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Harvard Extension School Expo E-25; Section 6 (7:30PM-9:30PM)

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Title: Harvard Extension School Expo E-25; Section 6 (7:30PM-9:30PM)


1
Harvard Extension SchoolExpo E-25 Section 6
(730PM-930PM)
  • Instructor Julie Anne McNary
  • Please check your Elluminate Audio Wizard
  • We will begin at 730PM.

2
Harvard University Extension SchoolSpring
Semester 2012
  • Expository Writing E25 Introduction to Academic
    Writing and Critical ReadingAnalyzing the Short
    Story

3
Overview
  • Final Drafts of Essay 2 due this evening at
    midnight in the dropbox
  • To that end, there are 3-4 of you to whom I owed
    clarifying comments (Irina, Kelli, M.B., etc.),
    so please stay after class.
  • Choices for your Final Paper Adaptation
    Assignment class discussion.
  • Essay 3 Sample Papers
  • Voting for how we spend 4/16-4/23.

4
Book-Film Comparisons for Essay 3
  • The Age of Innocence, novel by Edith Wharton and
    1993 film of the same name
  • Breakfast at Tiffanys, novel by Truman Capote
    and 1961 film of the same name
  • The Curious Case of Benjamin Button, short story
    by F. Scott Fitzgerald and the 2008 film of the
    same name
  • Election, novel by Tom Perrotta and the 1999 film
    of the same name
  • Fight Club, novel by Chuck Palahniuk and the 1999
    film of the same name
  • The Great Gatsby, novel by F. Scott Fitzgerald
    and the 1974 film of the same name
  • Little Children, novel Tom Perrotta and the 2006
    film of the same name
  • Mystic River, novel by Dennis Lehane and the 2003
    film of the same name
  • Gone Baby Gone, novel by Dennis Lehane and the
    film of the same name
  • Push, novel by Sapphire and the 2009 film
    Precious, based thereupon
  • Room with a View, novel by E.M. Forster and the
    1985 film of the same name
  • Twilight, novel by Stephanie Meyer and the 2008
    film of the same name
  • The Hunger Games, by Suzanne Collins and the 2012
    film of the same name
  • Suggestions from the class for 3 additional
    offerings will be considered.
  • Extra Credit Options
  • Heart of Darkness, novella by Joseph Conrad, and
    the 1979 film Apocalypse Now based thereupon
    (must also use Hearts of Darkness A filmmakers
    Apocalypse, as well)
  • Little Women, novel by Louisa May Alcott, and
    two films of the same name (1949 and 1994)
  • The Odyssey, poem by Homer, and the 2000 film O
    Brother, Were Art Thou? based thereupon.

5
ESSAY 3Adaptation Paper
  • An Comparative Analysis of a Short Story,
    Novella, or Novel Adapted into a Feature-Length
    Film

6
Preliminary Class Choices
  • Group discussion

7
The Structure of Your Final Paper
  • First, you should briefly summarize the novel,
    short story, or novella you chose
  • Second, summarize the film, playing more specific
    attention to the differences between the two.
  • Thesis paragraph
  • Body paragraphs organized in one of three ways
  • Topic/Theme specific addressing both book/film
  • Topic/Theme specific, but alternating first
    addressing book, then film, and so on.
  • Y-shaped a few t/t-specific focused on book,
    followed by a few t/t specific focused on film,
    followed by a few focused on both.
  • Regardless, all of the above would need topic
    sentence, evidence and analysis.
  • Conclusion

8
Remember.
9
What is Adaptation?
  • In their book, Adaptation Studying Film and
    Literature, John Desmond and Peter Hawkes write
    that adaptation is the transfer of a printed
    text in a literary genre into film.
  • Even when the adapter attempts to transfer the
    original story to film as closely as possible,
    film is another medium with its own conventions,
    artistic values, and techniques, so the original
    text is transformed into another work of art.
  • Adaptation, then, is an interpretation
  • Microcosmic versus Macrocosmic Analyses of
    Adapted Texts and Films

10
The Problem of AdaptationFrom Story, by Robert
McKee
  • Three main media for telling stories
  • Prose (short stories, novels, etc.)
  • Theatre (plays, musicals, opera, ballet, etc.)
  • Screen (films and television)
  • Novels/stories best dramatize inner conflict,
    shown through the language of thoughts, feelings,
    etc.
  • Theatre best dramatizes personal conflict, show
    through pure dialogue (80 for the ear, 20 for
    the eye.)
  • Films best dramatize projected extra-personal
    conflict close-ups engage subtleties in facial
    expression, emotions, etc. that theatre cannot
    express. Dialogue becomes far more nuanced, etc.
    etc. Full exploration of human beings engaged
    with their setting, societies, etc.
  • As an example of the difference, think of how
    quickly prose can be translated into a series of
    images, whereas it can take a thousand words to
    express the essence of one image.

11
Macrocosmic versus Microcosmic Analysis from Text
to Film
12
Essay 3 Exercise 3.1 Plot Due in two weeks
4/9
  • First read the book/story in question in detail
    and write a one-page plot summary thereof.
  • Then, see the movie(s) in question and write a
    one-page plot summary thereof.
  • JUST ON THE LEVEL OF PLOT, write a page or two
    about what the similarities and differences
    between the book/story and the film
  • Sequence of events (are they in the same order?)
  • What scenes are left out, added, enhanced,
    diminished?
  • Characters left out, added, enhanced, diminished?
  • Setting changed, enhanced, diminished?
  • Brainstorm for a paragraph or two about why the
    filmmakers might have made these decisions about
    plot, and how in your opinion, those decisions
    strengthened, weakened, ruined, etc. the original
    story.

13
Essay 3 Exercise 3.2 Character Due in Two
Weeks 4/9
  • After reading the book, focus in on the
    protagonist.
  • Write a one-page character analysis thereof i.e.
    a close-reading of this character alone.
  • Then, after seeing the film, write a one-page
    character analysis of the protagonist therein.
  • Then do the following
  • Write a list of all key characters in the book
  • Write a list of all key characters in the film
  • Take the top three characters in each and
    compare/contrast their respective roles.
    Consider the book the primary source and the film
    the secondary. How well does the film adhere to
    the book regarding character? do the characters
    in the book change in the film? are they used
    differently?
  • Brainstorm about why the film makers may have
    made the decisions above about character.

14
Exercise 3.3 Due in Three Weeks, 4/16
  • Write to very brief summaries of the book and
    film.
  • Then choose three elements between the two that
    you would like to microanalyze (example one
    character, one element of setting, one plot
    point, one scene or any combination of the
    above).
  • Make sure these three elements can be related to
    each other in some meaningful way to help you
    construct a larger macro-argument about the
    overall adaption you are studying.
  • Write your Thesis
  • Outline your body paragraphs (similar structure
    to E2)
  • Conclusion should be a macro response to the
    above

15
The Odyssey and Oh Brother, Where art thou?
  • Character Odysseus versus Ulysses Everett McGill
  • Similarities both tricksters, both leaders, both
    experience terrible luck, both cursed and pursued
    by a god-like figure (Poseidon and Sherriff
    Cooley).
  • Differences Odysseus was protected and aided by
    Athena, Odysseus was a King, Odysseus was a
    warrior, Odysseus was of noble birth, etc. etc.
  • Setting Ancient Greece versus Mississippi during
    the Great Depression
  • Plot point Odysseus is plagued by floods and the
    sea whereas Everett is saved by a flood.
  • Plot point Odysseus wins his wife back, whereas
    Everett does not fully do soor at least we are
    left unsure, because of the missing ring.

16
Potential Unifying Themes
  • Nobility and a Sense of Honor versus Desperation
    and Materialism
  • Luck versus Accountability
  • Loyalty versus the lack thereof i.e. what traits
    in Odysseus character engender such loyalty,
    versus the traits in Everetts character that do
    not
  • Honor versus Materialism
  • The influence of humor in both stories

17
Essay 3
  • Class Samples

18
Class Vote on 4/16-4/23
  • Option A We have class, and despite vast
    differences in projects, try to find a common
    ground.
  • Option B Depending on the projects you have
    chosen, we break the class time up into half-hour
    sessions, during which we meet in small groups.
  • Option C we cancel class, and work solo, but
    each of you must agree to schedule an uber
    conference with me 1 hour plus.
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