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Chapter 6: Waves Part 2

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Title: Chapter 6: Waves Part 2


1
Chapter 6 Waves Part 2
  • Alyssa Jean-Mary

2
Basic Wave Formula
  • The speed of a wave is given by the number of
    waves that pass a point per second multiplied by
    the length of each wave
  • In equation form, the speed of a wave is given
    by
  • v f?
  • where v is the speed of the wave, f is the
    frequency of the wave, and ? is the wavelength of
    the wave.

3
Example Calculation of Wave Speed
  • Example What is the speed of a wave if it has a
    frequency of 34 Hz and a wavelength of 2.5 m?
  • Answer
  • Given 34 Hz, 2.5m
  • Looking for speed
  • Equation v f?
  • Solution v (34 Hz)(2.5m) 85 m/s

4
Standing Waves
  • When a rope that is attached at one end and free
    at the other end is shaken on the free end, and
    one wave is sent down this rope to the attached
    end, the wave will reform itself and travel back
    along the rope.
  • Now, if there is a series of waves that is sent
    down this rope, the reflected waves (i.e. those
    waves coming from the attached end) will meet the
    forward-moving waves (i.e. those waves coming
    from the free end) head on. Thus, each point on
    the rope must respond to two different impulses
    (one from each direction) on the rope at the same
    time. The two impulses will add together
  • If the point on the rope is being pushed in the
    same direction by both waves, it will move in
    that direction with an amplitude equal to the sum
    of the amplitudes of the two waves.
  • If the point on the rope is being pushed by the
    waves in opposite directions, it will have an
    amplitude equal to the difference of the two wave
    amplitudes.
  • If the timing is right, at some points on the
    rope, the two motions will completely cancel out,
    and other points on the rope will be moving with
    twice the normal amplitude. In a situation like
    this, the waves appear not to travel at all
    because some parts of the wave only move up and
    down and other parts of the wave remain at rest.
    This is a standing wave.
  • An example of standing waves are the vibrating
    strings in musical instruments.

5
Sound 1
  • Most sounds are produced by a vibrating object
  • For example, the cone of a loudspeaker is a
    vibrating object that produces sound. When sound
    moves outward from the speaker, the cone pushes
    the air molecules that are in front of it
    together, which forms a region of high pressure
    that spreads outward. Then the cone moves
    backward, which expands the space that is
    available for nearby air molecules. Some of the
    molecules actually flow towards the cone, which
    leaves a region of low pressure that spreads
    outward behind the region of high pressure that
    was previously created. Thus, the repeated
    vibrations of the cone send out a series of
    compressions and rarefactions, which are sound
    waves.
  • Sound waves are longitudinal waves because the
    molecules in their paths move back and forth in
    the same direction as the waves (i.e. not
    perpendicular like in transverse waves). The
    molecules that are in the path of a sound wave
    become alternately denser and rarer. The pressure
    change that occurs causes our eardrums to
    vibrate, which is what produces the sensation of
    sound.
  • Most sounds are waves i.e. they have a series
    of compressions and rarefactions. Some sounds,
    however, have only one single compression.
    Examples of these types of sounds are the crack
    of a rifle and the first sharp sound of a
    thunderclap.

6
Sound 2
  • At ordinary temperatures, in the air at sea
    level, the speed of sound is about 343 m/s (767
    mi/h)
  • Sounds travel faster in liquids and solids than
    in gases because since the molecules in liquids
    and solids are closer together than those in
    gases, they can respond faster to one anothers
    motions. Thus, in water, the speed of sound is
    about 1500 m/s and in iron, the speed of sound is
    5000 m/s.
  • Our ears are the most sensitive to sounds that
    have frequencies between 3000 Hz and 4000 Hz.
    Sounds with frequencies below 20 Hz, which is
    called infrasound, and above 20,000 Hz, which is
    called ultrasound, are heard by almost no one.
    Most animals, however, have a upper limit that is
    higher than our upper limit. With age, hearing
    deteriorates, especially at the higher
    frequencies.
  • Ultrasound, those sounds with frequencies above
    20,000 Hz, have many applications. They are used
    in medical imaging and in determining water
    depths. The technique to determine water depths
    is called sonar. Sonar is also used to detect
    submarines, and it is used by bats in the air to
    detect prey.

7
The Decibel
  • The more energy a sound wave carries, the louder
    it sounds, but our ears respond to sound waves in
    a particular way if the rate of energy flow of a
    sound is doubled, the sound doesnt sound twice
    as loud in our ears it is only slightly louder.
    This is why a single instrument can be heard in
    concerto even when an entire orchestra is playing
    at the same time. This is also why you can carry
    on a conversation at a party even when many other
    people are talking at the same time.
  • The unit of sound is the decibel (dB). There is a
    special scale that uses the decibel to describe
    how powerful a sound is. If a sound can barely be
    heard by a normal person, it has 0 dB. Every 10
    dB corresponds to a 10-fold change in sound
    energy. Thus, a 50 dB sound is 10 times stronger
    than a 40 dB sound, but is 100 times stronger
    than a 30 dB sound. The sound of ordinary
    conversation is usually about 60 dB, which is 106
    (i.e. a million) times more intense than the
    faintest heard sound.
  • Permanent hearing damage can happen if you are
    exposed to sounds that are 85 dB or higher. Rock
    concerts, for instance, can have sounds as high
    as 125 dB, which is why many people have
    significant hearing loss from rock concerts.
    Three-quarters of the hearing loss of a typical
    older person in the United States is due to
    exposure to such loud sounds.

8
The Doppler Effect
  • When vehicles are moving towards us, the sounds
    they produce seem to be higher pitched than
    normal, AND when vehicles are moving away from
    us, the sounds that they produce seem to be lower
    pitched than normal. This difference in frequency
    is known as the Doppler effect.
  • The Doppler effect is due to the relative motion
    of the listener and the source of the sound.
    Either one or both need to be moving there is
    no Doppler effect when both are not moving. When
    the motion reduces the distance between the
    source of the sound and the listener (i.e. when a
    vehicle is moving towards us), the wavelength of
    the sound decreases, which makes the frequency of
    the sound higher. When the motion increases the
    distance between the source of the sound and the
    listener (i.e. when a vehicle is moving away from
    us), the wavelength of the sound increases, which
    makes the frequency of the sound lower.
  • The amount of frequency difference can be seen in
    the following example if a fire engine has a 500
    Hz siren and it moving at 60 km/h (37 mi/h), when
    it is approaching you, you will hear a sound of
    526 Hz, and when it is moving away from you, you
    will hear a sound of 477 Hz. Any such frequency
    change is easy to pick up by our ears.

9
Uses of the Doppler Effect
  • The Doppler effect can be used to measure the
    speed of blood in an artery. When an ultrasound
    beam is directed at an artery, the moving blood
    cells with reflect waves that will exhibit a
    Doppler shift in frequency because the cells are
    acting as moving wave sources. The speed of the
    blood can be calculated from this shift in
    frequency. In the main arteries, the speed of
    blood is a few centimeters per second, and in the
    smaller ones, it is less.
  • The Doppler effect occurs in light waves. Thus,
    astronomers can use the Doppler effect to detect
    and measure the motions of stars. Stars emit
    light that has only certain characteristic
    wavelengths. If a star is moving toward the
    earth, these wavelengths appear shorter than is
    characteristic, and if a star is moving away from
    the earth, these wavelengths appear longer than
    is characteristic. The amount of difference in
    the frequency from the characteristic frequency
    is used to calculate the speed at which the star
    is moving, whether it is approaching or receding.
    This is how the expansion of the universe was
    discovered.
  • There are many other uses for the Doppler effect.

10
Musical Sounds
  • Just like other sounds, musical sounds are
    produced by vibrating objects
  • The vibrating objects that produce musical sounds
    vary. Some examples are stretched wire in
    stringed instruments, vocal cords in the throat,
    membranes in drums, and air columns in wind
    instruments.
  • The simplest vibration of a stretched string is
    when a single standing wave takes up the entire
    length of the string.
  • The frequency of a sound may be changed by
    changing the tension in the string. The more
    tension the string has (i.e. the tighter it is),
    the higher the frequency is. The frequency can
    also be changed for a given amount of tension by
    changing the length of the string.
  • Depending on where the string is plucked, bowed,
    or struck, more complex vibrations can occur.
    Thus, instead of a standing wave with a single
    crest, the standing wave might have two, three,
    or even more crests. A sound wave that has more
    crests because it has a shorter standing wave has
    a higher frequency. The frequencies are related
    to the frequency of the longest wave (i.e. the
    single standing wave) by simple ratios 21, 31,
    etc. The tone that is produced by a single
    standing wave is called the fundamental tone. The
    tones that occur at higher frequencies when the
    spring vibrates in segments are called overtones.

11
Resonance
  • The motion of the string and thus the form of the
    sound wave may be very complex
  • The strings of a musical instrument never just
    give a fundamental tone or a single overtone
    they give a combination of the fundamental tone
    and several overtones
  • The fundamental tone sounds flat and
    uninteresting to the ear, but as overtones are
    added, the sound becomes richer. The quality, or
    timbre, of the tone depends on which overtones
    are emphasized in the sound. Which overtones are
    emphasized depends mostly on the shape of the
    instrument, which enables it to resonate at
    particular frequencies. The sound part of the
    instrument (i.e. the belly of the violin or the
    soundboard of the piano) has certain natural
    frequencies of vibration. The instrument is more
    readily set to vibrate at these natural
    frequencies than at any other frequencies. A
    resulting sound may have a large number of
    overtones, but the musical quality characteristic
    of an instrument is due to which overtones get
    greater emphasis.

12
Other Musical Sounds
  • Wind instruments produce sounds from vibrating
    air columns.
  • An organ has a separate pipe for each note. The
    shorter the pipe, the higher the pitch.
  • Woodwinds (i.e. flutes and clarinets) have a
    single tube with holes. The length of the air
    column is controlled by the opening and closing
    of these holes.
  • Most brass instruments have valves that are
    connected to loops of tubing. If a valve is
    opened, the length of the air column is
    increased, and thus, a note of lower pitch is
    produced.
  • A slide trombone varies the length of its air
    column by sliding in or out its telescoping U
    tube.
  • Since a bugle has neither holes nor valves,
    different notes are obtained using the lips of
    the bugler.
  • The fundamental frequencies of the speaking voice
    on an average 145 Hz for men and 230 Hz for
    women. Even when the overtones that are present
    are considered, the frequencies in ordinary speed
    are for the most part below 1000 Hz. In singing,
    the first and second overtones may be louder than
    their fundamental tones, and even higher
    overtones add to the beauty of the sound.

13
Electromagnetic Waves
  • In 1864, British physicist James Clerk Maxwell
    said that an accelerated electric charge
    generates combined electrical and magnetic
    disturbances that are able to travel indefinitely
    though empty space. These combined electrical and
    magnetic disturbances are called electromagnetic
    waves.
  • Some examples of electromagnetic waves are light
    waves, radio waves, and x-rays.
  • Through electromagnetic induction, a changing
    magnetic field gives rise to an electric current
    in a nearby wire. Thus, we can conclude that a
    changing magnetic field has an electric field
    associated with it. Maxwell said that the
    opposite is also true i.e. that a changing
    electric field has a magnetic field associated
    with it. To prove this, it was easy to measure
    the electric fields that are produced by
    electromagnetic induction because metals have
    very little resistance to the flow of electrons,
    but in Maxwells time, there was no way to detect
    the weak magnetic fields that were produced by
    the electric field. Thus, another way was used to
    check his idea.
  • If Maxwell is right, there must be
    electromagnetic (EM) waves that occur in which
    changing electric and magnetic fields are coupled
    together by both electromagnetic induction and
    the mechanism he proposed. The linked electric
    and magnetic fields spread out in space just like
    a ripple spreads out from a stone after it has
    been dropped into a body of water. The energy
    that an EM wave carries is constantly being
    exchanged between its fluctuating electric and
    magnetic fields. In empty space, the speed of an
    EM wave should have the same value as the speed
    of light, 3 x 108 m/s (186,000 mi/s), regardless
    of the frequency or the amplitude of the wave.

14
Creating an EM Wave
  • An alternating-current generator is connected to
    a pair of metal rods. Each rod has only a single
    charge at any time, with one rod having a
    positive charge and the other rod having a
    negative charge.
  • First, the charges are moving apart from one end
    to the other end of their rod. Since they are
    charges, they have an electric field, and since
    they are moving, they have a magnetic field,
    which is perpendicular to the electric field.
  • When the charges have reached the end of their
    rods, they stop, and thus, there is no longer a
    magnetic field being produced. The magnetic field
    that was present before the charges stopped
    continues to spread out along with the electric
    field, though, and both the magnetic field and
    the electric field move with the speed of light.
  • The charges then start to move towards each
    other, towards the first end of their rod. Since
    the charges are moving again, a magnetic field is
    produced, but this magnetic field is in the
    opposite direction of the magnetic field that was
    produced when the charges were first moving
    apart. Unlike the magnetic field, however, the
    electric field is in the same direction.
  • Once the charges have reached the first end of
    their rods, the polarity of the rods change
    i.e. the rod that had a positive charge now has a
    negative charge, and the rod that had a negative
    charge now has a positive charge.
  • The new charges begin to move apart again, to the
    other end of their rods. Since they are moving,
    there is a magnetic field that is produced that
    is in the same direction as the last magnetic
    field that was produced. An electric field is
    also present, but since the polarity of the rods
    changed, the electric field is in the opposite
    direction as before.
  • The result of this sequence is that the outermost
    electric and magnetic field lines form closed
    loops that are no longer joined to the
    oscillating charges. Thus, the loops move freely
    though space and make up an EM wave. Closed loops
    of electric and magnetic filed lines continue to
    form and expand outward as the charges in the two
    rods continue this sequence of moving back and
    forth.

15
The Relationship Between Electric Fields and
Magnetic Fields in Electromagnetic Waves
  • The relationship between an electric field and a
    magnetic field in an electromagnetic wave is
    shown in the below figure. The fields are
    represented by vectors instead of field lines so
    that the magnitude and the direction of the
    fields in the path of the wave can be shown. The
    fields are perpendicular to each other and to the
    direction of the wave. The fields remain in step
    as they periodically reverse their directions.

16
Types of EM Waves Radios
  • The existence of EM waves wasnt proven in
    Maxwells lifetime. Their existence and the fact
    that they behave exactly as Maxwell thought was
    shown through experiments performed by the German
    physicist Heinrich Hertz in 1887.
  • Even though Hertz was not concerned about
    commercial uses of EM waves, other scientists and
    engineers were, and thus, the radio was created.
    A radio signal is sent by EM waves that are
    produced by electrons that move back and forth
    millions of times per second in the antenna at
    the sending station. The radio signal resides in
    one of two variations
  • In amplitude modulation (AM), it resides in
    variations in the strength of the waves.
  • In frequency modulation (FM), it resides in
    variations in the frequency of the waves.
  • Frequency modulation is less subject to random
    disturbances (i.e. static) than amplitude
    modulation.
  • When the EM waves reach the antenna of a
    receiver, the electrons that are in the antenna
    vibrate in step with the waves. A receiver can be
    tuned to respond only to a narrow frequency band.
    Thus, because transmitters operate on different
    frequencies, a receiver can pick up only the sent
    out signals it wishes. The currents that are set
    up in the antenna of a receiver are very weak,
    but they are strong enough for electronic
    circuits in the receiver to extract the signal
    from the current and turn it into sounds from a
    loudspeaker.

17
Other Types of EM Waves
  • The maximum frequency of ordinary radio waves is
    up to about 2 MHz (1 MHz 1 megahertz 106 Hz).
  • The maximum frequency of long-range short-wave
    communication is up to about 30 MHz.
  • Television and radar use a maximum frequency that
    is higher than 30 MHz. Since waves with
    frequencies this high are short, they cannot be
    reflected by the ionosphere as radio waves are.
    Thus, they need to be obtained by direct
    reception, which is limited by the horizon,
    unless rebroadcast by a satellite station.
  • Frequencies that are around 10 GHz (1 GHz 1
    gigahetz 109 Hz) correspond to waves that have
    wavelengths that are only a few centimeters.
    These waves can be readily formed into narrow
    beams. These beams can be reflected by solid
    objects, such as airplanes and ships, which forms
    the basis of radar, which stands for RAdio
    Detection And Ranging. In radar, a rotating
    antenna is used to send out the pulsed beam. The
    distance of a particular target is found from the
    time that is needed for the echo of the pulsed
    beam to return to the rotating antenna. The
    direction of the particular target is the same
    direction in which the rotating antenna is
    pointing at that time.
  • The spectrum (i.e. range) of EM waves is shown in
    the figure below. The human eye is only able to
    detect light waves in a very short frequency
    band. This band is from about 4.3 x 1014 Hz,
    which is the frequency for red light, to 7.5 x
    1014 Hz, which is the frequency for violet light.
    This range is referred to as visible light. At
    frequencies lower than visible light, there is
    infrared radiation, and at frequencies higher
    than visible light, there is ultraviolet
    radiation. X-rays and the gamma radiation from
    atomic nuclei are at even higher frequencies than
    ultraviolet radiation.

18
Light Rays
  • Much of the behavior of light waves can be
    understood without referencing its
    electromagnetic nature. Also, light can be
    thought of as a ray instead of a wave. This
    simpler model of light can be applied to many
    situations, although not all.
  • We become aware that light travels in a straight
    line when we are young. This can be seen by the
    beam of a flashlight on a foggy night. Our entire
    orientation to the world around us, our sense of
    the location of things in space, depend on the
    assumption that light travels in a straight line.
  • But, we also are aware that light does not always
    travel in a straight line. The way we see most
    objects is by reflected light, which is light
    that has been turned sharply once it has hit a
    surface. When objects are seen through water or
    though the heated air that is rising above a
    flame, they have a distorted appearance, which
    further shows that light has the ability to be
    bent from a straight-line path. The light in
    these cases (i.e. when objects are seen through
    water or though the heated air that is rising
    above a flame) is said to be refracted. Light is
    refracted when it moves from one transparent
    material to another one.
  • Our conscious mind recognizes that light can be
    both reflected and refracted, but it is still
    easy to be deceived about the true positions of
    things. For instance, when we are looking to a
    mirror, our eyes seem to tell us that the light
    comes from an image that is behind the mirror,
    when what we are really seeing is that light
    travels to the mirror, and then from the mirror
    to our eyes. Another example is when we observe
    the legs of someone standing in shallow water.
    The legs of this person appear shorter than they
    do in air because the light that is going from
    the water to the air is bent. Since our eyes and
    our brains have no way to account for this, we
    see the illusion instead of the reality.
  • Much about the behavior of light can be learned
    by studying the paths that light follows under
    various circumstances. When the medium is
    uniform, light appears to travel in a straight
    path. The straight lines of the motion of light
    in a uniform medium are called rays.

19
Reflection
  • When we look in the mirror, light from all parts
    of all the objects we see are reflected from the
    mirror back to our eyes.
  • The light from the foot in the figure follows the
    path CCE. Our eyes see the ray CE and project
    the ray in a straight line. Thus, our eyes
    register the foot at the proper distance, but it
    appears as if it is behind the mirror, at the
    point C. All the light rays from other parts of
    our body are reflected similarly, and thus, a
    complete image is formed that appears to be
    behind the mirror.
  • In all mirror images, left and right are
    interchange because front and back have been
    reversed by the reflection. Thus, a printed page
    appears backward in a mirror, and what appears to
    be your right hand in a mirror is actually your
    left hand.
  • Images are not seen in walls and furniture as
    they are in mirrors due to the relative roughness
    of surfaces. Rays of light are reflected from
    walls in the same way as they are in mirrors, but
    since there are surface irregularities, the
    reflected rays of light are scattered in all
    directions. The wall is seen by the scattered
    light that is reflected from it.

20
Refraction
  • No matter from where the wind is blowing, waves
    always approach a beach almost exactly at right
    angles to the shore. Further out in the ocean,
    however, the direction of a wave many be at a
    slating angle, which is referred to as oblique,
    to the shore. As the waves move towards the
    shore, they swing round so that their crests
    become approximately parallel to the shoreline.
    This is an example of refraction.
  • As the obliquely moving wave is traveling towards
    shore, the end that is nearer to the shore
    encounters shallow water before its outer end
    does. The friction between the end that is nearer
    to the shore and the sea bottom slows down this
    part of the wave. As more and more of the wave
    encounters shallow water, more and more of the
    wave is slowed down. As the water gets even
    shallower, the slowing of the water becomes more
    pronounced. Thus, the whole wave turns until it
    is moving almost directly shoreward. The wave
    turns because part of the wave was forced to move
    more slowly than the rest of the wave. Thus, this
    refraction is caused by differences in speed
    across the wave.
  • Light will be bent at a sharp angle if it crosses
    a definite boundary between regions in which it
    moves at different speeds. This effect can be
    shown as ripples that move obliquely from deep
    water to shallow water in a tank. If the waves
    approach the boundary of the regions at right
    angles, there is no refraction because the change
    in the speed of the wave takes place across the
    entire wave at the same time.

21
Bending Light 1
  • Water is always deeper than it seems to be,
    whether it is in a bathtub, a swimming pool, or a
    puddle. The reason for this is because when light
    goes from one medium to another medium in which
    the speed of light is different (i.e. from water
    to air in this case), light is reflected i.e.
    it changes direction. This effect is similar to
    the refraction of water waves.
  • A ray of light from the stone in the figure
    follows the bent path ABE to our eyes, but what
    our brain registers is that the segment BE is
    part of the straight-line path that starts at A.
  • The index of refraction (n) of a medium is the
    ratio between the speed of light (c) in free
    space to the speed of light in the medium (v) n
    c/v
  • This equation shows that the greater the index of
    refraction, the more a light ray is deflected
    when it enters a medium at an oblique angle from
    the air. Some examples of indexes of reflection
    water 1.33, ordinary glass and clear plastics
    1.52, diamond 2.42. The index of reflection of
    air is assumed to be 1 because the speed of light
    in air is so close to the speed of light in free
    space.
  • The apparent depth (h) of an object in a medium
    that is seen from a different medium is related
    to its actually depth (h) and to the index of
    refraction (n) of the medium in which the object
    is in h h/n

22
Example Calculation of Bending Light
  • Example What is the index of refraction of a
    medium if the speed of light in the medium is 8.7
    x 108 m/s? What is the apparent depth of an
    object in this medium if it has an actual depth
    of 6.7m?
  • Answer 1
  • Given 8.7 x 108 m/s
  • Looking for index of refraction
  • Equation n c/v
  • Solution n (3.0 x 108 m/s)/(8.7 x 108 m/s)
    0.345
  • Answer 2
  • Given 6.7m, 0.345
  • Looking for apparent depth
  • Equation h h/n
  • Solution h 6.7m/0.345 19.4m

23
Bending Light 2
  • If light travels more slowly in the second medium
    (i.e. the medium it is entering) than it did in
    the first medium (i.e. the medium it is exiting),
    the light rays that enter obliquely are bent
    toward a perpendicular to the surface between the
    two different mediums. If light travels faster in
    the second medium than it did in the first
    medium, the rays are bent away from the
    perpendicular. If light enters another medium
    perpendicular to the surface between the two
    different mediums, it does not change its
    direction.

24
Internal Reflection
  • Because light travels more slowly in glass than
    in air, when light goes from glass to air at an
    oblique angle, it is refracted away from the
    perpendicular to the surface of the glass. If the
    angle is shallow enough, the light will be bent
    back into the glass. This is referred to as
    internal reflection.
  • The path that a light ray takes is always
    reversible. To see what the eyes of a fish see,
    the path of the light rays needs to be reversed.
    When the path is reversed, it is shown that the
    light from above the waters surface can reach
    the eyes of a fish only though a circle on the
    surface of the water. The light rays from above
    the surface of the water are all brought together
    in a cone with an angular width of about 98.
    Anything outside this cone is a reflection of the
    underwater scene.

25
Lenses
  • A lens is a piece of glass or other transparent
    material that has been shaped so that it can
    produce an image by refracting the light that
    comes from an object.
  • Lenses are used for many purposes
  • They are used in eyeglasses to improve vision.
  • They are use din cameras to record scenes.
  • They are used in projectors to show images on a
    screen.
  • They are used in microscopes to enable small
    things to be seen.
  • They are used in telescopes to enable distance
    things to be seen.
  • There are two kinds of lenses
  • A converging lens is thicker in the middle than
    at its rim. A converging lens brings a parallel
    beam of light to a single focal point, F. In this
    case, F is called a real focal point because the
    light rays pass though it. If sunlight goes
    though a converging lens, the concentration of
    radiant energy in a single focal point many be
    enough to burn something that is placed on the
    other side of the lens. The distance from the
    lens to its focal point is called the focal
    length of the lens.
  • A diverging lens is thinner in the middle than at
    its rim. A diverging lens spreads out a parallel
    beam of light so that the rays of light seem to
    have come from some focal point, F, behind the
    lens. In this case, F is called a virtual focal
    point because the light rays dont actually pass
    though it they only appear to.

26
Ray Tracing A Converging Lens
  • A scale drawing of a lens can be used to find the
    properties of the image of an object that is
    formed by the lens. The paths of two different
    light rays from a point of interest on the object
    are traced to where they (or their extensions, if
    it is a virtual image) come together again after
    passing though the lens. A lens has two focal
    points, one on each side. Both focal points are
    the same distance, f, from the center of the
    lens.
  • For a converging lens, the three simplest rays to
    trace are
  • A ray that leaves the object parallel to the axis
    of the lens. The lens deviates this ray so that
    it passes though the focal point on the other
    side (i.e. the far side) of the lens.
  • A ray that passes though the center of the lens.
    The lens does not deviate this ray.
  • A ray that passes though the focal point on that
    side of the lens (i.e. the near side). The lens
    deviates the ray so that it continues parallel to
    the axis of the lens.
  • If an object is 2f from the center of the lens,
    its image will also be 2f from the center of the
    lens on the other side of the lens. The image is
    a real image because it is passing though a
    converging lens that is the same size as the
    object, but is inverted.

27
Ray Tracing A Slide Projector
  • When a slide projector uses a converging lens, it
    uses it to produce an enlarged image on a screen.
    Here, the object is in between f and 2f away from
    the center of the lens. The image is a real image
    that is more than 2f away from the center of the
    lens and is thus larger is size than the object.
    The image is also inverted.

28
Ray Tracing A Camera
  • When a camera uses a converging lens, it uses it
    to produce a reduced image on the film. Here, the
    object is more than 2f away from the center of
    the lens. The image is a real image that is in
    between f and 2f away from the center of the lens
    and is thus smaller is size than the object. The
    image is also inverted.

29
Ray Tracing A Magnifying Glass
  • When a magnifying glass uses a converging lens,
    it uses it to produce an enlarged image. Here,
    the object is closer than f from the center of
    the lens. The image is a virtual image because
    even though it can be seen by the eye, it cannot
    appear on a screen because no light rays actually
    pass though it. The image also seems to be on the
    same side of the lens as the object because the
    refracted light rays diverge as though coming
    from a point behind it. The image is between f
    and 2f away from the center of the lens and is
    larger is size than the object. The image is not
    inverted as it was in the other cases.

30
Ray Tracing A Diverging Lens
  • A ray that enters a diverging lens parallel to
    the axis of the lens is deviated away from the
    axis, instead of towards the axis as a converging
    lens does. Thus, an object always produces a
    virtual image when it is seen though a diverging
    lens. The image is not inverted, it is smaller
    than the object, and it is closer to the lens
    than the object is.

31
The Eye
  • The human eye uses the following parts
  • The cornea is the transparent outer membrane of
    the eye.
  • The lens is a jellylike substance that, with the
    cornea, is used to focus incoming light onto the
    sensitive retina.
  • The retina converts what is seen into nerve
    impulses that are carried to the brain by the
    optic nerve.
  • The ciliary muscle focuses on objects that are
    different distances away by changing the shape,
    and thus the focal length of the lens.
  • The iris is the colored part of the eye that acts
    like a diaphragm of a camera to control the
    amount of light that enters the pupil.
  • The pupil is the opening of the iris. In bright
    light, the pupil is small, and in dim light, it
    is large. A fully opened pupil lets in about 16
    times more light that an fully contracted one.
    The retina also can cope with a wide range of
    brightness.
  • The retina has about a million tiny structures
    called cones and rods that are sensitive to
    light. The cones are specialized for color
    vision. They occur in three types one that
    responds to red light, one that responds to green
    light, and one that responds to blue light. Rods
    need a lot less light than cones do to be
    activated, but rods cannot distinguish colors.
    When the illumination is poor, we see shades of
    gray, like a black-and-white photograph. Because
    the central region of the retina contains only
    cones, in dim light, it is easier to see
    something by looking a bit to one side of it,
    instead of looking directly at it.

32
Defects of Vision
  • There are two common defects of vision
  • Farsightedness is when the eyeball is too short,
    and thus light from nearby objects come to focus
    behind the retina. Here, close objects cannot be
    seen, but distant ones can be seen clearly.
    Farsightedness is corrected by a converging
    eyeglass lens.
  • Nearsightedness is when the eyeball is too long,
    and thus light from distant objects come to focus
    in front of the retina. Here, far objects cannot
    be seen, but close objects can be seen clearly.
    Nearsightedness is corrected by a diverging
    eyeglass lens.
  • Sometimes the cornea or the lens of the eye has
    different curvatures in different planes when
    light rays that are in one plane are in focus on
    the retina of the eye, light rays that are in
    other planes are either in focus in front of the
    retina or behind the retina. Thus, only one bar
    of a cross will be in focus at any time. This
    condition is called astigmatism. Astigmatism
    causes eyestrain because the eye is constantly
    changing the focus of the lens as it tries to
    produce a completely sharp image of what it sees.
    A cylindrical corrective lens is used to correct
    astigmatism.
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