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PARADOX

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Title: PARADOX


1
PARADOX
  • by Don L. F. Nilsen
  • and Alleen Pace Nilsen

2
GILBERT AND SULLIVAN
  • Gilbert and Sullivan often relied on paradox for
    comic effect. In The Pirates of Penzance, they
    composed a song about paradoxes
  • How quaint the ways of paradox!
  • At common sense she gaily mocks!
  • A paradox, a paradox,
  • A most ingenious paradox!
  • Ha! ha! ha! ha!
  • (Nilsen Nilsen 219)

3
GREEK PHILOSOPHERS
  • The Greek philosophers often wrestled with
    paradoxes.
  • The most famous was credited to the Cretan
    philosopher Epimenides All Cretans are liars.
  • Epimenides was a Cretan. Therefore, If he is
    lying, then the statement must be true. But if
    the statement is true, he must be lying.
  • (Nilsen Nilsen 219)

4
PARADOX VS. CONTRADICTION
  • Paradoxes are statements that seem contradictory,
    unbelievable, or absurd, but in some sense are
    nevertheless true.
  • Because paradoxes highlight breakdowns in our
    expectations of a logical universe, they are
    sources of both delight and consternation as the
    human mind works to figure out how people can in
    good faith talk about a large mouse running
    between the legs of a small elephant or can
    make sense out of the Yiddish curse, He should
    drop dead, God forbid!
  • (Nilsen Nilsen 219)

5
SIGNIFICANT PARADOXES FROM THE 16TH CENTURY TO
THE 20TH CENTURY
  • Sits he on ever so high a throne, a man still
    sits on his bottom. (Michel Elyquem de
    Montaigne, 1533-1592)
  • We have just enough religion to make us hate, but
    not enough to make us love one another.
    (Jonathan Swift, 1667-1745)

6
  • I laugh, so that I may not cry. (Pierre Augustin
    Caron de Beaumarchais, 1732-1799)
  • Nowadays people know the price of everything and
    the value of nothing. (Oscar Wilde, 1854-1900)

7
  • !!There aint any answer. There aint going to
    be any answer. There never has been an answer.
    Thats the answer. (Gertrude Stein, 1874-1946)
  • The vital question today is not whether there
    will be life after death, but whether there was
    life before death. (Marshall McLuhan, 1911-1990)

8
Visual Paradox
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  • References
  • Brooks, Cleanth. "The Language of Paradox."
    Contemporary Literary Criticism Literary and
    Cultural Studies. Eds. Robert Con Davis, and
    Ronald Schleifer. New York Longman, 1989, 32-42.
  • Falletta, Nicholas. The Paradoxicon. New York,
    NY John Wiley, 1983.
  • Fry, William F., Jr. "Humor and Paradox."
    American Behavioral Scientist. 30.1 (1987)
    42-71.
  • Gans, Eric. Signs of Paradox, Irony, Resentment,
    and Other Mimetic Structures Stanford, CA
    Stanford University Press, 1997.
  • Hofstadter, Douglas R. Godel, Escher, Bach An
    Eternal Golden Braid. New York, NY Vintage
    Books, 1980.
  • Leiber, Justin. Paradoxes. London, England
    Duckworth, 1993.
  • Morreall, John. Aristotle and the Paradox of
    Tragedy. Delta Epsilon Signa Journal 24.2
    (1979) 50-56.

15
  • Nilsen, Don L. F. "Parody, Paradox, Nonsense, and
    Legends." Humor Scholarship A Research
    Bibliography. Westport, CT Greenwood, 1993,
    101-112.
  • Nilsen, Don L. F. "'The Seriousness of Humor' And
    Other Antithetical Paradoxes." California English
    20.5 (1984) 14-15 and 22.
  • Nilsen, Alleen Pace, and Don L. F. Nilsen.
    Encyclopedia of 20th Century American Humor.
    Westport, CT Greenwood, 2000.
  • Rescher, Nicholas. Paradoxes. Peru, IL Carus
    Publishing Company, 2001.
  • Poundstone, William. Labyrinths of Reason
    Paradox, Puzzles, and the Frailty of Knowledge.
    New York Anchor, 1988.

16
  • Seward, Samuel S. Jr. The Paradox of the
    Ludicrous. Stanford, CA Stanford Univ Press,
    1930.
  • Shaw, David W. Elegy and Paradox. Baltimore, MD
    Johns Hopkins University Press, 1994.
  • Shershow, Scott Cutler. Laughing Matters The
    Paradox of Comedy. Amherst Univ of Mass Press,
    1986.
  • Stainsbury, Richard Mark. Paradoxes. Cambridge,
    England Press Syndicate of the University of
    Cambridge, 1988.
  • Woodcock, George. The Paradox of Oscar Wilde.
    London, England T. V. Boardman, 1949.
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