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Media Arts: Preliminary Landscape Study

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The Last Klezmer; A Letter Without Words. Now - Interweaving Of Public & Private ... Support Jewish And Yiddish Film & Television Preservation. Increase NFJC ... – PowerPoint PPT presentation

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Title: Media Arts: Preliminary Landscape Study


1
Media Arts Preliminary Landscape Study
  • The Documentary Arena
  • October 11, 2004

2
Overview
  • General Documentary Trends
  • Jewish Documentary Trends
  • Lifecycle Of A Documentary
  • Hiding and Seeking
  • Fund For Jewish Documentary Filmmaking
  • Opportunities For Future Development

3
Box Office August 2003-2004
  • Super Size Me 11.3 m
  • Touching The Void 4.6 m
  • The Fog of War 4.2
  • My Architect 2.8
  • Control Room 2.6
  • Step Into Liquid 2.5
  • Winged Migration 2.1
  • Riding Giants 1.8

4
The Big Behemoth
  • Michael Moore
  • Bowling For Columbine
  • Farenheit 9/11
  • Best Film Cannes Film Festival
  • 100 m Domestic
  • 200 m Worldwide

5
Jewish Documentary Trends
  • Mid-80s - Second Generation/Holocaust
  • Image Before My Eyes Partisans Of Vilna
  • Mid-90s - Roots/Yiddishkayt/Lost Culture
    - Eastern Europe Russia
  • The Last Klezmer A Letter Without Words
  • Now - Interweaving Of Public Private

6
  • A Healthy Baby Girl Judith Helfand
  • Trembling Before G-d Sandi Dubowski
  • Divan Pearl Gluck
  • My Architect Nathaniel Kahn
  • Hiding and Seeking Menachem Daum Oren
    Rudavsky

7
Lifecycle of a Documentary
  • An Ideal World/Textbook
  • Script Development
  • Pre-production
  • Filming
  • Editing
  • Festival Circuit
  • Distribution
  • Marketing

8
What It Really Looks Like
  • No Shooting Script
  • Discover Film As You Make It
  • Films Form Changes Over Time
  • Takes Years And Years
  • Test Screenings
  • Patchwork Funding
  • Self-financed, Benefits, Fundraisers, Trailers
  • Extended Courtship With Foundations,
    Distributors, Broadcast Outlets

9
Case Study Hiding and Seeking
10
Fund For Jewish Documentary Filmmaking(FJDF)
  • Where Are We In The Landscape?
  • Completion Funds
  • Projects Must Be In Post-Production
  • Grants Up To 50,000
  • Award 4-6 Per Year
  • Priority To Projects Completed Within One Year Of
    Award
  • Standard Broadcast Length And Likely To Be
    Broadcast

11
FJDF - Creative Criteria
  • Fresh, Engaging Approach
  • Intellectual Vigor and Originality
  • Creative approach to medium
  • Idea of Audience Jewish and General
  • Realistic budget
  • Strong Proposal and Video Sample
  • First-rate Team
  • Marketing and Distribution Ideas

12
FJDF Our Achievements
  • 2 Academy Award Nominations
  • My Architect
  • Promises
  • 3 Emmy Award Nominations
  • Resistance Untold Stories of Jewish Partisans
  • Promises (And Winner)
  • The Life And Times Of Hank Greenberg
  • 3 Peabody Awards
  • Arguing The World
  • The Life And Times Of Hank Greenberg
  • A Healthy Baby Girl

13
  • 3 Films Broadcast On HBO/Cinemax
  • Ruth And Connie, My Architect, H. Greenberg
  • 5 Films National Theatrical Release
  • 11 Films Limited City Theatrical Release
  • Screened In Major International Festivals
  • Sundance, New York, Berlin, Toronto, Rotterdam,
    Chicago, Seattle, Jerusalem

14
Larger Funding World
  • Limited Number Of Funders For Documentaries
  • Split Between Seed And Production/Completion
    Funds

15
Seed
  • California Council For Humanities
  • 15,000
  • Hartley Foundation
  • 1,000 - 20,000
  • IFP/Anthony Radziwill Fund
  • 10,000
  • ITVS/Ford/Diversity
  • 5,000 - 15,000
  • Paul Robeson Fund
  • 5,000 - 20,000
  • Sundance/Soros Fund
  • 15,000

16
Production/Completion
  • NEH
  • 100,000 - 800,000
  • Ford Foundation
  • 100,000 - 500,000
  • MacArthur Foundation
  • 50,000 - 300,000
  • ITVS
  • 250,000 average
  • Sundance/Soros Fund
  • 20,000 - 75,000
  • NYSCA
  • 5,000 - 25,000
  • Hartley Foundation
  • 1,000 - 20,000
  • Jerome Foundation
  • 10,000 - 20,000
  • Creative Capital
  • 5,000 - 20,000
  • NYFA
  • 7,000
  • Women In Film
  • 1,000 - 2,500
  • Playboy Foundation
  • 1,000 - 2,000

17
Where Else Can We Go?Other Opportunities
  • Funding Options
  • Distribution/Marketing
  • Other Kinds Of Support

18
Funding Options
  • Early Money For R D
  • Student Films
  • Debt Relief Fund

19
Distribution/Marketing
  • Traditional
  • Hard Ads
  • Jewish Papers, Trades, Local Newspapers,
    Alternative Press
  • Internal
  • E-mails Blasts, Newsletters, JCN
  • Screening
  • Audience As Partner
  • Parties
  • Celebrate Filmmakers
  • Subscriber-Based Series

20
Outreach
  • Facilitate outreach to Schools, Libraries,
    Synagogues, JCCs
  • Prepare Study Guides
  • Broker Alliances With Grass-roots Organizations
  • Working Films

21
Distribution and Marketing Alternatives
  • Non-Traditional
  • Website
  • Video Press Kits
  • Downloadable Poster, Postcards, Clips
  • MoveOn.Org/Film Connection
  • Small Gatherings To Discuss Film
  • Galleries, House Parties, Alternative Spaces

22
Other Kinds Of Support
  • Continued Dialogue With Artist
  • Filmmaker Support Groups
  • Mentorship With Industry Professionals
  • Process Panels For Filmmakers
  • Testimonials To Other Funders
  • Cultivation of Donors
  • Letters, Screenings, Parties

23
Other Kinds Of Support
  • Work-in-Progress Screenings For Filmmaker
  • Retreats
  • Creative Capital, Robert Flaherty
  • Curate Traveling Package Films
  • Like Image and Identity
  • Sponsor Academic and Public Conferences
  • USCs Eye ThouJewish Autobiography in Film TV
  • Support Jewish And Yiddish Film Television
    Preservation

24
Increase NFJC Visibility
  • Animate Logo Of Fund For Jewish Documentary Films
    And NFJC
  • Do Comp Reel Of Documentaries
  • Festival Of FJDF Films
  • Trailer For Film Festivals

25
End Quote
  • Documentarians are a different breed of
    filmmaker. They are not only passionate their
    passions border on obsession. But it is such a
    wonderful obsession.
  • Jonathan Sehring, President, IFC Entertainment
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