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DTC central training on using effective questioning and starting lessons

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Title: DTC central training on using effective questioning and starting lessons


1
DTC central training on using effective
questioning and starting lessons
  • Using questioning at Key Stage 3 to get pupils to
    think harder and for longer

Phil Smith Foundation Strand Consultant Bury LEA
2
Before 5.30pm we will
  • Are we fully aware of the range of questions we
    use in our classrooms?
  • Whats good questioning?

Planning for successful questioning?
  • What practical things can we do after this
    training?

3
Before 5.30pm we will
  • See how more purposeful lessons are linked to the
    way they actually start
  • Develop an understanding of many different and
    varied ways of starting lessons to encourage
    greater motivation, engagement and challenge.

4
Why have training in which we just focus on
questioning?
  • What do you think the reasons are?
  • the most common form of interaction between
    teacher and pupil
  • b. an element of virtually every type and model
    of lesson
  • c. a key method of providing appropriate
    challenge for all pupils

d. an important influence on the extent of
progress made
  1. the most immediate and accessible way for a
    teacher to assess learning.

5
Can you spot the dodgy questions?
  • They must capture interest
  • Focus on real worthwhile aspects of that
    subjects thinking, concepts or processes
  • Result in a tangible, lively, substantial and
    enjoyable outcome activity through which pupils
    can genuinely answer the key question

6
Can we spot the dodgy questions?
  • Electricity
  • Weather patterns over Europe
  • Do different people in different countries
    respond the same to natural disasters?
  • Telling the time in French
  • How would you cope if you were lost in Paris
    after missing the school coach?
  • What structures do musicians use to organise
    sounds?
  • Tempo
  • School trip to the art gallery
  • How effective is the art gallery in portraying
    different styles of painting from the 20th
    century?
  • When did the French Revolution happen?
  • Why do we still bother to study the French
    Revolution?

7
Whats the purpose of good questioning in a
classroom?
  • To interest, engage and challenge pupils
  • To check on prior knowledge
  • To stimulate recall and use of existing knowledge
    and experience in order to create new
    understanding and meaning
  • To focus thinking on key concepts and issues
  • To extend pupils thinking from the concrete and
    factual to the analytical and evaluative
  • To lead pupils through a planned sequence which
    progressively establishes key understandings
  • To promote reasoning, problem solving, evaluation
    and the formulation of hypotheses
  • To promote pupils thinking about the way they
    have learned

8
Pitfalls of questioning
It is easy to fall into the trap of
  • asking too many closed questions
  • asking pupils questions to which they can respond
    with a simple yes or no answer

9
Pitfalls of questioning
It is easy to fall into the trap of
  • asking too many short-answer, recall-based
    questions
  • asking bogus guess what Im thinking questions
  • starting all questions with the same stem

10
More pitfalls of questioning
It is easy to fall into the trap of
  • pursuing red herrings
  • dealing ineffectively with incorrect answers or
    misconceptions
  • focusing on a small number of pupils and not
    involving the whole class

11
And some more
  • making the sequence of questions too rigid
  • not giving pupils time to reflect, or to pose
    their own questions
  • asking questions when another strategy might be
    more appropriateSee Handout 4.2

12
Using questions to promote thinking.Theres
nothing so practical as a good theory!
Achievement at NC Level 5 require such
higher-order thinking
Bloom researched thousands of questions that
teachers asked and categorised them
And yet pupils level of achievement can be
increased by regular practice of higher-order
thinking
The majority of questions asked (95) by teachers
were factual recall and comprehension
Few questions developed higher-order thinking
skills
13
Goldilocks and Bloom
  • KnowledgeWhose porridge was too sweet?
  • ComprehensionWhy did Goldilocks like Little
    Bears bed best?
  • ApplicationWhat would have happened if
    Goldilocks had come to your house?
  • AnalysisWhich parts of the story could not be
    true?
  • SynthesisCan you think of a different ending?
  • EvaluationWhat do you think of the story?
  • Was Goldilocks good or bad? Why?

14
What did Bloom discover?
  • Evaluation being able to judge the worth of
    material against stated criteria. Sees pupils
    judging, assessing comparing and contrasting
  • Synthesis being able to put together separate
    ideas to form new wholes, or to establish new
    links
  • Analysis being able to explain how the various
    parts fit together, infer and analyse
  • Application using learnt information, ideas and
    skills in new topics/situations.
  • Comprehension where pupils start to understand
    the basic information so that they can explain it
  • Knowledge or recall of bits of stuff..can be
    the foundation for higher levels of thinking

15
How much of Bloom is in your classroom?
  • In groups of 3 or 4 can you identify what range
    and styles of questions are being asked to these
    pupilsHandout 4.4
  • Use Blooms list to classify and sort these
    questions.
  • This is pretty tricky to do since we are taking
    these questions out of context.

16
Some suggested answers
Blooms taxonomy Questions
Knowledge 2,3,11
Comprehension 10, 15
Application 5,9,13,16,18
Analysis 4,14,17
Synthesis 6,12
Evaluation 1,7,8
17
How much more of Bloom can you get into your
classroom?
Knowledge
  • Questions for learning
  • What three things are the most important?
  • Describe them to me
  • List for me the key characters in the book
  • Write your list, turn it over, repeat it
  • Where in the book would you find
  • Name as many characters as you can, go for 5
  • Activities
  • Tell
  • Recite
  • List
  • Memorise
  • Remember
  • Find
  • Name

18
How much more of Bloom can you get into your
classroom?
Comprehension
  • Questions for learning
  • What do you think is happening here?
  • Can you think of any other examples?
  • What might this mean?
  • What 3 things are the most important?
  • Activities
  • Explain
  • Give examples of
  • Summarise
  • draw

19
How much more of Bloom can you get into your
classroom?
Application
  • Questions for learning
  • Plan and deliver a presentation to
  • What is most significant for your chosen
    audience?
  • How can you best demonstrate your understanding?
  • Activities
  • Demonstrate
  • Based on what you know
  • Model

20
How much more of Bloom can you get into your
classroom?
Analysis
  • Questions for learning
  • What information is needed? Where will you get
    it?
  • Organise the data using a flow chart/concept map
  • List arguments for and against, compare them
  • Separate into fact and opinion using a Venn
    diagram
  • Activities
  • Investigate
  • Classify
  • Categorise
  • Facts and opinions

21
How much more of Bloom can you get into your
classroom?
Synthesis
  • Questions for learning
  • Provide a portfolio for evidence showing your
    case for
  • Taking the theme of stillness produce three
    pieces for piano
  • Using all the evidence available
  • Based on the evidence and your own feelings, what
    do you think is likely to?
  • Activities
  • Create
  • Compose
  • Forecast
  • Formulate
  • Argue the case for
  • Predict
  • Imagine

22
How much more of Bloom can you get into your
classroom?
Evaluation
  • Questions for learning
  • Re-order with a justification
  • Design a mechanism to evaluate the performance
  • Discuss the relative merits in relation to
  • Following your critique, say which is better and
    why
  • What is the bst option? Why? List five reasons.
  • Activities
  • Prioritise
  • Rate
  • Grade
  • Critique
  • Judge
  • Recommend

23
Tactics used in a real classroom
  • Use Handout 4.5 to record some positive features
    of the questioning

24
Ms. History
  • Stimulated thinking by
  • Having an unhurried pace
  • Allowed wait times.(the average wait time is
    less than 1 second and below average pupils are
    given even LESS wait time).
  • Open ended questions
  • Pupils asked speculative What if questions
  • Extended/sustained responses by
  • Requesting explanations
  • Posed challenging Why questions
  • Pupils answers are valued by the teacher

25
Ms. History
  • Encouraged active listening by
  • Poising questions to conscripts as well as
    volunteers
  • Using a variety of questions
  • Encouraging pupils to generate their own questions
  • Created an interaction between pupils by
  • Carefully structuring think, pair, share
    sessions
  • Encouraging to ask each other questions
  • Requesting pupils to add to and challenge the
    answers provided by others

26
Handouts 4.6 and 4.7
  • Great use of departmental timespend 25 minutes
    as a department using 4.6 to identify possible
    benefits and contexts for using each tactic with
    a particular class in mind.
  • Whilst 4.7 provides the basis for further
    discussion

27
Ready for more?
  • Begin to build key questions into your medium as
    well as short-term planning.
  • In a departmental meeting discuss how you might
    plan sequences of questions that build up pupils
    understanding of important concepts.

28
Pacey starts can be crucial
Per lesson Over the Key Stage 3
1 minute saved 2 hours saved
2 minutes saved 4 hours saved
3 minutes saved 6 hours saved
29
Common ways of starting a lesson
  • Sit down and get your books out
  • Copy the date and title then listen to teacher
  • Quick recap on the previous lesson
  • Take the register
  • Answer a few brief questions before the lesson
    fully develops
  • Stand behind your chair
  • Hand books out
  • Waiting for silence

30
The ideal learning state


High
Challenge
Low
High
Low
Stress
31
Activitythe High Challenge-Low Challenge game
  • High challenge refers to the extent to which
    high-order thinking is demanded by the starter
    activity

32
Activitythe High Challenge-Low Challenge game
  • Challenge is not the only factor in an effective
    start to the lesson
  • (i) Pacewith focus on thinking and learning
    rather than on the business of the activity.
  • (ii) Interactionessentially the pupils are
    active.
  • (iii) Involvementbe wary of the Put your hand
    up and tell me what we did last week syndrome
    setting in.

33
Activitythe High Challenge-Low Challenge game
  • Challenge is not the only factor in an effective
    start to the lesson
  • (iv) Connecting with prior learning..
    Do you remember when?
  • (v) Arouse pupil curiosity and intrigueare
    they thought provoking?
  • (vi) Can include brief, small-group activities.
  • Id like you to think about what you think
    were the three most important things which you
    can remember about.which we did last week. Turn
    to your partner and explain what you have chosen
    and why?

34
But what is the BIG picture youre trying to
create?
  • Starter activities work best when they are placed
    within challenging and fun sequences of lessons
    (See art/geography examples)

Main enquiry covering a series of lessons over a
period of weeks perhaps
Starter
Starter
Starter
35
Multiple Intelligences and starting lessons
36
What this really means
  • Logical/Mathematical
  • Puzzles
  • Charts
  • Graphs
  • Analysis
  • Forecasts
  • Predictions

37
Imaginative use of this model
  • Logical/Mathematical in English
  • M-KD (KM)
  • Macbeth minus King Duncan equals King
    Macbeth-but not for long, so put it in brackets

38
What this really means
  • Interpersonal
  • Group work
  • Team work
  • Interviewing
  • Chat shows
  • Drama
  • Teaching others
  • Group leading
  • Group co-ordinating

39
Imaginative use of this model
  • Interpersonal
  • This can free yourself up to work with those who
    really need your support.
  • Buddy-up systems

40
What this really means
  • Intrapersonal
  • WIIFMs?
  • Empathy
  • Emotional
  • Metacognition
  • Target setting
  • HypotheticalWhat if?

41
Imaginative use of this model
  • Intrapersonal
  • Encourage reflectionWell donehow did you do
    it?
  • Which bits did you learn quickest and why?
  • How would you feel if.? (Geography and the rain
    cycle)
  • Science experiments

42
What this really means
  • Visual/spatial
  • Learning maps
  • Posters
  • Highlighter pens
  • Symbols
  • Icons
  • Instructive display work

43
Imaginative use of this model
  • Visual/spatial
  • We have a better memory for pictures than we do
    for words (see From the land of the gods)
  • Using colour improves our memory
  • Mind-mapping

44
What this really means
  • Body/physical
  • Role play
  • Making models
  • Movement
  • Acting
  • Practical
  • Walking through the learning

45
Imaginative use of this model
  • Body/physical
  • English Dept used Go high and Go low when
    developing a new area of learning.
  • Happy-sad continuums.
  • Moving around the classroom (Trenches-table
    example)
  • Science lesson (solar system in the hall-moving
    to Holsts The Planets)
  • MathsJumping from column to column

46
What this really means
  • Musical
  • Rhymes
  • Raps
  • Jingles
  • Songs
  • Background music

47
Imaginative use of this model
  • Musical
  • Creates the right kind of atmosphere for learning
  • Examples (Bachs Goldberg Variations/Pachelbel)

48
What this really means
  • Verbal linguistic
  • Debates
  • Stories
  • Discussions
  • Poems
  • Word games
  • Speeches
  • Diary entries

49
Imaginative use of this model
  • Verbal/linguistic
  • Class discussions (think carefully about your
    enquiry question)
  • Radio commercials
  • Poems to help with remembering key concepts

50
What this really means
  • Naturalistic
  • Going out of the classroom to learn
  • Classifying into family groups

51
What this really means
  • Naturalistic
  • Varying your classroom environment (Battle of
    Hastings out doors?)
  • Which animals would Disney use in a cartoon
    version of Macbeth?
  • Persecution of other groups through Darwins
    eyes?
  • Emily Davison throwing herself in front of the
    horse from the horses point of view
  • Amazonian rainforest through the eyes of the
    creatures living there and dying there

52
Be aware
  • We tend to teach and start lessons according to
    the way WE prefer to learn.
  • Wear your creative thinking hat
  1. How can we incorporate music into Art lessons?
  2. Can we use these models to evaluate our current
    schemes of work?
  3. Would Mozart have been happy just doing Music one
    hour a week?

53
WARNINGWatch out for the potential problems!
1. Take too long or even take over the whole
lesson!
2. They can lose pace and direction and lack
clear learning outcomes
3. Too quick a pace can lose pupils who need
extra thinking or speaking time
54
WARNINGWatch out for the potential problems!
4. Can bore the more able if you are not careful!
5. Become a fixed routine that bores
6. Can be derailed by the arrival of latecomers
55
So if those are the problems, what are the
solutions?
  • They need careful planning and preparation so
    that everyone (teacher and pupils) see the
    purpose of the activity
  • Remain focussed on the purpose of the starting
    activity
  • Use a variety of activities to get the lessons
    started

56
So if those are the problems, what are the
solutions?
  • Skilful teacher questioning, coupled with
    thinking time. (Blooms ideas are really useful
    here)
  • Effective use of classroom support
  • Adding extra challenge for some by increasing the
    complexity or sophistication of the activity

57
The keys to successful starters
  • To avoid over running plan this as a discrete
    element of the lesson.
  • Ensure that your starter activities contribute
    directly to the overall lesson objectives
  • Choose starters that best fit your BIG picture
    planning
  • Make sure that your starter activities show
    progression over time!

58
Second to last slidethe keys to successful
starters
  • Use varied and unusual routines to create
    motivation. (Think of Alistair Smith and
    Multiple Intelligences)
  • Plan for a brief conclusion at the end of the
    starter to consolidate the gains made

59
Ready for more?
  • Why not trial three different types of starter
    that you have not used before with the one class
    over the enquiry/lesson sequence?
  • Follow this up with a departmental discussion
    about how these might be incorporated into a Year
    7 scheme of work for next year
  • Also during this meeting discuss what other
    colleagues have been trying out.
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