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S168 - 31/05/07 - 11:30 - Learning through emotions - May theatre lead a learning process?

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Title: S168 - 31/05/07 - 11:30 - Learning through emotions - May theatre lead a learning process?


1
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Carlo Bellamio, Le Nuvole - Naples - Italy -
www.lenuvole.com
Science on stage Applause
2
CO_scienze
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • Bringing together and artistically contaminating
    the scientific and the theatrical language.

3
CO_scienze 1997/2007
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • The project was first conceived in 1997 and has
    been continually enriched until evolving into its
    present form.
  • By reflecting on the widespread disinterest
    towards the technical-scientific world that many
    people have experienced since their early school
    days.
  • Through the request for teacher training
    programmes from teachers themselves.
  • From a desire to succeed in communicating the
    technical- scientific world in a clear, playful,
    accessible and enjoyable way.
  • With the desire of promoting fascinating topics
    that are often neglected due to the groundless
    prejudice concerning their difficulty.
  • By research into the experimentation of new
    didactic models and the success of theatrical
    guided tours of both individual exhibits and
    scientific exhibitions realized with Città della
    Scienza of Naples in various Italian science
    museums. The use of poetic language in the
    promotion of scientific culture that is capable
    of attracting and fascinating.

4
The structure of CO_scienze
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • Co_scienze is made up of various sections aimed
    at the realization of training programs and the
    promotion of scientific knowledge utilising the
    language of artistic and scientific tradition.
  • This is because the union of theatre, art,
    science and literature has created new
    dramaturgic forms that, although inspired by
    tradition, have overlapped, in a complementary
    way, into other fields of knowledge.

5
The structure of CO_scienze
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
The sections of the project are- A permanent
school for the theatrical communication of
science- A scientific drama award- A theatre
festival- A conference
6
Permanent school for the theatrical communication
of science
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • The purpose of the school is to train the
    professional figure of the scientific
    communicator - an expert promoter who is also
    passionate about science and theatre.
  • To this section of the project also belong
  • La scienza in viaggio (Science on the move) a
    travelling training project that includes a
    program of exchange between operators active in
    the various structures with the objective of
    promoting scientific culture.
  • Intensive training programs and advanced courses
    on specific communication forms led by drama
    experts.

7
CO_scienze - A scientific drama award
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • A scientific drama award aimed at stimulating
    the writing and popularisation of new scientific
    work.
  • The participants, either singularly or in
    groups, are invited to write a script on an
    argument on any scientific theme. The play should
    include one or more of the following performance
    techniques actor- theatre, dance-mime,
    figure-theatre and theatre of narration.
  • Particular attention will be paid to school
    productions. Project teachers will receive the
    assistance from a scientific-artistic
    observatory.
  • Theatre scripts will be read by an
    artistic-scientific jury and the chosen winner
    will be staged and performed on the Italian
    theatre circuit.

8
CO_scienze - Conference- networks
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • An annual exchange of ideas between the world of
  • theatre
  • scientific communication
  • museums
  • schools
  • With the aim of establishing systematic
    relationships and constructive contamination and
    cross pollination between the language of
    science and theatre and methods and modes of
    informally transmitting scientific knowledge.

Themes include the role of theatre in the
communication of science and the training of
science communicators, exhibition structures and
guided tours.
9
CO_scienze - Theatre Festival
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • A festival of youth theatre with performances
    hosted in Le Nuvole theatre. Schools will be
    given the opportunity to develop scientific
    themes from the past, the present and the
    hypothetical future.
  • The program will be enriched by performances
    conceived for non-conventional theatre spaces,
    such as science centres and festivals.

10
Scientific theatre
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • Why does a theatre for the new generations
    decided to pass through the scientific
    communication?

11
I Galilei
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • The project began life in 1997 in co-production
    with Città della Scienza of I Galilei, drawn
    from the Vita di Galileo (Galileos Life) by
    Bertold Brecht
  • The project comprised
  • an exhibition
  • a book
  • a show with 20 actors and live music

12
Guided Tours
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • This lucky encounter between a museum that was
    beginning to distinguish itself amongst the
    national scientific and educational community (in
    2001 Città della Scienza became the first
    Italian Science Centre) and Le Nuvole - who
    were called in to manage the guided tours and
    didactic activities, as well as the production of
    animated events- evolved into a prolific project
    of contamination between scientific and
    theatrical languages.

13
From guided tours to theatre-visits
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • The first step was to imagine that conducted
    tours could be made theatrical. This is how
    theatre-visits, that are still valid
    experimental models of scientific communication,
    were born.
  • The unique and distinctive characteristic of the
    theatre-visits is that they are performed not
    by actors but biology, mathematics, physics and
    engineering experts who have undergone training
    with school of theatral science communication.
  • The script that is performed is a product of the
    reserch of scientific experts who are helped in
    the staging of the show by professional theatre
    directors.
  • The end product is neither a theatrical show,
    nor a simple conducted tour. Special attention is
    drawn to the communicators gestures, words,
    mime, narrative and animation style with the aim
    of catching the attention and stimulating the
    curiousity of the public.

14
theatre-visits
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • Luna e laltra
  • (The Moon and the Other)
  • Percorso Galileiano
  • (Galileian Way)
  • In viaggio con Darwin
  • (Travelling with Darwin)
  • Napoli scopriamo la Città
  • (Discovering Naples)
  • Were conceived to be performed in museums, and
    therefore require a very simple set and a text
    that draws its inspiration from the place they
    have been invented for.

15
Tournée of theatre-visits
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • Nevertheless the in-depth study involved in the
    preparation of the script, the simple logistics
    and the possibility of staging the performance
    in a non-conventional space have led to these
    shows being very much appreciated.
  • Indeed performances are often requested by other
    museums and science festivals throughout Italy.

16
Parallel convergences
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • The didactic performances continue travelling
    along one track while on the other track travel
    micro-dramas with scientific themes.
  • This is the case of Lotteria Nucleare (Nuclear
    Lottery) a show that was staged with the script
    that won the very first competition of scientific
    dramaturgy- and Le Nanometamorfosi, a show
    produced for the occasion of the Nanodialogue
    exhibition that was part of the Festival of
    Science held in Genoa in 2006.

17
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • Ten years on from taking this path we find
    ourselves in a new point of departure. This is a
    result of the daily questions and of the doubts
    that make us reflect on what we mean by
    communication methods.

18
Selecting the operator
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • The first question to ask is Who to select?
  • Shoud we select an actor to transmit the
    requisite scientific knowledge? An actor by
    virtue of his or her training and out of artisitc
    necessity, is accustomed to breaking set moulds
    and patterns of thoughts.
  • Or should we choose a scientist who uses
    schematic thinking as one of the instruments of
    his daily analitic work and whom we could train
    to break up his methodological communication
    habits?

19
Scientific communicators - knowledge
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • The key to the selection process is in the
    definition of knowledge that is not only
    concepts, but also background, recollections,
    images and emotions.
  • Concepts belong to scientists, not to actors.
  • Life experiences, recollections, images and
    emotions belong to everybody.

20
Scientific Emotions
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • The audience doesnt learn science during a show
    or a conducted-tour, nor during a moment of
    animation or a technical demonstration, but in
    both cases it relies on the images and emotions
    to remember what it has seen and heard, as these
    strike an accord with the heart, and not the
    head.
  • So, why not exploit
  • life experiences,
  • background,
  • images and emotions?

21
Communicating science in a theatrical and
effective way involves acting on learners
emotions in order to transfer concepts.
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
22
The amount of time spent to prepare an actor
scientifically is greater than that spent on the
theatrical training of a communicator.
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
23
Training- diverse intensity
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • If we consider that the choice of a scientific
    communicator is simpler and more profitable, we
    have to create a training program that teaches
    about the emotional component of knowledge.
  • The training system experimented, foresees three
    levels of training
  • start-up
  • study in depth
  • specification

24
Scientific communicators trainingstart-up
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • This is the phase in which the communicator,
    whilst still undergoing training and after having
    received explanatory material about the permanent
    exhibitions of the museum and any temporary
    shows, accompanies the expert communicator on a
    guided tour, in order to steal in the field
    tried and tested ways and techniques of science
    communication.
  • Moreover the expert communicator supports the
    trainee communicator when the latter has to face
    the test of demonstrating an exhibit or
    explaining an experiment.
  • In this way the more expert communicator acts as
    an informal teacher for the new communicator and,
    at the same time, the new communicator evaluates,
    according to his level of expertise, the work of
    the expert who is subjected to examination.

25
Scientific communicators trainingIn depth study
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • The training programme of the school of
    theatrical communication of science in
    partnership with Città della Scienza and
    Fondazione Idis consists of
  • 1 - Definition of the communicator (5 of course
    time)
  • National and international survey
  • Role
  • Specific training
  • 2 Theatrical training of the communicator (40
    of the course)
  • use of body and gesture in the integration of
    verbal communication
  • Use of voice and narration techniques
  • space and movement awareness
  • 3 Museums, exhibitions and scientific
    communication (15 of the course)
  • Communicating in museums and scientific festivals
  • Exhibitions and their interpretation
  • Exhibits and their communicative use
  • 4 Communication of science many micro dramas
    (40 of the course)
  • Reserch and in depth study of the chosen text
  • The dramatization of scientific communication

26
Scientific communicators trainingspecification
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • Workshops specifically aimed at the production of
    theatrical performances with a scientific theme.
  • The communicators who have already attended the
    school of theatrical communication of science and
    who have been selected according to their
    previous talents and communication skills work
    together with a dramatist and a director on
    researching and writing a theatrical script and
    in the staging of scientific performances to be
    performed in science festivals and museums.

27
Scientific communicators training Instruments
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • Training therefore intervenes
  • on the body as a tool
  • on the gesture as a language
  • on the space as the place of the divulgation

28
Scientific communicators trainingAims
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • communicating science through the employment of
    exhibits as symbolic elements around which one
    can move and tell stories.
  • dramatizing an event of discovery or of
    historical-scientific research, from which the
    visitor becomes a participative witness, above
    all thanks to the emotions and associations that
    the communicator is able to generate

29
Scientific communicatorsThe science of the actor
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • We also need to value the recovery of a
    storytelling naturalness, which over the years is
    falling into disuse due to the habit of
    conventional training centres to restrict, or
    even annihilate the natural storyteller that is
    in everyone.
  • The science of the actor, after all, is the
    constant verification, that he himself carries
    out on the words, sounds and gestures in order to
    convey his message in the most incisive way.

A pedagogic and maieutic-instructive procedure
that requires the actor to search within himself
for the capacity of recalling and structuring
his own scientific ideas in the form of a story.
30
Learning through emotionscomunicators role
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • Can the communicator transfer scientific concepts
    through emotions?
  • Theatre can manage a learning process?
  • The theatrical communication of science makes
    science more readily comprehensible and
    understandable.

31
Learning through emotions
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • Today not only European society is living a
    climate of constant political, social, cultural
    and technological change. In order to make
    informed choices concerning our careers and
    lifestyles we need to understand these changes
    and to consider their impact on our present and
    future existence.
  • Democracy Many people fear or distrust science.
    Even if European culture is based on technology,
    many peolple feel excluded from its processes. In
    order to make informed decisions it is absolutely
    necessary to be able to distinguish truth from
    falsehood and to be able to weigh up the
    advantages and risks.
  • Competitiveness the people who make political
    and industrial decisions are convinced that a
    scientifically qualified labour force is of prime
    importance for a competitive economy.
  • Employment Job opportunities in the high
    technology sector are increasing dramatically.
    But the research doctorate posts in Universities
    are often vacant because graduates prefer
    financial or business careers. Students should
    approach science before they decide on a career,
    this means that science should be made more
    interesting and attractive.

32
Learning through emotionsnew job opportunities
for communicators
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • More and more scientists understand that if they
    manage to involve a non-elitist audience they
    will be much more supported in their work.
  • It therefore follows that the request for the
    theatrical communication of science is growing
    and has a great potential to grow opening up new
    job opportunities to communicators, whether they
    be actors or scientists.

33
Learning through emotionsA journey of
exploration
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • In this way science transforms into a journey of
    exploration through a multidimensional space
    where multidisciplinary knowledge and language
    contamination co-exist and feed off each other.

34
Learning through emotionsThe informal way
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • The most innovative aspect of the theatrical
    communication of science formula is to give a
    science lesson in a non-conventional space and
    in an informal way.
  • Its essential to involve the audience.
  • Scientists can consider that theatrical language
    and techniques can be the means to communicate
    complex scentific ideas to an audience an
    efficienct way to raise interest in people who
    would otherwise have said Its too complicated
    for me.

35
Learning through emotions
S168 - 31/05/07 - 1130 - Learning through
emotions - May theatre lead a learning process?
Science on stage ApplauseCarlo Bellamio, Le
Nuvole - Naples - Italy - www.lenuvole.com
  • When one asks scientists what motivates them in
    their research work many of them simply answer
    curiosity.
  • And it is this curiosity that we must awaken in
    our audience so that they become conscious of and
    participate in the failures and successes that
    make up the important work of scientists.
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