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Title: SHRINATHJI DARSHAN


1
SHRINATHJI DARSHAN
  • NATHDWARA, UDAIPUR, RAJASTHAN

2
NATHDWARA
  • Nathdwara stands for Nath Dwar which means
    the doors to Lord.
  • Nathdwara is a place where resides the Lord
    Shrinathji.
  • Nathdwara is situated on the right bank of
    the Banas River near Udaipur in Rajasthan.
  • Lord Shrinathji is the great sanctity for the
    Vaishnavas of Pushtimargi or Vallabha sect which
    is devoted to Krishna as a child
  • Nathdwara is known for its Pichhwais (large
    painting on cloth depicting legends from the life
    of Lord Krishna) and Haveli music (devotional
    music, akin to Dhrupad - singing, with
    compositions meant for various seasons, festivals
    and sections of the day).

3
SHRINATHJI, YAMUNAJI MAHAPRABHUJI
  • Mara Ghat ma virajta Shrinathji, Yamunaji,
    Shri Mahaprabhuji.
  • Shrinathji is the Lord Krishna
  • Yamunaji is the daughter of Divine Sun and
    queen of Lord Krishna flows in form of divine
    river Yamuna.
  • Mahaprabhuji is another name of Shri
    Vallabhacharyaji who was not only a Saint, but
    also a great Philosopher and founder of Pusthi
    Marg.

4
Shri Yamunaji
  • Shri Yamuna is the fourth element of
    Shrinathji. Shri Yamuna is the daughter of Surya
    (Sun) and sister of Yam. She is symbol of Mukti
    from the evils of Yam and light. Yamunaji is the
    ISHT DEVI of Pushtimarg.
  • Yamunas another name(form) is Kalindi who is
    also the daughter of Surya. Kalindi is the fourth
    patrani of Krishna. Yamunaji however is not the
    wedded wife of krishna, but is beloved of Shri
    Krishna.
  • Radha is the First beloved of Shri Krishna
    (Radha is the reverse of Dhara). Dhara takes away
    the being from Lord Shiva due to its TRIGUNATMA
    character. On the contrary Radha with the
    strength of Bhakti and Samarpan makes atma meet
    parmatma.
  • Gopanga is also sacred beloved of Krishna.
  • Third beloved of Krishna is Ananya Purva
    a daughter of Rishi who did Katyani
    Vrat.Yamunaji had emerged from the heart of
    Surya Narayan and landed at Mount Kalindi. She
    had flown on the earth for the benefit of its
    disciples to have Bhakti Bhav.

5
Shri Yamunaji
  • Yamunaji is the melted form of Bhakti Rass
    liquified image. She has three images
  • Adhi-Bhautik The river that flows in
    Mathura,Vrindavan,Gokul, etc.Adhyatmik The
    one that gives boon washes away the sins of the
  • vaishnavas.Adhi-Daivi
    k The real swaroop of Shri Yamunaji (One of
    the main
  • queens of Shri
    Thakorji)
  • Mythologically she carries garland of lotus
    in her hands for Lord Krishna. Where there is
    Krishna there is Yamunaji. She is like Krishna.
    Krishna is black as is Yamunaji. Krishna is king
    of kings. So Yamunaji is Queen of Queens
    (Patrani). This is the belief of Pushti marg.
  • Yamuna is sister of Niyamak (Yam) who keeps
    account of human beings good and bad deeds. He
    who takes water of Yamuna becomes the son of
    Yamuna. How can the mother torture his child and
    hence he who takes bath in Yamuna should not be
    afraid of Yam.
  • Yamuna is the giver of Ashta Siddhi.

6
Shri Yamunaji
7
Shri Yamunaji
SHREE YAMUNASHTAKAM (Following are a few lines
from Yamunasthakam) Namami Yamuna Maham, Sakal
Siddhi Hetum Muda, Murari Padpankaj Sfuradamand,
Renootkatam, Tatastha Nav Kanana, Prakat Mod
Pushpambunaa, Suraa Sursu Poojitaha, Smara
Pituh Shri yambibhrateem Bhuvam Bhuvana
Pawaneem, Adhigatamane Kashwanaihi, Priyabhiriva
Sevateam, Shuka Mayur Hansadibhihi, Tarang Bhuj
Kankana, Prakat muktikavaluka, Nitambtat
Sundareem, Namat Krushna Turya Priyam.
8
Shri Mahaprabhuji
  • Shri Vallabhacharyas father was Lakshman
    Bhatt and Illamargaru was the mother. Lakshmans
    parents had performed ninty-five Yagnas and it
    was informed to him by his Guru that the birth
    of an Avtar would take place in his family
    after having completed hundred Yagnas.
  • With a view to visit the sacred places of
    North India, Lakshman Bhatt had started from his
    village with his family members to reach Varansi.
    He found the place with peace and during his stay
    in Varanasi, he had performed all five
    Somayagnas.
  • Here he lived for some time but later,
    fearing disturbance and violence owing to Muslim
    ruler called Bahulul Lodi he fled with his family
    by a certain route which took him back to his
    native place.
  • On his way to the South, he halted at
    Champaranya, a forest area in Raipur District
    i.e. in Madhya Pradesh. The terror and physical
    strain suffered by her resulted in the birth of
    the child at Champaranya, two months prematurely.
    Taking the child to be still-born for it showed
    no signs of life at first, the parents sadly
    placed it under a tree wrapped in a piece of
    cloth and proceeded to the village for rest.
  • At night they had a dream in which God
    himself appeared and informed that he had been
    born as their child which they had thought as
    dead. Hence they went to the spot and to their
    surprise they found the divine baby enveloped by
    fire as its protecting spirit.The blessed mother
    extended her arms into the fire and recieved the
    divine baby from the fire. The child was named
    Vallabh. Later he was known as Vallabhacharya.

9
Shri MahaPrabhujis Childhood Education
  • Lakshman Bhatt himself was a learned man and
    so he took keen interest in his childs
    education. He engaged the best tutors who were
    well versed in their subjects. In his childhood
    Shri Vallabh didn't play with toys like the
    ordinary children but liked to play with idols of
    Shri Krishna or his father's books.
  • He completed the study of all the four
    vedas,the upanishads and the six
    darshans(philosophies) at a tender of only five
    years.
  • He completed his education at Banaras.He
    defeated many learned men at a very small age of
    only thirteen years.He decided to start a
    parikrama of India when he was only eleven years
    old.
  • He completed three such parikramas during
    his lifetime.He used to wear only a dhoti and a
    uparana and he always remained barefoot during
    his life. Shree Vallabhacharya used to meditate
    and talk to his followers in a peacefull
    surrounding area. There are total eighty four
    Baithaks all over India and they are still
    regarded with great reverence by the Vaishnavs.

10
Shri Mahaprabhuji
11
Constrution of the temple at Jatipura and
starting of Sewa Pranalika by Shri Mahaprabhuji
  • Shri Vallabh came to the Giriraj parvat at
    Jatipura during his parikrama.
  • Here Shri Govardhannathji (Krishna) ordered
    Shri Vallabh to build a temple for him.Shriji had
    also given a dream to a vaishnav (Shri Puranmal
    Kshatri)in Punjab to come to Jatipura.
  • He came to Jatipura and he became a sevak
    (devotee) of Shri Vallabh who later ordered him
    to construct a temple for Shriji at Govardhan
    parvat.
  • In this temple Shri Vallabh started the sewa
    pranalika which to this day is carried on by the
    vaishnavas of Pushtimarg.And thus the beautiful
    Pushtimarg was born.

12
Shri Mahaprabhujis Family
  • When he was in Pandharpur, Shri Vitobha told
    Vallabhacharya to adopt (Gruhastha Dharma) i.e.
    to get married so that the Pushti Marg could be
    propagated for generation after
    generation.Shree Vallabhacharya settled down in
    Varanasi and accepted Mahalakshmi the daughter of
    a Brahmin called Madhu Mangalam, in marriage
    after consulting his mother in S.Y.1560.
  • He had two sons. The elder was named Shri
    Gopinathji born in the S.Y.1568 and the second
    son born in the S.Y.1572 whose name was Shri
    Vithalnathji in reverence to Shri Vitobha of
    Pandharpur, whose incarnation he was believed to
    be.
  • Shri Vallabhacharya being a great scholar had
    written innumerable books and his commentaries on
    Srimad Bhagvata Purana are considered the best.

13
Some interesting Varta prasangs (incidents) about
Mahaprabhuji
  • Once when Shri Vallabh went to Ujjain he
    stayed at the Ashram of sage Sandipani.The ashram
    was situated at a very barren area,there was not
    a single tree nearby.When Shri Vallabh was doing
    Sandhya-vandan a leaf from a peepal tree fell
    infront of him. Shri Vallabh inserted into the
    soil and poured some water and a miracle
    happened,instantly a large green peepal tree
    sprung from the ground! Shri Vallabh completed
    his Bhagvat parayan beneath this tree. Once
    when Shri Vallabh went to Bahulavan the local
    Vrajwasis complained to him that the Muslim
    commander did now let them worship the idol of
    the cow Bahula arguing that he would allow them
    to worship it only if the stone idol ate grass.
    Shri Vallabh called the Muslim commander and
    infornt of him kept a small bunch of grass near
    the tail of the idol Bahula.To the astonishment
    of the commander the idol turned it's neck and
    ate the bunch!!On seeing this the commander
    apologised to Shri Vallabh and lifted the ban on
    the worship of the idol.

14
Shri Mahaprabhujis last preachings
  • When Shri Vallabh was 52 years old, Lord
    Shriji ordered him to leave this world and come
    to Him.Before this Shriji had come twice infront
    of Shri Vallabh with this demand but had returned
    as Shri Vallabh insisted that some important work
    was still to be done.
  • The time Shri Vallabh gave respect to
    Shriji's wish and decided to do the Asur Vyamoha
    Leela (leave this world).
  • He went to the Hanuman ghat in Varanasi and
    took a maun vrat for 17 days.At the completion of
    this period he called both his sons and wrote a
    stotra of 31/2 shlokas known as the Shiksha
    Shloki as the final message to them. He wrote a
    few words on sand which were as follows-
  • Listen to my last words. I forsee a time
    when you will forget God and become engrossed in
    worldly matters. It is likely that you will
    become slaves of your passions which will turn
    you away from the path of Devotion. Instead of
    rendering service to God which is your primary
    duty, you will fritter away your time and energy
    in idle pursuits. But if you follow my advice,
    God will not forget you. You should believe that
    Krishna is our God and never slacken your faith
    in him and then he will surely protect you. You
    should regard him as the be-all and end-all of
    your life. Your ultimate good lies in serving
    him, which should be done with all your heart,
    mind and soul. Trust in his protection. Remember
    him always in all thoughts, words and deeds.

15
Shri Krishnas Message
  • As soon as he ended, Lord Krishna manifested
    himself visually on the spot and wrote in the
    form of a verse completing Shri Vallabhacharyas
    message and counsel thus-If you have faith in
    me, you will be under my care and protection and
    will not suffer failure of any sort. Be free from
    sorrows and anxieties concerning your future, for
    you are safe in my hands. Only you should love me
    with the love of Gopis. If you do so then you
    will surely secure liberation. That is the only
    mean of union with Me, by which you will regain
    your original divine nature. Do not give your
    thoughts to worldly matters. Be devoted to me and
    render service to ME by all the Means at your
    disposal.Soon after this Shree Vallabhacharya
    rose from his seat and entered into the waters of
    the Ganges singing to himself the song of the
    Gopis and the Yugala Gita from the Bhagvata,
    Concentrating his mind on Gods form. And to a
    brilliant flame in the form of God arose from the
    water and whisked him away in the sight of
    thousands of men, women and children who had
    congregated there to have his last Darshan.
    This aspect gives him transcendental character
    to prove that he was not Prakrutic (natural)
    person like us but divine. We also call him as
    Mahaprabhuji. Hence Vaishnavs consider Shri
    Krishna, Shree Yamunaji and Shree Vallabhacharya
    on equal footings, for this simple reason that
    all the three are inherently capable of
    emancipating the souls from the bondage of life
    and death.

16
PUSTI MARG SECT
  • The sect flourished under Mahaprabhujis
    second son Shri Vitthalnathji (popularly called
    Shri Gosaiji), and soon adopted the graceful
    lifestyle of the 16th Century royal courts of
    North India. The temple servants still serve the
    beloved prince of Vraj with all the respect and
    deference due to a reigning monarch. The hoards
    of devotees who come to the Haveli for a darshan,
    see the Lord as "Ladelelal", the endearingly
    mischievous son of Yashoda.
  • Gosaiji and his decendents have kept the
    alive the spirit of the sect around India.  The
    current Tilakayat (the goswami in charge of
    looking after ShriNathji at Nathadwara) is in
    direct line from Shri Gosaiji and along with
    about 150 other Goswamis, they look after the
    welfare of the sect.
  • The main form of the Lord worshipped in
    Pushti Marg is that of Shri Govardhan Dharan, the
    Lord lifting the Mount Govardhan to protect the
    denizens of Vraj. More popularly, this form of
    the Lord is lovingly called "Shri Nathji" by the
    followers of Shri Vallabhacharyaji.
  • Shri Gosaiji established seven separate
    Havelies for his seven sons in Gokul. The form of
    baby Krshna (Navanit priyaji), whom he inherited
    from his father, was permanently housed with Shri
    Nathji at mount Govardhan. Navanit Priyaji
    officiates for Shri Nathji when ever the Lord is
    required to perform any rituals outside the inner
    sanctum. All in all, Shri Gosaiji set up nine
    main forms of the Lord to be worshipped by his
    disciples. These are commonly called "Nidhies" of
    the Lord.  Nidhi means an Ocean - these Lords are
    indeed the oceans of great honours and wealth for
    those who have the great responsibility to look
    after them.    

17
Basic Concept some terms of Pushti Marg
  • According to the Shudhadvait philosophy of
    Maha-Prabhu Shri Vallabhacharyaji, the entire
    universe is part and parcel of the Sachidanand -
    the eternally omnipresent and blissful Lord. By
    this definition, the Lord and His creation are
    one and the same. Hence, the "joy" and bliss
    associated with the Lord are ever present in His
    creation. The only reason why we do not all
    "feel" or experience this joy, bliss and
    completeness, is because we have forgotten our
    true nature - that of being one with the
    universal Lord. As a result, we do not appreciate
    that we too are a part of the eternal Venu-geeta
    of the Lord and we too are part of the "Rakhilam
    Madhuram" that Shri Vallabhacharya sings about in
    the Madhurastakam.
  • Rudra Marg   Because Shri Vallabh cried
    when he realized the pain and pleasure of his
    separation from his beloved Lord Shri Krshna.
  • Pushti Marg   Because the Lord is
    accessible only through His own grace. The Lord
    cannot be attained by a given formula - He is
    attainable only if He wants to be attained !
  • Shuddha-Advaita    Pure Monism where there
    is no difference between the creator and the
    created.
  • Bhrahmavada   Brahman, the source and cause
    of all that is in the Universe, is the universe.
    Purest form of monism anywhere, in any religion.
    Uniquely, this is the only philosophy that
    states, categorically, that everything,
    absolutely everything, is perfect just the way it
    is.  Everything is imbibed with the sprite of the
    Lord and as the Lord is eternally perfect,
    everything is perfect !

18
The Deity- Lord Shrinathji
  • Shri Nathji, literally the "Husband of the
    Goddess of Wealth", has a magnificent mansion in
    the Rajasthani town of Nathadwara, India.
  • Shri Nathji is the form of Lord Krishna when
    he lifted the Govardhana Hill.
  • He is shown with his left hand raised and the
    right hand closed in a fist and resting on his
    hip. His followers worship him both as Shri
    Radhanath or the Lord of Radha and as the
    mischievous child god Krishna.
  • The idol of Shri Nathji is made from a large
    black stone and has several animals engraved on
    it two cows, a snake, a lion, two peacocks, a
    parrot by the gods head, three seated sages, one
    on the Lords left and the other two on his right
    and another snake below the sages. They are
    evidently inhabitants of Mount Goverdhan watching
    Shrinathji reverently.
  • A flower garland made of stone around the
    deitys neck resembles a black snake. The god
    wears a large diamond beneath his lips, a gift
    from the Mughal emperor Akbar. The lord here is
    given much respect his clothes and jewellery are
    changed six times a day between the prayer
    services.

19
MYHOLOGY
  • Vajranabha, the great grandson of Lord
    Krishna, first installed Shri Nathji as a deity
    over 5,000 years ago.
  • The deity was then found by Madhavendra Puri
    around 500 years ago, lying neglected in some
    bushes next to the Govardhana Hill in Vrindavan.
    Krishna had appeared to him in a dream and asked
    him to install the deity of Shrinathji who had
    been originally installed by Vajranabha.
  • Puri then established the idol in a temple on
    the same hill in 1519 AD. Later Madhavendra
    handed over the service of the deity to
    Vitthalanathji, the son of Vallabhacharya (b.
    1479).
  • Vitthalanathji took up the worship of the
    deity and since then it has been carried forward
    by the followers of Vallabhacharya, the Vaishnava
    spiritual guru.
  • Vallabhacharya (Mahaprahbhuji) once defeated
    a large group of learned men at Vidyanagar and
    was amply rewarded with gold coins by King
    Krishnadeva Raya.
  • The scholar gave away most of those coins and
    kept only seven. Those seven coins were then made
    into an ornament for Shri Nathjis statue which
    is still around his neck.

20
HISTORY OF SHRINATHJI
  • Shri Nathjis idol was brought to Rajasthan
    from Govardhana near Vrindavan to protect it from
    the hands of the Mughal emperor Aurangzeb who in
    1665 was bent upon vandalizing the area of
    Vrindavan by widespread destruction of Hindu
    temples.
  • When the Mughal army came to Govardhana, the
    devotees of the Lord showed them the titles and
    gifts given to the temple by the previous Mughal
    rulers.
  • The army commander then ordered the deity to
    be taken away from Govardhana. For almost six
    months the statue stayed in Agra after which the
    custodians of the idol of Shrinathji left that
    place with the idol in search of a new heaven.
  • While several other princes were diffident,
    it was Maharana Rajsingh of Mewar who dared to
    provide refuge. The idol went on a journey to
    Mewar which took 32 months to complete.
  • The decision to settle the Lord here at
    Nathdwara involves an interesting story. When the
    wheel of the chariot carrying the Lord got stuck
    in the mud at a place called Sihar, the Rana saw
    it as a divine sign that Lord Krishna wished to
    settle here. and thus a temple was built at this
    spot and the holy township of Nathdwara grew
    around the temple.
  • In 1672 Shrinathji was installed in a new
    temple built in village Sihad, now called
    Nathdwara, on the banks of the Banas.

21
SHRINATHJI TEMPLE
  • The temple of Shri Nathji dating from 12th
    century BC is a simple structure and is built
    like a house, but simultaneously has grace,
    design and harmony.
  • It has been designed in the lines of the
    house of Krishnas father, Nanda Maharaj, in
    Vrindavan. The temple is thus also known as Nanda
    Bhavan or Nandalaya (the house of Nanda Maharaj).
  • A kalasha (spire) tops it on which are seven
    flags alongwith the weapon of Lord Vishnu, the
    sudarshan chakra (discus).
  • There is an interesting story regarding the
    deity of Shri Nathji that forms the basis of a
    temple ritual. It is said that once the Lord had
    torn his clothes while rushing back to the temple
    to be on time for prayers. Since that day it has
    become a custom to first blow the conch and then
    wait for a few minutes before opening the altar
    doors so that the Lord can return from his
    frolicking without any hurry and thus save
    himself from the embarrassment that he had
    already faced once.
  • The management of the temple is under the
    main acharya or the spiritual leader of the
    Vallabh Sampradaya, known as the Tilakayata. The
    acharya is also known as Gosain Maharaj.

22
SHRINATHJIs JHANKIS (DARSHANS)
  • Shrinathji during summer sleeps late at night
    and so rises late in the morning similary in
    winter Shrinathji retires early at night and so
    awakens early in the morning. In winter a Saghdi
    with Coal is lit and placed near him in order to
    produce heat for the divine child.
  • Early in the morning the VINA is played to
    awaken Shrinathji and classical songs and music
    is sung during other Jhankis. Shrinathji is
    royally dressed and fed the purest and richest of
    foods.
  • Even the water he drinks comes from the
    sacred river Yamuna. Shrinathji wears the best of
    the Dresses/Jewellery which is very rarely
    repeated.
  • Normally there are eight Jhankis are eight
    Jhankis every day. These eight Jhankis are for
    a short while because shrinathji being a young
    child can be a Victim of evil eye (Nazar) and
    moreover each Jhanki has a particular meaning and
    purpose.
  • The 8 Darshans or glimpses of Srinathji known
    as Ashtaya, are Mangala, Shrungar, Gwal, Rajbhog,
    Uthhapan, Bhog, Sandhaya Aarti and Shayan. In
    each of them the leelas (divine manifestations)
    of the Lord are described and harmonized with His
    daily routine.

23
The Attraction of Holy Cows
  • The temple has over 500 cows amongst which one
    is honoured of being Shri Nathjis cow.
  • This cow comes from a lineage that has served
    the Lord for ages and whose milk is only for the
    deity to drink.
  • Milk from the other cows is used to make
    various sweets.

24
Other Temple Attractions
  • Nathdwara has several other temples dedicated
    to Madana Mohana and Naveet Priya, all located in
    the main Shri Nathji temple complex.
  • Madana Mohana deity was gifted to the temple
    by the wife of Maharana Fateh Singh of Udaipur.
  • Naveet Priya temple is dedicated to Lord
    Krishna, or one who is fond of butter (naveet
    means butter and priya means lover).
  • The Banamali Temple is also a Krishna Temple
    and is located to the right of the Shri Nathji
    Temple
  • The Vitthalnath Temple is right opposite the
    entrance of the Shri Nathji Temple. The deity of
    this temple was previously located at Gokula in
    Brajbhumi or the land of the Braj.

25
19th century painting shows Shrinathji temple
complex
26
Kettle Drum Gate Musicians play and sing here to
announce that Shri Nathji is prepared to receive
visitors to the temple
27
Govardhan Puja Courtyard cows are invited for a
feast in this courtyard during the festival of
Gopashtami
28
Suraj Pol (Sun Gate) pilgrims and visitors wait
here until the doors are opened they then rush
in to view Shri Nathji
29
Doltibari the room where viewers stand to see
Shri Nathji
30
Shri Nathji's Shrine Shri Nathji stands here to
greet his visitors
31
SHREENATHJI DARSHAN
32
SHRINATHJI DARSHAN
33
Navanita Priyaji's Shrine Navanita Priya means
"The Little Boy Who Loves Butter." The small
gilt image of a child with a ball of butter in
his hand has its own separate shrine at the
Nathadwara temple
34
Moti Mahal (Pearl Palace) a priestly family,
hereditary caretakers of Shri Nathji and
Navanita Priyaji, resides in this palace
35
Festivals
  • The Festivals of Nathdwara are also quite
    unique in nature.Annakuta Festival
  • The largest is known as Annakuta, which is
    simply a continuation of the traditional worship
    of the Govardhana Hill as performed by the people
    of Vrindavan. It takes place a day before the
    Diwali, another Indian festival that is
    celebrated with much fervour and vigour. A hill
    is made of 2,500kg of rice and is offered to the
    deity of Shri Nathji. and then the temple gates
    are closed which are opened only in the evening
    during the darshan (public viewing) of the Lord.
    The looting of the prasada (mainly sweet
    offerings to a deity) of rice from the annakuta
    (the rice hill) follows. Every single worshipper
    of the Lord joins in the looting with much
    enthusiasm. Rose Festival The month of April
    hosts the Rose Festival and the end of summer
    finds itself in the midst of the Rath Yatra. The
    deity is given a free ride around the town on a
    silver chariot and an offering of 100,000 mangoes
    are also made to him. Jhulana Yatra or the swing
    festival is celebrated here during June/July.
    Swings made of gold, silver, glass and flowers
    with the deity in it are put on display. Children
    specially find it fun to decorate the swing of
    the Lord. Janmashtami, celebrating the birth of
    Lord Krishna, is again a major festival and is
    observed with much fanfare.

36
Pichhwai Paintings
  • Other than its temples, Nathdwara is also
    famous for its Pichhwai paintings, which are very
    similar in theme to the thangka paintings of
    Ladakh and Tibet.
  • Local Brahmin artists produce fine and
    intricate paintings on paper and cloth. Literally
    meaning something at the back, these are large
    paintings on cloth portraying Shri Nathji in
    various costumes and moods.
  • The Lord is also shown in the forests
    surrounded by cows and gopinis (milkmaids). They
    depict the events and happenings in the gods
    life and are frequently changed to create
    different moods depending on the occasion and
    ritual.
  • Ink blue clouds and dancing peacocks
    represent Lord Krishna with his blue complexion
    while the cows symbolize the devotees craving for
    their Lord.
  • The name pichhwai has been derived from the
    position of the painting behind the image of the
    deity in Vaishnava temples of the Pushti Marga
    sect devoted to the childgod Krishna.

37
Pichhwai Paintings
  • The purpose of the pichhwai was to narrate
    the Krishna stories for the uneducated, and the
    painted pichhwai of Nathdwara has now become the
    main export of the town.
  • The paintings are devotional in theme and
    have their own appeal for the Lords worshippers.
    The Nathdwara artists have triumphed in the art
    of detailing, creating pichhwais that are almost
    like a patchwork collection of miniatures. The
    earlier paintings had used colours taken from
    crushed vegetables, like indigo and mineral
    colours such as lapis lazuli. However, commercial
    colours have now replaced them.
  • Early pichhwais are rarely available as they
    are much in demand from foreign tourists and are
    sold at exhorbitant prices. These are miniature
    paintings and can be used as cards as well. Most
    of these serve their purpose mainly as low
    quality cheap, souvenirs.

38
(GET LOST IN ETERNAL WORLD)
PAINTINGS OF SHRINATHJI
39
GOKUL CHAND DARSHAN
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GOKUL IDOL DARSHAN
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DWARKA IDOL DARSHAN
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MATHURA IDOL DARSHAN
43
VISHNU DARSHAN
44
MAHPRABHUJI LORD KRISHNA
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SHRINATHJI DARSHAN
46
SHRINATHJI DARSHAN
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SHRINATHJI DARSHAN
48
SHRINATHJI DARSHAN
49
SHRINATHJI DARSHAN
50
SHRINATHJI DARSHAN
51
SHRINATHJI DARSHAN
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SHRINATHJI DARSHAN
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SHRINATHJI DARSHAN
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SHRINATHJI DARSHAN
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SHRINATHJI DARSHAN
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SHRINATHJI, YAMUNAJI MAHAPRABHUJI
57
JAI SHRINATHJI
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