"I had a dream the other day. I had written a beautiful book, a wonderful book, which you had illustrated with beautiful, wonderful pictures. Both of our names shone in letters of gold on the first page and, inseparable to this fraternity of genius, - PowerPoint PPT Presentation

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"I had a dream the other day. I had written a beautiful book, a wonderful book, which you had illustrated with beautiful, wonderful pictures. Both of our names shone in letters of gold on the first page and, inseparable to this fraternity of genius,

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Title: "I had a dream the other day. I had written a beautiful book, a wonderful book, which you had illustrated with beautiful, wonderful pictures. Both of our names shone in letters of gold on the first page and, inseparable to this fraternity of genius,


1
  • "I had a dream the other day. I had written a
    beautiful book, a wonderful book, which you had
    illustrated with beautiful, wonderful pictures.
    Both of our names shone in letters of gold on the
    first page and, inseparable to this fraternity of
    genius, passed on to posterity."
  • Letter to Paul Cézanne from Emile Zola
  • From Paris, early 1860s

2
Paul Cézanne (French, 1839-1906), photo-portrait,
1861 (year of first stay in Paris)
The Master of Aix
3
(left) Paul Cézanne, Self Portrait, 1878-80.
Compare with (right) Pablo Picasso, Portrait of
Vollard, 1910 (Analytic Cubism)What forces our
interest is Cézannes Anxiety. Thats Cézannes
lesson.Pablo Picasso
4
Paul Cézanne, Academic study Male Nude, 1862
5
Paul Cézanne, Father of the Artist (Louis
Auguste), 1866
6
Paul Cézanne, The Abduction, 1867
7
Paul Cézanne, The Murder, 1870
8
Stock, Caricature of Paul Cézanne with the two
painting rejected by the Salon jury of 1870.
Portrait of Achille Emperaire, 1867-68, oil on
canvas, 78 3/4 x 48 in. (200 x 122 cm), Musée
d'Orsay, Paris. Intentionally lacked all the
elements of charm, grace and finish so much
appreciated by the jury.
9
(left) Camille Pissarro (1830-1903),
Louveciennes, 1871. Compare with(right) Paul
Cézanne, Louveciennes, 1872, 73 x 92 cm, oil on
canvas, private collection
10
(left) Paul Cézanne, The Hanged Man's House,
1873, oil on canvas, 22 x 26, Musée d'Orsay,
Paris breakthrough and beginning of mature
style.(right) Pissarro, Red Roofs Auvers sur
Oise, 1877
11
Cézanne, The Bay from LEstaque, 1885, 31x39,
Chicago Institute
12
Cézanne, Mont Sainte-Victorire Seen from les
Lauves, 1902-6, o/c, 25 x 32
13
Auguste Renoir (left), Mont Sainte-Victoire,
1889. Compare withPaul Cézanne, Mont
Sainte-Victoire, 1889. The artists painted
together.
14
Paul Cézanne, Still Life with Basket of Apples,
1890-95, oil on canvas 24 x 31, The Art
Institute of Chicago
15
Cézanne, Large Bathers, 1906 (the year he died,
unfinished), o/c, 610 x 82, Philadelphia MA
Nicolas Poussin, Mars and Venus, o/c, 1626
16
Paul Cézanne, Three Bathers, 1879-82, owned by
Henri Matisse(right) Henri Matisse, Joie de
Vivre, 1906 (Fauvism)
17
Pablo Picasso, Les Demoiselles dAvigon, 1907 (8
tall) Post-lapsarianPaul Cézanne, Large Bathers,
1906 (610 tall) Pre-lapsarian
18
Georges Seurat (French, 1859-1891 31
years)Neo-Impressionism (Divisionism,
Pointillism, Scientific Impressionism,
Chromo-luminism)Overheard at a
Neo-Impressionist exhibition in 1894 Its
done mechanically? No, Monsieur, by hand.
The Eiffel Tower, 1889, 9 ½ X 6, Fine Arts
Museums, San Francisco
19
Georges Seurat, Academic Study, c. 1875-1879,
chalk drawingSeurat, Embroidery The Artists
Mother, 1882-83, conté crayon on ingres paper 12
x 9
20
Georges Seurat, A Sunday Afternoon on the Island
of la Grande Jatte, 1884-86, o/c6 9 x 10 Art
Institute of Chicago. Artist was 25 years old
21
Detail of La Grande Jatte (dog next to monkey)
showing Pointillist technique
22
Georges Seurat, Child in White, and Couple,
preparatory drawings for La Grande Jatte,1884
23
Seurat, oil studies for La Grande Jatte
24
Seurat, La Grande Jatte compared with Puvis de
Chavannes, The Sacred Grove, 1886, 181 x 419
25
La Grande Jatte compared with Pierro Della
Francesca, The True Cross, 1466, early
Renaissance Fresco
26
Paul Signac (French 1863-1935),
Neo-ImpressionismAgainst the Enamel of a
Background Rhythmic with Beats and Angles, Tones
and Tints Portrait of M. Félix Fénéon in 1890,
1890, o/c, 29 x 36
27
Paul Signac, The Gulf of Sainte Tropez,
1892compared with Henri Matisse, Luxe, Calme, et
Volupté, 1904Signac and Matisse painted side by
side in Sainte Tropez
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