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Geoffrey of Monmouth

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Title: Geoffrey of Monmouth


1
Geoffrey of Monmouth
  • The History of the
  • Kings of Britain,
  • c1136AD

2
The History of the Kings of Britain
  • This work represents the main bridge between
    native British tradition about Arthur and the
    beginnings of Continental Arthurian literature
    (Wace, Chrétien de Troyes, Von Eschenbach).
  • It was written in Latin by a high-ranking cleric
    called Geoffrey (Sieffrai o Fynwy).

3
Geoffrey of Monmouth
  • What is known about G of M?
  • Little in fact is known about Geoffrey and the
    main facts of his life can be briefly stated.
  • He signs himself in his literary works and
    official documents as Galfridus Monemutensis and
    Galfridus Arthurus.
  • The Arthur here probably refers to his fathers
    name.

4
Geoffrey of Monmouth
  • It has been observed that Geoffrey and Arthur are
    not common Welsh names in the early 12th century.
  • It is possible that Geoffrey was of Breton
    extraction.
  • The Breton Wihenoc had founded a priory at
    Monmouth in 1075 and it is possible that
    Geoffreys father was a compatriote who settled
    in the new town (SE Wales).

5
Geoffrey of Monmouth
  • Geoffrey shows Bretons in a favourable light in
    his History as a people who are descended from
    the nobles who conquered Brittany.
  • The town of Monmouth (Mynwy) was probably
    Geoffreys birthplace.
  • His links with Oxford are better established and
    it seems that he spent the better part of his
    life there.

6
Geoffrey of Monmouth
  • Geoffreys name together with that of charters
    from 1129 to 1151. Walter the archdeacon occurs
    in Oxford
  • Geoffrey may have been a secular canon teaching
    in one of the schools.
  • In 1152 he was ordained a priest and some days
    later he was created Bishop of St Asaph (N.
    Wales). Yet he died in 1155 without having
    visited his diocese.

7
Geoffrey of Monmouth
  • He does not seem to have had any strong links
    with Wales in fact, but rather lived the life of
    a Norman courtier.
  • He seems to have moved within the circles of
    power King Stephan, the earl of Mellent, the
    earl of Gloucester, the bishop of Lincoln.
  • Perhaps one of the reasons he did not visit his
    diocese was the fact that the Welsh prince Owain
    Gwynedd was in power in the North of Wales and
    those with Norman sympathies would have been
    unwelcome.

8
Geoffrey of Monmouth
  • What did Geoffrey write?
  • He wrote three books. The most famous is
    undoubtedly his Historia Regum Britanniae which
    appeared c.1135-8.
  • He had already written The Prophecy of Merlin
    which he inserted into the HRB. It appears to
    have been separately made available before the
    publication of HRB.
  • The original version of the Prophecy seems to
    have differed from the version inserted in HRB.

9
Geoffrey of Monmouth
  • The HRB was followed in 1150-1 by a long
    hexameter poem called Vita Merlini (The Life of
    Merlin). This was never as popular as the HRB and
    does not seem to have exerted as much influence
    on later writers as the HRB. Yet it is also a
    significant work in terms of the Celtic roots of
    the Arthurian material.
  • There are similarities between the Merlin of the
    Vita and the HRB , but largely the Merlin of the
    Vita seems to echo more the Myrddin of earlier
    Welsh tradition.

10
Geoffrey of Monmouth
  • The differences between the two Merlins in
    Geoffreys work are probably due to the
    following
  • His Merlin in HRB is based mainly on the
    Ambrosius character found in the Nennius text
    Historia Brittonum
  • The Merlin of the Vita is based on the more
    traditional Myrddin of Welsh tradition. This
    material was not available to him for the writing
    of the HRB.

11
Geoffrey of Monmouth
  • But Geoffreys fame rests on his Historia Regum
    Britanniae.
  • There is more than one version of the book
  • The Vulgate or standard text, this is the
    version mainly used for translations including
    the Lewis Thorpe translation in Penguin books.
  • The Variant versions.

12
Geoffrey of Monmouth
  • This second group of variants names the author as
    Galfridus Arturus Monemutensis, and has no
    dedications and does not cite an ancient book as
    the source for the material in HRB.
  • It could be an early draft of the HRB, but there
    are several scholarly views about this version.
    One claims that it is in fact a later version.

13
Geoffrey of Monmouth
  • The narrative as related in the Historia Regum
    Britanniae
  • Geoffreys account of the history of the Britons
    (ie the Celtic Britons) undertakes to tell the
    story of all the kings who ruled Britain from the
    advent of Brutus, the legendary Trojan founder of
    the line, to Cadwaladr who lost the crown of the
    Island of Britain to the Saxons and who died in
    Rome in 689AD. (This is of course pseudo-history).

14
Geoffrey of Monmouth
  • It is the story of rise and decline of the
    Celtic Britons seen from a Norman prospective.
  • Their loss of sovereignty which is at the heart
    of much early Welsh literature, is found as a
    central theme in this work as well.
  • It also presented a new King Arthur, the Arthur
    who would become the basis for all Arthurian
    literature afterwards. But his roots are still
    very much in the Celtic world.

15
Geoffrey of Monmouth
  • The Arthur portrayed in the work is also an
    attempt to create a kind of ideal of kingship
    which would appeal to the new masters of
    Britain-the Normans and their elite.
  • A conquering hero-king, who even instills fear in
    the Romans.
  • The Roman empire was already collapsing by the
    time of the real historical Arthur.

16
Geoffrey of Monmouth
  • It is important to remember that this work is
    only vaguely based on real history.
  • It contains the names of many historical figures
    (J.Caesar, Cassivellaunus, Vortigern, Arthur,
    and many many others)
  • But Geoffrey created a new story the national
    epic of the Britons, but which also becomes an
    elegy. G. wanted the Normans to identify with
    this deep-rooted history, and of course with the
    character Arthur.

17
Geoffrey of Monmouth
  • There are three personalities who dominate
  • Brutus (the supposed founder of the nation)
  • Belinus, who with Brennius is claimed in the text
    to have captured and sacked Rome
  • And Arthur of Britain, together with Guinevere
    and his brave knights Cador, Bedevere, Gawain
    and Kay.

18
Geoffrey of Monmouth
  • The narrative about Arthur fills more than a
    fifth of the book, and 82 pages of the
    translation concern the major characters whose
    names we have just seen.
  • The rest of the book includes a vast array of
    characters some of whom are well-known in other
    sources, others less known and some invented by
    the writer.

19
Geoffrey of Monmouth
  • Amongst some of the more familiar names of
    characters who play a part in the text, we can
    mention
  • King Lear and his daughters, Cassivellaunus,
    Julius Caesar, Cymbaline, Constantine, King Cole,
    Vortigern, Hengist and Horsa, Merlin, Saint
    Augustine, Utherpendragon.

20
Geoffrey of Monmouth
  • The Historia is not a random collection of
    episodes loosely held together in a chronological
    sequence but a carefully planned whole.
  • It opens far from Britain with a virile ambitious
    young exile eager to win for himself prosperity
    and a new land (Brutus of Troy).
  • It ends with with a tired defeated exile in
    search of peace and the halls of the Kingdom of
    Heaven. (Cadwaladr)

21
Geoffrey of Monmouth
  • These two kings (with of course the golden age of
    Arthur at the centre of the narrative) typify the
    fortunes of the Britanni and their gradual loss
    of the crown of the Island of Britain.
  • The text is under tight control, and needs to be
    because he will describe briefly or at length 99
    kings from Brutus to Cadwaladr.
  • Yet the author suceeds in keeping our attention
    at all times.

22
Geoffrey of Monmouth
  • The Arthurian section of the book is very
    carefully planned and in structure is a microcosm
    of the whole work.
  • Here too we see a gradual ascent to a climax
    followed by a brief account of tragedy and fall
    (treachery, and death of Arthur).
  • The parallel is the rise and fall of the Britons
    themselves, who become a remnant, the Welsh under
    Norman rule in Geoffreys time.

23
Geoffrey of Monmouth
  • Geoffrey sets out in his preface the parameters
    of his history which as we have seen will run
    from the legendary Brutus (first king in this
    pseudo-history) and the one who gave his name to
    the Island and its descendants (not
    etymological).
  • The story covers a vast period and ends with
    Cadwaladr (Cadualadrus).
  • This last king represents the loss of sovereignty
    and change of name of the Britons to Welsh
    (XII,19)

24
Geoffrey of Monmouththe Sections
  • There are seven chronological sections
  • The origins and journey to Albion (old name for
    Britain by the Trojans under Brutus).
  • The settlement in Britain.
  • The Romans in Britain.
  • The decline of the Britons and the help given by
    the Bretons.
  • Vortigern and the advent of the Saxons (includes
    Merlins prophecy)

25
Geoffrey of Monmouth
  • 6. King Arthur
  • 7. The Saxon supremacy

26
Geoffrey of Monmouth
  • The first section recounts after the settlement
    by Brutus, that there was a period of civil
    strife until Belinus and Brennius attack Rome.
  • Julius Caesar formally sets out the relationship
    of the two nations in IV.1. The moral
    superiority of the Britons is made clear in
    Cassivellaunus response that his people have
    always sought the dignity of freedom in
    preference to the imposition of the servitude on
    others.

27
Geoffrey of Monmouth
  • The Roman conquest is achieved not by force of
    arms but by British discord (echoes of Gildas)
    and then by agreement.
  • The years of Roman rule have a debilitating
    effect on the British character for their native
    love of freedom and their moral strength are now
    to be found in Brittany.
  • The emergence of Arthur.

28
Geoffrey of Monmouth Arthur in the HRB
  • He succeeds in defeating the Saxons and
    establishing long periods of peace.
  • The culmination of his reign is his meeting of
    the Emperors challenge and his march on Rome.
  • He sees himself as the heir of Belinus and
    Constantine, but because of the decline of the
    Britons he fails where his predecessors had
    succeeded, a failure which foreshadows the end of
    British sovereignty.

29
Geoffrey of Monmouth
  • This failure on Arthurs part is brought about by
    treachery, disloyalty and civil war.
  • Following Arthurs return from Rome (he had left
    Mordred and Guinevere in charge of Britain), and
    the Battle of Camlan there is little more to
    relate and the HRB draws to a close.

30
Geoffrey of Monmouth Arthur
  • Much of the narrative up until we hear about
    Arthur in the text has the feel of
    well-intentioned chronicle material, history in
    its usual medieval garb. The emphasis on the
    Britons and their classical associations.
  • But when we come to hear about Arthur in the
    text, we notice that we have moved from that
    purely historical mode and entered the world of
    the remarkable tale.

31
Geoffrey of Monmouth
  • This first becomes apparent with the introduction
    of Merlin (Myrddin, IV, 17).
  • Here in the context of the time of Vortigern, the
    other-worldly boy-soothsayer Merlin whose father
    was of the Otherworld and his mother a princess,
    appears.
  • At this point also we have the section called
    The Prophecies of Merlin.

32
Geoffrey of Monmouth
  • It is the other-worldly talents of Merlin that
    allow Arthur to be born.
  • In a mode more reminiscent of early Celtic
    narrative than medieval history, Geoffrey
    describes how Merlin, when asked for his advice
    about King Uther Pendragons desire for the
    Cornishwoman Ygerna, transforms him into the
    shape of Gorlois, her husband and thereby allows
    him to conceive Arthur.
  • This is the first time in literature that a
    conception and birth tale about Arthur appears.

33
Arthur in the History of the Kings of Britain
  • Uther Pendragon is filled with desire for Ygerna,
    the wife of Gorlois, Duke of Cornwall. (203)
  • smiling and sprightly conversation
  • Ygerna is the most beautiful woman in Britain
    (comp. Guinevere)
  • Gorlois leaves in a temper. Bad blood between
    Uther, the king and Gorlois.

34
Arthur in the History of the Kings of Britain
  • Uther ravages Cornwall.
  • Ygerna is left on the coast in Tintagel.
  • Uther shows all the signs of the traditional
    love sickness motif seen in Irish and Welsh
    literature. (206)
  • Merlin is summoned to find a way for Uther to
    make love with Ygerna.

35
Arthur in the History of the Kings of Britain
  • Merlin will shape-change Uther into Gorlois.
    (common motif in early Celtic literature). (Comp.
    1st Branch of the Mabinogion-Pwyll).
  • Merlin too changes himself into another.
  • Uther satisfies himself with Ygerna.Arthur is
    conceived.
  • The real Gorlois is killed in battle.

36
Arthur in the History of the Kings of Britain
  • His men are astonished to see him again with
    Ygerna at Tintagel (Uther).
  • Uther returns to his army in his own form.
  • Later goes back to Ygerna who gladly accepts him
    as husband.
  • They have another child Anna, Arthurs sister.

37
Geoffrey of Monmouth
  • Merlin will also be seen in other otherworldly
    preoccupations, the most notable being the
    episode where he spirits away the great stones of
    Killaraus in Ireland and rearranges them into
    what will be called The Giants Ring or
    Stonehenge on Salisbury Plain in England.

38
Geoffrey of Monmouth his sources
  • Geoffrey does not claim any originality for his
    British history.
  • As he pondered the lack of any written history of
    the island apart from the works of Gildas and
    Bede, he was given by his friend Walter,
    archdeacon of Oxford and to quote the prologue

39
Geoffrey of Monmouth
  • Walter, Archdeacon of Oxford, a man skilled in
    the art of public speaking and well-informed
    about the history of foreign countries, presented
    me with a certain very ancient book written in
    the British language. This book, attractively
    composed to form a consecutive asnd orderly
    narrative, set out all the deeds of these men,
    from Brutus down to Cadwallader.

40
Geoffrey of Monmouth the liber vetustissimus.
  • At Walters request I have taken the trouble to
    translate the book into Latin
  • At the end of the book he mentions that his
    ancient manuscript was brought ex Britannia. This
    has been translated as from Wales but could
    equally mean from Brittany.
  • Walter is also mentioned in the text as a source
    himself for information about the battles that
    Arthur fought with Mordred on his return to
    Britain.
  • We are not obliged to take them at their word
    exactly.

41
Geoffrey of Monmouth the real sources.
  • Historia Brittonum (Nennius but he had a version
    attributed to Gildas).(Trojans, Arthurs battles)
  • He does reject the legendary material about the
    Boar, Arthurs son etc since it does not fit into
    the type of Arthur he is creating. He rejects the
    folkhero in favour of the historical Arthur.
  • He also used Nennius for his boy-sage called
    Ambrosius by Nennius but Merlin by Geoffrey.

42
Geoffrey of Monmouth the real sources.
  • His development of the story of Vortigern and the
    Saxons also comes straight out of Nennius.

43
Geoffrey of Monmouth the real sources.
  • He also used Gildas. Geoffrey takes some of his
    kings from Gildass list of ungodly chieftains.

44
Geoffrey of Monmouth the real sources.
  • His Welsh sources
  • The Genealogies (Old Welsh genealogies taken
    wholesale and transposed into the HRB). Was this
    the ancient book?
  • The list of heroes used as those present at
    Arthurs coronation.
  • Welsh prophecies like the Armes Prydain.

45
Geoffrey of Monmouth the real sources.
  • The bulk of the Welsh sources were probably of an
    oral kind.
  • He was most likely very aware of the popularity
    of Arthur the folk-hero in Welsh oral tradition
    but he probably did not want to use this given
    his decision to create a new character, the
    conquering hero that would be of interest to the
    Normans.

46
Geoffrey of Monmouth the real sources.
  • The Latin poets Virgil and Juvenal.
  • Lucans description of Caesars defeat (not
    mentioned by Caesar himself).

47
Geoffrey of Monmouth his purpose in writing
  • His motives were probably mixed.
  • He wrote with an eye for his audience and
    attempted in the guise of history to represent
    the political hopes of the court of his own day.
  • He tended to favour the Bretons at the expense of
    the Welsh and in his work probably set the scene
    for the use of Brittany as a stage for later
    Arthurian materials.

48
Geoffrey of Monmouth
  • His praise of the Bretons has a two-fold purpose.
  • To express his pride in in his own race and also
    to paint a glorious picture of the past of the
    Island of Britain without offending the Normans.
  • The Bretons who were the neighbours of the
    Normans and had taken part in the Norman invasion
    and conquest were acceptable to all

49
Geoffrey of Monmouth
  • A major reason for writing his book was however
    to respond to the call for national histories
    which were being written at this time.
  • He also saw the need of the newly settled Normans
    for a national, albeit adopted hero.
  • In addition, the Britons themselves Welsh,
    Cornish and Bretons) for different reasons,
    needed a coherent memorial to the time when they
    still maintained the sovereignty of Britain, and
    how this came to an end.

50
Geoffrey of Monmouth
  • The figure of Arthur in the Historia Regum
    Britanniae is a creation of Geoffrey himself but
    also echoes the Arthur of previous tradition
  • This will be the subject of the next lecture.
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