Title: The Black Arts Movement
1The Black Arts Movement
2The Black Arts Movement
- Contemporaneous with the 1960s Black Power
Movement
3The Black Arts Movement
- Contemporaneous with the 1960s Black Power
Movement - Key Figures Larry Neal, Amiri Baraka
(Leroi Jones)
4The Black Arts Movement
- Contemporaneous with the 1960s Black Power
Movement - Key Figures Larry Neal, Amiri Baraka
(Leroi Jones) - Rejected European Aesthetic Tradition
5The Black Arts Movement
- Black Arts Movement rejected European
Aesthetic Tradition
European tradition Emphasis upon formal and
thematic unity and coherence Aristotles precepts
for great drama Emphasis upon heroic
individual Emphasis upon internal psychological
development Separation of Art from Politics and
History
6The Black Arts Movement
- Contemporaneous with the 1960s Black Power
Movement - Key Figures Larry Neal, Amiri Baraka
(Leroi Jones) - Rejected European Aesthetic Tradition
- Rejected values of Western Modernity
7The Black Arts Movement
- Black Arts Movement rejected values of
Western Modernity
Western Modernity Emphasis upon individual, at
the expense of community Emphasis upon
individual, at the expense of family Emphasis
upon progress, as opposed to tradition Emphasis
upon conquest and destruction as opposed to
conservation and preservation Industrial
society as opposed to Agrarian society Theories
of Racial and Cultural superiority supported by
technological development Privileging of
Capitalism, as opposed to pre-capitalist economic
structures
8The Black Arts Movement
- Contemporaneous with the 1960s Black Power
Movement - Key Figures Larry Neal, Amiri Baraka
(Leroi Jones) - Rejected European Aesthetic Tradition
- Rejected values of Western Modernity
9The Black Arts Movement
- Contemporaneous with the 1960s Black Power
Movement - Key Figures Larry Neal, Amiri Baraka
(Leroi Jones) - Rejected European Aesthetic Tradition
- Rejected values of Western Modernity
- Sought to recover traditional African art
and culture
10The Black Arts Movement
- Contemporaneous with the 1960s Black Power
Movement - Key Figures Larry Neal, Amiri Baraka
(Leroi Jones) - Rejected European Aesthetic Tradition
- Rejected values of Western Modernity
- Sought to recover traditional African art
and culture - Focused on Black Art for Black People
11The Black Arts Movement
- Contemporaneous with the 1960s Black Power
Movement - Key Figures Larry Neal, Amiri Baraka
(Leroi Jones) - Rejected European Aesthetic Tradition
- Rejected values of Western Modernity
- Sought to recover traditional African art
and culture - Focused on Black Art for Black People
- Emphasized Community over Individual
12The Black Arts Movement
- Contemporaneous with the 1960s Black Power
Movement - Key Figures Larry Neal, Amiri Baraka
(Leroi Jones) - Rejected European Aesthetic Tradition
- Rejected values of Western Modernity
- Sought to recover traditional African art
and culture - Focused on Black Art for Black People
- Emphasized Community over Individual
- Asserted the connection between Art and
Politics