Cubism Futurism Dadaism Suprematism Constructivism (Russian and International) Neo-Plasticism Surrealism Spatialism Abstract Expressionism Social Realism Post-Modernism Conceptualism Neo-Conceptualism Fashion

1
CubismFuturismDadaismSuprematismConstructivism
(Russian and International)Neo-Plasticism
SurrealismSpatialismAbstract ExpressionismSocia
l RealismPost-ModernismConceptualismNeo-Concept
ualismFashion DesignNeo-ExpressionismMinimalism
SensationalismCh. 25 ????? ????Ch. 26
????????????Ch. 27 ?????? ???????Ch. 28
????????? ??????? ????? ??????

• ????
• Week 14 2007/12/12
• Iris Tuan

2
Cubism

• 1911?????????????
• ???????????
• ????????????????,???????????
• ???????????????,????????
• ?????????,????????????

3

• ???,1911,Man with a Guitar

4
(No Transcript)
5
Futurism

• ???????
• ??????????????????,??????????
• ??????????????,????????
• ????????
• ??1920???????????

6
(No Transcript)
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(No Transcript)
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Dadaism

• ???????????
• ???????????????????
• ???????????????????
• ?????????????????????
• ?????????
• ??????? (???????)???????

9

• ??,??

10
Suprematism

• ?????????????????????????
• ?????????????????
• ?????????
• ????????????????
• ??1920-1930??????????

11
Constructivism (Russian and International)

• 1917??????????????
• ?????????????,??????????????????
• ?????(composition)???,??????(construction)??????
  ??????????
• ????????
• ????????
• ?????

12

• Kasimir Malevich, Suprematist Composition, c. 1916

13

• Model for the 3rd International Tower, 1919-1920

14
Neo-Plasticism

• ??????
• ???????????,???????????????
• ??????????
• ?????????,???????????
• ??????????????????????????

15

• ????

16
Surrealism

• ???????????????????????
• ????????????????????
• ????????,?????????????
• ???????,???????
• ??????,??????

17

• lt????gt,1940?,???

18

• ??????? Persistence of Memory 1931

19
Spatialism

• ??????
• ????????????
• ???????????????????(?????????)??????,??????????
• ??????????????,??????

20

• FONTANA, LUCIO (1899-1968)
• Concepto espacial, 1959

21

• An exhibition of twenty four works oils,
  drawings and mixed media on canvas, ceramics and
  terracotta (1934-1952).

22
Abstract Expressionism

• ????????(New York school)
• ????????????????
• ????????
• ?????
• ????????????????????????????
• ??????

23

• ???

24
Post-Modernism

• By the 1980s, visual art which criticized society
  was also being referred to as post-modern
• Eclecticism anti-corporate
• Post-modern architects felt that International
  style had become a repressive orthodoxy

Vest with Aqualung, 1985, JEFF KOONS
25
Post-Modernism

• Post-Modernist architecture uses more eclectic
  materials and styles with greater playfulness
• The ethical touchstone of post-modernism is
  relativism the belief that no society or
  culture is more important than any other

Interior with Waterlilies, 1991, ROY LICHTENSTEIN
26
Post-Modernism

• Post-modernism also explores power and the way
  economic and social forces exert that power by
  shaping the identities of individuals and entire
  cultures

Five Open Geometric Structures, 1979, SOL LEWITT
27
Post-Modernism

• They value art not for its universality and
  timelessness but for being imperfect, low-brow,
  accessible, disposable, local and temporary

Brillo, 1964, ANDY WARHOL
You are driving a Volvo, 1996, JULIAN OPIE
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Post-Modernism

• Koons takes mass produced objects from everyday
  life and exhibits them in art galleries

Three Ball Total Equilibrium Tank (Two Dr J
Silver Series, Spalding NBA Tip-Off), 1985, JEFF
KOONS
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Post-Modernism

• The loss of an original and its displacement
  copies is a central preoccupation of the
  Post-Modern art of which Pop was a forerunner
• Warhols diptych was produced in the months
  following Monroes suicide
• Its an exploration of the way individuals, after
  death, can achieve immortality through
  endlessly replicated images in magazines and
  advertising

Marilyn Diptych, 1962, ANDY WARHOL
30
Untitled (We Will No Longer Be Seen and Not
Heard), 1985, BARBARA KRUGER
31
Conceptualism

• Emerged in the 1960s
• Promoted as an ism by Sol LeWitt in 1967
• Its central claim is that art is a concept,
  rather than a material object
• There are strong precedents for Conceptualism in
  the work of the Dadaist artist Marcel Duchamp

Eleven Color Photographs, 1966-7, 1970, BRUCE
NAUMAN
32
Conceptualism

• Four basic tenets
• (1)An idea, or concept, rather than a material
  object
• (2)Conceptualists deliberately blur the
  distinction between language and art
• (2)The artists intention and the spectators
  response are an integral part of the art work
  itself

A Wall Divided Vertically into Fifteen Equal
Parts, Each with a Different Line Direction and
Colour, and All Combinations, 1970, SOL LEWITT
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Conceptualism

• Four basic tenets
• (3)Conceptualism also criticizes the
  commercialisation of art
• (3)hope to disrupt this trade, or at least
  problematise it

The Bride Stripped Bare by Her BAchelors Even
(The Green Box), 1934, MARCEL DUCHAMP
The Bride Stripped Bare by Her BAchelors Even
(The Green Box), 1934, MARCEL DUCHAMP-COVER
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Conceptualism

• Four basic tenets
• (4)disrupt the process by which ownership
  translates into social status and cultural
  authority
• (4)However, institutions such as museums and
  galleries can shape and influence our experience
  of art through their powers of selection and
  omission

Fountain, 1917, replica 1964, MARCEL DUCHAMP
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Conceptualism

• The creation will change according to how the
  object is viewed
• Validate the work defies the conventional belief
  that art objects express or explore the artists
  personal experiences
• A further challenge to
• perconceptions forces
• us to judge the work
• as a concept not as an
• object made by LeWitt

Two Open Modular Cubes Half Off, 1972, SOL
LEWITT
36
Conceptualism

• A clock, a clock and entries from an
  English/Latin dictionary for the words time,
  machine and object
• By placing a real clock beside a photograph of
  one, Kosuth questions why we consider a
  photograph but not the object itself to be art
• This juxtaposition also challenges the idea that
  art is beautiful and/or functionless

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Clock (one and five), English Latin version
(Exhibition Version), 1965, JOSEPH KOSUTH
Clock (one and five), English Latin version
(Exhibition Version), 1997, JOSEPH KOSUTH
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Neo-Conceptualism

• Emerged in the 1970s
• It criticizes artistic and cultural norms
• (e.g. originality and gender)
• It also explores the relation between capitalism
  and art and between mass media and individual
  identity

Untitled, 1989, JENNY HOLZER
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Neo-Conceptualism

• Neo-Conceptualists have explored the ways in
  which the concepts of authority, originality and
  creation have been used to say what is and is not
  art and who is and who is not an artist
• Neo-Conceptualism includes work influenced by
  feminist theory, queer theory and ethnic rights
  movements, all of which critique the use of
  cultural values to exclude certain groups from
  the production and evaluation of art
• The widespread use of the female body in art
  created by and for men

40
Neo-Conceptualism

• The tendency to avoid any overt eroticism in
  depictions of the white, male body, and the
  association of ethnic minorities with primitive
  motifs such as bright colors, sensuality, and
  superstition

Untitled, 112, 1982, CINDY SHERMAN
41
Neo-Conceptualism

• Duchamp, the ready-made
• Poststructuralism has provided Neo-Conceptualists
  with and intellectual armory with which to
  challenge the cultural assumptions of art
  establishments
• deconstruction

Untitled (Public Opinion), 1991, FELIX
GONZALEZ-TORRES
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Neo-Conceptualism

• As those terms will become radically and
  progressively unstable
• Subversive and disturbing
• Deconstruction leads to an endless flux of
  understanding and not to definition or certainty

Throbbing Hearts, 1994, ROSS BLECKNER
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Neo-Conceptualism

• Based on geometry, it claims to be neutral,
  pure and dissociated from any social context

Two Cells with Conduit, 1987, PETER HALLEY
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Neo-Conceptualism

• Shows the artist disquised as a range of female
  characters from B-movies of the 1950s and 60s
• Explore stereotypes of women promoted by cinema
• She uses odd angles and props to draw attention
  to the fact that photographs, like all art and
  stereotypes, are deliberately constructed

Untitled Film Still, 15, 1978, CINDY SHERMAN
45
Fashion Design ????

• The House of Chanel, more commonly known as
  Chanel, is a Parisian fashion house in France
  founded by Gabrielle Bonheur "Coco" Chanel
  (b.1883 - d.1971).

46
Fashion Design ????

• According to Forbes, the privately held House of
  Chanel is jointly owned by Alain Wertheimer and
  Gerard Wertheimer who are the grandsons of the
  early (1924) Chanel partner Pierre Wertheimer.

47
History

• Founded in 1910, the small shop selling ladies
  headwear had moved to the upmarket Rue Cambon
  within a year.
• The Coco Chanel Era
• 1910-1932
• 1935-1981
• The Karl Lagerfeld Era
• 1983-2004
• 2005-Present

48
Chanel No 5- The Film

• Recently, Chanel has launched a new advertising
  film that casts Nicole Kidman as the new face of
  Chanel No.5. No. 5 The Film cost around 45
  million to produce with Nicole Kidman recieving
  5 million.

49
Neo-Expressionism

• 1970????
• ????????????,??????????
• ???,?????????????????,?????????????
• ?????????????
• ???????(Bad Painting) ?

50

• lt????gt,1973?,??

51
Minimalism

• ????????????????
• ???????????
• ???????????,????????(????????)
• ???????????????????????????
• ???????? (specific odject) ?????????
• ????????????????????????????,?????

52
Sensationalism

• ?1980????????????????(Young British
  Artists)(from Goldsmith College, London)
• ????????
• ??????????????????
• ??????,?????????
• ?????????????
• ????????????????

53
Ch. 25 ????? ????

• ????????1835???????????
• ?????????????????????
• ???????
• ???????
• ???
• ???????
• ???????

Palace of Westminster London 1840-70 Sr Charles
Barry and A. W. N. Pugin
54
Ch. 25 ????? ????

• ???(Jean-Auguste Dominique Ingres, 1780-1867)
• ???????????????
• ??????????????????
• ??1808??????,?????????????????????

The Bather of Valpin by Jean-Auguste-Dominique
Ingres
55
Ch. 25 ????? ????

• ?????????????????
• ????(Francois Millet, 1814-1875)??????????????

The Gleaners, 1857 by Jean-Francois Millet
56
Ch. 25 ????? ????

• ?????(Gustave Courbet, 1819-1877)
• ????1855???????????????????????????,????
• ?????,???????

57
Ch. 25 ????? ????

• ???(Dante Gabriel Rossetti, 1828-1882)
• ????????????????????????
• ??????????????,????????????
• ?????????,???????????????

The Annunciation by Dante Gabriel Rossetti
1828-1882
58
Ch. 25 ????? ????

• ????????????????
• ??????,??????????

Derby Day by William Powell Frith
59
Ch. 26 ????????????

• ??(Paul Cezanne, 1839-1906)
• ????????????????????????,??????????????????
• ?????????????????????

a Mont Sainte-Victoire Paul Cézanne
60
Ch. 26 ????????????

• ??(Vincent van Gogh, 1853-1890)
• ??????????,???????????????????
• 37???,?????????????
• ?????,??????????
• ???????????
• ?????????,????????????????????

Campo de trigo con ciprés, de Van Gogh
61
Ch. 26 ????????????

• ???????????????????
• ???????????????????
• ?????????????,?????????????
• ???????????????
• ????????????????
• ???????????

La habitación de Vincent en Arlés (1888)
62
Ch. 26 ????????????

• ???????(Ferdinand Hodler, 1835-1918)
• ????????????????????????

Lake Thun by Ferdinand Hodler
63
Ch. 26 ????????????

• ????(Henride Toulouse-Lautrec, 1864-1901)
• ??????????,?????????
• ??????????????????????????

Henride Toulouse-Lautrec
64
Ch. 27 ?????? ???????

• ????????????????????????
• ?????,???????????????????
• ????(Organic Architecture)????????????????????????
  ??????,????????????

????????
65
Ch. 27 ?????? ???????

• ????????,???????????,???????????
• ??????
• ??????????????????????????
• ?????????,??????,???????????
• ??????????????
• ???????????,?????????,???????????,???????

??????
66
Ch. 27 ?????? ???????

• ??????????????1906??????????????,????
• ????????(Emil Nolde, 1867-1956)???????????

??? 1912 ??
67
Ch. 27 ?????? ???????

• ?????????(Ernst Barlach, 1870-1938)?????????,?????
  ?????????,?????????
• ????????????????

68
Ch. 27 ?????? ???????

• ????????????(Wassily Kandinsky,
  1866-1944)??????????,??????????????,???????????,
  ??????????????????????
• ????(Abstract art)
• ???(Non-objective)
• ????????????
• ?????????

69
Ch. 27 ?????? ??????? .

• ???????????
• ???????????(Giorgio de Chirico, 1888-1978)?????
• ?????????,???????????????????,?????????????
• ??????????????
• ???????????

???????? ??
70
Ch. 27 ?????? ??????? .

• ?????????,????????????,?????????????,?????????????
  ????????????????????????
• ??????(Edvard Munch, 1863-1944),???1895???????????
  ?,???????????????????????????
• ????????????????-???????

??? ??? ??
71
Ch. 28 ????????? ??????? ????? ??????
MOMA-28
72
Ch. 28 ????????? ??????? ????? ??????

• ?????????????
• ????????
• ???????????????????
• ????????????????????????????
• ??????????????????????????????
• ????
• ???????????????????????,?Dada??????????????????
• ????????,?????????,????????????????

73
Ch. 28 ????????? ??????? ????? ??????

• ????????????(Zoltan Kemeny, 1907-1965),???????????
  ?????
• ?????????????,??????????????????
• ???????????????

Zoltan Kemeny
74
Ch. 28 ????????? ??????? ????? ??????

• ?????????????????????????,????????????????????????
  ??????????,??????????????,????????????????????????
  
• ?????????(Georgio Morandi, 1890-1964)??????
• ????????????,??????????????????????????

Still life paintings of Georgio Morandi
(1890-1964)
75
Ch. 28 ????????? ??????? ????? ??????

• ????????1975?????????????????????(Charles
  Jencks)??????
• ??(Philip Johnson, 1906-) 1976????????????????????
  ????????
• ???????????,????????????

Corporate Headquarter of ATT, New York,USA
76
Ch. 28 ????????? ??????? ????? ??????

• ???????????,??????????????????????
• ???-???????????????,???????????????????????
• ????????????????????
• ???????????????????????