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Rhetorical Devices/Smiley Face Tricks Tricks of the writing trade to help you meet and exceed writing expectations. Ideas developed by Mary Ellen Ledbetter – PowerPoint PPT presentation

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Title: Rhetorical%20Devices/Smiley%20Face%20Tricks


1
Rhetorical Devices/Smiley Face Tricks
  • Tricks of the writing trade to help you meet and
    exceed writing expectations.
  • Ideas developed by Mary Ellen Ledbetter
  • Powerpoint created by Gwen S. Thibadeau
  • Revised and Editted by T. Bowman

2
Why use Smiley Face Tricks???
  • These writing techniques are common tools that
    ALL authors use.
  • They are proven to add personality, voice, style,
    and reader interest.

3
Tricolon (Magic 3)
  • A technique using three words, phrases, or
    clauses written in parallel form and in
    succession.
  • Also referred to as Parallel Structure.

4
Tricolon
  • A Tricolon (sometimes called the 'Rule of
    Threes') is really more of a general principle
    than a rhetorical technique, but it is very
    effective.
  • For some reason, the human brain seems to absorb
    and remember information more effectively when it
    is presented in threes.
  • There's a reason there were three Musketeers,
    why Goldilocks didn't meet four bears in the
    woods, why Charlie didn't employ only two Angels
    and why Curly, Larry Mo didn't have 'and
    George' tagged on.

5
Tricolon--Example
  • After school each day, I typically drive home
    with my children, complete homework, and talk
    about the day.

6
One Of President Obama's Favorites
  • There are twenty two Tricolon examples used in
    his inauguration speech alone and fourteen in his
    speech in Prague (to take two speeches at
    random)! Here are a few
  • I stand here today humbled by the task before
    us, grateful for the trust you have bestowed,
    mindful of the sacrifices borne by our
    ancestors.
  • Instead, they knew that our power grows through
    its prudent use our security emanates from the
    justness of our cause, the force of our example,
    the tempering qualities of humility and
    restraint."
  • Few would have imagined that the Czech Republic
    would become a free nation, a member of NATO, a
    leader of a united Europe.
  • Rules must be binding. Violations must be
    punished. Words must mean something

7
Tricolon Example
  • Before We watched the confetti.
  • After We watched the confetti fall from the
    sky, skip across the ground in the breeze, and
    tumble into the canal. (Green, The Fault in Our
    Stars, 163)
  • Your Turn We watched.

8
Hyphenated Modifier
  • A compound adjective or adverb created by
    hyphenating multiple words together that work as
    one word.

9
HM--Example
  • Some of her students sat in their
    why-do-I-have-to-be-here postures while others
    exuded eagerness.

10
Hyphenated Modifier
  • Literary Example I slumped seated against a
    wall, heaving watered-down coughs. (Green, The
    Fault in Our Stars, 200)
  • Your turn I slumped.

11
Imagery/Specific Details
  • Also known as imagery, this technique appeals to
    the senses and includes enough detail to allow
    the reader to identify with the description.

12
Imagery/SD--Example
  • The autumn leaves blew over the moonlit
    pavement in such a way as to make the girl who
    was moving there seem fixed to a sliding walk,
    letting the motion of the wind and the leaves
    carry her forward. ... The trees overhead made
    a great sound of letting down their dry
    rain. ? Ray Bradbury, Fahrenheit 451

13
Imagery/SD--Example
  • The greatest of funeral fires wound up to the
    clouds, it roared in front of the mound. Heads
    melted, wounds burst open, while blood gushed
    forth from the gashes in the bodies. Their
    mightiest men had departed. (unknown, Beowulf)

14
Imagery/SD--Example
  • It was about forty yards to the gallows. I
    watched the bare brown back of the prisoner
    marching in front of me. He walked clumsily with
    his bound arms, but quite steadily, with that
    bobbing gait of the Indian who never straightens
    his knees. At each step his muscles slid neatly
    into place, the lock of hair on his scalp danced
    up and down, his feet printed themselves on the
    wet gravel. And once, in spite of the men who
    gripped him by each shoulder, he stepped slightly
    aside to avoid a puddle on the path.
  • It is curious, but till that moment I had never
    realized what it means to destroy a healthy,
    conscious man. When I saw the prisoner step aside
    to avoid the puddle, I saw the mystery, the
    unspeakable wrongness, of cutting a life short
    when it is in full tide. This man was not dying,
    he was alive just as we were alive. All the
    organs of his body were working--bowels digesting
    food, skin renewing itself, nails growing,
    tissues forming--all toiling away in solemn
    foolery. His nails would still be growing when he
    stood on the drop, when he was falling through
    the air with a tenth of a second to live. His
    eyes saw the yellow gravel and the gray walls,
    and his brain still remembered, foresaw,
    reasoned--reasoned even about puddles. He and we
    were a party of men walking together, seeing,
    hearing, feeling, understanding the same world
    and in two minutes, with a sudden snap, one of us
    would be gone--one mind less, one world less.
  • ("A Hanging" by George Orwell)

15
Imagery/SD
  • Your turn Expand using imagery/specific details
    for effect.
  • -Write about a favorite holiday memory.

16
Repetition for Effect
  • As a rhetorical device, it could be a word,
    phrase, full sentence, or a poetical line,
    repeated to emphasize its significance in the
    entire text.

17
Rep. for Effect Anaphora
  • Anaphora A rhetorical device that repeats the
    same word or words at the beginning of two
    successive phrases or clauses, often alongside
    PARALLELISM and using a TRICOLON.
  • For us, they packed up their few worldly
    possessions and travelled across oceans in search
    of a new life. For us, they toiled in sweatshops
    and settled the West endured the lash of the
    whip and ploughed the hard earth. For us, they
    fought and died, in places like Concord and
    Gettysburg Normandy and Khe Sahn (Barack
    Obama)

18
Anaphora
  • "But one hundred years later, the Negro still is
    not free. One hundred years later, the life of
    the Negro is still sadly crippled by the manacles
    of segregation and the chains of discrimination.
    One hundred years later, the Negro lives on a
    lonely island of poverty in the midst of a vast
    ocean of material prosperity. One hundred years
    later, the Negro is still languished in the
    corners of American society and finds himself an
    exile in his own land" (Martin Luther King, Jr.)

19
Rep. for Effect Epiphora (also known as
Epistrophe)
  • Definition A rhetorical device that repeats the
    same word or phrase at the end of two successive
    phrases or clauses.
  • "A day may come when the courage of men fails,
    when we forsake our friends and break the bonds
    of fellowship, but it is not this day. An hour of
    wolves and shattered shields, when the age of men
    comes crashing down, but it is not this day. This
    day we fight!" - King Aragorn (from the movie
    'The Return of the King)

20
Rep. for Effect Epiphora (also known as
Epistrophe)
  • "It was a creed written into the founding
    documents that declared the destiny of a
    nation Yes, we can. It was whispered by slaves
    and abolitionists as they blazed a trail towards
    freedom through the darkest of nights Yes, we
    can. It was sung by immigrants as they struck out
    from distant shores and pioneers who pushed
    westward against an unforgiving wildernessYes,
    we can.
  • (Barack Obama)

21
Epiphora--Example
  • When all of my friends made fun of me for
    falling down the stairs, you didnt. When
    everyone else had left me out of the game, you
    didnt. When the team made me sit on the bench,
    you didnt. When all of the soldiers came home
    from the war, you didnt.

22
Rep. for Effect
  • Your turn Use anaphora epiphora to add
    emphasis to your writing.
  • Describe a someone who is a hero to you.

23
Figurative Language
  • This technique finds new and creative ways to
    describe people, places, things, and ideas.
  • Similesmetaphorshyperbolepersonification, etc.
  • It incorporates fresh and creative similes and
    metaphors, not clichés.

24
FL- Example
  • She graduated. It was not until then that she
    realized what freedom really was. Finally, she
    was soaring through the air, wings spread wide.

25
Figurative Language
  • Night came walking through Egypt swishing her
    black dress. ? Zora Neale Hurston, Moses, Man
    of the Mountain

26
Figurative Language
  • Your turn
  • -Write a sentence personifying one of the
    following
  • peace
  • death
  • morning

27
Elaboration/Expanded Moment
  • This technique involves the writer leaving the
    main story line to go into the characters/reader
    s mind and explain a related experience or idea.

28
Elaboration/EM Example
  • After the car accident, I held my fathers head
    cradled in my lap.  I talked to him and tried to
    keep him conscious for as long as possible.  I
    reminded him of the time we went fishing, and as
    we tried to load the boat onto the trailer, he
    slipped and fell, scattering fish all in the mud
    on the edge of the lake.  I stood by the truck
    and laughed as he struggled to stand up. 
    Suddenly, I heard the police sirens, and I told
    my father as he struggled to keep his eyes open
    that help was almost here.  He died before the
    police arrived.

29
Elaboration/Expanded Moment
  • Speak
  • Count to twenty. Now imagine walking into
    Starbucks. As you make your way up to the
    counter, the delicate smell of brewing coffee
    arouses your senses. You politely ease your way
    through the herd of people gathered in front of
    the register and meet the eyes of the cashier.
    She acknowledges your presence with a slight nod
    as irritable grunts set in around you. You open
    your mouth to begin speaking, but nothing comes
    out. Silence. You continue to stand there, lips
    spread wide. Embarrassment overtakes you as the
    herd glares in your direction. The cashier
    remains motionless, unsure of how to cope with
    the silence. As time stretches onwards, your
    cheeks burn with shame. The herd begins to giggle
    uneasily, and some even go as far as to point.
    Twenty seconds pass before you are able to break
    the silence with a mumbled, "M-M-M-M-May I
    h-h-have a g-g-grande l-l-l-latte?" With an
    awkward smile, the cashier reaches for your gift
    card, and you retreat with your head tucked deep
    into your chest.
  • It was moments like these that made me truly
    ashamed of who I was. Ever since the age of six,
    I have stuttered. And before I traveled to Munich
    this past summer, I wished every morning that I
    would wake up without my stutter. I would often
    avoid answering the phone, even conversing with
    my family, anything to abstain from speaking. I
    was terrified of what other people would think of
    me when I stuttered, and so in an attempt to
    escape humiliation, I would simply keep quiet.
    Yet, I could no longer live my life running from
    the opportunities I so fervently desired to
    experience. I craved to be myself, to do the
    things that I wanted to do, regardless of my
    stutter. And so I gathered the courage to spend
    three weeks alone in Germany.

30
Elaboration/Expanded Moment
  • See also Weisel, Night (pp. 57-58)
  • Your turn Describe a time of deep emotion in
    your life, whether it was a time of deep pain,
    deep regret, deep fear, deep joy, etc. Slow down
    and expand the moment for your reader.

31
Elaboration/Expanded Moment
  • Exercise Write a scene where you wake up in a
    dark house after hearing an odd sound. Expand the
    moment to build suspense.

32
Humor
  • Writers use humor for many reasons... not only
    to create a connection with the reader and cause
    him/her to laugh, but also to lighten the mood in
    a tense or serious situation.

33
HumorExample
  • Sitting at the funeral home waiting for the
    services to begin, the old man knew what he would
    miss most about his wife of sixty years her
    lying in bed waving the covers up and down,
    giggling as she vented her toot.

34
HumorExample
  • "And youyes, you, Justinwere the guilty party
    who, after I took off my shoes to enjoy the hot
    pavement in early spring, put a frog in them. Of
    course, I didn't look at the shoes when I put
    them back on it was the squish that gave your
    prank away." (Liz)

35
Humor
  • Exercise Write a paragraph that places a
    character in an environment or situation you
    wouldn't expect him to be.  Example A city boy
    in a ballet class or a pig in a chicken coop. 
    Exaggerate the circumstances to create humor.

36
Full Circle Ending
  • Writers will often begin a piece of writing with
    a key word or phrase, develop the piece, and will
    bring the reader back to the key word or phrase
    at the ending.

37
FCE--Example
  • She was fat and happy.  The day she gave birth
    to her first child was amazing.  Everything was
    perfect.  The child had a beautiful head of hair,
    all ten fingers and toes, and slept rather than
    crying like most babies do.  Now, as an old woman
    sitting in her favorite chair visiting with three
    of her great grandchildren, again she was fat and
    happy.

38
Full-Circle Ending
  • Title Seeing With the Heart
  • Concluding sentence You never realize how
    terrific a moment can be until you see it with
    your heart. (Meeker, Seeing with the Heart)

39
Full-Circle Ending
  • Introduction One of the cool things about being
    Mike Weir is that you get to do whatever you want
    on Mike Weir Day, which Utah governor Michael
    Leavitt declared on May 12, 2003.
  • Conclusion Weir was happy with his game as he
    left Chicago, but he was happier to be heading
    home, where every day is Mike Weir Day.(Sports
    Illustrated)

40
Full-Circle Ending
  • Your turn
  • Revise a Quick Write in your working portfolio to
    include a full-circle ending.

41
Rhetorical Question
  • Definition A rhetorical question is asked just
    for effect or to lay emphasis on some point
    discussed when no real answer is expected

42
Rhetorical Question
  • What made you think of love and tears and birth
    and death and pain? (Stewart, Creation)
  • Will no one tell me what she sings?
    (Wordsworth, The Solitary Reaper)

43
Practice Makes Perfect!!!
  • For the remainder of class ASSIGNMENT A 300-400
    word descriptive narrative essay about a time in
    your life when you made a choice that did not
    make you feel good. You may want/need to
    embellish (to improve by adding details often
    fictitious details.) the story a bit. The idea is
    for you to tell a story that is both descriptive
    and entertaining. Use 5-7 Smiley Face Tricks in
    your essay. Have fun with this. Remember, the
    first step in writing an essay is to BRAINSTORM.
    Methods of brainstorming stream of
    consciousness writing and list-making

44
Asyndeton
  • Definition a stylistic device used to
    intentionally omit conjunctions between words,
    phrases, or clauses.
  • He was a bag of bones, a floppy doll, a broken
    stick, a maniac. (Kerouac, On the Road)
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