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Experiencing Surveillance: A Phenomenological Approach

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Surveillance has become commonplace, domesticated, multifarious, part of the background, ... Rhinoceros. Conclusion: Phenomenology & Agency ... – PowerPoint PPT presentation

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Title: Experiencing Surveillance: A Phenomenological Approach


1
Experiencing Surveillance A Phenomenological
Approach
  • Friesen, Feenberg Chung
  • Feb. 23, 2007

2
Surveillance Today
  • Surveillance has become commonplace,
    domesticated, multifarious, part of the
    background,.
  • E.g., Packet sniffing, nannycams, cell phone
    clips, credit card theft, NSA
  • What does this mean for received notions about
    surveillance as panoptic, as enabling total
    control?

3
  • From the central tower the guardian can see all
    of the prisoners at any time. The prisoners
    cannot see the guards in the tower. Not knowing
    if they are being watched, they discipline
    themselves.

4
Recent Variations
  • Synoptic we are watched but "the many have been
    enabled to see the few" (Mathiessen, 1997)
  • Surveillant Assemblage "discrete data flows of
    an essentially limitless range of other phenomena
    such as people, signs, chemicals, knowledge and
    institutions" (Haggerty Ericson, 2000)
  • Data doubles Body double the body itself and
    body information as indistinguishable a change
    on the level of ontology" (van der Ploeg, 2003)

5
Commonalities
  • Surveillance and control explained via functions,
    operations and structures that are impersonal and
    ultimately institutional
  • "the subject of the gaze is rendered in terms of
    its passivity, confined to internalising the
    behavioural repertoires laid out by the
    disciplining authority" (Yar, 2003)
  • Pathological subjectivity, lifeworld (shared
    world of experience), formed through macro-social

6
A Phenomenological Account
  • "Let us imagine that moved by jealousy,
    curiosity, or vice I have just glued my ear to
    the door and looked through a keyhole. I am alone
    behind that door a spectacle is presented as
    'to be seen,' something 'to be heard.' 'I do
    what I have to do.' My consciousness sticks to my
    acts, it is my acts. My attitudehas no "outside
    a pure mode of losing myself in the world, of
    causing myself to be drunk in by things as ink is
    by a blotter. (Sartre, 56)

7
Intentionality Lifeworld
  • Self, as consciousness is constituted through
    plans and intentions, and the resulting
    relationship to the world "My consciousness
    sticks to my acts, it is my acts.
  • The lifeworld, its space time, ones
    embodiment in it, are shaped by this
    intentionality "a pure mode of losing myself in
    the world, of causing myself to be drunk in by
    things as ink is by a blotter."

8
A Phenomenological Account
  • But all of a sudden I hear footsteps in the hall.
    Someone is looking at me! What does this mean?
    First of all, I now exist as myself for my
    unreflective consciousness. It is this irruption
    of the self which has been most often described
    I see myself because somebody sees me..

9
New Ontological Modality
  • space and intentional focus shift from the space
    or the world observed through the keyhole to the
    observing self
  • different ontological modality is introduced
  • The person watching now sees herself as watched
    through the eyes of another
  • Awareness shaped by the objectifying gaze of the
    other questions like posture, dress become
    important

10
Extended Body its Traces
  • In surveillance / dataveillance situations, the
    boundaries of the objectified, the "extended
    body" are extended further, and also blurred
  • E.g., Forensic traces, identification online
  • Also are sometimes subject to manipulation by the
    individual
  • Using this conceptual framework, can articulate
    strategies of resistance

11
Agency
  • The question of the "consciousness of the
    subject" "opens the question of panoptic power to
    precisely the phenomenological question of
    intentionality, what the subject does or does not
    attend to in his relation to the world he
    encounters (Yar, 2003)
  • What the subject does/doesn't do in coordinating
    his/her action

12
Objectified, Extended Body in Resistance
  • Guerilla Programming of Video Surveillance
    Equipment.
  • The first work to be performed by the SCP --
    Alfred Jarry's Ubu Roi
  • Samuel Beckett's Waiting for Godot
  • Eugene Ionesco's Rhinoceros

13
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14
Conclusion Phenomenology Agency
  • It is not the objective world --its formations
    and determinations-- that lies at the centre of
    the phenomenological cosmology, but the meanings,
    projects and adventures of embodied
    consciousness.
  • the subjective and objective reconceptualized
    together as co-emergent in action and lived
    experience
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