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Diapositiva 1

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Title: Diapositiva 1


1
Modernism
Magonara Luca Alvise
2
What was it?
  • a literary movement developed during 1900 and
    1930
  • reached its height with authors like
  • T. S. Eliot, James Joyce, Ernest Hemingway,
    Virginia Woolf, W.B. Yeats, F. Scott Fitzgerald,
    Ezra Pound, D.H. Lawrence, H.D. and Mikhail
    Bulgakov.

3
What was its historical background?
  • split in two notorious periods
  • at the end of "The long nineteenth century"
  • and
  • at the beginning of "The short twentieth
    century".

4
What was its historical background?
  • The Great Depression
  • ?
  • enormous unemployment rate
  • loss of faith in liberal democracy.

5
What was its historical background?
  • Wars
  • World War I
  • shocked a whole generation
  • confirmed the Victorian doubts and fears.
  • changed the positivist idea of progress
    completely

6
What was its historical background?
  • Darwinism
  • ?
  • Human beings lost their central position in the
    universe
  • Concepts such as unconscious influenced
    artistic currents (e.g. stream of consciousness
    and Surrealism)?

7
What were its literary features?
  • Modernism
  • ?
  • an emancipated movement
  • broke with Realistic and Romantic literature
  • introduced new features such as

8
What were its literary features?
  • Parody of the mundane The Love Song of J.Alfred
    Prufock by T.S.Eliot.
  • In the room the women come and go
  • Talking of Michelangelo.

9
What were its literary features?
  • Absence of heroic figures there is a recognition
    that people are fraught with human frailties (
    e.g. T.S. Eliot's The Waste Land)

10
What were its literary features?
  • ..and much more
  • Disjointed timelines
  • No omniscient narrator
  • Eclipse of the narrator
  • Shift of the point of view
  • No more framework of reference
  • Flux of thought
  • Elitarian movement
  • The Objective correlative
  • the Mythical method

11
What about its form?
  • Particular features
  • Plot reduced to minimum (e.g. Joyce's
    Ulysses)?
  • Individual side and subjectivity (e.g. Joyce's
    Leopold Bloom)
  • Internal monologue and personal search (e.g.
    Eliot'sPrufrock)?

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