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Understanding by Design

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Title: Understanding by Design


1
Understanding by Design
The Big Ideas of UbD

2
3 Stages of (Backward) Design
3
Understanding by Design Template
  • The UbD template embodies the 3 stages of
    Backward Design
  • The template provides an easy mechanism for
    exchange of ideas

4
The big ideas of each stage
What are the big ideas?
Whats the evidence?
How will we get there?
5
Components of Each Stage
Stage 1
Stage 2
Stage 3
L
Learning Plan
T
U
Understandings
Task(s)
R
Questions
Rubric(s)
Q
Content Standards
OE
Other Evidence
CS
Knowledge Skill
K
6
Standards
  • Process Standards
  • Content Standards
  • Grade Level Expectations
  • I Can Statements

7
The big ideas provide a way to connect and recall
knowledge
Originality
8
Other Big Ideas in Literacy
  • Rational persuasion vs. manipulation
  • Audience and purpose in writing
  • A story, as opposed to merely a list of events
    linked by and then
  • Reading between the lines
  • writing as revision
  • A non-rhyming poem vs. prose
  • Fiction as a window into truth
  • A critical yet empathetic reader
  • A writers voice

9
Questions for identifying truly big ideas
  • Does it have many layers and nuances, not obvious
    to the naïve or inexperienced person? Reflect the
    core ideas as judged by experts?
  • Is it (therefore) prone to misunderstanding as
    well as disagreement?
  • Can it be used throughout K-12?
  • Are you likely to change your mind about its
    meaning and importance over a lifetime?

10
Youve got to go below the surface...
11
to uncover the really big ideas.
12
3 Stages of Design, elaborated
2. Determine acceptable evidence
13
Stage 1 Identify desired results.
  • Key Focus on Big ideas
  • Enduring Understandings What specific insights
    about big ideas do we want students to leave
    with?
  • What essential questions will frame the teaching
    and learning, pointing toward key issues and
    ideas, and suggest meaningful and provocative
    inquiry into content?
  • What should students know and be able to do?
  • What content standards are addressed explicitly
    by the unit?

U
Q
K
CS
14
The Big Idea of Stage 1
  • There is a clear focus in the unit
  • on the big ideas
  • Implications
  • Organize content around key concepts
  • Show how the big ideas offer a purpose and
    rationale for the student!
  • You will need to unpack Content standards in
    many cases to make the implied big ideas clear

15
From Big Ideas to Understandings about them
U
  • An understanding is a
  • moral of the story about the big ideas
  • What specific insights will students take away
    about the the meaning of content via big ideas?
  • Understandings summarize the desired insights we
    want students to realize

16
Understanding, defined They are...
  • Specific generalizations about the big ideas.
    They summarize the key meanings, inferences, and
    importance of the content
  • Deliberately framed as a full sentence moral of
    the story Students will understand THAT
  • Require uncoverage because they are not facts
    to the novice, but unobvious inferences drawn
    from facts - counter-intuitive easily
    misunderstood

17
Understandings Examples...
U
  • Great artists often break with conventions to
    better express what they see and feel.
  • Friendships can be deepened or undone by hard
    times
  • History is the story told by the winners
  • The storyteller rarely tells the meaning of the
    story

18
Knowledge vs. Understanding
  • An understanding is an unobvious and important
    inference, needing uncoverage in the unit
    knowledge is a set of established facts.
  • Understandings make sense of facts, skills, and
    ideas they tell us what our knowledge means
    they connect the dots

19
Essential Questions
Q
  • What questions
  • Are arguable - and important to argue about
  • Are at the heart of the subject
  • Recur - and should recur - in professional work,
    adult life, as well as in classroom inquiry
  • Raise more questions provoking and sustaining
    engaged inquiry
  • Often raise important conceptual or philosophical
    issues
  • Can provide organizing purpose for meaningful
    connected learning

20
Sample Essential Questions
Q
  • Who are my true friends - and how do I know for
    sure?
  • Does a good read differ from a great book? Why
    are some books fads, and others classics?
  • To what extent is geography destiny?
  • How different is a scientific theory from a
    plausible belief?
  • What is the governments proper role?

21
3 Stages of Design Stage 2
22
Stage 2 Assessment Evidence
  • What are key complex performance tasks indicative
    of understanding?
  • What other evidence will be collected to build
    the case for understanding, knowledge, and skill?
  • What rubrics will be used to assess complex
    performance?

T
OE
R
23
The big ideafor Stage 2
  • The evidence should be credible helpful.
  • Assessments should
  • Be grounded in real-world applications,
    supplemented as needed by more traditional school
    evidence
  • Provide useful feedback to the learner, be
    transparent, and minimize secrecy
  • Be valid, reliable, and fair - aligned with the
    desired results of Stage 1

24
Just because the student knows it
  • Evidence of understanding is a greater challenge
    than evidence that the student knows a correct or
    valid answer
  • Understanding is inferred, not seen
  • It can only be inferred if we see evidence that
    the student knows why (it works) so what? (why it
    matters), how (to apply it) not just knowing
    that specific inference

25
Assessment of Understanding via the 6 facets
  • i.e. You really understand when you can
  • Explain, connect, systematize, predict it
  • Show its meaning, importance
  • Apply or adapt it to novel situations
  • See it as one plausible perspective among
    others, question its assumptions
  • See it as its author/speaker saw it
  • Avoid and point out common misconceptions,
    biases, or simplistic views

26
Scenarios for Authentic Tasks
T
  • Build assessments anchored in authentic tasks
    using GRASPS
  • What is the Goal in the scenario?
  • What is the Role?
  • Who is the Audience?
  • What is your Situation (context)?
  • What is the Performance challenge?
  • By what Standards will work be judged in the
    scenario?

G
R
A
S
P
S
27
Reliability Snapshot vs. Photo Album
  • We need patterns that overcome inherent
    measurement error
  • Sound assessment (particularly of State
    Standards) requires multiple evidence over time -
    a photo album vs. a single snapshot

28
For Reliability SufficiencyUse a Variety of
Assessments
  • Varied types, over time
  • Authentic tasks and projects
  • Academic exam questions, prompts, and problems
  • Quizzes and test items
  • Informal checks for understanding
  • Student self-assessments

29
Some key understandings about assessment
  • The local assessment is direct the MAP is
    indirect (an audit of local work)
  • The only way to assess for understanding is via
    contextualized performance - applying in the
    broadest sense our knowledge and skill, wisely
    and effectively

30
3 Stages of Design Stage 3
2. Determine acceptable evidence
31
Stage 3 Big Idea
32
Stage 3 Plan Learning Experiences Instruction
  • A focus on engaging and effective learning,
    designed in
  • What learning experiences and instruction will
    promote the desired understanding, knowledge and
    skill of Stage 1?
  • How will the design ensure that all students are
    maximally engaged and effective at meeting the
    goals?

L
33
Think of your obligations via W. H. E. R. E. T.
O.
L
W
  • Where are we headed? (the students Q!)
  • How will the student be hooked?
  • What opportunities will there be to be equipped,
    and to experience and explore key ideas?
  • What will provide opportunities to rethink,
    rehearse, refine and revise?
  • How will students evaluate their work?
  • How will the work be tailored to individual
    needs, interests, styles?
  • How will the work be organized for maximal
    engagement and effectiveness?

H
E
R
E
T
O
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