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Survival%20in%20the%20Reign%20of%20Terror

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Title: Survival%20in%20the%20Reign%20of%20Terror


1
Survival in the Reign of Terror
  • Edwidge Dandicat
  • The Children of the Sea

2
Outline
  • General Themes
  • The author Edwidge Dandicat and Krik?Krak, the
    tradition and the collection of short stories.
  • Haiti
  • Children of the Sea survival of humanity
  • Questions
  • the womans experience
  • The mans
  • Humanity at times of trial
  • Ironies (1) Nature
  • Ironies (2) Letter Writing
  • For your reference Reference

3
General Theme Edwidge Dandicat and Fugees
  • One kind of diaspora refugees do they reject
    their past or can they?
  • The lives of Haitians and Haitian immigrants.
  • "new folk ethos
  • the definitive cultural forms produced by
    Africans, or those of African descent, since the
    Atlantic Passage.
  • five elements 1. Music and dance, 2. Drums and
    rhythms, 3. Rhetorical and polemical speech (e.g.
    rap and dub poetry), 4. Art as education and
    entertainment, and 5. Humor and absurdity.
  • (Ref. Martha Cobb Harlem, Haiti, and Havana
    http//reach.ucf.edu/aml3930/danticat/ )

4
AuthorEdwidge Danticat
  • Born in Port-au-Prince, Haiti January 19, 1969,
    starting writing at 9
  • grew up in Haiti under the dictatorship of "Baby
    Doc" Duvalier
  • Emigrated to Brooklyn, New York 1981, (age 12)
    spoke little English then, yet published her
    first writings in English only two years later.
  • Studied in Barnard College for French Literature
    1990, Brown College for Fine Art 1993

5
Writings
  • Beginning, 1978
  • Breath, Eyes, Memory, 1994 (the rural practice of
    testing a girls virginity)
  • Kric? Krac! 1995
  • Farming of the Bones, 1998

6
Kric? Krac!
  • Kric and Krac
  • A weaver of tales
  • a Haitian storytelling tradition in which the
    "young ones will know what came before them. They
    ask Krik? We say Krak! Our stories are kept in
    our hearts".

http//www.bellaonline.com/articles/art5070.asp
7
Dandicats use of Krik? Krak! tradition
  • While that krik krak is the standard ending
    (sometimes opening) for a Caribbean story, the
    stories are usually anancy stories and folktales
    with moral lessons.
  • Danticats nightmarish tales are a far cry from
    those, but her tales do carry a moral lesson
    about the powerful and the powerless, about the
    failure of food to triumph over evil. (Carribean
    Women Writers ERIKA J. WATERS)

8
Kric? Krac! Stories of Common People
  • She tells us of "kitchen poets," women who "slip
    phrases into their stew and wrap meaning around
    their pork before frying it." (note)
  • . . .poor people who had extraordinary dreams
    but also very amazing obstacles." (source
    http//www.english.uwosh.edu/helmers/storyweaver.h
    tml )

9
Krik?Krak! (3) on Women
  • Collective Biography of Haitian women.
  • In many ways, each of these 10 stories (in Krik?
    Krak!) is part of the same tale. Women lose who
    and what they love to poverty, to violence, to
    politics, to ideals. The authors deceptively
    artless stories are not of heroes but of
    survivors, of the impulse toward life and death
    and the urge to write and to tell in order not to
    forgot. (ELLEN KANNERCARRIBBEAN WOMEN WRITERS)
  • e.g. Celianne a woman with a still-born in
    "Caroline's Wedding," there is a scene were a
    congregation prays for her and her child during
    mass.

10
Haiti in the Greater Antilles
1. the Bahamas to the North East of Cuba 

the Greater Antilles
the Lesser Antilles
11
Haiti

12
Haiti a Country with many languages
  • The name of Haiti means mountainous country,
    which was given by the former Taino-Arawak
    people.
  • 1492 Columbus discovered Haiti.
  • 1600 Spanish conquered
  • Hispaniola.
  • 1697 Spanish ceded the
  • domination of Haiti to
  • French.
  • 16971791 The richest colony in the
  • world

13
Haiti 2 Independence
  • 1791 the first major black rebellion
  • took place.
  • 1796 the former slaves prevailed
  • under the leadership of
  • Toussaint LOuverture
  • 1804 the Republic of Haiti
  • The first independent black nation.

14
Recent Haiti Political Upheaval
  • 1820 The failed dictatorship
  • 19151934 The US invaded Haiti
  • for 19 years
  • 1957 Francois Duvalier
  • Papa Doc became
  • the president, ensuring
    his power through his private militia, the
    tontons macoutes (which means in kreyol, uncle
    boogeyman ??).

15
Recent Haiti Refugees
  • 1971 Duvalier died and his son
  • Jean- Claud Baby Doc
  • succeed. By this time Haiti is the
    poorest country in the western hemisphere (and
    remains so to this day).
  • 1972 Arrival of
  • boat people
  • in Florida.

16
Haitian Race and Culture
  • -Divisions of race and class between blacks(about
    95 of population) and mulattos(about 5)
  • -Nearly all blacks speak Creole
  • -French is spoken mainly by the mulatto elite,
    and is the official language.

17
Haitian Race and culture(2)
-An animistic African religion that has been
melded with Catholicism -80 people believe in
Catholicism and 5 people are ProtestantVoodoo
is popular among the farming society
18
Voodoo Festival
19
Survival in Chidren of the SeaStarting
Questions
  • Love Gender
  • How are the two lovers related to each other?
  • Why do they not havenames? (Kompe should be a
    term of address.)
  • Survival and Deaths
  • What different stories of survival death do
    they each tell? (e.g. Madan Roger Celianne
    Lionel Swiss Justin Moise Andre Nozius Joseph
    Frank Osnac Maxilmilen)
  • What are the minor characters(e.g. Madame
    Roger, Celianne, an old man) ways of surviving or
    resisting the dictatorship? Why did the baby of
    Celianne, Swiss,not cry at all on the boat?
  • What do you think about the ending of the story

20
Survival in Chidren of the SeaStarting
Questions
  • Style Theme
  • In this human tragedy, what roles does nature
    play? e.g. butterflies (5, 25, 28-29) banyan
    tree, children of the sea, etc.
  • Why do we have two narrators?
  • What is the overall tone of the story? Sad,
    ironic, or keeping some sense of hope?

21
The Girl
  • Though remembered as one protected by her
    genteel mother and watched by her father (p.
    9), she gets violent (4, 7) and rebellious (11).
  • Witnesses cruelties of the macoutes
  • Madame Rogers son
  • forcing incest
  • Dogs licking dead faces, soldiers molesting
    women.
  • Communication with her mother p. 13 and with her
    father p. 28

22
The man
  • ? dignityavoid crying(p9), bathroom(p15)
  • ? his sense of identity
  • Haitian the song p. 9
  • finally an African 11
  • loses his sense of location on the boundless sea
    (11)
  • Dream of heaven 12
  • a sense of community singing, sharing food and
    story-telling 14

23
His Dream of destruction and sublimation
  1. I dream that we are caught in one hurricane after
    another. I dream that winds come of the sky and
    claim us for the sea. We go under and no one
    hears from us again. (p.6)
  2. The other night I dream that I died and went to
    heaven. This heaven was nothing like I expected.
    It was at the bottom of the sea. (p. 11-12) ?
    starfish and the mermaid having Catholic Mass
    under the sea ? Children of the Sea

24
Humanity at times of trial
  • the boat people
  • Vulture 18 gossiping, and fighting 20-21
  • an old man like a painting, the boat like a
    museum 21
  • The man --cannot throw out the baby Swiss,
  • Communication between the old man and the man
    name and message. 27
  • Under dictatorship
  • whether to rescue Madame Roger.
  • hope used as a weapon. 18

25
Humanity at times of trial (3) Family -- Papa
and Mamma differences
  • Their different views of the two protagonistss
    love p. 13 --mama ambition papa not do her
    good
  • Their different social status he was a
    gardener from Ville rose and her family was from
    the city and some of them had even gone to
    university (p. 22)
  • Their responses to Madame Rogers disaster and
    deathrescue or not self-denial and mourning
    17 19
  • Manman speaks for Papa. Regrets being mean to
    you(p. 5) how he saves her 24

26
Humanity at times of trial (3) Love
  • The man
  • Sex as a way of intimacy.
  • Tried to win the father over.
  • Dont marry a soldier
  • Remember their silly dreams Passing the
    university exams and then studying hard to go
    until the end, the farthest of all we can go in
    school. (p.21)
  • Notebook as his will
  • The woman
  • --loves some one in her life. 22
  • Listen to the exam result.
  • Writing under the banyan tree

27
Ironies in Symbols associated with nature
  • Love and red ants p. 3
  • Mountains and endless sea as obstacles
  • endless mountains p.3 p. 26 signs of power?
  • boundless and unpredictable p. 6
  • sea endless as love, too. The sea that is
    endless like my love for you pp. 15 29
  • sun
  • the sun ? associated with Africa pp. 11 14
    27-28 (going to Africalosing their
    direction)
  • Butterfly superstition, her fathers hand
  • Banyan tree p. 26 -
  • --a spiritual support, most trusted friend,
    holiness can gods hear them?

28
Irony(2) the Letters will never reach each other
  • Motivation keeping their connection with a faith
    in their reunion. I will keep writing like we
    promise to do. When we see each other again, it
    will seem like we lost no time (p. 8)
  • Awareness of not meeting again. It was nice
    imagining that I had you here to talk to. ? A
    poignant revision of the Krik, Krak tradition.
    (p. 27)
  • His love will live when he becomes a child of the
    sea.
  • Conclusion Despite all the weaknesses, evils,
    deaths and ironies they witness and/or
    experience, love and human connections are
    confirmed in their lives.

29
For your reference
  • "Epilogue Women Like Us."
  • Writers don't leave any mark in the world. Not
    the world were we are from. In Haiti, only
    politicians write.
  • You remember thinking while braiding your hair
    that you look a lot like your mother and her
    mother before her. It was their whispers that
    pushed you, their murmurs over pots sizzling in
    your head. a thousand women urging you to speak
    through the blunt tip of your pencil. Kitchen
    poets, you call them. Ghosts like burnished
    branches of a flame tree. These women, they asked
    for your voice so that they could tell your
    mother in your place that yes, women like you do
    speak, even if they speak in tongues that are
    hard to understand.

30
Reference
  • http//reach.ucf.edu/aml3930/danticat/
  • http//voices.cla.umn.edu/authors/EdwidgeDanticat.
    html
  • http//www.english.uwosh.edu/helmers/storyweaver.h
    tml
  • Caribbean Women Writers http//www.english.ucf.edu
    /publications/lit3930/biography.html
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