipment (computers, software, servers)
  • Resources (human, space)
  • More pressure to creatively use resources

5
Those who adapt survive
  • Digital Asset Management
  • Response to the flood of digital media that
    cannot be tracked with conventional methods
  • New, essential business process.
  • Challenge is to communicate the need to
    stakeholders before the issue hurts the org.

6
Welcome to DAMDigital Asset Management
  • Photos
  • But also Videos, PDFs, Illustrations

7
Welcome to DAMDigital Asset Management
  • Old methods dont work.
  • A new business issue has emerged.

8
In a perfect world
  • What functions do you want your DAM system to
    have? (Wishlist)

9
The reality is
  • What are the problems with the way you currently
    do DAM?
  • What are your current worst case scenarios?

10
Who is involved?
  • Creators- Staff, freelance pros, clients,
    partners
  • Managers
  • Digital Asset Mngrs, Editors, Dev. Director
  • Consumers
  • Media outlets, clients, funders, public,
    in-house clients
  • What priorities and needs does each group have?

11
Who pays the bills
  • Who signs the requisition sheet, not necessarily
    who you submit the request to.
  • Be ready to defend your ideas in ways that are
    valuable to top management
  • Write down that persons values (at the end of
    the process map back to manager values and
    mission values.)

12
Power of human relations in digital systems
  • Must start with credibility
  • Must achieve buy in
  • Practices must be clear and easy to use.
  • Must be able to source tools

13
Roles, Responsibilities, Resources
  • Formality of a plan legitimizes DAM
  • Pay now or pay later
  • Leadership buy-in

14
Image Lifecycle
  • Is an image used more than once?
  • What are the legal issues associated with an
    image?
  • Eg documentation of damage
  • Specific rights limitations
  • Do you retire images?
  • Renovation projects

15
What are the business functions for images
  • Branding
  • Promotion
  • Program documentation
  • Funding appeals
  • Training
  • Enhance partnerships
  • Income
  • Consider these functions when you budget

16
Process over product
  • Develop a plan based on workflow that meets needs
    rather than mastery of a specific software.
  • Plan should be scaleable
  • Written plan makes it easier to handle new
    challenges.

17
Map current workflow
  • Initiate, Ingest, Annotate, Catalog, Store,
    Disperse

18
Initiate
  • Who wants photos?
  • What are the uses?
  • New or existing work?

19
Initiate
  • Legacy work
  • Lifespan
  • Cost to organize
  • Consider partial organization (or prioritize)

20
Initiate The paperwork
  • Model or property releases
  • Logistics sheet

21
Initiate RAW
  • Max image quality
  • Image quality of legacy files can be improved
    over time as parametric image editors improve.
  • White balance can be applied
  • Output can be 16-bit depth, advantage for post
    processing.
  • flexibility in adjusting exposure and brightness
    values.
  • Adjustments are non-destructive
  • Source dpBestflow.org

22
Initiate RAW
  • Bigger than JPEG (but smaller than TIFF).
  • Proprietary raw formats may become unreadable at
    some point in the future. (Canon did this once
    and found out it was a bad idea.)
  • Processing raw files requires a computer, special
    software and time.
  • Proprietary raw files can take a while to be
    supported by third-party processors.
  • Proprietary raw files are not good candidates for
    storing custom metadata. In fact, most software
    applications refuse to embed any type of metadata
    in them, forcing the use of sidecar files or
    storage of the information in a database or
    folder.
  • The only standardized raw file format, DNG, is
    not supported by all raw processing software.
  • Source dpBestflow.org

23
Initiate RAW/DNG
  • Adobes answer to the RAW problem
  • Publicly documented, royalty free, open standard
    file format
  • Standardized alternative to proprietary camera
    raw files.
  • The DNG specification incorporates rich metadata
    support along with imbedded previews, camera
    profiles, and maker notes (private or proprietary
    metadata).
  • DNG can employ lossless compression that can
    result in a significant file size reduction over
    the original proprietary raw.
  • It is also being promoted as an archival image
    format since it is fully documented and has been
    submitted to the ISO.
  • Source dpBestflow.org

24
Initiate File format/ Tif
  • Tiff
  • Not compressed
  • Able to make a greater range of changes
  • Big files
  • Slow

25
Initiate File format/ Tif
  • Tiff
  • Not compressed
  • Able to make a greater range of changes
  • Big files
  • Slow

26
Initiate File format/ Tif
  • Tiff
  • Not compressed
  • Able to make a greater range of changes
  • Big files
  • Slow

27
Initiate File format/ Tif
  • Tiff
  • Not compressed
  • Able to make a greater range of changes
  • Big files
  • Slow

28
Initiate File Format/JPG
  • Compressed
  • Not much room for manipulation
  • Small file size
  • Very fast workflow
  • Most versatile in use
  • When compressed at Max QualityTif

29
Initiate File Format/JPG
  • Compressed
  • Not much room for manipulation
  • Small file size
  • Very fast workflow
  • Most versatile in use
  • When compressed at Max QualityTif

30
Annotate Metadata
  • Metadata can be defined as information regarding
    the characteristics of any object, such as its
    name, location, importance, quality and
    relationship to other objects in the collection.
    In other words, it's structured information about
    resources.
  • Cataloging is the act of adding an image to an
    image database.Source ControlledVocabulary.com

31
Annotate Naming Conventions
  • Dont rely on a descriptive name as your primary
    method to find photos.
  • Identifier_YYYYMMDD_IMG1234.tif
  • Keep the image number that the photographer
    assigned.
  • Keep names under 32 characters including the dot
    and the suffix.

32
Annotate Naming Conventions
  • Dont use spaces in names. UseCapitalizationIfNeed
    ed.
  • Dont use special characters ()./\
  • Use only letters, numbers, dashes and
    underscores Source ControlledVocabulary.com

33
Annotate Keywords
  • Captions are fully searchable, so create keywords
    for words in the caption that also need plurals,
    variants and synonyms.
  • Use plural spelling only, unless the spelling is
    different than just adding an "s."
  • Use gerunds not verbs.
  • Do not capitalize unless it's proper noun
  • List alt. spellings for international audience
    Source ControlledVocabulary.com

34
Annotate Keywords
  • Limit keywords to those that express or describe
    the visual content of the image.
  • Apply attribute / concept words very selectively
  • Cut/paste into Photoshop CS field, use a comma
    and then a space between terms. Source
    ControlledVocabulary.com

35
Catalog
  • Lightroom
  • Aperture
  • Extensis Portfolio

36
Catalog Hierarchies
  • Top level is organized by date
  • Take some time to figure out how you look for
    images
  • Client, annual event, department, issue
  • Can have several paths to find the same image
  • Ability to create the SLAM DUNK
  • Favorites, annual report, media ready

37
CATCH UP
  • 5 minutes to talk, phone, text and generate ideas.

38
Store
  • Two back ups plus write once
  • Conform with your overall system backup protocol
  • If you dont have a system backup protocol .

39
Store
  • ESATA Drives

40
Disperse
  • Free image downloads
  • End-user pays for print or download
  • What are your obligations as a steward of the
    image?

41
Disperse
  • Photoshelter
  • Extensis Portfolio (enterprise)
  • ZenFolio.com
  • Online filefolder
  • YouSendIt.com

42
Disperse Photoshelter.com
  • Heavy SEO and viral marketing
  • Strong web presentation
  • Flexible still image files RAW TIFF JPG PSD
  • Sell or allow free download
  • Tout security capabilities
  • Video not available yet--but soon

43
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44
Disperse Extensis Portfolio
  • Only free downloads available now
  • Lots of flexibility in permissions

45
Disperse Zenfolio.com
  • Flexible E-commerce
  • Took two tries on the MOM test
  • GREAT prints
  • Extension to upload fr Lightroom
  • Can do free downloads, but clunky

46
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47
Disperse YouSendIt.com
  • Free or paid subscriptions
  • Works similar to Online Filefolder
  • No e-commerce, just large file sharing

48
Disperse GoDaddy Online Filefolder
  • Web-based.
  • Really easy to use once set up.
  • Upload and download
  • No e-commerce
  • Very secure
  • Customer cant see images beforehand (I use a
    Lightroom workaround.)

49
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50
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51
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52
Disperse (Print)
  • Tom Underiner pixel.river_at_gmail.com
  • Modern Reprographics (412) 488-7700
  • Mpix.com
  • Scanning (low-end) Costco
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