Title: India, China and Japan: From the Medieval to the Modern World
1India, China and JapanFrom the Medieval to the
Modern World
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3The Mughal Empire
- Babur (1483-1530), Akbar (1542-1605)
- India as center of civilization
- Religious freedom (Islam, Hindu)
- Urdu language
- Artistic blend of Hindu, Persian, and Islamic
elements
4Mughal Art
- Visual Arts
- Book illustrations, miniatures
- Secular
- Realistic scenes from courtly life
- Persian influences
- calligraphy
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6Akbar and the Elephant from The History of Akbar
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8The End of Mughal Rule and the Arrival of the
British
- British East India Trading Company
- India as Jewel in the Crown of Britain
- Controlled by British government by 1849
9The Rise of Nationalism
- Indias National Congress Party
- Activism for self-rule
- Mohandas Gandhi (1869-1948)
- Satyagraha non-violent civil disobedience
10Chinese Culture Under Imperial Rule
- Centralized government (1368-1911)
- Relatively untouched by Western influence until
the 17th century - Incredible population growth
- Poverty, political unrest, and, ultimately,
revolution
11The Arts Under the Ming Dynasty
- Political, economic stability
- Cultural enrichment
- Confucianism
- New literary genres
- Hua-Pen
- Novels
- Stage plays
12The Arts Under the Ming Dynasty
- Landscape paintings
- Human form in natural setting
- Artistic attitudes
- change within tradition
- No distinctions between major art forms
- Painted ceramicware called China
1315th century Ming Dynasty painting
14A Ming Vase
15The Qing DynastyChina and the Western Powers
- Western Trade and Chinese Independence
- Opium War (1839-1842)
- Internal rebellions weakened government
- Tai Ping Rebellion, Boxer Rebellion
- Republican Revolution
- Sun Yat-sen
- Chiang Kai-shek, Mao Tse-tung
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17The Art and Culture of Japan
- Shintoism
- Worship of the spirits of nature
- Imperial cult worship of emperor and his
ancestors as divine - Drama
- Noh plays in which dancers enact dramatic, often
supernatural stories stories with ritual and even
slapstick
18The Art and Culture of JapanThe Edo Period
- Japanese versions of landscapes
- Gentler colors, heightened abstraction
- Influence of Western art
- Peacocks and Peonies (1176)
- Woodblock art
- Hokusai Katsushika (1760-1849)
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22A study in the balance of opposites image and
empty space. The empty space mirrors the wave
water and sky are balanced, as in the Chinese
yin/yang symbol below
23The Art and Culture of JapanThe Edo Period
- Bashos Haiku
- Zen Buddhist reflections
- Crucial detail of landscapes
- Composed of three lines of five syllables, seven
syllables, and five syllables
24Humanities 1500 A Haiku
- Powerpoint beaming
- eastern cultures bright display
- while students write notes